SWAN LAKE Tweet Your Thoughts About Tonight’S Performance Before It Starts, During the Intervals Or Afterwards with #Rohswanlake
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Composer Profile: Pyotr Ilyich Tchaikovsky Tchaikovsky's 1812 Overture was Pyotr Ilyich Tchaikovsky composed to commemorate the Battle was born on May 7, of Borodino, fought in September 1812, F Tchaikovsky called his own work “very 1840, in Vyatka, Russia. loud and noisy and completely without THE A 4 1 artistic merit, obviously written without Tchaikovsky died in St. CTS warmth or love”. Petersburg on First performed in 1877, Swan Lake November 6, 1893. was Tchaikovsky’s first ballet score. 2 Considering its success today, it's Tchaikovsky is most celebrated hard to believe that it wasn’t an for his ballets, specifically Swan immediate hit – but the story of Lake, The Sleeping Beauty and Odette, a princess turned into a The Nutcracker. 5 swan by an evil sorcerer's curse, was 3 an initial box office failure. Notable pieces: To support his early musical 1812 Overture career, Tchaikovsky took work as a music critic. Among the The Nutcracker Ballet targets of his critical ire were Swan Lake Schumann, who he thought Piano Concerto No. 1 was a poor orchestrator, and Symphony No. 5 Brahms. “Inspiration is a guest that does not willingly visit the lazy.” –Tchaikovsky Tchaikovsky was a composer I'mPy oOtrne! during the Romantic period Tchaikovsky Tchaikovsky trained for, and became a civil servant in Russia. At Because of the unique time the time, a musical profession period in which he didn’t convey the sort of social composed, and his unique status that was acceptable to his ability to merge Western family’s respected position. Music music concepts with instructors and chamber musicians traditional Russian ones, it were looked down upon, so in 1859 was difficult for him to he embarked on his public service Throughout his career he receive unanimous praise. -
The Sleeping Beauty Untouchable Swan Lake In
THE ROYAL BALLET Director KEVIN O’HARE CBE Founder DAME NINETTE DE VALOIS OM CH DBE Founder Choreographer SIR FREDERICK ASHTON OM CH CBE Founder Music Director CONSTANT LAMBERT Prima Ballerina Assoluta DAME MARGOT FONTEYN DBE THE ROYAL BALLET: BACK ON STAGE Conductor JONATHAN LO ELITE SYNCOPATIONS Piano Conductor ROBERT CLARK ORCHESTRA OF THE ROYAL OPERA HOUSE Concert Master VASKO VASSILEV Introduced by ANITA RANI FRIDAY 9 OCTOBER 2020 This performance is dedicated to the late Ian Taylor, former Chair of the Board of Trustees, in grateful recognition of his exceptional service and philanthropy. Generous philanthropic support from AUD JEBSEN THE SLEEPING BEAUTY OVERTURE Music PYOTR IL’YICH TCHAIKOVSKY ORCHESTRA OF THE ROYAL OPERA HOUSE UNTOUCHABLE EXCERPT Choreography HOFESH SHECHTER Music HOFESH SHECHTER and NELL CATCHPOLE Dancers LUCA ACRI, MICA BRADBURY, ANNETTE BUVOLI, HARRY CHURCHES, ASHLEY DEAN, LEO DIXON, TÉO DUBREUIL, BENJAMIN ELLA, ISABELLA GASPARINI, HANNAH GRENNELL, JAMES HAY, JOSHUA JUNKER, PAUL KAY, ISABEL LUBACH, KRISTEN MCNALLY, AIDEN O’BRIEN, ROMANY PAJDAK, CALVIN RICHARDSON, FRANCISCO SERRANO and DAVID YUDES SWAN LAKE ACT II PAS DE DEUX Choreography LEV IVANOV Music PYOTR IL’YICH TCHAIKOVSKY Costume designer JOHN MACFARLANE ODETTE AKANE TAKADA PRINCE SIEGFRIED FEDERICO BONELLI IN OUR WISHES Choreography CATHY MARSTON Music SERGEY RACHMANINOFF Costume designer ROKSANDA Dancers FUMI KANEKO and REECE CLARKE Solo piano KATE SHIPWAY JEWELS ‘DIAMONDS’ PAS DE DEUX Choreography GEORGE BALANCHINE Music PYOTR IL’YICH TCHAIKOVSKY -
