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Fox Domestication and Pet Ownership
FAUX FOXES: FOX DOMESTICATION AND PET OWNERSHIP HONORS THESIS Presented to the Honors Committee of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Noelle Marie Brooks San Marcos, Texas May 2015 FAUX FOXES: FOX DOMESTICATION AND PET OWNERSHIP Thesis Supervisor: ________________________________ Harvey Ginsburg, Ph.D. Department of Psychology Second Reader: __________________________________ Bob Fischer, Ph.D. Department of Philosophy Approved: ____________________________________ Heather C. Galloway, Ph.D. Dean, Honors College COPYRIGHT by Noelle M. Brooks 2015 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief questions from this material are allowed with prior acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Noelle Marie Brooks, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION This study is dedicated to the memory of the companion foxes that have lost their lives due to the fear, misunderstanding, negligence, and restrictions of humans and the owners whom loved and cared for them. To Anya, Vader, Valo, and Miko, and their owners Kay, Tara and Eric, Chloe, and Anda, may this honor the bonds you shared and the lives you created together. ACKNOWLEDGEMENTS Dr. Harvey Ginsburg, this project would not exist without your guidance. I thank you for agreeing to mentor me as my Thesis Supervisor and for allowing me your time and thoughts. -
Investor Presentation| June 2021
INVESTOR PRESENTATION| J U N E 2 0 2 1 Forward Looking Statement Certain matters discussed in this presentation are “forward-looking statements” intended to qualify for the safe harbors from liability established by the Private Securities Litigation Reform Act of 1995. These forward-looking statements may generally be identified as such because the context of such statements include words such as we “believe,” “anticipate,” “expect” or words of similar import. Similarly, statements that describe our future plans, objectives or goals are also forward-looking statements. Such forward-looking statements are subject to certain risks and uncertainties which may cause results to differ materially from those expected, including, but not limited to, the following: (1) the adverse effects of the COVID-19 pandemic on our theatre and hotels and resorts businesses, results of operations, liquidity, cash flows, financial condition, access to credit markets and ability to service our existing and future indebtedness; (2) the duration of the COVID-19 pandemic and related government restrictions and social distancing requirements and the level of customer demand following the relaxation of such requirements; (3) the availability, in terms of both quantity and audience appeal, of motion pictures for our theatre division (particularly following the COVID-19 pandemic, during which the production of new movie content temporarily ceased and release dates for motion pictures have been postponed), as well as other industry dynamics such as the maintenance of -
Framing Farming: Communication Strategies for Animal Rights Critical Animal Studies 2
Framing Farming: Communication Strategies for Animal Rights Critical Animal Studies 2 General Editors: Helena Pedersen, Stockholm University (Sweden) Vasile Stănescu, Mercer University (U.S.) Editorial Board: Stephen R.L. Clark, University of Liverpool (U.K.) Amy J. Fitzgerald, University of Windsor (Canada) Anthony J. Nocella, II, Hamline University (U.S.) John Sorenson, Brock University (Canada) Richard Twine, University of London and Edge Hill University (U.K.) Richard J. White, Sheffield Hallam University (U.K.) Framing Farming: Communication Strategies for Animal Rights Carrie P. Freeman Amsterdam - New York, NY 2014 Critical Animal Studies 2. Carrie P. Freeman, Framing Farming: Communication Strategies for Animal Rights. 