Licenciatura En Lengua Y Literatura Inglesa

Total Page:16

File Type:pdf, Size:1020Kb

Licenciatura En Lengua Y Literatura Inglesa Universidad Nacional de La Pampa Facultad de Ciencias Humanas Departamento de Lenguas Extranjeras LICENCIATURA EN LENGUA Y LITERATURA INGLESA “Between the past and the present: representATIONS of IRISH Identity in contemporary novels by Colm Tóibín”. TESIS DE LICENCIATURA Autora: María Isabel Arriaga Directora: Magister María Graciela Adámoli Co-directora: Magister Miriam Patricia Germani Santa Rosa, La Pampa 2017 Universidad Nacional de La Pampa Facultad de Ciencias Humanas Departamento de Lenguas Extranjeras LICENCIATURA EN LENGUA Y LITERATURA INGLESA “Between the past and the present: representations of Irish identity in contemporary novels by Colm Tóibín”. TESIS DE LICENCIATURA Autora: María Isabel Arriaga Directora: Magister María Graciela Adámoli Co-directora: Magister Miriam Patricia Germani Santa Rosa, La Pampa 2017 Page Abstract ……………………………………………………………………………….. I Table of contents ………………………………………………………………………. II Introduction …………………………………………………………………………….. 1 1.1 The research problem ................................................................................................... 1 1.2 Purpose and objectives ................................................................................................ 2 1.3 Hypothesis and research questions .............................................................................. 2 1.4 Previous research ......................................................................................................... 3 1.5 Description of the corpus and plot overview ............................................................... 3 1.6 Methodology and thesis organization .......................................................................... 5 Chapter I: Context and background theory ................................................................ 6 1.1 The socio-historical context: Ireland past and present ............................................... 6 1.2 The development of the Irish novel ........................................................................... 10 1.3 The author ................................................................................................................ 13 1.4 Critical approaches .................................................................................................... 14 1.5 Background Theory ................................................................................................... 15 a) Space and time as inseparable elements of the novel ............................................... 15 b) Notions on the constructions of identity .................................................................. 21 Chapter II: Space and time as essential axes of literary imagination ...................... 25 2.1 Landscape in Tóibín‟s novels: the sense of place and memory ................................ 25 2.2 Main chronotopes in Tóibín‟s novels ........................................................................ 30 Chapter III: Reconstructing identity in contemporary Ireland ............................... 47 3.1 Place in Tóibín‟s novels ........................................................................................... 47 3.2 Time in The Blackwater Lightship............................................................................ 55 3.3 Time in The Heather Blazing ................................................................................... 64 Conclusions ..................................................................................................................... 74 Works cited ..................................................................................................................... 