SWAN LAKE Dear Educators in the Winter Show of Oregon Ballet Theatre’S Student Performance Series (SPS) Students Will Be Treated to an Excerpt from Swan Lake
STUDENT PERFORMANCE SERIES STUDY GUIDE / Feburary 21, 2013 / Keller Auditorium / Noon - 1:00 pm, doors open at 11:30am SWAN LAKE Dear Educators In the winter show of Oregon Ballet Theatre’s Student Performance Series (SPS) students will be treated to an excerpt from Swan Lake. It is a quintessential ballet based on a heart-wrenching fable of true love heroically won and tragically Photo by Joni Kabana by Photo squandered. With virtuoso solos and an achingly beautiful score, it is emblematic of the opulent grandeur of the greatest of all 19th-Century story ballets. This study guide is designed to help teachers prepare students for their trip to the theatre where they will see Swan Lake Act III. In this Study Guide we will: • Provide the entire synopsis for Christopher Stowell’sSwan Lake, consider some of the stories that inspired the ballet, Principal Dancer Yuka Iino and Guest Artist Ruben Martin in Christopher and touch on its history Stowell’s Swan Lake. Photo by Blaine Truitt Covert. • Look closely at Act III • Learn some facts about the music for Swan Lake • Consider the way great dances are passed on to future generations and compare that to how students come to know other great works of art or literature • Describe some ballet vocabulary, steps and choreographic elements seen in Swan Lake • Include internet links to articles and video that will enhance learning At the theatre: • While seating takes place, the audience will enjoy a “behind the scenes” look at the scenic transformation of the stage • Oregon Ballet Theatre will perform Act III from Christopher Stowell’s Swan Lake where Odile’s evil double tricks the Prince into breaking his vow of love for the Swan Queen. -
Chicago Symphony Orchestra Riccardo Muti Zell Music Director
PROGRAM ONE HUNDRED TWENTY-FOURTH SEASON Chicago Symphony Orchestra Riccardo Muti Zell Music Director Pierre Boulez Helen Regenstein Conductor Emeritus Yo-Yo Ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, October 2, 2014, at 8:00 Friday, October 3, 2014, at 1:30 Saturday, October 4, 2014, at 8:30 Riccardo Muti Conductor Christopher Martin Trumpet Panufnik Concerto in modo antico (In one movement) CHRISTOPHER MARTIN First Chicago Symphony Orchestra performances Performed in honor of the centennial of Panufnik’s birth Stravinsky Suite from The Firebird Introduction and Dance of the Firebird Dance of the Princesses Infernal Dance of King Kashchei Berceuse— Finale INTERMISSION Tchaikovsky Symphony No. 3 in D Major, Op. 29 (Polish) Introduction and Allegro—Moderato assai (Tempo marcia funebre) Alla tedesca: Allegro moderato e semplice Andante elegiaco Scherzo: Allegro vivo Finale: Allegro con fuoco (Tempo di polacca) The performance of Panufnik’s Concerto in modo antico is generously supported by the Adam Mickiewicz Institute as part of the Polska Music program. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. COMMENTS by Phillip Huscher Andrzej Panufnik Born September 24, 1914, Warsaw, Poland. Died October 27, 1991, London, England. Concerto in modo antico This music grew out of opus 1.” After graduation from the conserva- Andrzej Panufnik’s tory in 1936, Panufnik continued his studies in response to the rebirth of Vienna—he was eager to hear the works of the Warsaw, his birthplace, Second Viennese School there, but found to his which had been devas- dismay that not one work by Schoenberg, Berg, tated during the uprising or Webern was played during his first year in at the end of the Second the city—and then in Paris and London. -