1. Kim Socha, Women, Destruction, and the Avant-Garde. A Paradigm for Animal Liberation. This book is printed on recycled paper. Cover photo: Jo-Anne McArthur / We Animals The paper on which this book is printed meets the requirements of “ISO 9706:1994, Information and documentation - Paper for documents - Requirements for permanence”. ISBN: 978-90-420-3892-9 E-Book ISBN: 978-94-012-1174-1 © Editions Rodopi B.V., Amsterdam – New York, NY 2014 Printed in The Netherlands Table of Contents List of Images 9 Foreword 11 Author’s perspective and background 11 Acknowledgements 14 Dedication 15 Chapter 1: Introduction 17 Themes and Theses in This Book 19 The Unique Contributions of This Book 20 Social Significance of Vegetarianism & Animal Rights 22 The Structure and Content of This Book 26 Word Choice 29 PART I OVERVIEW OF ANIMAL RIGHTS, VEGETARIANISM, AND COMMUNICATION Chapter 2: Ethical Views on Animals as Fellows & as Food 33 Development of Animal Activism in the United States 34 Western Thought on Other Animals 36 Western Vegetarian Ethics 43 Human Eating Habits 62 Chapter 3: Activist Communication Strategy & Debates 67 Communication and the Social Construction of Reality 68 Strategies for Social Movement Organizations 75 Ideological Framing Debates in U.S. -
DISH to Deliver BBC America's Stunning Planet Earth II Live in 4K Ultra HD
February 13, 2017 DISH to Deliver BBC America's Stunning Planet Earth II Live in 4K Ultra HD Launches dedicated 4K channel to broadcast the landmark natural history television series every Saturday from Feb. 18 through March 25 Offers exclusive free preview of BBC America beginning Feb. 14, giving all DISH customers access to Planet Earth II in 4K and HD at no extra cost ENGLEWOOD, Colo.--(BUSINESS WIRE)-- DISH will deliver live in 4K Ultra HD the highly-anticipated natural history series, Planet Earth II. Narrated by Sir David Attenborough, the series will simulcast on BBC America, AMC and SundanceTV on Saturday, February 18, with subsequent episodes airing on BBCA every Saturday night. DISH's 4K broadcast offers an unrivaled level of clarity to Hopper 3 customers who tune in to watch the planet's most remarkable creatures. This Smart News Release features multimedia. View the full release here: http://www.businesswire.com/news/home/20170213005620/en/ DISH is also offering an exclusive free preview of BBC America, from February 14 through March 30, giving customers access to Planet Earth II in both 4K and HD at no extra cost. "It's been more than 10 years since the world was first wowed by the original Planet Earth, and the second installment promises to deliver unmatched detail in crystal clear 4K resolution," said Vivek Khemka, DISH executive vice president and chief technology officer. "We've heard our customers ask for more 4K content, so we're making every effort to deliver this programming to households as its availability grows." BBCA President, Sarah Barnett, commented: "The breathtaking visuals in Planet Earth II are nothing short of DISH will deliver live in 4K Ultra HD the highly-anticipated natural history series, astounding. -
Bbc Earth Celebrates 50 Years of Earth Day with a Special Week of Programming
MEDIA ALERT 2nd April 2020 BBC EARTH CELEBRATES 50 YEARS OF EARTH DAY WITH A SPECIAL WEEK OF PROGRAMMING View Earth Week trailer BBC Earth is celebrating 50 years of Earth Day with Earth Week, a special line-up of programming which looks at the beauty of our planet both up close and from far away and explores our vital role in ensuring its future. Screening each evening at 8.30pm from Monday, April 20, the week kicks off with the premiere of Blue Planet Revisited, exploring the challenges facing the marine eco-system and wildlife in the Great Barrier Reef and the Bahamas. The cameras then move from under the ocean to hundreds of kilometres up in the sky in Earth From Space, capturing natural spectacles on an epic scale and showing viewers the planet’s extraordinary beauty and diversity in astonishing detail. The week will finish with a special Sunday screening of every episode of David Attenborough’s iconic Planet Earth II. Presented by Liz Bonnin, Chris Packham and Steve Backshall, Blue Planet Revisited returns to two key locations featured in Blue Planet II to see how things have changed, talk to the scientists who know our oceans best and give us a snapshot of the health of the ocean. With the breeding season underway, the series focuses on the action following whales and their calves and turtles and their hatchlings together with spectacular footage of shark dives in the Bahamas and the underwater dawn chorus of the Great Barrier Reef, home to 600 different kinds of coral and more than 1500 species of fish. -
