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Making Impossibly Smooth Motion a Reality

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Making Impossibly Smooth Motion a Reality Motion Impossible Motion Impossible was instead spent pushing innovation in camera movement, working out how to set up sliders, ropes and pulleys, to move the camera through a scene, and he notes: Making “I like it when people go: ‘How the hell did you do that?’” One of his first proper credits was for a sequence showing a rock python giving impossibly birth. As this all happens underground, Rob built a set at a snake sanctuary in Uganda and lit it to match the location footage. Using a motorised slider and a miniature camera on an arm, he managed to film smooth the pythons coming down through the middle of a log with the camera right in front of them. motion a Moving to specialise in stabilisation When technology progressed still further with motors and stabilisers, Rob was first on the scene. Freefly brought their first MoVI reality prototypes to the BBC and Rob quickly took to the rig, using it to capture an array of MANTIS freestlye filming cheetah in Namibia amazing sequences for the series Wonders of the Monsoon. Rob explains: “When I was an underwater Having found his specialism of choice, Rob became cameraman I just loved the freedom of being able to move freelance and set himself up as ‘the MoVI man’. He would use the camera wherever I wanted to – but I ended up having bad it on sliders and zip lines and any way he could ears and couldn’t dive any more, so I really wanted to bring to get that stabilised camera head movement. that fluid motion to filming on land.” With a view to using MoVI remotely on the ground, Rob began to look into a way of mounting the rig on a radio-controlled (RC) car. Freefly had already developed the TERO, but this couldn’t cope with off-road. The guys MANTIS 360º kit When I was an underwater at Freefly advised Rob that, for what he wanted, with Nokia OZO he’d have to work out another way – and this was cameraman I just loved the the impetus for him to do exactly that and make Through their company Motion Impossible, wildlife cameraman Rob Drewett and freedom of being able to move the his own. radio control enthusiast and design engineer Andy Nancollis are developing new camera wherever I wanted to – but Motion Impossible is formed and innovative ways to move cameras for film, television and virtual reality (VR). I ended up having bad ears and Looking for an RC car specialist he came across The company has already developed the MANTIS, a unique remote stabilised dolly Andy Nancollis, the chairman of a local RC club. couldn’t dive any more, so I really Andy also just happened to work as a product system with no need for tracks, which can work in all sorts of difficult filming wanted to bring that fluid motion design engineer and when Rob described what situations, in particular for wildlife and VR work. Also recently announced is the he wanted, Andy was more than happy to to filming on land. join him on what sounded like a dream job. AGITO, which allows recordable moves. The arrival of the AGITO was immediately The two of them are now business partners lauded with a Technical Award at this year’s Cine Gear. Zerb guest editor running Motion Impossible. Hazel Palmer talked to Rob about the exciting journey of this young company With Rob’s moving camera experience and Andy’s grasp of technology and mechanics as which is making tracks in the camera stabilisation market. well as CAD drawing skills, the pair came up with a prototype within a month and took From tree surgeon to wildlife cameraman managed to secure a BBC NHU bursary, his golden ticket to it to the Wildscreen Film Festival. This first Rob Drewett’s journey into the world of camera movement working on the major David Attenborough shows. model was a stripped-down four-wheel innovation began 15 years ago through his passion for wildlife Rob then honed his craft working with the best on an array drive vehicle from the hobby filming and photography, and a desire to work on classic BBC of BBC wildlife shows, filming capuchin monkeys forPlanet world. They pared this right natural history series such as Blue Planet and Planet Earth. Primate, tiger sharks and albatrosses for Life Story, chipmunks back to the chassis and Rob initially worked as a tree surgeon until, capitalising for Hidden Kingdoms and locusts for Planet Earth II. transmission, changed all on his hobbies of travel and scuba-diving, he gradually The BBC bursary also exposed Rob to the world of camera the suspension to make began to pick up work as an underwater cameraman, as movement technology and he was soon enthusiastically it more stable and better well as making his own documentaries. With