Pirmin Treku

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Pirmin Treku REVISTA DE LA CASA DE LA DANZA ÁNGEL CORELLA / Nº 13 Julio, Agosto y Septiembre de 2006 DANen escenaZA PIRMIN TREKU MIKHAIL BARYSHNIKOV TAMARA ROJO ÁNGEL CORELLA II Encuentro de Crítica y Danza SUMARIO 4 Editorial Iratxe de Arantzibia 5 10 años de l'Aula de Dansa de la Universitat Autònoma de Barcelona Nèlida Monés i Mestre 6 PORTADA: Pirmin Treku Iratxe de Arantzibia 9 24 Amigos de Honor y D.I.D A vueltas con el fouetté Perfecto Uriel Víctor M. Burell 10 26 Encuentro de Crítica y Danza Gala de Estrellas con Tamara Rojo Rosli Ayuso Jaume Capdevila Sergio Cardozo 28 12 Boom Boom en el Villaroel Los Hispanoamericanos en el firmamento Paloma Torres Célida P. Villalón 28 y 31 15 El Ballet Chonchoi Compañía David Campos Fredy Rodríguez P2501 29 16 Las artes del movimiento en el futuro educativo Mikhail Baryshnicov Galo Sánchez Joaquim Noguero 30 18 Las tendinitis de tobillo y pie Tamara Rojo servida en copa de cristal Antonio Díaz Pérez Danza en escena 31 20 DVD’S 75 años del Royal Ballet Iratxe de Arantzibia 32 AGENDA / CALENDARIO 21 Ángel Corella, 10 años en el ABT 33 Iratxe de Arantzibia NOTICIAS 22 34 Críticas VITRINAS ABIERTAS: Haydée Caycho Célida P. Villalón/ Iratxe de Arantzibia Ana Isabel Elvira (EDITORIAL) DANe n e s cZe nAa Nº13, julio, agosto y septiembre de 2006 © Danza en Escena PRESIDENTE DE HONOR: Ángel Corella EDITORA: Mila Ruiz COORDINADOR: Perfecto Uriel reiskaidecafobia. Miedo al número trece. Éste es un vocablo propio de los supersticiosos de pro. A partir de ahora, también CONSEJO DE REDACCIÓN: servidora lo va a incluir en su léxico personal. Les cuento. Este Iratxe de Arantzibia, Víctor M. Burell, T Delfín Colomé, Ana Isabel Elvira, Nèlida ejemplar que tienen entre sus manos es el número trece. Me voy a aho- Monés i Mestre, Fredy Rodríguez rrar contarles a Uds. lo dificultoso que ha sido la elaboración de este COLABORADORES: "Danza en Escena". Tanto el contenido, como la portada, han fluctua- Rosli Ayuso, Joseba Calle, Jaume do y sufrido múltiples avatares durante su gestación. Finalmente y para Capdevila, Sergio Cardozo, Marta desgracia, Pirmin Treku, Bailarín Principal del Royal Ballet (1948- Carrasco, Antonio Díaz, Ana Isabel Elvira, Nèlida Mones, Joaquim Noguero, 1961), recibe nuestro particular homenaje en esta portada. Hablábamos Galo Sánchez, Paloma Torres, Célida P. del número maldito y, precisamente, Pirmin, Amigo de Honor de la Villalón Casa de la Danza 2006, nos abandonó el día trece de julio. Muchos son FOTOGRAFÍAS: los fantásticos contenidos elaborados por mis compañeros con la pro- Iratxe de Arantzibia, Manolo Barros, fesionalidad y eficiencia que les caracterizan, pero yo les pediría que Nathaniel Goldberg, Joaquim Noguero, Mila Ruiz, Rafael Ruiz, David Ruano, se propusieran conocer un poco a Pirmin, gracias a una de las últimas Javier Suarez, Jesús Vallinas, Mikhail entrevistas que realizó. Tengo el honor de ser la interlocutora de la Baryshnicov misma. Las entrevistas son un pequeño diálogo, un momento de inti- midad compartida, un breve retazo para acercarse a un artista. Yo quie- FOTOMECÁNICA-IMPRENTA: ro compartir con Uds. esa fracción de íntima reunión entre Pirmin y yo. Trama Impresores, S.A.L. Ésta imagen que ven en la parte superior atestigua nuestro encuentro. PUBLICIDAD: Fue una tarde distendida, jovial y muy entretenida. Cuarenta y cinco Rampa Ediciones Culturales minutos de grabación así lo muestran. A partir de entonces, charlába- mos de vez en cuando. En mayo, le acompañé a su nombramiento DIRECCIÓN: Casa de la Danza Ángel Corella, como Amigo de Honor de la Casa de la Danza. Un mes después, estu- Rua Vieja 25, 26001 Logroño (La Rioja) vimos viendo el festival de fin de curso de una conocida academia de Telf: 941 246 365 Fax: 941 246 749 danza donostiarra. Y quedamos pendientes de una merienda tan espe- Email:[email protected] cial como la primera. No he tenido tiempo suficiente para conocer a Pirmin Sebastián Aldabaldetreku Arruti. Por eso, la noticia de su enfer- DL: LR-249-2005 medad y fallecimiento ha sido un mazazo. Las enciclopedias de danza hace muchísimo tiempo que ya recogen la fulgurante carrera de Pirmin (Las colaboraciones son gratuitas y Treku, el bailarín que brilló interpretando el rol de chico en "La fête responsabilidad de sus autores) ètrange". El número trece de "Danza en Escena" tenía la intención de recuperar la memoria histórica de dos grandes: Pirmin Treku y Gerardo Viana. Ambos, niños de la guerra, vascos internacionales, dos carreras en dos sitios excepcionales para la Danza con mayúsculas: Londres y Rusia. Pero, como comprenderán, la desaparición de Pirmin dota de un sentido especial a este número trece. Estoy segura de que Pirmin hubie- *Danza en escena puede adquirirse de ra querido que el espectáculo continuara, pese a todo. Con el corazón forma gratuita en la Casa de la Danza encogido, les