Rebels and Revolutionaries
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Old Master
INTRODUCTION Four main characteristics distinguish this book from other translations of Laozi. First, the base of my translation is the oldest existing edition of Laozi. It was excavated in 1973 from a tomb located in Mawangdui, the city of Changsha, Hunan Province of China, and is usually referred to as Text A of the Mawangdui Laozi because it is the older of the two texts of Laozi unearthed from it.1 Two facts prove that the text was written before 202 bce, when the first emperor of the Han dynasty began to rule over the entire China: it does not follow the naming taboo of the Han dynasty;2 its handwriting style is close to the seal script that was prevalent in the Qin dynasty (221–206 bce). Second, I have incorporated the recent archaeological discovery of Laozi-related documents, disentombed in 1993 in Jishan District’s tomb complex in the village of Guodian, near the city of Jingmen, Hubei Province of China. These documents include three bundles of bamboo slips written in the Chu script and contain passages related to the extant Laozi.3 Third, I have made extensive use of old commentaries on Laozi to provide the most comprehensive interpretations possible of each passage. Finally, I have examined myriad Chinese classic texts that are closely associated with the formation of Laozi, such as Zhuangzi, Lüshi Chunqiu (Spring and Autumn Annals of Mr. Lü), Han Feizi, and Huainanzi, to understand the intellectual and historical context of Laozi’s ideas. In addition to these characteristics, this book introduces several new interpretations of Laozi. -
An Explanation of Gexing
Front. Lit. Stud. China 2010, 4(3): 442–461 DOI 10.1007/s11702-010-0107-5 RESEARCH ARTICLE XUE Tianwei, WANG Quan An Explanation of Gexing © Higher Education Press and Springer-Verlag 2010 Abstract Gexing 歌行 is a historical and robust prosodic style that flourished (not originated) in the Tang dynasty. Since ancient times, the understanding of the prosody of gexing has remained in debate, which focuses on the relationship between gexing and yuefu 乐府 (collection of ballad songs of the music bureau). The points-of-view held by all sides can be summarized as a “grand gexing” perspective (defining gexing in a broad sense) and four major “small gexing” perspectives (defining gexing in a narrow sense). The former is namely what Hu Yinglin 胡应麟 from Ming dynasty said, “gexing is a general term for seven-character ancient poems.” The first “small gexing” perspective distinguishes gexing from guti yuefu 古体乐府 (tradition yuefu); the second distinguishes it from xinti yuefu 新体乐府 (new yuefu poems with non-conventional themes); the third takes “the lyric title” as the requisite condition of gexing; and the fourth perspective adopts the criterion of “metricality” in distinguishing gexing from ancient poems. The “grand gexing” perspective is the only one that is able to reveal the core prosodic features of gexing and give specification to the intension and extension of gexing as a prosodic style. Keywords gexing, prosody, grand gexing, seven-character ancient poems Received January 25, 2010 XUE Tianwei ( ) College of Humanities, Xinjiang Normal University, Urumuqi 830054, China E-mail: [email protected] WANG Quan International School, University of International Business and Economics, Beijing 100029, China E-mail: [email protected] An Explanation of Gexing 443 The “Grand Gexing” Perspective and “Small Gexing” Perspective Gexing, namely the seven-character (both unified seven-character lines and mixed lines containing seven character ones) gexing, occupies an equal position with rhythm poems in Tang dynasty and even after that in the poetic world. -
The Simulation of Long-Range Transport of Biomass Burning
