Predavanje 7/1 Avant-garde u Holandiji 1917-1932 Pablo PICASSO, Bottle, Glass and Fork 1911-12.

KUBIZAM 1907-1912 Picasso Baraque

Georges Braque, The Portuguese 1911. HOLLAND 1917-1931

Piet Mondrian Neoplasticism: ‘prava plasticna umetnost’

Postoji stara i nova svest vremena. Stara svest je usmerena ka pojedinacnom. Nova je usmerene ka univerzalnom.

There is an old and a new consciousness of the age. The old one is directed towards the individual. The new one is directed towards universal.’

Theo van Doesburg Gerrit Rietveld

Piet Mondrian, Composition with Yellow, Blue, and Red, 1921, oil on canvas, 72.5 x 69 cm, Tate Gallery. London. Jacobus Johannes Pieter Oud, Strandboulevard, seaside housing project, Scheveningen, 1917 (R) with Cornelis van Eesteren

Theo van Doesburg, Construction de L'Espace-Temps II, detail 1924. Canvas, Oil. Gerrit Rietveld, Red and Blue Chair, 1917. Cornelis van Eesteren, Maison Particuliere, Cornelis van Eesteren, Maison Particuliere, Axonometric Counter-construction, drawing and color scheme by Theo projection and color scheme by Theo Van Doesburg 1923 Van Doesburg 1923. Cornelis van Eesteren, Maison Particuliere, Counter-construction, drawing and color scheme by Theo Van Doesburg 1923. Theo Van Doesburg, Aubette (remodeling), , Cinema and dance hall (destroyed) 1926-1928. Theo Van Doesburg, Aubette (remodeling), Strasbourg, Cinema and dance hall (destroyed, recently reconstructed) ), 1926-1928. Theo van Doesburg, Design for interior decoration of the main hall of a university 1923.

Theo van Doesburg, Counter-Composition XVI, 1925. Gerrit Rietveld, Mrs. Truus Schroder House, Utrecht, 1924. Gerrit Rietveld, Mrs. Truus Schroder House, Utrecht, Plan of ground floor 1924.

Gerrit Rietveld, Mrs. Truus Schroder House, Utrecht, Plan of upper floor, closed plan, 1924.

Gerrit Rietveld, Mrs. Truus Schroder House, Utrecht, Plan of upper floor, open plan, 1924. Gerrit Rietveld, Schroder-Schrader House, Front Facade, Utrecht, 1924 Truus Schroder & her sister An, 1925.

Gerrit Rietveld, Schroder-Schrader House, Entrance, Utrecht, 1924 Gerrit Rietveld, Schroder-Schrader House, Utrecht, 1924 Gerrit Rietveld, Schroder-Schrader House, Detail of upper level with screens removed, Utrecht, 1924 Gerrit Rietveld, Schroder-Schrader House, Detail of upper level with screens removed, Utrecht, 1924

Weimar 1919 - 1925 Dessau 1925 - 1932 Berlin 1932 - 1933

Walter Gropius, 1919 - 1927 Hannes Meyer, 1927 - 1930 Ludwig Mies van der Rohe, 1930 - 1933 Lyonel Feininger, Cathedral, wood-cut for the Bauhaus Manifesto, 1919

MANIFEST BAUHAUSA

Konacni zadatak svake kreativne delatnosti je izgradnja! Dekoracija zgrada je nekad bila najplemenitija svrha lepih umetnosti i lepe umetnosti su bile neophodne velikoj arhitekturi. Danas su one neoprezno izolovane i jedino mogu biti spasene svesnom saradnjom svih stvaralaca. Arhitekte, slikari i skulptori moraju ponovo da nauce i razumeju kompleksnu prirodu gradjevine i kao celine i u smislu njenih pojedinih delova. Tada ce njihov rad biti ispunjen pravim duhom arhitekture, koji je buduci ‘salonska umetnost’ ona izgubila.

Walter Gropius, 1919 Walter Gropius, Weimar Bauhaus, Director's office, Weimar 1919 - 1925 View in photograph by Lucia Moholy (1924) 1923. Theo van Doesburg's 'de Stijl-ed' Bauhaus Weimar

De Stijl 1917-1931

Piet Mondrian Theo van Doesburg Gerrit Rietveld

Walter Gropius, Bauhaus, Dessau, 1925-26. Walter Gropius, Bauhaus, Dessau, 1925-1926

Dessau 1925 - 1932 The Bauhaus masters on the roof of the Bauhaus building in Dessau.

Left to right: Josef Albers, Hinnerk Scheper, Georg Muche, László Moholy-Nagy, Herbert Bayer, Joost Schmidt, Walter Gropius, Marcel Breuer, Vassily Kandinsky, Paul Klee, Lyonel Feininger, Gunta Stölzl and Oskar Schlemmer. Paul Klee, Southern (Tunisian) Gardens, 1919. Wassily Kandinsky, Composition 1923, 1923 Herbert Bayer, Four commercial print designs. Typography.

László Moholy-Nagy, Light Space Modulator, 1922-30. Marianne Brandt, Teapot, 1924

Oskar Schlemmer, Triadic Ballet : Dancer in costume 1920 Marcel Breuer, Chair B3, 1925 DESSAU, Walter Gropius The Bauhaus, 1925

WOKSHOP BUILDING

STUDENT WING

TECHNICAL SCHOOL OFFICES AUDITORIUM El Lisitzki, Proun 1D, 1919, Kunstmuseum, Basel.

