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Mae Ruth Jones Yn Ymweld  Chwmderi Ac Yn Gofyn Am Help - Yn Y Gymraeg!
09.01.20 Cathryn Ings Cyswllt Contact Ffôn Phone 03305 880450 Erthygl i'r Wasg Press Article Mae Ruth Jones yn ymweld â Chwmderi ac yn gofyn am help - yn y Gymraeg! Mae’n siŵr bydd nifer o bobl yn gyfarwydd iawn â gweld yr actores a’r awdures Ruth Jones yn brasgamu lawr strydoedd y Barri fel Nessa yn y sioe hynod o lwyddiannus Gavin a Stacey ar y BBC. Felly, byddai ei gweld hi yng Nghwmderi yn yr opera sebon Pobol y Cwm yn dipyn o sypreis! Ond ar ddydd Mawrth, Ionawr 21, fe fydd Ruth yn ymddangos fel hi ei hun yn chwilio am garej ar ôl i’w char dorri lawr ar y ffordd i Gaerdydd. Mae ymweliad Ruth i’r Cwm yn rhan o gyfres newydd sbon ar S4C yng Ngwanwyn 2020 sef Iaith ar Daith. Mae Ruth yn un o bump seleb sy’n mynd ar daith i rannau gwahanol o Gymru gyda mentor adnabyddus sy’n gallu siarad Cymraeg i geisio dysgu Cymraeg, neu yn achos Ruth, i wella ei Chymraeg llafar. Fel rhan o Iaith ar Daith, mae rhaid i bob un o’r selebs gyflawni nifer o sialensau - ac un o rheini i Ruth oedd dysgu sgript a chael rhan ar Pobol y Cwm - opera sebon mwyaf hirhoedlog a fu ar S4C. Ac er waetha’r ffaith ei bod hi’n nerfus iawn, fe wnaeth Ruth fwynhau’r profiad yn fawr. “O Jiw, o’n i mor nerfus - wir nawr! Yn rhannol, yn amlwg, oherwydd y Gymraeg - actio mewn iaith newydd, rhywbeth wi heb ei wneud o’r blaen ond hefyd oherwydd bod Pobol y Cwm yn chwedlonol, trysor cenedlaethol teledu Cymraeg!” “Roedd cymeriadau yna ar y diwrnod hwnnw o’n i wedi gwylio dros y blynyddoedd a dyma fi yn gorfod actio gyda nhw. -
Gavin and Stacey Were Cast Who Played Pamela Shipman, on Fat Friends
L-R: Gavin, Stacey, Smithy and Nessa REPORTS #50 OH! WHAT’S OCCURRING? heat takes a look at the most famous show ever to come out of Barry Island t’s hard to believe, but it’s ten years Mathew Horne and Joanna Page, and gave families and sets of friends. It was GAVIN AND since James Corden and Ruth Jones Larry Lamb, who played Gavin’s dad Mick, actually based on a real couple, whose brought Gavin & Stacey into our a role that was the total opposite of his evil Welsh wedding James attended, then lives. A decade ago, the majority EastEnders character, Archie Mitchell. told his close friend Ruth Jones all about. Iof the Great British public had no idea Reflecting on the show, James tellsheat , James explains, “The wedding was where Barry Island was, had never heard “Gavin & Stacey changed everything, on Barry Island, and Ruth’s from Cardiff anyone ask, “Oh, what’s occurring?” really, for all of us involved in the show. and knows the area quite well. I told her STACEY – nor realised that eating a corn on the cob In your career, you hope that you’ll have I didn’t think anybody had shown a could be considered sexual foreplay. something that resembles a hit. You don’t wedding on TV like the one I had been to.” Without the show, James Corden might ever think that something could mean James based his own character, Smithy, not have become a £10m global superstar as much to people as it does right now.” on a friend of his cousin. -
“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4. -
The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class. -
Commissioning Brief 2019 -20
Commissioning Brief 2019 -20 bbc.co.uk/wales Commissioning Brief 2019-20 1. Introduction ............................................................................................................ 3 2. Overall summary .................................................................................................... 4 2.1 Key dates and guide prices ............................................................................ 4 2.2 A brief guide to Proteus ................................................................................. 5 3. BBC Radio Wales in a nutshell ............................................................................. 6 4. Genres for commission ......................................................................................... 7 4.1 Highlights from 2018-19 ............................................................................... 7 4.2 Themes for 2019-20 ....................................................................................... 7 4.3 Comedy ............................................................................................................. 8 4.4 Science, Technology & ideas ......................................................................... 8 4.5 Arts .................................................................................................................... 9 4.6 Features ............................................................................................................ 9 4.7 Hour-long Programmes ................................................................................ -