Downloaded 4.0 License
society & animals 28 (2020) 689-693 brill.com/soan Film Review ∵ Jane in the Wild City Morgen, B. (Director). Jane [Motion Picture]. USA: National Geographic/Public Road Productions, 2017. Verkerk, M. (Director). De Wilde Stad (Wild Amsterdam) [Motion Picture]. Netherlands: Dutch FilmWorks, 2018. Although nonhuman animals have, from the very beginning, been prominent in feature films, the rise of the number of wildlife films over the past two de- cades is in itself an interesting phenomenon. This increase in numbers and the attention they generate not only applies to the big screen, with producers as diverse as Disney in the USA or Jacques Perrin in France, but also on our TV screens, for example, with the worldwide success of the streams of blue- chip series from the BBC, such as Planet Earth II (2016). The rapidly developing technology and, as a consequence, rising quality of the films, might partly ex- plain the rising interest of the general public, as it hasn’t always been that large. A significant touchstone for wildlife in the media occurred in the 1960s, when Jane Goodall was introduced to the American public by National Geographic; her research on chimpanzee behavior in the Gombe area in Tanzania, Africa, became an instant success and generated worldwide attention. Jane In the past decades, numerous films and documentaries about the life and works of Jane Goodall have been made; so, some critics wondered in advance what the new feature film by Brett Morgen, simply titled Jane (2017), would add to what we already know and have seen before. But reading the © MAARTEN REESINK, 2020 | doi:10.1163/15685306-00001959 This is an open access article distributed under the terms of the CC BY-NCDownloaded 4.0 license. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. ‘For the Good of the Breed’ Care, Ethics, and Responsibility in Pedigree Dog Breeding Chrissie Wanner PhD in Social Anthropology University of Edinburgh 2017 1 Declaration I declare that this thesis has been composed solely by myself and that it has not been submitted, in whole or in part, in any previous application for a degree. Except where states otherwise by reference or acknowledgment, the work presented is entirely my own. Signed: Date: 2 3 Abstract This thesis examines how the ethics of caring for pedigree dogs differ in the contexts of dog showing and veterinary practice. By highlighting conflicts around the shared use of ‘ordinary language’, I show how tensions between show‐world and veterinary perspectives relate to divergent understandings of ‘health’. Canine bodies speak to vets and breeders in conceptually different ways, so much so that breed‐specific features can be considered ‘perfect’ in the show‐ring yet ‘pathological’ in the veterinary clinic. -
Broadcast Bulletin Issue Number
O fcom Broadcast Bulletin Issue number 148 21 December 2009 1 Ofcom Broadcast Bulletin, Issue 148 21 December 2009 Contents Introduction 4 Standards cases In Breach Appeal for Manchester Muslim Centre and Mosque NTV, 27 August 2009, 19:20 5 Appeal for Somers Town Islamic Cultural & Education Centre Bangla TV, 27 August 2009, 17:15 7 Formula 1 Brazilian Grand Prix Competition ITV1, 2 November 2008, 16:00 9 News Today Radio Faza, 25 September 2009, 09:15 11 People from Space The Unexplained, 30 October 2009, 15:00 13 Flashing images in programme content DM Digital, 22 September 2009, 12:06 and 12:17 15 Advertising minutage cases In Breach Advertising minutage Q, 30 October 2009, 22:00 17 Note to Broadcasters Guidance