80 Abstract During the last three decades Ireland has been undergoing a number of socio-cultural transformations that have given place to structural modifications in its national identity. By 1987 the historically revolutionary and impoverished Republic of Ireland emerged as one of the economic miracles of Europe, due to “The Celtic Tiger” boom. By joining the EC and through the introduction of progressive politics, the former provincial nation started its process towards modernization, which has allowed its inhabitants to enjoy a higher standard of living. However, becoming a global nation has undermined the traditional values on which the Republic had been built, offering new social models and alternative forms of families. Historical revisionism has also provided a fresh reading of the Irish bloody past, all of which has taken Irish people to face unprecedented questions about their past and future identity. As a result, ambivalences and institutional inconsistencies -typical of a period of social transition in the history of this nation- have emerged, forcing Irish people into a process of “re-imagining Ireland” in order to become a more tolerant and pluralistic society for its own people, for foreigners but also for those who once decided to leave their homeland and constituted the Irish diaspora. The purpose of this research work is to analyse representations of contemporary Ireland and the process of reconstruction of individual and national identities, as they are reflected in two contemporary novels by Irish writer Colm Tóibín, one of the most acclaimed post-nationalist literary figures today, in Ireland and abroad. INTRODUCTION 1.1 The research problem I have been interested in the area of Irish Studies since I attended a seminar on the “Narratives of the Irish Diaspora” in 2006 -as part of the undergraduate seminars I was required for my Bachelor‟s Degree course. Since then I have been working on this field as a member of three projects in the Department of Foreign Languages of the National University of La Pampa: “Irlandeses en Argentina: recuperación de fuentes, traducción y crítica” (2007-2010), “Las Américas e Irlanda. Estudios culturales y traducción” (2011- 2014) and “Literatura irlandesa: estudios socio-críticos y traducción como diálogo intercultural”, since 2015. In my previous explorations within Irish Studies I researched on the narrative of the Irish diaspora in Argentina, covering a period between the late 1800s and the early 1900s. For this second stage of my investigation I have focused on contemporary Irish literature in English, in order to analyse the impact of transcendental cultural changes in more recent Irish fiction. A new socio-political scenery has emerged in the Irish territory in the last three decades, characterized by the economic success of Ireland, its incorporation to the globalized world, a low unemployment rate and a greater freedom gained by some groups considered, until recently, as a minority. These phenomena have also allowed Ireland to start overcoming the diasporic period that affected it from the end of the 17th century to the mid-20th century, which left the country with one of the highest emigration rates in history. Within this recent socio-political and economic background, new patterns of individual and collective identity have emerged together with new cultural forms, which clash with traditional beliefs and values. As a result, identity crises and contradictions - common in the confluence of the past and the present- challenge Irish individuals in this changing social context. Thus, in spite of being fictional constructions, novels become the most useful literary genre to portray several aspects of the social reality in which they are produced or contextualized. 1.2 Purpose and objectives The purpose of this research work is to analyse the representations of contemporary Ireland and the process of reconstruction of individual and national identity after the numerous transformations that have taken place in the Irish society since the late 1980s, as they are represented in two contemporary novels by Irish writer Colm Tóibín: The Heather Blazing (1992) and The Blackwater Lightship (1999). The most general objective of this work attempts to determine what intersections can be established between the concepts of identity, time and space/place in the corpus under analysis, and to what extent these issues can be associated to the process of re-inventing itself that Ireland has been undergoing during the last thirty years. 