RUSSIAN NATIONAL BALLET SWAN LAKE: Wednesday, January 22, 2020; 7:30 Pm the SLEEPING BEAUTY: Thursday, January 23, 2020; 2 & 7:30 Pm Media Sponsor
RUSSIAN NATIONAL BALLET SWAN LAKE: Wednesday, January 22, 2020; 7:30 pm Media Sponsor THE SLEEPING BEAUTY: Thursday, January 23, 2020; 2 & 7:30 pm A Columbia Artists Production Direct from Moscow, Russia RUSSIAN NATIONAL BALLET COMPANY OF 50 Artistic Director: Elena Radchenko Company Biography The Russian National Ballet Theatre was founded in Moscow during the transitional period of Perestroika in the late 1980s, when many of the great dancers and choreographers of the Soviet Union’s ballet institutions were exercising their new- found creative freedom by starting new, vibrant companies dedicated not only to the timeless tradition of classical Russian Ballet but to invigorate this tradition as the Russians began to accept new developments in the dance from around the world. The company, then titled the Soviet National Ballet, was founded by and incorporated graduates from the great Russian choreographic schools of Moscow, St. Petersburg and Perm. The principal dancers SWAN LAKE Photo: Alexander Daev of the company came from the upper ranks of the great ballet companies and academies of Russia, and the companies of Riga, Kiev and even Warsaw. Today, the Russian National Ballet Theatre SWAN LAKE is its own institution, with over 50 dancers of singular instruction and vast experience, many of whom have been with the company Full-length Ballet in Four Acts since its inception. Music by Pyotr Ilyich Tchaikovsky Choreography by Marius Petipa, Lev Ivanov and Yuri Grigorovich In 1994, the legendary Bolshoi principal dancer Elena Radchenko Restaging by Elena Radchenko, assistant Alexander Daev was selected by Presidential decree to assume the first permanent Synopsis by Vladimir Begichev and Vasily Geltser artistic directorship of the company. -
Swan Lake Audience Guide
February 16 - 25, 2018 Benedum Center for the Performing Arts, Pittsburgh Choreography: Marius Petipa and Lev Ivanov Staging: Terrence S. Orr Music: Peter Ilyich Tchaikovsky Swan Lake Sponsors: The Benter Foundation, The Pittsburgh Foundation, Eden Hall Foundation, Anonymous Donor February 16 - 25, 2018 Benedum Center for the Performing Arts | Pittsburgh, PA PBT gratefully acknowledges the following organizations for their commitment to our education programming: Allegheny Regional Asset District Henry C. Frick Educational Fund of The Buhl Anne L. and George H. Clapp Charitable Foundation Trust BNY Mellon Foundation Highmark Foundation Claude Worthington Benedum Foundation Peoples Natural Gas Eat ‘n Park Hospitality Group Pennsylvania Council on the Arts Edith L. Trees Charitable Trust Pennsylvania Department of Community ESB Bank and Economic Development Giant Eagle Foundation PNC Bank Grow up Great The Grable Foundation PPG Industries, Inc. Hefren-Tillotson, Inc. Richard King Mellon Foundation James M. The Heinz Endowments and Lucy K. Schoonmaker Cover Photo: Duane Rieder Artist: Amanda Cochrane 1 3 The Setting and Characters 3 The Synopsis 5 About Swan Lake 6 The Origins of the Swan Lake Story 6 Swan Lake Timeline 7 The Music 8 The Choreography 9 The Dual Role of Odette + Odile 9 Acts 1 & 3 10 Spotlight on the Black Swan Pas de Deux 10 The Grand Pas Explained 11 What’s a fouette? 11 Acts 2 & 4 12 Dance of the Little Swans 13 The White Act 13 Costumes and Scenic Design 13 Costumes By the Numbers 14 The Tutus 14 A Few Costume Tidbits! 15 Did You Know? Before She was the Black Swan 16 Programs at the Theater 17 Accessibility 2 The Setting The ballet takes place in and near the European castle of Prince Siegfried, long ago. -