Aerosol and Air Quality Research, 16: 2933–2949, 2016 Copyright © Taiwan Association for Aerosol Research ISSN: 1680-8584 print / 2071-1409 online doi: 10.4209/aaqr.2015.07.0440 The Simulation of Long-Range Transport of Biomass Burning Plume and Short-Range Transport of Anthropogenic Pollutants to a Mountain Observatory in East Asia during the 7-SEAS/2010 Dongsha Experiment Ming-Tung Chuang1*, Joshua S. Fu2, Chung-Te Lee3, Neng-Huei Lin4, Yang Gao2†, Sheng-Hsiang Wang4, Guey-Rong Sheu4, Ta-Chih Hsiao3, Jia-Lin Wang5, Ming-Cheng Yen4, Tang-Huang Lin6, Narisara Thongboonchoo7 1 Graduate Institute of Energy Engineering, National Central University, Chung-Li 32001, Taiwan 2 Department of Civil and Environmental Engineering, University of Tennessee, Knoxville, TN, USA 3 Graduate Institute of Environmental Engineering, National Central University, Chung-Li 32001, Taiwan 4 Graduate Institute of Atmospheric Physics, National Central University, Chung-Li 32001, Taiwan 5 Department of Chemistry, National Central University, Chung-Li 32001, Taiwan 6 Center for Space and Remote Sensing Research, National Central University, Chung-Li 32001, Taiwan 7 College of Chemical Engineering, King Mongkut's Institute of Technology, Bangkok, Thailand ABSTRACT The Community Multi-scale Air Quality Model (CMAQ) is used to simulate the long-range transport of biomass burning (BB) pollutants from Southeast Asia (SEA) towards the Taiwan Central Mountain Range (CMR) in March and April 2010. The results show that a proportion of the BB plume was blocked and compressed at the windward side of CMR. High-altitude BB plume is shown to influence air quality on the ground via three mechanisms: (1) the subsidence in the anticyclone, (2) the downward motion in the cold surge, and (3) the vertical mixing of the boundary layer over land. -
The Later Han Empire (25-220CE) & Its Northwestern Frontier
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Wai Kit Wicky Tse University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, Asian Studies Commons, and the Military History Commons Recommended Citation Tse, Wai Kit Wicky, "Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier" (2012). Publicly Accessible Penn Dissertations. 589. https://repository.upenn.edu/edissertations/589 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/589 For more information, please contact [email protected]. Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Abstract As a frontier region of the Qin-Han (221BCE-220CE) empire, the northwest was a new territory to the Chinese realm. Until the Later Han (25-220CE) times, some portions of the northwestern region had only been part of imperial soil for one hundred years. Its coalescence into the Chinese empire was a product of long-term expansion and conquest, which arguably defined the egionr 's military nature. Furthermore, in the harsh natural environment of the region, only tough people could survive, and unsurprisingly, the region fostered vigorous warriors. Mixed culture and multi-ethnicity featured prominently in this highly militarized frontier society, which contrasted sharply with the imperial center that promoted unified cultural values and stood in the way of a greater degree of transregional integration. As this project shows, it was the northwesterners who went through a process of political peripheralization during the Later Han times played a harbinger role of the disintegration of the empire and eventually led to the breakdown of the early imperial system in Chinese history. -
A Brief Analysis of Du Fu's Thought of Suffering and Artistic Expression
Advances in Social Science, Education and Humanities Research, volume 185 6th International Conference on Social Science, Education and Humanities Research (SSEHR 2017) A Brief Analysis of Du Fu's Thought of Suffering and Artistic Expression Xie Lina Weinan Normal University, College Humanism, Weinan, Shaanxi, 714000 Keywords: Du Fu, Anxiety, Artistic Expression Abstract: Du Fu is the most famous realistic poet of the Tang Dynasty in our country. His poetry reflects the tempo late to Dali Period of social reality, the outstanding performance of its attention to the fate of the motherland, the sufferings of people's sympathy and strong criticism of the wealthy elite of evil, embodies the profound patriotism and sympathy for the feelings of the people. Therefore, he was honored as the "Saint", known as "the epic poem". This paper tries to explore the thought and artistic expression of his misery poetry. 