1.3 Hypothesis and research questions Tóibín‟s fictions interrogate the problematic relationship between republican ideology, constitutional discourse and social reality in modern Ireland. For this research work I chose two of Tóibín‟s novels since he is considered as one of the most prominent figures within the literary movement of contemporary Ireland as well as one of the main Irish revisionists of these times. Therefore, my hypothesis is that like many other contemporary Irish novels, Tóibín‟s novels faithfully depict key socio-political transformations that took place in Ireland by the late 1980s and early 1990s, which have had a tremendous impact on the identity of that country. In addition, and as a result of their personal lifestories, Tóibín‟s protagonists have identities in crisis, which are crossed by the identity crisis of the Irish nation. Through my research, I intend to answer the following questions: How do Tóibín‟s characters manage tensions and contradictions while they attempt to rebuild their individual and collective identity in the context of the latest socio- cultural and political changes? What narrative strategies are used by the author in order to represent the identity of the Irish characters as “fragmented”? In particular, what role do place and time play in these works by Tóibín? 1.4 Previous research To my
Recommended publications
  • Carloviana-No-34-1986 87.Pdf
    SPONSORS ARD RI DRY CLEANERS ROYAL HOTEL, CARLOW BURRIN ST. & TULLOW ST., CARLOW. Phone 31935. SPONGING & PRESSING WHILE YOU WAIT, HAND FINISHED SERVICE A PERSONAL HOTEL OF QUALITY Open 8.30 to 6.00 including lunch hour. 4 Hour Service incl. Saturday Laundrette, Kennedy St BRADBURYS· ,~ ENGAGEMENT AND WEDDING RINGS Bakery, Confectionery, Self-Service Restaurant ~e4~{J MADE TO YOUR DESIGN TULLOW STREET, CARLOW . /lf' Large discount on Also: ATHY, PORTLAOISE, NEWBRIDGE, KILKENNY JEWELLERS of Carlow gifts for export CIGAR DIVAN TULLY'S TRAVEL AGENCY NEWSAGENT, CONFECTIONER, TOBACCONIST, etc. DUBLIN ST., CARLOW TULLOW ST., CARLOW. Phone 31257 BRING YOUR FRIENDS TO A MUSICAL EVENING IN CARLOW'S UNIQUE MUSIC LOUNGE EACH GACH RATH AR CARLOVIANA SATURDAY AND SUNDAY. Phone No. 27159 NA BRAITHRE CRIOSTA], CEATHARLACH BUNSCOIL AGUS MEANSCOIL SMYTHS of NEWTOWN SINCE 1815 DEERPARK SERVICE STATION MICHAEL DOYLE TYRE SERVICE & ACCESSORIES BUILDERS PROVIDERS, GENERAL HARDWARE "THE SHAMROCK", 71 TULLOW ST., CARLOW DUBLIN ROAD, CARLOW. PHONE 31414 Phone 31847 THOMAS F. KEHOE Specialist Livestock Auctioneer and Valuer, Farm Sales and Lettings, SEVEN OAKS HOTEL Property and Estate Agent. DINNER DANCES* WEDDING RECEPTIONS* PRIVATE Agent for the Irish Civil Service Building Society. PARTIES * CONFERENCES * LUXURY LOUNGE 57 DUBLIN ST., CARLOW. Telephone 0503/31678, 31963 ATHY RD., CARLOW EILIS Greeting Cards, Stationery, Chocolates, AVONMORE CREAMERIES LTD. Whipped Ice Cream and Fancy Goods GRAIGUECULLEN, CARLOW. Phone 31639 138 TULLOW STREET DUNNY'$ MICHAEL WHITE, M.P.S.I. VETERINARY & DISPENSING CHEMIST BAKERY & CONFECTIONERY PHOTOGRAPHIC & TOILET GOODS CASTLE ST., CARLOW. Phone 31151 39 TULLOW ST., CARLOW. Phone 31229 CARLOW SCHOOL OF MOTORING LTD. A. O'BRIEN (VAL SLATER)* EXPERT TUITION WATCHMAKER & JEWELLER 39 SYCAMORE ROAD.
    [Show full text]
  • Ágnes Zsófia Kovács Sweet Duplicity: Jamesian Moral Ambiguity in Colm Tóibín’S Brooklyn
    “Sweet Duplicity: Jamesian Moral Ambiguity in Colm Tóibín’s Brooklyn” Mítoszok bűvöletében: Ünnepi kötet Virágos Zsolt Kálmán 70. születésnapjára. / Enchanted by Myth. A Volume for Kálmán Zsolt Virágos on his 70th Birthday. Németh Lenke, Zoltán Simon, András Tarnóc, and Gabriella Varró, eds. Debrecen: Kossuth UP, 2012. 82-87. Ágnes Zsófia Kovács Sweet Duplicity: Jamesian Moral Ambiguity in Colm Tóibín’s Brooklyn Colm Tóibín (1955) the internationally renowned Irish novelist published his sixth novel Brooklyn in 2009, which won the Costa Book award the same year. It relates the story of Eilis Lacey, a young Irishwoman who emigrates to the US looking for a better life in the 1950s. The book is a fascinating read both because of how it handles the problem of cultural difference between the US and Ireland of the 1950s and also because of the detached storytelling, the use of point of view limited to the perspective of one character, that allows for multiple readings of the same imaginative scenario. Incidentally, both themes, the negotiation of cultural difference and the limited point of view triggering diverse reactions tie the book in with Tóibín’s other novels, his avowed psychological interest, the so called Jamesian legacy. In this essay, I am going to pinpoint those elements of Brooklyn that create a moral dilemma constructed along Jamesian lines. I claim that the subjects of illicit love, misguided loyalty, and moral ambiguity in the novel are themes that are connected to the Jamesian power of secrets Tóibín continues to explore. In order to make my position clear, first I am exploring those elements of the plot in Brooklyn that lead to Eilis’s moral dilemma about secret lovers.
