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CARRIE LAMBERT-BEATTY 32 Elmwood Street Somerville, Massachusetts 02144 Lambert2@Fas.Harvard.Edu! ! CARRIE LAMBERT-BEATTY 32 Elmwood Street Somerville, Massachusetts 02144 [email protected]! ! CURRENT POSITION Professor in the Department of History of Art and Architecture and the Department of Visual and Environmental Studies, Harvard University; Faculty, Standing Committee on the Ph.D. in Film and Visual !Studies; Director of Graduate Studies for the Ph.D. in Film and Visual Studies. EDUCATION Stanford University, Stanford, CA Ph.D. 2002 in Art History !Dissertation: “Yvonne Rainer’s Media: Performance and the Image, 1961-73” Whitney Museum of American Art Independent Study Program, New York, NY !Critical Studies Fellow 1997-98 Washington University, St. Louis, MO ! B.A. 1994 Summa Cum Laude in Art History and Anthropology POST-DOCTORAL! AWARDS & HONORS Radcliffe Alumnae Fellowship, Radcliffe Institute for Advanced Study, Cambridge, MA, !2010-11 !Roslyn Abramson Award (for undergraduate teaching), Harvard University, 2009 Winner, de la Torre Bueno Prize (awarded to one book annually that advances the field of dance history) from the Society of Dance History Scholars, Being Watched: Yvonne !Rainer and the 1960s, 2008 Honorable mention, American Publishers Awards for Professional and Scholarly Excellence (The PROSE Awards), Music & Performing Arts Division, Being Watched: !Yvonne Rainer and the 1960s, 2008 Finalist, Charles Rufus Morey Book Award, College Art Association, 2010, Being Watched: Yvonne Rainer and the 1960s updated 25 November 2013 ! !Getty Research Institute Residential Postdoctoral Fellowship, 2004-05 Northwestern University Research Council Grant, 2004 ! PRE-DOCTORAL AWARDS & HONORS !Dedalus Foundation Dissertation Fellowship Award, 2000-01 !Luce/ACLS Dissertation Fellowship in American Art, 1999-2000 !Phi Beta Kappa Northern California Chapter Graduate Student Scholarship, 1996 ! Phi Beta Kappa, inducted 1993 EMPLOYMENT Harvard University, Cambridge, MA: Professor, Department of History of Art and Architecture and Department Visual and Environmental Studies !July 2012- Harvard University, Cambridge, MA: John L. Loeb Associate Professor of the Humanities, Department of History of Art and Architecture and Department Visual and Environmental Studies !July 2010-July 2012 Harvard University, Cambridge, MA: Assistant Professor of History of Art and Architecture and of Visual and Environmental Studies !July 2004-June 2010 Northwestern University, Evanston IL: Assistant Professor of Art History !September 2001 to June 2004 Bard College, Center for Curatorial Studies, Annandale-on-Hudson, NY: Visiting faculty. !August to December 2000 October Magazine, New York, NY: Managing Editor !September 1999 to July 2001 October Magazine, New York, NY: Copy-editor !December 1998 to June 1999 Chuck Close Studio, New York, NY: Studio Assistant/Registrar !September 1997 to August 1998 Anderson Art Collection, Menlo Park, CA: Curatorial Assistant Lambert-Beatty !2 !August 1996 to June 1997 Stanford University Art Department, Stanford, CA: Teaching Assistant (Introduction to the Visual Arts, American Art Since 1940, The Sixties: America and Europe) !September 1995 to April 1997 !PUBLICATIONS !Book Being Watched:! Yvonne Rainer and the 1960s (Cambridge, MA: MIT Press, 2008) Excerpt reprinted and translated in Yvonne Rainer: Raum Körper Sprache / Space Body Language, ed. Yilmaz Dziewior and Barbara Engelbach (exhib. cat. Kunsthaus Bregenz, ! Museum Ludwig, 2012). !Essays and Book Chapters “The Academic Condition of Contemporary Art,” in Contemporary Art: 1989 to the Present, ed. !Alexander Dumbadze and Suzanne Hudson (New York: Blackwell, 2013). “In Formation: Notes on Terry Fox’s Children’s Tapes,” in Found Sculpture and Photography From Surrealism to Contemporary Art, ed. Anna Dezeuze and Julia Kelly (Farnham, England: Ashgate, Press, !2012). “The Draw of Dance,” in Dance/Draw, ed. Helen Molesworth (Boston: Institute of Contemporary Art, !October 2011). “Recuperating Performance,” in Allora & Calzadilla: Gloria. U.S. Pavilion, 54th International Art !Exhibition - La Biennale Di Venezia, Lisa Friedman, ed. (Prestell, 2011) “Political People: Notes on Tania Bruguera’s Arte de Conducta,” Tania Bruguera: On the Political !Imaginary, ed. Helaine Posner (Purchase, NY: Neuberger Museum of Art, 2010). “Make Believe:! Parafiction and Plausibility,” October 129 (Summer 2009). Reprinted with an addendum in More Real? Art in the Age of Truthiness, exhibition catalog ! (Minneapolis Institute of Art, March 2013) “Fill in the Blank: Culture Jamming and the Advertising of Agency,” New Directions for Youth !Development 125, Special Issue: Cultural Agents and Creative Arts (Spring 2010), 99–112. “Twelve Miles: Boundaries of the New Art/Activism,” Signs: Journal of Women in Culture and Society !vol. 33, no. 2 (Winter 2008), 309-29. Lambert-Beatty !3 Updated version as “Women, Waves, Web,” in The Visual Cultures of Nongovernmental !Politics, ed. Meg McLagan and Yates McKee (New York: Zone Books, Fall 2012) “Time Management,” in After the Act: The (Re)Presentation of Performance, ed. Barbara Clausen !