1. Du Fu's Life and Thought Du Fu (712-770) born in Henan Gongxian, sub word beauty and whose ancestral home was Jing Zhao Du Ling, My grandfather was a famous poet of the age of Wu Zetian s father, Du made official idle. Family "Shou Feng Ru Guan" tradition has certain influence on Du Fu's thoughts and creation, but the greatest impact is the era of Du Fu's life and his life experience [1]. His life can be divided into four periods: reading and grand period (AD 731 - 745 years): this period lasted for more than 10 years, before and after the three poets Wu Yue, Qi Zhao, Song Liang and other roaming, visited the beautiful magnificent mountains and scenery. -
HSLA Steels'2011)
The 6th International Conference on High Strength Low Alloy Steels (HSLA Steels'2011) Beijing, China May 31-June 2, 2011 Organized by The Chinese Society for Metals CONTENTS Plenary Sessions The State-of-Art and Development Trends of HSLA Steels in China WENG Yu-qing, YANG Cai-fu, SHANG Cheng-jia 1 Modern Microalloyed Steels Garcia C Issac, Suikkanen Pasi P, Hua Mingjian, Deardo Anthony J 14 The Development ofAdvanced HSLA Steel in Angang in Low Carbon Age ZHANG Xiao-gang 22 Different Roles for Vanadium as a Microalloying Element in Structural Steels Hutchinson Bevis 29 Development and Application ofHigh Performance X80 Line Pipe for the 2nd West-East Gas Pipeline LI He-lin, HUO Chun-yong, JI Ling-kang, LI Yang 3 9 Advanced HSLA Steels for Automotive Use Sekita Takashi, Seto Kazhiro, Funakawa Yoshimasa 49 Niobium in Microalloyed Steels Unchallenged for Its MainApplications Nogueira Marcos A Stuart, Carneiro Tadeu 57 High-Strength Nanostructured Cold-Resistant Steels for Continental Shelf Development Oryshchenko A S, Khlusova E I, Orlov V V 66 Latest Progress of Low-Alloy High-Strength Steels in Baosteel LU Jiang-xin 72 Microalloyed Steels for Heat Treating Applications at Higher Process Temperatures David K. Matlock, John G. Speer, Steven G. Jansto, Marcus Stuart 80 High Performance Structural Steels for Shipbuilding and Offshore Structures Choo Wung-Yong, Suh In-Shik, Kim Sang-ho, An Gyu-Baek, Lee Chang-Sun 90 Research and Practice of Production Technology for High Performance Low Alloy Steels in WISCO FU Lian-chun, GUO Ai-ming, LIU Ji-bin, -
Social Banditry and Nation-Making: the Myth of A
SOCIAL BANDITRYAND NATION-MAKING: THE MYTH OF A LITHUANIAN ROBBER* I SOCIAL BANDITRY AND NATION-BUILDING On 22 April 1877, at the St George’s Day market, a group of men gotintoafightinalocalinnatLuoke_,asmalltowninnorth-western Lithuania. Soon the brawl spilled into the town’s market square. After their arrival, the Russian police discovered that what had started as a scuffle had turned into a bloody samosud (literally, self-adjudication), in which a mob of several hundred men and women took the law into its own hands. The victim of the mob violence lay dead on the square with a broken skull. According to a police report, he was ‘the greatest robber and horse thief of the neighbouringdistricts’, alocalpeasantcalledTadasBlinda.1 Asan outlaw, Blinda was buried together with suicides ‘beyond a ditch’ in an unconsecrated corner of the cemetery in Luoke_.2 Today in Lithuania Blinda is largely remembered as a popular legendary hero, ‘a leveller of the world’, who would take from the rich and give to the poor. He is a national and cultural icon whose name is found everywhere: in legends, folk songs, politics, films, cartoons, tourist guides, beer advertising, pop music, and so on. This article, therefore, begins with a puzzle: how did this peasant, who was killed by the mob, become ‘the Lithuanian Robin Hood’, a legendary figure whose heroic deeds are inscribed deep in con- temporary Lithuanian culture? In Primitive Rebels (1959) and Bandits (1969), Eric Hobsbawm proposed a comparative model of social banditry that included colourful figures such as the English Robin Hood, the Polish– Slovak Juro Ja´nosˇ´ık, the Russians Emelian Pugachev and Stenka * I am very grateful to Peter Gatrell and Stephen Rigby for their generous comments on this text, and for references and corrections. -