    [Show full text]
  • Behind the Tunes – Vol
    behind theVOLUME III tunes developed by Dr. Peter L. Heineman Third Edition All rights reserved. Any reproduction is prohibited without the written permission of the author. This material may not be reproduced or transmitted in any form by any means, electronic or mechanical, including photocopying, recording or by any information and retrieval system without the written permission of the author. Contents Page 1 Atherlow Glens 100 Pipe Major J.K. Cairns 3 Alison Hargreave’s Farewell to K2 102 Red Hugh 5 Angus John’s Fancy 104 Rory O’More 7 Ar Eirinn Ni Neosfainn CéhÌ 105 Soraidh Leis An Ait (For Ireland I’d Not Tell Her Name) (Farewell to the Place) 9 Auchmountain’s Bonnie Glen 108 Sprig of Shillelagh 11 Banjo Breakdown 110 Taps 13 Barrosa 113 Tha Mi Sgith 15 Believe Me if All Those Endearing (Cutting Bracken) Young Charms 115 The 25th KOSB's Farewell to Meerut 17 Bonny Portmore 118 The 79th's Farewell to Gibraltar th 19 Buchal an Eire 120 The 87 ’s Colours (Come by the Hills) 122 The Atholl and Breadalbane Gathering 20 Buttevante Castle 124 The Balmoral Highlanders 21 Ca’ the Ewes 127 The Caledonian Society of London 23 Captain Norman Orr Ewing 129 The Caubeen Trimmed with Blue 25 Clare’s Dragoons 131 The Circassian Circle 27 Cock o’ the North 133 The Cruel Mother 30 Colonel McNamara, M.P. 135 The Dark Island 32 Corriechoillie's 43rd Welcome 137 The Dawning of the Day to the Northern Meeting 140 The Drunken Piper 35 Craigh na Dun 142 The Dusty Road from Muttra 37 Creagh Castle 144 The Hills of Bara 39 Danny Boy 145 The Massacre of Glencoe
    [Show full text]
  • We Can Work It out Lyrics Pdf
    We can work it out lyrics pdf Continue Michelle Carvo Apple iPods, such as Nano and Touch, come with a variety of features thanks to the addition of apps and games. However, the main feature of the iPod is the ability to play songs. Playing these songs is easy enough, but making the lyrics of the show on the iPod a little more difficult. By following a few specific steps, you'll be able to add and do the texts show on your iPod. Manually add lyrics to each song on your iPod that you want the lyrics to be shown during the game. Unfortunately, iTunes doesn't do this automatically for you, so you'll need to add lyrics by opening iTunes, clicking on the song right and selecting Get Info and then Lyrica. Enter the text or copy/paste them, and then click OK to save them. Re-synchronize the songs you've added lyrics to your iPod. You can do this by selecting a file and dragging it onto the iPod logo on the left side of the menu. Start the iPod app on your iPod. Choose a song to play on your iPod. Tap the center of the screen while playing the song on iPod Touch. Click the Center button on classic or Nano. The lyrics will now be shown on the screen. Click on the center of the screen or the Center button again to make the texts disappear. You know these annoying lyrical sites that instantly try to freeze your computer back into the Stone Age? Well, the next time you just got to remember the texts to Air Supply's All Out Of Love (see above), try LyricWiki, a large and growing database of over 200K lyrical pages.
    [Show full text]
  • Colm Tóibín Papers
    Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 133 Colm Tóibín Papers (MS 44,463 – MS 44,507) (Accession No. 6393) Literary papers of Colm Tóibín including drafts, proofs, press cuttings, correspondence and ephemera relating to his work as a journalist, author and playwright. Also contains a small collection of papers relating to the literary works of his father, Michael Tóibín (1939-2006). Compiled by Lisa Cruise, Assistant Keeper II and Harriet Wheelock, Archival Studentship Holder 2008 CONTENTS INTRODUCTION............................................................................................................. 3 PUBLISHED WORKS OF COLM TÓIBÍN.................................................................. 5 I. FICTION........................................................................................................................ 7 I.i. The South................................................................................................................... 7 I.ii. The Heather Blazing................................................................................................. 8 I.iii. The Story of the Night............................................................................................ 10 I.iv. The Blackwater Lightship...................................................................................... 12 I.v. The Master.............................................................................................................. 14 I.vi. Other works ..........................................................................................................