Ashton Triple Cast Sheet 16 17 ENG.Indd
THE ROYAL BALLET Approximate timings DIRECTOR KEVIN O’HARE Live cinema relay begins at 7.15pm, ballet begins at 7.30pm FOUNDER DAME NINETTE DE VALOIS OM CH DBE FOUNDER CHOREOGRAPHER The Dream 55 minutes SIR FREDERICK ASHTON OM CH CBE Interval FOUNDER MUSIC DIRECTOR CONSTANT LAMBERT Symphonic Variations 20 minutes PRIMA BALLERINA ASSOLUTA Interval DAME MARGOT FONTEYN DBE Marguerite and Armand 35 minutes The live relay will end at approximately 10.25pm Tweet your thoughts about tonight’s performance before it starts, THE DREAM during the intervals or afterwards with #ROHashton FREE DIGITAL PROGRAMME SYMPHONIC Royal Opera House Digital Programmes bring together a range of specially selected films, articles, pictures and features to bring you closer to the production. Use promo code ‘FREEDREAM’ to claim yours (RRP £2.99). VARIATIONS roh.org.uk/publications 2016/17 LIVE CINEMA SEASON MARGUERITE OTELLO WEDNESDAY 28 JUNE 2017 AND ARMAND 2017/18 LIVE CINEMA SEASON THE MAGIC FLUTE WEDNESDAY 20 SEPTEMBER 2017 LA BOHÈME TUESDAY 3 OCTOBER 2017 CHOREOGRAPHY FREDERICK ASHTON ALICE’S ADVENTURES IN WONDERLAND MONDAY 23 OCTOBER 2017 THE NUTCRACKER TUESDAY 5 DECEMBER 2017 CONDUCTOR EMMANUEL PLASSON RIGOLETTO TUESDAY 16 JANUARY 2018 TOSCA WEDNESDAY 7 FEBRUARY 2018 ORCHESTRA OF THE ROYAL OPERA HOUSE THE WINTER’S TALE WEDNESDAY 28 FEBRUARY 2018 CONCERT MASTER VASKO VASSILEV CARMEN TUESDAY 6 MARCH 2018 NEW MCGREGOR, THE AGE OF ANXIETY, DIRECTED FOR THE SCREEN BY NEW WHEELDON TUESDAY 27 MARCH 2018 ROSS MACGIBBON MACBETH WEDNESDAY 4 APRIL 2018 MANON THURSDAY 3 MAY 2018 LIVE FROM THE SWAN LAKE TUESDAY 12 JUNE 2018 ROYAL OPERA HOUSE WEDNESDAY 7 JUNE 2017, 7.15PM For more information about the Royal Opera House and to explore our work further, visit roh.org.uk/cinema THE DREAM SYMPHONIC VARIATIONS Oberon, King of the Fairies, has quarrelled with his Queen, Titania, who refuses to MUSIC CÉSAR FRANCK hand over the changeling boy. -
Award Syllabus
South Island Ballet Award and PW Dance & Sportswear Junior South Island Ballet Award Friday 20th May to Sunday 22nd May 2016 | CHRISTCHURCH [Date and Time] [Street Address] Award Syllabus Table of Contents Page Award Overview 3 Conditions of Entry 4 Entry Form 5 Junior Criteria 6 Senior Criteria 7-8 Adjudicators 9-11 Sponsorship 12-13 Hotel Flyer 14 SOUTH ISLAND BALLET AWARD 2016 The Christchurch Ballet Society is proud to present the South Island Ballet Award for 2016. This major event will be the highlight of the South Island competition dance calendar. The Christchurch Ballet Society is offering a significant cash incentive to talented and dedicated dancers whose tuition is or has been provided by a ballet tutor located within the South Island. It is intended that by offering a cash scholarship this will assist the recipients of the award in furthering their training and studies in classical ballet. th nd Friday 20 May to Sunday 22 May 2016 | CHRISTCHURCH Senior Award Junior Award First Place $5000 Tuition Scholarship First Place $3000 Tuition Scholarship Silver Challenge Cup and Sash Silver Challenge Cup and Sash Second Place $2000 Tuition Scholarship Second Place $1000 Tuition Scholarship and Sash and Sash Third Place $1000 Tuition Scholarship Third Place $500 Tuition Scholarship and Sash and Sash **Finalists may also receive a cash incentive** Senior Age Group Junior Age Group 15 to 19 years as at 20th May 2016 12 to 14 years as 20th May 2016 ENTRY FEE and CLOSING DATE An entry fee of $150 (Non-refundable) will be required upon receipt of entry form. -