Peasants “On the Run”: State Control, Fugitives, Social and Geographic Mobility in Imperial Russia, 1649-1796
PEASANTS “ON THE RUN”: STATE CONTROL, FUGITIVES, SOCIAL AND GEOGRAPHIC MOBILITY IN IMPERIAL RUSSIA, 1649-1796 A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History By Andrey Gornostaev, M.A. Washington, DC May 7, 2020 Copyright 2020 by Andrey Gornostaev All Rights Reserved ii PEASANTS “ON THE RUN”: STATE CONTROL, FUGITIVES, SOCIAL AND GEOGRAPHIC MOBILITY IN IMPERIAL RUSSIA, 1649-1796 Andrey Gornostaev, M.A. Thesis Advisers: James Collins, Ph.D. and Catherine Evtuhov, Ph.D. ABSTRACT This dissertation explores the issue of fugitive peasants by focusing primarily on the Volga-Urals region of Russia and situating it within the broader imperial population policy between 1649 and 1796. In the Law Code of 1649, Russia definitively bound peasants of all ranks to their official places of residence to facilitate tax collection and provide a workforce for the nobility serving in the army. In the ensuing century and a half, the government introduced new censuses, internal passports, and monetary fines; dispatched investigative commissions; and coerced provincial authorities and residents into surveilling and policing outsiders. Despite these legislative measures and enforcement mechanisms, many thousands of peasants left their localities in search of jobs, opportunities, and places to settle. While many fugitives toiled as barge haulers, factory workers, and agriculturalists, some turned to brigandage and river piracy. Others employed deception or forged passports to concoct fictitious identities, register themselves in villages and towns, and negotiate their status within the existing social structure. -
Du Fu and Chinese Poetic Expression: How Politics, Nature, and Self Become One
Portland State University PDXScholar Young Historians Conference Young Historians Conference 2019 May 1st, 10:30 AM - 11:45 AM Du Fu and Chinese Poetic Expression: How Politics, Nature, and Self Become One Binhnam Nguyen Grant High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Chinese Studies Commons, Intellectual History Commons, and the Poetry Commons Let us know how access to this document benefits ou.y Nguyen, Binhnam, "Du Fu and Chinese Poetic Expression: How Politics, Nature, and Self Become One" (2019). Young Historians Conference. 18. https://pdxscholar.library.pdx.edu/younghistorians/2019/oralpres/18 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Du Fu and Chinese Poetic Expression: How Politics, Nature, and Self Become One Nam Nguyen PSU HST 105 1 May 2019 Nguyen 1 Born in 712 C.E., Du Fu is regarded as one of the most influential classical Chinese poets. He was born into an aristocratic family during the Tang Dynasty (618 – 917), but after the An Lushan Rebellion (755 – 763) reached the capital of Chang’an in 756 where he was living, he was forced to flee from the city with his family. The Tang Dynasty started out strong, flourishing politically, economically, and within the arts and literature, but the second half of its rule was littered with conflicts, having failed to recover from the damages done by the Rebellion.1 It was not until the latter half of Du’s life, during that period of dynastic wars and instability, that he began writing poetry. -
Wang Fu's “Qian Fu Theory” Inheriting and Developing Han Fei's Thought
2020 3rd International Workshop on Advances in Social Sciences (IWASS 2020) Wang Fu's “Qian Fu Theory” Inheriting and Developing Han Fei's Thought Chen Lin, Ma Shinian* Lanzhou, Northwest Normal University, 730010, China *Corresponding Author Keywords: Han fei, Wang fu, Ideological inheritance, Ideological development Abstract: Han Fei is a master of legalist thought, and Wang Fu is one of the most representative thinkers in the Eastern Han Dynasty. Because of the great similarity of the characteristics of the times they lived in, Wang Fu absorbed Han Fei's thoughts of rule of law and the art of governing the officials in order to save the country and the people, enrich the country and strengthen the army, and directly inherited and integrated them into his Confucianism based ideological system. At the same time, it can be seen that in terms of the theory of human nature, the shaping of human nature advocated by Wang Fu is a development of Han Fei's view of human nature seeking benefits and avoiding disadvantages. In the aspect of national education, the combination of morality and punishment is the development of Han Fei's teaching by law. On the economic front, 100 businesses were originally the development of Korea's non-agricultural business philosophy. 