    [Show full text]
  • DISCUSSION QUESTIONS 1. Before She Goes to America, Eilis Believes
    DISCUSSION QUESTIONS 1. Before she goes to America, Eilis believes that, “While people from the town who lived in England missed Enniscorthy, no one who went to America missed home. Instead, they were happy there and proud” (pg 26). Why do you think the Irish had such a rosy view of America? How are Eilis’s expectations met upon her arrival? 2. As Eilis begins night classes in accounting, she notes the divisions between Italian and Jewish students, and the lack of English or other Irish students. At work, she must confront racial integration when Bartocci’s opens its doors for the first time to black customers. How does Eilis react to the divisions among Europeans immigrants from different countries, as well as those between white and black Americans? How are the traditional ethnic lines of Brooklyn beginning to break down in the 1950s? 3. When Eilis and Tony first meet, she seems more interested in him as an escape from her troublesome housemates than as a genuine romantic interest. Tony, however, is clear about his love for Eilis from the start. Why do you think Eilis is hesitant in her feelings? Is a relationship with such uneven attachment doomed from the start, or do you believe that one person can “learn” to love another over time? 4. Some characters in the novel are referred to as Miss or Mrs., while others are identified by their first name. Does this reflect their relationship with Eilis? Why would Colm Toibin make this stylistic choice? How would your perception of the characters in Brooklyn be different if Tobin had written the novel from the “first- person” perspective of Eilis? 5.
    [Show full text]
  • TUNE BOOK Kingston Irish Slow Session
    Kingston Irish Slow Session TUNE BOOK Sponsored by The Harp of Tara Branch of the Association of Irish Musicians, Comhaltas Ceoltóirí Éireann (CCE) 2 CCE Harp of Tara Kingston Irish Slow Session Tunebook CCE KINGSTON, HARP OF TARA KINGSTON IRISH SLOW SESSION TUNE BOOK Permissions Permission was sought for the use of all tunes from Tune books. Special thanks for kind support and permission to use their tunes, to: Andre Kuntz (Fiddler’s Companion), Anthony (Sully) Sullivan, Bonnie Dawson, Brendan Taaffe. Brid Cranitch, Comhaltas Ceoltóirí Éireann, Dave Mallinson (Mally’s Traditional Music), Fiddler Magazine, Geraldine Cotter, L. E. McCullough, Lesl Harker, Matt Cranitch, Randy Miller and Jack Perron, Patrick Ourceau, Peter Cooper, Marcel Picard and Aralt Mac Giolla Chainnigh, Ramblinghouse.org, Walton’s Music. Credits: Robert MacDiarmid (tunes & typing; responsible for mistakes) David Vrooman (layout & design, tune proofing; PDF expert and all-around trouble-shooter and fixer) This tune book has been a collaborative effort, with many contributors: Brent Schneider, Brian Flynn, Karen Kimmet (Harp Circle), Judi Longstreet, Mary Kennedy, and Paul McAllister (proofing tunes, modes and chords) Eithne Dunbar (Brockville Irish Society), Michael Murphy, proofing Irish Language names) Denise Bowes (cover artwork), Alan MacDiarmid (Cover Design) Chris Matheson, Danny Doyle, Meghan Balow, Paul Gillespie, Sheila Menard, Ted Chew, and all of the past and present musicians of the Kingston Irish Slow Session. Publishing History Tunebook Revision 1.0, October 2013. Despite much proofing, possible typos and errors in melody lines, modes etc. Chords are suggested only, and cannot be taken as good until tried and tested. Revision 0.1 Proofing Rough Draft, June, 2010 / Revision 0.2, February 2012 / Revision 0.3 Final Draft, December 2012 Please report errors of any type to [email protected].
    [Show full text]
  • FHF2018 Layout 1
    ‘I‘INSIDENSIDE THETHE PPALEALE’’ TraditionalTraditional SingingSinging WalkingWalking TourTour FrankFrank HarteHarte FestivalFestival 20182018 SundaySunday 23rd23rd September,September, 20182018 StartsStarts atat LowerLower CastleCastle Yard,Yard, DublinDublin Castle,Castle, atat 11:00am,11:00am, AN GÓILÍN - FRANK HARTE FESTIVAL Dublin Traditional Singing and Walking Tour Sunday 23rd September Introduction HIS YEAR’S WALKING TOUR will explore the precincts of Dublin Castle, the bastion of English and later British rule in Ireland for over 700 years. TThe Pale (An Pháil in Irish) or the English Pale (An Pháil Shasanach or An Ghalltacht) was the part of Ireland that was directly under the control of the Eng- lish government in the late middle ages. It had been reduced by the late 15th cen- tury to an area along the east coast stretching from Dalkey, south of Dublin, to the garrison town of Dundalk. The inland boundary went to Naas and Leixlip around the Earldom of Kildare, towards Trim and north towards Kells. In this district, many townlands have English or French names. Dublin Castle was built upon the site of the previous Viking settlement in Dublin. The Castle was the site of many historic events concerning the ruling of Ireland since it was established under orders from Norman King John of England in the early 13th century. The medieval fortress had four corner towers linked by high curtain walls which were built around a large central enclosure. It had a moat supplied with water diverted from the River Poddle and a draw bridge. Its secu- rity was never breached. It was adjacent to the site of Dubh Linn or black pool, a water source from which the capital city has derived its name.