Consultation on the Devolution of Broadcasting Culture, Welsh Language and Communications Committee January 2020
Cynulliad Cenedlaethol Cymru / National Assembly for Wales Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu / Culture, Welsh Language and Communications Committee Datganoli Darlledu / Devolution of Broadcasting CWLC DoB23 Ymateb gan BBC / Response from BBC Consultation on the Devolution of Broadcasting Culture, Welsh Language and Communications Committee January 2020 Cynulliad Cenedlaethol Cymru / National Assembly for Wales Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu / Culture, Welsh Language and Communications Committee Datganoli Darlledu / Devolution of Broadcasting CWLC DoB23 Ymateb gan BBC / Response from BBC 1. Introduction The BBC has been a cornerstone of Welsh life since the first broadcast in Wales nearly a century ago and BBC Wales is the country’s principal public service broadcaster. The Royal Charter is the constitutional basis for the BBC. It sets out the BBC’s Aims, Mission and Public Purposes. The Charter also outlines the Corporation’s governance and regulatory arrangements, including the role and composition of the BBC Board. The current Charter began on 1 January 2017 and ends on 31 December 2027. The BBC will not offer any view on the advisability - or otherwise - of devolving broadcasting since to do so would risk undermining the BBC’s commitment to impartiality on what is, clearly, a matter of public significance and ongoing political debate. However, to allow an informed debate to be conducted by the Committee, we believe it is valuable to set out some facts and figures about the BBC in Wales and to provide consistent data and a shared resource of information for interested parties. The information within this document relates to 2018/19, the period of the most recent BBC Annual Report & Accounts. -
Task and Finish Group on the Future Outlook for the Media in Wales
Media 16 Task and Finish Group on the future outlook for the media in Wales Response from Rondo Media INTRODUCTION AND INFORMATION ABOUT RONDO MEDIA Rondo Media welcomes the invitation to contribute to the work of the task and finish group at the National Assembly for Wales in order to inquire into the future outlook for the media in Wales. Rondo was established in April 2008, and it employs 60 full-time staff in offices in Caernarfon, Menai Bridge and Cardiff. The company produces a number of popular series, including the youth drama series Rownd a Rownd , the football series Sgorio , and the provision of events such as the Llangollen International Eisteddfod and the Côr Cymru competition. At present the company is working on producing a second series of the drama series The Indian Doctor for BBC1, a film version of Michael Sheen’s production of The Passion , the FA Cup match between Wrexham and Cambridge, the new youth drama series Zanzibar for S4C, the popular cookery format Pryd o Sêr and a documentary on the singer Wynne Evans for BBC Wales. With a turnover of £14.6 million, the company was ranked number 19 in a recent review of production companies in Britain: ‘Production 100’ by Televisual. 3 1. The current state of the media in Wales and how new technology and other developments are impacting on this, in the context of continuing concerns about the future of the Welsh broadcast and print media. The Ofcom Report on the communications market published in August this year gives a fairly negative picture of broadcasting, and offers evidence that raises serious questions about levels of funding and the commitment of public broadcasters to services in Wales: Although television viewing hours per head are higher in Wales and Scotland than the rest of the UK (4.5 hours a day on average in 2010) the total spend by public service broadcasters on television content being broadcast for the first time for viewers in Wales has fallen by 13%. -