doy la bienvenida a este "Danza en Escena". Show must go on. Va por ti, Pirmin. FOTOGRAFÍA PORTADA: IRATXE DE ARANTZIBIA FOTOGRAFÍA SUMARIO: BERNARDO DORAL Iratxe de Arantzibia, Periodista 10 AÑOS DE L'AULA DE DANSA DE LA UNIVERSITAT AUTÒNOMA DE BARCELONA Nèlida Monés i Mestre 'Aula de Dansa de la Universitat eina de recerca: 10 anys de Autònoma de Barcelona cumple 10 l'Aula de Dansa de la UAB, Laños y celebró el martes 16 de en la que han participado mayo de 2006 una fiesta con espectá- alumnos, coreógrafos, culo, e invitó a todos los alumnos, pro- profesores, teóricos, todo fesores y colaboradores que ha lo largo un legado para las futuras de esta década han participado en generaciones. alguna de sus actividades. El acto de apertura a cargo Joan HISTORIA Carbonell Manils, Vicerector d'estudiants L'Aula de Dansa de la UAB i Cultura de la UAB, iva dirigido al es una de las Aulas de Rector Solà, a la Vicerectora Izquierdo, Danza que hay en el Aula de danza de la Universidad de Barcelona al Vicerector Sabés, Jéssica, Jesús, Estado Español. Las Aulas Assumpta, Carles Toni, David , a los de Danza surgieron en las universidades contemporáneas si la comparamos con invitados, estudiantes, miembros del españolas a la par que las de teatro y otras aulas del Estado Español, y es que Aula de Danza... y empezó con una cita música con la intención de que los en Cataluña y Barcelona el contempo- de I Pagliacci : alumnos de las diferentes facultades se ráneo se ha proyectado con fuerza más apuntaran a fines culturales sin inten- allá de nuestras fronteras. Signore! Signori! ción de profesionalizarlos, pero lo cierto La relación de l'Aula de Dansa con la Scusatemi se da solo mi presento. es que tanto en las otras artes escénicas Universidad ha traspasado también al Io sono il Prologo.* como en la danza, algunos de ellos, sin mundo académico y desde el curso ser profesionales han saltado, cambia- 2003 - 2004 se imparte un Master en ...El Aula de Danza es fruto de la volun- do de estudios, y se han convertido en Danza Movimiento Terapia adscrito al tad y esfuerzo de todos aquellos y aque- auténticos bailarines, coreógrafos, Departament de Psicología Clínica i de llas que durante diez años creyeron en incluso ampliando estudios más allá de la Salut de la Facultat de Psicología de el proyecto. Y la UAB os lo agradece. A nuestras fronteras. la UAB que surgió de unos cursos inicia- todos aquellos y aquellas que durante Como declaraba Carles Sales el día de dos por Heidrun Panhofer i Assumpta diez años han hecho la tarea de direc- la conmemoración, " es una satisfacción Ratés desde l'Aula de Dansa. ción y de gestión. Y la UAB os lo agra- que tengamos ex alumnos en diferentes El día de la actuación, con la sala a dece. Pero sobretodo a todos aquellos y países europeos y escuelas de prestigio rebosar, los ex alumnos, más profeso- aquellas (más aquellas que aquellos) como el The Place de Londres, Parts de res, completaron el auditorio. Tras la que habéis pasado ratos en este teatro, Bélgica y en algún centro coreográfico actuación, una pequeña fiesta en el bailando, arrastrandoos, experimentan- de Francia". Campus clausuró la feliz noche: sonri- do los nervios de un estreno efímero. Y sas, alegría, intercambios, encuentros, y la UAB os lo agradece también y sobre- ACTIVIDADES también un punto de nostalgia de aque- todo. Puede ser que ahora entendais mi L'Aula de Dansa de la UAB fomenta la llos que en su momento participaron de saludo inicial personalizado. danza contemporánea a través de sus l'Aula de Dansa de la UAB y ahora Il concetto vi dissi; or ascoltate com'egli cursos y además tiene un Grupo Estable andan por otros derroteros. è svolto. Andiam. Incominciate l´specta- de Creación, semiprofesional, que par- colo. ticipan en intercambios interuniversita- *Al empezar la función de I Pagliacci aparece ante J.C.M. rios con otros grupos europeos y univer- el telón todavía corrido un personaje llamado Prólogo. Esta ópera en dos actos de Leoncavallo sidades, amenizan con sus actuaciones recurre a la tradición antigua commedia dell'arte El espectáculo Estan Bye a cargo de diferentes actos en la UAB e incluso han aunque como el mismo explica, sólo en parte. Carles Sales, coreógrafo catalán que ha actuado en alguna sala de Barcelona. El Carbonell, hombre de letras y clásicas, suele docu- participado en el Aula desde su crea- Vicerector de Estudiantes y Promoción mentarse ante la presentación de los actos en ción, estuvo acompañado, al final, por Cultural de la UAB, Joan Carbonell, se público y dar un toque erudito muy propio de un ente universitario y que siempre amplía los conoci- un audiovisual con las declaraciones de siente orgulloso del grupo e incluso mientos del auditorio que le agradece su búsque- varios alumnos que han pasado por el alentaba a su fundadora, Assumpta da e investigación más allá del espectáculo.
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