    [Show full text]
  • About Endgame
    MONGREL MEDIA, BBC FILMS, TELEFILM CANADA, BORD SCANNÁN NA hÉIREANN/THE IRISH FILM BOARD, SODEC and BFI Present A WILDGAZE FILMS/ FINOLA DWYER PRODUCTIONS / PARALLEL FILMS / ITEM 7 co-production Produced in association with INGENIOUS, BAI, RTE And HANWAY FILMS BROOKLYN Directed by JOHN CROWLEY Produced by FINOLA DWYER and AMANDA POSEY Screenplay by NICK HORNBY Adapted from the novel by COLM TÓIBÍN Starring SAOIRSE RONAN DOMHNALL GLEESON EMORY COHEN With JIM BROADBENT And JULIE WALTERS Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com 1 INTRODUCTION BROOKLYN is the story of Eilis, a young woman who moves from small-town Ireland to Brooklyn, NY where she strives to forge a new life for herself, finding work and first love in the process. When a family tragedy brings her back to Ireland, she finds herself confronting a terrible dilemma - a heart-breaking choice between two men and two countries. Adapted from Colm Tóibín’s New York Times Bestseller by Nick Hornby (Oscar® nominee for An Education) and directed by John Crowley (Intermission, Boy A), BROOKLYN is produced by Finola Dwyer and Amanda Posey (Quartet, Oscar® nominees for An Education). BROOKLYN stars Saoirse Ronan (The Grand Budapest Hotel and Oscar® nominee for Atonement), Domhnall Gleeson (About Time, Anna Karenina), Emory Cohen (The Place Beyond The Pines), Jim Broadbent (Oscar® winner for Iris) and Julie Walters (Oscar® nominee for Billy Elliot and Educating Rita).
    [Show full text]
  • Citizenship and Narrative Form in Irish Literature Since Independence Keelan Harkin Department of Engli
    Imagining Constitutions: Citizenship and Narrative Form in Irish Literature since Independence Keelan Harkin Department of English McGill University, Montréal August 2018 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Keelan Harkin, 2018 Harkin ii Table of Contents Abstract…………………………………………………………………………………...............iv Abstrait……………………………………………………………………………………………vi Acknowledgements……………………………………………………………………………..viii Introduction: Constitutional Worlds…............................................................................................1 1. The Irish Constitution and the Supreme Court………………………………………..5 2. The Nation-State and Citizenship……………………………………………………12 3. Literary Contestations, Literary Constitutions……………………………………….17 4. Inventing Irelands Beyond the Postcolonial Debates………………………………..26 5. The Corpus…………………………………………………………………………...30 Chapter One: Ambivalent Citizens.……………………………………………………………...34 1. “Midsummer Night Madness” and “Guests of the Nation”: Disillusionment and Ambivalence…………………………………………………………………………45 2. The Last September: Killing Time and the Ambivalence of the Anglo-Irish………..62 Chapter Two: Without Prophecies….…………………………………………………………....77 1. At Swim-Two-Birds against the Conclusiveness of Authority……………………….87 2. The Heather Blazing and a Crisis of Telos…………………………………………..94 3. Down by the River and the Law in a Gossamer World……………………………..106 Chapter Three: The Politics of Reliability...……………………………………………………120 1. Memory, Structure, and
    [Show full text]
  • Week by Week, but He Also Expressed the Hope