1. Introduction Wang Fu is one of the most representative Confucian scholars in the Eastern Han Dynasty. However, Wang Jipei, a scholar in the Qing Dynasty, pointed out: “He learned to compromise confucius, but he also dabbled in the name of Shen Shang, Hanfei, and did not become a pure confucius.” It can be found by carefully reading the text of Qian Fu theory that words such as “law”, “punishment”, “reward” and “punishment” appear frequently, while Wang continues to cultivate and annotate “Qian Fu theory”, citing the secondary data of Han Feizi, Mr. -
Banditry and Revolution in the Mexican Bajio, 1910-1920
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies Legacy Theses 1997 The infernal rage: banditry and revolution in the Mexican Bajio, 1910-1920 Frazer, Christopher Brent Frazer, C. B. (1997). The infernal rage: banditry and revolution in the Mexican Bajio, 1910-1920 (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/18590 http://hdl.handle.net/1880/26601 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca TEE UNNERSITY OF CALGARY The Memal Rage: Banditry and Revolution in the Mexican Bajio, 1910-1920 by Christopher Brent Frazer A THESIS SUBMIï'TED TO THE FACWOF GRADUATE STUDES IN PARTLAI, FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS CALGARY,ALBERTA NNE,1997 Q Christopher Brent Frazer 1997 National Library Bibliothèque nationale 1+1 ,,,da du Canada Acquisitions and Acquisitions et Bibliographie SeMces seMces bibliographiques 395 Weiiington Street 395, nre Wellinw OtEawaON KIAON4 --ON K1AON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence aiiowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distniiute or sell reproduire, prêter, distribuer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. -
Cynthia Stroud
79 Ioanna Papageorgiou University of Patras, Greece The Mountain Bandits of the Hellenic Shadow Theatre of Karaghiozis: Criminals or Heroes? From the time of the legendary mountain bandit Davelis in the 1850s (and almost since the foundation of the modern Hellenic state in 1828), the fate of the modern Hellenic State has been marked either by a weakness to meet with the citizens’ expectations or, in order to quieten subsequent reactions, by a series of oppressive measures, including dictatorships. This policy would unavoidably instigate some kind of aggressive retaliation in the form of banditry. Karaghiozis, a form of traditional shadow theatre that articulated the worldview of the lower social strata for more than half a century (1890-1960), became a vehicle through which artists and spectators communicated their own standpoint towards banditry and violent retaliation. It formulated a special category of plays that dramatised actual or fictitious bandits. In the first place, that group of plays may be regarded as an indication of the spectators’ fascination with bandits or as a surrogate experience for the desire to take vengeance brought about by their misery. However, as it gradually developed its own poetics, it revealed a capacity for discrimination by establishing a series of codes regarding acceptable and objectionable banditry. Ioanna Papageorgiou is Assistant Professor in the Department of Theatre Studies at the University of Patras in Greece.1 Keywords: Karaghiozis, shadow theatre, puppets, Greek mountain bandits Introduction he Hellenic shadow theatre of karaghiozis,2 as it developed at the end of T the 19th century and the early 20th century, was a form of oral art with Popular Entertainment Studies, Vol.