on Rule 9.13 19 Fairness & Privacy cases Partly Upheld Complaint by the Kennel Club made on its behalf by Schillings Pedigree Dogs Exposed, BBC1, 19 August 2008 20 Complaint by the Rhodesian Ridgeback Club of Great Britain made on its behalf by Mrs Kirsteen Maidment Pedigree Dogs Exposed, BBC1, 19 August 2008 58 2 Ofcom Broadcast Bulletin, Issue 148 21 December 2009 Complaint by Mrs Virginia Barwell Pedigree Dogs Exposed, BBC1, 19 August 2008 75 Complaint by Mr Andrew Flynn Mischief – Your Identity For Sale, BBC3, 11 September 2008 85 Complaint by Miss Autumn Bryan Mischief – Your Identity For Sale, BBC3, 11 September 2008 93 Not Upheld Complaint by the Cavalier King Charles Spaniel Club made on its behalf by Mrs Lesley Jupp Pedigree Dogs Exposed, BBC1, 19 August 2008 101 Complaint by Mr Michael Randall Pedigree Dogs Exposed, BBC1, 19 August 2008 131 Complaint by Ms Penny Mellor Panorama: A Very Dangerous Doctor, BBC1, 1 June 2009 138 Complaint by Miss Sandeep Bhardwaj London Tonight, ITV1, 3 June 2009 156 Other programmes not in breach 160 3 Ofcom Broadcast Bulletin, Issue 148 21 December 2009 Introduction The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes which broadcasting licensees are required to comply. -
Netflix Cheat Sheet
NETFLIX CHEAT SHEET Animals: BBC: Life The Crimson Wing 72 Dangerous Animals: Tiger: Spy in the Jungle Bindi’s Bootcamp Australia Elephant: Spy in the Herd Wings of Life The Hunt Polar Bear: Spy on Ice Born in China Africa’s Deadliest Dolphins: Spy in the Pod 72 Cutest Animals Trek: Spy of the Lions: Spy in the Den Growing Up Wild Wildebeest Bears: Spy in the Woods Baby Animals in the Wild Africa’s Deadliest Penguins: Spy in the Hidden Kingdoms Leopard Fight Club Huddle Terra Animal Fight Night Blackfish Ghost of the Mountain Peculiar Pets Shark Virunga Race of LIfe The Lion in Your Living 72 Dangerous Animals: Wild Ones Room Asia David Attenborough’s A Dog’s Life 72 Dangerous Animals: Natural Curiosities Tyke: Elephant Outlaw America Earth & Nature : Space: History: Planet Earth II Alien Contact: Outer NOVA: Secrets of Noah’s Planet Earth Space Ark Blue Planet NOVA: Earth’s Rocky Start The Vietnam War Frozen Planet Into the Inferno The Pyramid Code Planet Earth: As You’ve The Real Death Star Vikings Unearthed Never Seen It Edge of the Universe WWII in Colour A Plastic Ocean Horizon: Secrets of the Untold Histories of the Earth’s Natural Wonders Solar System United States Mission Blue The Inexplicable Universe Nazi Mega Weapons World’s Worst Disasters The Beginning and End of 9/11: Truths, Lies & Nature’s Weirdest Events the Universe Conspiracy Nature’s Great Events Horizon: Supermassive Nazi Megastructures Weird Wonders of the Black Holes Auschwitz: The Nazis and World Orbit the Final Solution Forces of Nature In Search for Life in Space D-Day Desperate Hours: The Royal House of Witnesses & Survivors Presidents: Windsor Full Force Nature How to Win the US Tornado Hunters Presidency Dinosaurs: The Wheelchair President Raising the Dinosaur Giant JFK: The Making of a Horizon Dinosaurs: The President Hunt for Life Meet the Trumps: From Dino Hunt Immigrant to President HomeschoolHideout.com Please do not share or reproduce. -
Notre Dame Scholastic, Vol. 83, No. 04
m -^=6.^-'- »-^^ 'ante FOOTBALL NUMBER Volume 83, Number 4 December 7, 1944 Herein the Scholastic pays tribute to Coach Ed McKeever iinset) and the Fighting Irish of 1944 Price Twenty-five Cents ^he SYotre Q)ame Scholastic ^ ^^Ui^i/tc Disce Quasi Semper Victurus Vive Quasi Cras Moritums FOUNDED 1S67 It doesn't take much to get attention when you're a National Championship team, but after you drop a game or two, then, the descendancy from the ladder of fame seems to be the only alternative. But here's where the exception to the rule enters in — here at Notre Dame. For in defeat, the Fighting Irish of '44 were as great if not greater than the National Champions of '43. They left a great role to live up to, _/j those gridders of '43 when they took THE STAFF Bill Waddington leave of the scene — and