    JOIN SINN FEIN CUMANN. NATIONALITY Vol. 3. No. 5. (New 8eries.) SATURDAY, MARCH 15, 1919. PRICK TWOPENCE. right of Ireland for freedom, inde­ Week by Week, but he also expressed the hope. that J struggle for Irish Freedom Edward LysagKt was a member uf tin pendence, and self-determination. ■ Ireland wovjd achieve her independence our determination to Ufe free is as fresh veiitioi), tud retired beuid the Mr. Morgan T. Donnelly, who pro­ and called upon all lovers of liberty in as ever, and we shall never cease until 1 Report. Our readers will be glad to know posed the resolution, stated that the | France to support Ireland’s claims. Michael F. Cox is medical atieudi °*r country enjoys its rightful libertv.-,j J . Dillon ‘a 1 id Cardinal Logue aud mi that Arthur Griffith is in good health question of Irish Freedom was one in • British propaganda very quickly’flies ■ • • At the present time the Peace Con-' the celebrities, and in a Privy Ceunei and excellent spirits, and that after a which millions of the citizens of Ame­ | when the truth becomes known ! m ference is sitting in Paris. The war J (ietjjrgo C.'rosbie is-proprietor <Atd edi little rest he will resume once more the rica with Irish blood in their veins were was said to be waged to make the world | the 1 ‘Cork Exumiuer,” a Nationalist ' work with which his name will ever interested. “ They believe,” he added, “ Le Populaire ” and “ Lc enjoying a wide circulation in the South Petit safe for democracy and to secure the 1 J■ J.
    [Show full text]
  • Tour De Farce Programmheft
    MARIAS TESTAMENT VON COLM TÓIBÍN 1 MARIAS TESTAMENT Von COLM TÓIBÍN In einer Fassung von Elmar Goerden DEUTSCHSPRACHIGE ERSTAUFFÜHRUNG MARIA Nicole Heesters REGIE UND BÜHNE Elmar Goerden KOSTÜM Lydia Kirchleitner DRAMATURGIE Anja Del Caro REGIEASSISTENZ Daniela Dalvai Wäre die Wiederkehr nicht trauriger AUSSTATTUNGSASSISTENZ Ricarda Lutz noch als das Verschwinden? LICHT Ralf Strobel TECHNISCHE LEITUNG Steffen Rottenkolber ELIAS CANETTI PRODUKTIONSLEITUNG Sandra Eßmann BÜHNENMEISTER Martin Piemeyer BELEUCHTUNGSMEISTER Gerald Timmann REQUISITE Lilli Lesemann MASKE Biljana Ristić-Hippler und Maskenteam Kammerspiele INSPIZIENZ Anika Kopka BÜHNENBAU Thorsten Förster, Steffi Müller, Conny Winter, Ercan Uysal, Daniel Kudlik STELLWERK Maik Merkel, Jan Mark Behrens KOSTÜMWERKSTATT Britta Broers, Laura Loehning ANKLEIDERINNEN Diana Möller, Roxana Naumann, Katharina Vettelschoß *PREMIERE AM 18. FEBRUAR 2018 IN DEN HAMBURGER KAMMERSPIELEN AUFFÜHRUNGSRECHTE: Beim Autor, vertreten durch: 42 M&P Ltd., First Floor, 8 Flitcroft Street, London WC2H 8DL AUFFÜHRUNGSDAUER: ca. 1 Stunde 35 Minuten, keine Pause Wir danken Anja Topf für die Unterstützung von Nicole Heesters bei der Textvorbereitung auf die Proben. Originally produced on stage on Broadway by Scott Rudin Productions. Developed by Dublin Theatre Festival and Landmark Productions with the support of Irish Theatre Trust. 2 3 COLM TÓIBÍN wurde am 30. Mai 1955 in Enniscorthy in der irischen Grafschaft Wexford geboren. Er studierte am Love in a Dark Time: Gay Lives from Wilde to Almodovar (2002), All a Novelist Needs: Essays on Henry University College Dublin, wo er 1975 seinen Abschluss machte. Die folgenden drei Jahre lebte er in James (2010) sowie On Elizabeth Bishop (2015). Die deutsche Übersetzung des 2014 veröffentlichten Barcelona. Aus den Erfahrungen dieser Zeit entstanden die Bücher The South (Der Süden) und Hom- Romans Nora Webster erschien 2016.
    [Show full text]