Paul Rose 2020 2019 2018 2017
020 4551 2607 [email protected] PAUL ROSE Children / Young Adult / Film / TV Paul is one of the UK's leading writers of children's TV and co-creator of 4 O'Clock Club, Dani's House, Dani's Castle and Almost Never for CBBC. He has also written extensively for adults - including Sky One's Stella, and EastEnders. He has a number of projects in development across film and television, for both adults and children. Previously, he has written sitcom pilots starring the likes of Dylan Moran, Maxine Peake, Mark Heap, Marc Wootton and Ingrid Oliver. He has twice been nominated for a BAFTA - once for My Parents Are Aliens, and again for The 4 O'Clock Club - and won a Sony Radio Academy Award for his work on the Christian O'Connell Breakfast Show. In 2015, The 4 O'Clock Club won Best Children's Fiction prize at the RTS Awards. Paul has also been nominated for best writer in the Children's BAFTAs 2017 for his work on 4 O'Clock Club. In a previous life, Paul was one of the UK's top video games journalists, editing the legendary teletext video games magazine Digitiser, and writing a monthly column in Edge magazine. 2020 The 4 O’Clock Club Series 9 – CBBC – 3 x 30 min scripts commissioned Almost Never Series 3 – Saltbeef / CBBC – lead writer and 5 scripts commissioned 2019 Almost Never Series 2 – Saltbeef / CBBC – 1 x 60 min Christmas special commissioned Legends – Wildseed – original series idea optioned The 4 O’Clock Club Series 9 – CBBC – 6 scripts commissioned Almost Never Series 2 – Saltbeef TV/ CBBC – lead writer and 7 scripts commissioned -
Craig Gallivan
www.cam.co.uk Email [email protected] Address Craig 55-59 Shaftesbury Avenue London Gallivan W1D 6LD Telephone +44 (0) 20 7292 0600 Television Title Role Director Production STELLA (SERIES 2 - 6) Luke Ruth Jones TIDY Productions - Sky 1 TORCHWOOD II Jonathan Jonathan Fox-Bassest BBC Television Laurence Moody / Julie FOOTBALLERS WIVES Callum Watson ITV Television Edwards CARE (TV Movie) Terry (young) Antonia Bird BBC Stage Title Role Director Production SCHOOL OF ROCK Dewey Finn (Alternate) Laurence Connor New London Theatre BILLY ELLIOT Tony Elliot Stephen Daldry Working Title ROMEO AND JULIET Romeo Dominic Colenso QM2 UNDER MILK WOOD Narrator Elllis Jones QM2 CRIME AND PUNISHMENT Solider Maria Aberg National Theatre DAYS OF SIGNIFICANCE Jamie Maria Aberg R.S.C. THE LONG THE SHORT AND THE TALL Private Evans Josie Rourke Shefeld Theatres JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT Benjamin Bill Kenwright - Cameron Mackintosh / Sam OLIVER Charlie Bates - Mendes SCHOOL OF ROCK Dewey Finn Laurence Connor New London Theatre Film Title Role Director Production THE EDGE OF LOVE Sailor beating Dylan John Maybury BBC Films Skills Accents & Dialects American-New York, American-Southern States, American-Standard, Australian, Belfast, Cockney, Devon, Dublin, Geordie, Glasgow, Irish-Northern, Irish- Northern, Irish-Southern, Liverpool, London, Manchester, RP, Scottish-Standard, Swansea, Yorkshire Languages English Music & Dance Ballad, Baritone, Guitar, Jazz Singing, Opera, Period Dancing, Piano, Rock Singing Performance Compere, Master of Ceremonies, Singer-Professional Sports Pool, Rugby, Stage Combat Vehicle Car Driving Licence Other Skills Composer, Improvisation Characteristics Height Hair Eyes Training 5'8" Dark Brown Brown RADA CAM Limited Registered Oce:CAM, 55-59 ShaftesburyAvenue, London, E. -
Sunday 19Th September