Study Guide Table of Contents Pre-Performance Activities and Information
For Grades K - 12 STUDY GUIDE TABLE OF CONTENTS PRE-PERFORMANCE ACTIVITIES AND INFORMATION TEKS Addressed 3 Attending a ballet performance 5 The story of The Nutcracker 6 The Science Behind The Snow 13 The Artists Who Created Nutcracker: Choreographers 16 The Artists Who Created Nutcracker: Composer 17 The Artists Who Created Nutcracker: Designer 18 Animals Around The World 19 Dancers From Around The World 21 Look Ma, No Words 22 Why Do They Wear That? 24 Ballet Basics: Fantastic Feet 25 Ballet Basics: All About Arms 26 Houston Ballet: 1955 To Today 27 Appendix A: Mood Cards 28 Appendix B: Set Design 29 Appendix C: Costume Design 30 Appendix D: Glossary 31 Program Evaluation 33 2 LEARNING OUTCOMES Students who attend the performance and utilize the study guide will be able to: • Identify different countries from around the world; • Describe the science behind the snow used in The Nutcracker; • Describe at least one dance from The Nutcracker in words or pictures; • Demonstrate appropriate audience behavior. TEKS ADDRESSED §112.11. SCIENCE, KINDERGARTEN (6) Force, motion, and energy. The student knows that energy, force, and motion are related and are a part of their everyday life §117.112. MUSIC, GRADE 3 (1) Foundations: music literacy. The student describes and analyzes musical sound. §117.109. MUSIC, GRADE 2 (1) Foundations: music literacy. The student describes and analyzes musical sound. (6) Critical evaluation and response. The student listens to, responds to, and evaluates music and musical performances. §117.106. MUSIC, ELEMENTARY (5) Historical and cultural relevance. The student examines music in relation to history and cultures. -
The Royal Ballet Pointe Shoes Appeal 2017
THE ROYAL BALLET Approximate timings DIRECTOR KEVIN O’HARE FOUNDER OM CH DBE Live cinema relay begins at 7.15pm; ballet begins at 7.30pm DAME NINETTE DE VALOIS FOUNDER CHOREOGRAPHER Act I 41 minutes SIR FREDERICK ASHTON OM CH CBE Interval FOUNDER MUSIC DIRECTOR CONSTANT LAMBERT PRIMA BALLERINA ASSOLUTA Act II 45 minutes DAME MARGOT FONTEYN DBE Interval Act III 27 minutes The performance will end at approximately 10.20pm Please note that Manon contains scenes of an adult nature, including sexual violence MANON Tweet your thoughts about tonight’s performance before it starts, during the intervals or afterwards with #ROHmanon This production is available to buy on DVD BALLET IN THREE ACTS roh.org.uk/shop CHOREOGRAPHY KENNETH MACMILLAN MUSIC JULES MASSENET ORCHESTRATED BY MARTIN YATES ORIGINALLY COMPILED BY LEIGHTON LUCAS WITH THE COLLABORATION OF HILDA GAUNT POINTE SHOES APPEAL Each year The Royal Ballet dances through more than 6,000 pairs DESIGNER NICHOLAS GEORGIADIS of pointe shoes. A gift of £5 to the Pointe Shoes Appeal could buy LIGHTING DESIGNER JOHN B. READ enough ribbon for five pairs. Donate online. STAGING JULIE LINCOLN, CHRISTOPHER SAUNDERS BALLET MASTER JONATHAN HOWELLS roh.org.uk/pointe BALLET MISTRESS SIAN MURPHY ASSISTANT BALLET MISTRESS HELEN CRAWFORD PRINCIPAL COACHING ALEXANDER AGADZHANOV, RICARDO CERVERA, LESLEY COLLIER, VIVIANA DURANTE 2017/18 LIVE CINEMA SEASON CONDUCTOR MARTIN YATES SWAN LAKE TUESDAY 12 JUNE 2018 ORCHESTRA OF THE ROYAL OPERA HOUSE 2018/19 LIVE CINEMA SEASON INCLUDES: CONCERT MASTER VASKO VASSILEV MAYERLING MONDAY 15 OCTOBER 2018 DIRECTED FOR THE SCREEN BY ROSS MACGIBBON DIE WALKÜRE SUNDAY 28 OCTOBER 2018 LA BAYADÈRE TUESDAY 13 NOVEMBER 2018 THE NUTCRACKER MONDAY 3 DECEMBER 2018 LIVE FROM THE THE QUEEN OF SPADES TUESDAY 22 JANUARY 2019 ROYAL OPERA HOUSE THURSDAY 3 MAY 2018, 7.15PM roh.org.uk/cinema Synopsis Cast Act I MANON SARAH LAMB Actresses, gentlemen and the demi-monde from Paris gather at the courtyard of an inn near Paris. -