Walter Gropius, Bauhaus, Dessau, 1925-1926 Walter Gropius, Bauhaus, Workshop Building, Dessau, 1925-1926

Dessau 1925 - 1932 Walter Gropius, Bauhaus, Administrative Bridge (left) and the Workshop Building (right), Dessau, 1925-1926

Walter Gropius, Bauhaus, Workshop Building with Auditorium to the right, Dessau, 1925-1926 Walter Gropius, Bauhaus, Dormitory, Dessau, 1925-1926 Walter Gropius, Bauhaus, Dormitory, Dessau, 1925-1926

Walter Gropius, Bauhaus, Entrance to the Auditorium, 1925-26.

Walter Gropius, Bauhaus, Auditorium with Breuer’s Furniture, 1925-26. Walter Gropius, Bauhaus, Refectory, 1925-26. Walter Gropius, Bauhaus Masters' Houses, Dessau, Isometric color schemes of exteriors (Alfred Arndt), 1925-26. 1933 • 11. aprila, na pocetku letnjeg semestra 11, policija je pretresla i zapecatila zgradu Bauhausa; 32 studenta su privremeno uhapsena.

• Pismo iz Drzavne tajne policije, datirano 21. jula, nabraja nekoliko uslova za ponovno otvaranje skole; od Kandinskog i Hilberseimera se trazi da napuste svoja radna mesta i da ih predaju osoblju koje ‘stoji na tlu ideologije Nacional Socijalista’ , kao i da novi program studija zadovolji ‘zahteve nove drzave I njene unutrasnje organizacije.’

• U toku sledecih nekoliko godina najistaknutiji profesori Bauhausa emigriraju, medju njima: Josef Albers (1933/USA), Vassily Kandinsky (1933/), Paul Klee (1933/Switzerland), Walter Gropius (1934/Great Britain, 1937/USA), László Moholy-Nagy (1934/Netherlands, 1935/Great Britain, 1937/USA), Marcel Breuer (1935/Great Britain, 1937/USA), Ludwig Mies van der Rohe (1937/USA), Herbert Bayer (1938/USA), Walter Peterhans (1938/USA). Predavanje 7/3

RUSKA AVANT-GARDE 1918-1932

El Lisitzki, design for a Lenin Tribune, 1924. Kasimir Malevich, Suprematist Composition: Aeroplane El Lisitzki, Proun 1D Flying 1914-1915. (Project for the Affirmation of the New), 1919, Museum of Modern Art, NEW YORK Kunstmuseum, Basel. El Lisitzky, Cloud Hanger, Project, 1925.

Kasimir Malevich, Architectonics, 1924. Plaster.

RATIONALISTS – Essence of modern art is FORM / exploration of the psychological, formal lows 400m high

KONSTRIKTIVISTI– Srz moderne umetnosti je KONSTRUKCIJA. (pravi objekti (predmeti), medju pravim objektima, ne KOMPOZICIJA predstavljenih objekata.

Essence of modern art is CONSTRUCTION (real objects among real objects, not COMPOSITION of represented objects)

Vladimir Tatlin, The Monument to the Third International, 1919-20. Alexander and Victor Vesnin, Competition Project for Leninagrad Parvda Building, Moscow 1924. Alexander and Victor Vesnin, Competition Project for Leninagrad Parvda Building, Moscow 1924. Konstantin Melnikov, Exposition des Arts Decoratifs, USSR Pavilion, Paris 1925. Konstantin Melnikov, Exposition des Arts Decoratifs, USSR Pavilion, Paris 1925. Konstantin Melnikov, Exposition des Arts Decoratifs, Paris 1925, project , Garage for 1000 cars. Konstantin Melnikov House, Moscow, 1927-29

Konstantin Melnikov, House, Interior, Moscow, 1927-29 Ilya Golosov, Zuev Worker’s Club, 1929. Moisei Ginzburg, I. Milinis, Narkomfin (Ministry of Finance) Collective Housing, Moscow, 1928 Moisei Ginzburg, I. Milinis, Narkomfin Collective Housing, Moscow, 1928 Moisei Ginzburg, I. Milinis, Narkomfin Collective Housing, Moscow, 1928 Ivan Leonidov, The Lenin Institute of Librarianship, project, 1927. Ivan Leonidov, The Lenin Institute of Librarianship, project, 1927. M. Ginzberg, Competition project: Palace of the Soviets, Moscow, 1934.

Hennes Meyer, Competition project: Palace of the Soviets, Moscow, 1934. O. Iofan, O. Gelfreikh, V. Schuko. Sculptor S. Merkulov, Palace of the Soviets. A Version of the approved project. 1934 Ivan Leonidov, Competition project: Narkomtiazhprom (People's Commissariat of Heavy Industry), Moscow : Perspective looking up toward rectangular tower Ivan Leonidov, Competition project: Narkomtiazhprom (People's Commissariat of Heavy Industry), Moscow : Perspective looking up toward rectangular tower Ivan Leonidov, Competition project: Narkomtiazhprom (People's Commissariat of Heavy Industry), Moscow

Ivan Ilich Léonidov(1902, Tver Oblast -1959, Moscow)