Wednesday 15th - Sunday 19th September Wednesday 15th - Sunday 192021th September 2021 HIGHLIGHTS INCLUDE: Celia Imrie Joan Bakewell Aardman Model Making Saul David Darcey Bussell Kate Mosse Sir Anthony Seldon Cathy Rentzenbrink Richard Dawkins Tim Harford Kehinde Andrews Tristan Gooley Ann Cleeves Harriet Walter Anita Sethi Victoria Glendinning Michael Caines Alan Johnson Deborah Moggach Richard Ovenden Jacqueline Wilson MG Leonard Jenny Packham And much more... Before the internet Before the printing press Before the written word Language was heard. Human civilization Founded on the spoken word Men and women coming together. Children learning the ways of their elders. The laughter. The music. The chatter. Minds ignited. Hearts inspired. Be there. AUDIFY® Independent Hearing Care Palatine House | Sigford Road | Exeter | EX2 8NL Tel: (01392) 436714 Web: audify.uk HEARING CHECKS | HEARING TECHNOLOGY | HEARING PROTECTION Before the internet WELCOME FROM THE FESTIVAL PRESIDENT Before the printing press Before the written word ast year was the one that showed how Language was heard. Lmuch we all need stories. In the depths of the pandemic, books provided company Human civilization and consolation; they helped us imagine Founded on the spoken word other worlds and purer air. For authors and Men and women coming together. audiences alike, it could have been a disaster Children learning the ways of their elders. year. In Budleigh, our ingenious and flexible team ensured that we still had a lively festival The laughter. The music. The chatter. programme. A few live events were possible – I was lucky enough to share one of them Minds ignited. Hearts inspired. with James Naughtie. For the most part, technology brought us together, and opened Be there. -
Cynulliad Cenedlaethol Cymru / National Assembly for Wales
Cynulliad Cenedlaethol Cymru / National Assembly for Wales Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu / The Culture, Welsh Language and Communications Committee Radio yng Nghymru / Radio in Wales CWLC(5) RADIO06 Ymateb gan BBC Cymru / Evidence from BBC Wales 1. Introduction The BBC welcomes the opportunity to contribute to this review of radio in Wales. Too often, radio is a medium which does not get the recognition it deserves despite its enduring audience appeal and impact. Despite the changing media landscape, BBC Radio remains an integral part of daily life for many. Across the UK, it informs, educates and entertains nearly 35 million people each week. And 95 years since the first radio broadcast in Wales, BBC Radio continues to make a vital contribution to society, culture and national life in Wales. We note that the review has outlined a number of areas it wishes to examine. This evidence is intended to provide the committee with an overview of the BBC’s radio provision overall in Wales. This portfolio encompasses our national radio services – BBC Radio Wales, BBC Radio Cymru and the recently launched Radio Cymru 2 - as well as the BBC’s network radio services. 2. BBC Radio audiences in Wales – an overview BBC Radio attracts more listening in Wales that any other UK nation. Around 70% of adults in Wales hear any BBC Radio each week – a figure well above the other nations: Northern Ireland (59%) and Scotland (60%). In terms of market share, BBC Radio accounts for 56% of all listening hours each week in Wales (with network stations accounting for 48%, and Radio Wales/Radio Cymru adding a further 8%). -
Ruth Jones Cover Feature
cover story ‘THE RED CARPET? I prefer Cardiff !’ Gavin & Stacey writer and star Ruth Jones talks to Zoe West about best friends, embracing her 50s – and why she’ll always love playing Nessa uth Jones is used to Stella, and her previous comedy credits Although I dreaded approaching 40, everyone thinking she’s just include Little Britain and Nighty Night. in fact I loved it. A lot of great things like Nessa Jenkins. But when Now Ruth has finished her second novel, happened in my career, and I finally she arrives for our cover Us Three, a moving story following three started to believe in myself, and that shoot, smiling, friendly and friends through their complicated lives. I could achieve things. You appreciate a little bit nervous, she could scarcely While her big-time success began success more when it comes later in life Rbe further from the tough, leather- in her 40s, making her something of – and I still find it funny that I won Best clad character she plays in her hit a late bloomer, it only made her more Newcomer at the Comedy Awards at comedy Gavin & Stacey. grateful for what she has – not just the age of 40. I look back now and think, Casually dressed in a soft grey jumper, her stellar career, but her beloved ‘I wish I’d made more of that decade.’ jeans and trainers, and wearing no family and friends at home in Cardiff. But I love being in my 50s too, so it’s all make-up, the only sign Over a cuppa, Ruth, good.