consequently AL LESMEZ left a huge question mark hovering Editor-in-Chief over the campus all the winter and spring. From matur ity and experience to youth abounding with greenness— ED ITORI AL STAFF that was the fate of the Irish this season. The first re GENE DIAMOND - - - - Navy Associate Editor placement was the young Ed McKeever as head coach ROBERT RIORDAN ----- Managing Editor and with him three new additions to his staff of assist BILL WADDINGTON Sports Editor BOB OTOOLE ----- Circulation Manager ants. But this was only the beginning, for in the spring, only four monogram men had returned to the sod of COLUMN ISTS Cartier Field, until the return of Capt. -
YEARBOOK of The
YEARBOOK of the IRISH PHILOSOPHICAL SOCIETY Special Issue Humans and Other Animals Fealsúnacht Φ 2017/18 Edited by: Noel Kavanagh Cara Nine Noel Kavanagh 4 Elderwood, Philosophy Department of Humanities University College Cork Carlow College, St. Patrick’s Cork College St., Co. Cork Carlow, Co. Carlow IRELAND IRELAND E-mail: [email protected] E-mail: [email protected] Board of Editorial Advisors: Maeve Cooke (UCDublin) Richard Kearney (Boston College) William Desmond (KULeuven) Cynthia Macdonald (QUBelfast) John Dillon (TCDublin) Dermot Moran (UCDublin) John Hayes (MI Limerick) Graham Parkes (UCCork) Teresa Iglesias (UCDublin) Peter Simons (TCDublin) Markus Wörner (NUIGalway) The Yearbook of the Irish Philosophical Society is a publication of the Irish Philosophical Society. It publishes peer-reviewed articles on a bi-annual basis, often originating in the Society’s conferences, and shares the Society’s purpose of promoting philosophy in Ireland. Papers to be considered for publication should be sent to the General Editor, or to the Associate Editor at their respective addresses above. Please comply with the Society’s style guide available on the society’s website and include an abstract of c. 100 words. See, www.irishphilosophicalsociety.ie The price of the Yearbook to members of the Irish Philosophical Society is €10; to non-members: €25. Institutional membership and subscription can be arranged. Please contact: Katherine Furman (Honorary Secretary) 4 Elderwood, Philosophy University College Cork Co. Cork IRELAND Email: [email protected] The views and opinions expressed in the articles do not necessarily represent those of the editors. The articles published are indexed in the Philosopher’s Index. -
Screendollars Newsletter 2021-04-26.Pdf
Monday, April 26, 2021 | No. 165 One of the things moviegoers like most about going to theatres is seeing films on the Big Screen, "the way they were meant to be seen." What people don't realize is that when films started in the mid-1890s, there were neither screens nor projectors. The very short films of that era were meant to be seen individually by looking into peep show machines in arcades. Those Kinetoscope devices were one of many inventions from Thomas Edison's factory in West Orange, NJ. Since Edison was monetizing his Kinetoscopes quite well, he had no interest in developing a machine to project film images on walls. Others, however, saw a big future in showing films to groups of people. Peep show owners, in fact, were very vocal in pressing Edison to devise a Film projection to large audiences was much more way to show life size images on arcade walls. This led to the Vitascope profitable than viewing through individual kiosks, since projection system, developed by Washington, DC inventor Thomas Armat, fewer machines were needed in proportion to the but then marketed by Edison's organization as if it were his own invention. number of viewers - Click to Play The first public Vitascope screening took place April 23, 1896 at Koster & Biel's Music Hall, a vaudeville house in New York's Herald Square at 34th Street near Broadway, the site today of Macy's. It would have premiered three days earlier, but it took longer than expected to install the machinery. That first night audience was dazzled by film images projected on a 20 foot canvas screen set within a gilded frame.