Swan-Lake-Study-Guide-2017-18.Pdf
Swan Lake Study Guide 2017---18-18 Presented By the Department of Community Engagement Table of Contents The Quintessential Ballet 3 Milwaukee Ballet’s Swan Lake 4 Choreographic Birds of a Feather – Petipa, Ivanov & Pink 5 Did You Know? – Matthew Bourne 14 Behind the Music – Pyotr Tchaikovsky 15 Appendix A: Being A Good Audience Member 16 Sources and Special Thanks 17 2 The Quintessential Ballet Welcome to the Study Guide for Swan Lake , perhaps the world’s most widely recognized ballet aside from The Nutcracker . It has been called the “quintessential ballet” (quintessential means the purest and most perfect or the embodiment of, in this case, ballet!) and is often the show that pops into people’s minds when the word ballet is mentioned. Since its premiere in Moscow, Russia, it has been presented in over 150 versions by more than 100 companies in at least 25 different countries. That’s a lot of swans! Swan Lake didn’t start out successfully – which is surprising, considering its fame today. It premiered on February 20, 1877, and although Tchaikovsky’s spectacular music was used from the beginning, the choreography, originally done by Julius Reisinger, was less than stellar. A critic who was at the performance wrote, "Mr. Reisinger’s dances are weak in the extreme.... Incoherent waving of the legs that continued through the course of four hours - is this not torture? The corps de ballet stamp up and down in the same place, waving their arms like a windmill’s vanes - and the soloists jump about the stage in gymnastic steps." Ouch! Unfortunately Reisinger failed to mesh his choreography with the psychological, beautiful music Tchaikovsky created. -
Coppelia-Teacher-Resource-Guide.Pdf
Teacher’s Handbook 1 Edited by: Carol Meeder – Director of Arts Education February 2006 Cover Photo: Jennifer Langenstein – Pittsburgh Ballet Theatre Principal Dancer Aaron Ingley – Pittsburgh Ballet Theatre Corps de Ballet Dancer Ric Evans – Photographer 2 Introduction Dear Educator, We have often thanked you, the academic community and educators of our children, for being partners with us in Arts Education. We have confirmed how the arts bring beauty, excitement, and insight into the experience of everyday living. Those of us who pursue the arts as the work of our lives would find the world a dark place without them. We have also seen, in a mirror image from the stage, how the arts bring light, joy, and sparkle into the eyes and the lives of children and adults in all walks of life. Pittsburgh Ballet Theatre strives not only to entertain but to demonstrate the significance and importance of presenting our art in the context of past history, present living, and vision for the future. In this quest we present traditional ballets based on classic stories revered for centuries, such as Coppelia and Cinderella; and contemporary ballets by artists who are living, working, and creating everyday, such as our jazz program Indigo In Motion and the premiers we have done to the music of Sting, Bruce Springsteen, and Paul Simon. In this way we propel our art into the future, creating new classics that subsequent generations will call traditional. It is necessary to see and experience both, past and present. It enhances our life and stirs new ideas. We have to experience where we came from in order to develop a clear vision of where we want to go.