no academic embracing any work involving stabilisation, gimbals, suited to carrying weight, MANTIS filming in and then rebuilt it with their own qualifications in zoology or biology, but plenty of freelance steadicam, time-slice, and so on. Admitting that he is not the Nambia desert wildlife filming experience and a great deal of tenacity, Rob someone with the patience to sit in a hide for days, his time parts. They also made a short video using 44 Autumn 2017 ZERB www.gtc.org.uk 45 Motion Impossible Motion Impossible been getting a lot of good feedback. People want something that’s easy to just throw on track or on the ground to do repeatable moves, to move a camera or stabilise without Everything we’re doing right now risking people’s lives or needing too much time to set up; this is what the new AGITO is all about.” And there may be even is about noise reduction because wider applications in the future too, as Rob suggests: “This is not just a tool for filmmaking. We’re basically making a the biggest thing as regards stabilisation system that will enable anything to be attached motion sickness with VR is the and moved around, so it could have applications in other industries too.” noise syncing to your eyes. It’s In the mean time, Rob crucial to capture the sound you has recently enjoyed getting back to nature and putting can hear while you’re moving the product to use out in through space. the field, filming cheetahs in Namibia for National O2 VR shoot with England rugby team Geographic. We look forward to seeing the results. and carbon fibre for robustness and weight reduction, and although some of the components come from specialist New AGITO Fact File coming soon suppliers around the world, the products are very much British-made, with everything manufactured and distributed See more about the Motion Impossible range of products: from their unit near Bristol. www.motion-impossible.com/products The vehicles are all four-wheel drive and designed to See more about Rob Drewett’s camerawork: minimise noise. “It’s all about quietness. Some noise is www.robthecameraman.co.uk unavoidable, but we’re working on this. Everything we’re doing right now is about noise reduction because the biggest Check out Motion impossible at IBC Hall 10 Stand C49 thing as regards motion sickness with VR is the noise syncing to your eyes. It’s crucial to capture the sound you can hear while you’re moving through space.” Motion Impossible announced the MANTIS officially at NAB last year and it’s been selling really well worldwide, proving MANTIS 360º in Uganda with Google Jump to be an essential tool for filming VR and 360 video, not to mention its wildlife applications. What started with just Rob the vehicle to film a peregrine falcon with a lure attached to and Andy in a shed now has a team of 15 people with new the camera. People loved the idea and were soon asking to products coming out and another office in Bristol Robotics buy it. Lab where all their R&D is done. That sent Rob and Andy into working out production and With virtual reality, augmented reality and mixed reality manufacture of their own product from scratch, adapting and already very much here, and ‘volumetric capture’ coming adding articulation to get the camera higher off the ground. to VR in the future, there is strong demand for a remote Later that year, armed with their new MANTIS, they broke dolly system that reduces the amount of people, track and into IBC and drove it around the show to get attention. After everything else around it that make production and post- being kicked out by security they were invited back in because production so lengthy. Motion Impossible has designed several companies had immediately spotted the potential for New ‘MASTER’ controller a gyro-stabilised system, which sits below the 360 camera filming VR. As such, they became the first ever to move VR and fits within the footprint of the vehicle (see more detail at cameras, something previously considered impossible due to www.motion-impossible.com/products). the motion sickness it could cause. Rob comments: “If you And, although the MANTIS has already found a niche in go straight, and very steady, and it’s stable, and the sound for the VR market, Rob and Andy have also been keen to develop your ears is synced to what your eyes are seeing, it doesn’t models suitable for broadcast. The latest, AGITO, is a remote make you feel sick; that’s the key.” As the fixed position of dolly system that can do recordable moves on the ground this early design caused some vibration, Rob and Andy then and has interchangeable wheels for use either on track or off- designed the V-CON, a low-level vertical axis stabiliser, and road with all the stabilisation you need.
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