(Vienna: Museum of Contemporary Art, 2006). English and German. “More or Less Minimalism: Performance and Visual Art in the 1960s,” in A Minimal Future? Art as Object !1958-1968 (Los Angeles: Museum of Contemporary Art, 2004). “On Being Moved: Rainer and the Aesthetics of Empathy,” in Radical Juxtapositions: Yvonne Rainer 1961-2003! , ed. Sid Sachs (Philadelphia: Rosenwald-Wolf Gallery, University of the Arts, 2003), 41-63. Reprinted (revised) as “Lives of Performers and the Trouble with Empathy,” in the anthology Masterpieces of Modernist Cinema, ed. Ted Perry (Bloomington: Indiana University Press, !2006). Translated in Yvonne Rainer: Une Femme Qui…: écrits, entretiens, essays critiques, ed. ! Catherine Quéloz (Dijon: Les presses du réel and Zurich, JRP/Ringier, 2008 (French). !“Other Solutions,” Art Journal vol. 63, no. 3 (Fall 2004), 49-61. “Documentary! Dialectics: Performance Lost and Found,” Visual Resources 16 (Summer 2000), 275-85. Reprinted in Live Art on Camera: Performance and Photography, ed. Alice Maude-Roxby ! (Southampton, UK: John Hansard Gallery, 2007), 94-102. !“Moving Still: Mediating Yvonne Rainer’s Trio A,” October 89 (Summer 1999), 87-112. ! !Reviews, interviews, and short form essays “Beyond Huddle: A Conversation with Simone Forti,” Troubling Research. Performing Knowledge in the Arts, www.troublingresearch.net (online project of the Vienna Sciences and Technology Fund and the !Academy of Fine Arts, Vienna). “Tania Bruguera: Works,” in Cuba: People, Culture, History (Scribner World Scholar) (New York: Gale, !2011). “You’re Not Supposed to Talk About It: A Conversation,” with Carola Dertnig, in Carola Dertnig (Vienna, !2011). !“Essentially Alien: Paul Chan’s Godot,” Parkett 88 (Spring 2011). “Against! Performance Art,” Artforum (May 2010) 208-213. Lambert-Beatty !4 ! German translation in Die bildende 06 (Vienna: Akademie der bildenden künste, Fall 2010) “A Conversation with Gabriel Orozco,” with Benjamin Buchloh and Megan Sullivan, October130 (Fall !2009). “From Critique to Clique” (exhibition review, “theanyspacewhatever,” Guggenheim Museum), Texte zur !Kunst 73 (March 2009) (German and English). “Make Believe: Socially-Engaged Art and the Aesthetics of the Plausible,” in Talking With your Mouth Full: New Language for Socially Engaged Art (Chicago: ThreeWalls Gallery and Green Lantern Press, !2008). “In what ways have artists, academics, and cultural institutions responded to the U.S.–led invasion and !occupation of Iraq?” (invited response to a questionnaire) October 123 (Winter 2008), 95-7. “The Revolution Has Been Televised: Yvonne Rainer's New Dance Revisits Nijinsky's Masterpiece,” !Modern Painters v. 19 no. 9 (November 2007) 48-50. “Felix Gonzalez-Torres, Hamburger Bahnhof, Museum fur Gegenwart,” (exhibition preview), Artforum !September 2006. !“Part Object, Part Sculpture” (exhibition review), Artforum (February 2006). “On the One Hand and On the Other,” in Infra-Thin: A Curated Project by Dan Devening, (limited- !edition artist’s book, Chicago, 2004), n.p. ! “Empathy Machines,” New Art Examiner vol. 29, no. 4 (March-April, 2002), 15. ! “Yvonne Rainer, Continued,” Trans 8 (Winter 2000), 202-11. “Pointing at P.S. 1,” Greater New York Writers’ Project, CD-ROM (New York: P.S.1 Institute for !Contemporary Art, 2000), n.p. ! “Contents Under Pressure: A Conversation with Yvonne Rainer,” Documents (Fall 1999), 6-16. !“Still Moving: Dancing with Carola Dertnig,” in Carola Dertnig (Vienna: T19 Galerie, 1999), 14-17. !Exhibition reviews, The Tribeca Tribune (New York, 1997-98). ! Lambert-Beatty !5 !PROFESSIONAL TALKS (Keynote) “Lost Wax: The Parafictional Object,” Ich bin Eine Andere Welt / I Am Another World: Artistic Authorship Between Desubjectification and Recanonization. Vienna Academy of Fine Arts, 10 January !2014. (Respondent) Whitney Museum of American Art, New York, Whitney Independent Study Program !Critical Studies Program Symposium, 29 May 2013 (Invited Speaker) School of the Art Institute of Chicago, Department of Art History, Theory, and !Criticism (graduate student selected series; one speaker per year). April 18, 2012. (Invited Speaker) “Undiscovering,” Whitney Museum of American Art Independent Study Program, !New York, 28 February 2012. (Respondent) Laurel Nakadate: Say You Love Me, Carpenter Center for the Visual Arts, Harvard University, 17 November 2011. (Invited speaker) Viewpoint 2011 lecture series, University of Texas, Austin, Spring 2011 (one of two speakers invited for series of three visit, each
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