Cynulliad Cenedlaethol Cymru / National Assembly for Wales
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Ffilm Ddogfen Anorac
Ffilm ddogfen Anorac: Hanner canrif o chwyldro roc, pop a cherddoriaeth Gymraeg / Documentary film Anorac: 50 years of rock, pop and the Welsh music revolution Wedi’i gyhoeddi ar Tuesday, March 26, 2019 — Yn Anffurfiol/Miwsig “Yn y flwyddyn rhyddhaodd y Beatles Sgt. Pepper, dyna’r flwyddyn gwelwyd y grŵp roc cyntaf yn y Gymraeg.” “The year in which the Beatles released Sgt Pepper, was the same year we saw the first ever Welsh rock band.” Roedd hi’n 1967, a gyda cherddoriaeth roc yn ffynnu dros y ffin yn Lloegr a ledled y byd, roedd newid ar droed yma yng Nghymru. Daeth y band roc, Y Blew, ar y sin fel chwyldro, gan weddnewid tirwedd gerddorol Cymru fel y grŵp cyntaf oedd yn canu cerddoriaeth roc yn y Gymraeg. Denodd y band sylw cenedlaethol, gan ddechrau’r chwyldro sydd hyd heddiw yn cael ei alw yn y Sin Roc Gymraeg. A ninnau nawr yn 2019, dros 50 mlynedd yn ddiweddarach, mae’r sin yn byrlymu o’n cwmpas o hyd. Yn sin amrywiol, cyffrous, mae hi’n draddodiad sy’n mynnu sylw arbennig un o enwau cerddorol amlycaf Cymru, Prydain a thu hwnt. Yn Gymro o Gaerdydd, yn gyflwynydd, DJ a cherddor, Huw Stephens aeth ar bererindod gerddorol o Gymru i nodi hanner can mlynedd ers i glustiau’r byd glywed cerddoriaeth roc Gymraeg am y tro cyntaf. Cynhyrchiad ei bererindod ydi Anorac, ffilm sy’n peintio darlun o sin cerddorol Gymraeg ddoe a heddiw Cymru. Gyda’r ffilm, sydd wedi ei chynhyrchu gan Boom Cymru, eisoes wedi ei darlledu mewn sinemâu ledled Cymru, bydd cyfle i wylwyr S4C brofi’r gampwaith gyda darllediad arbennig o Anorac ar y sianel nos Iau, 4 Ebrill am 9.30. -
Kinematical Model of Hurdle Clearance Technique
Isas 2004 / Ottawa, Canada 311 KINEMATICAL MODEL OF HURDLE CLEARANCE TECHNIQUE Milan Coh, Milan Zvan, and Bojan Jost Faculty of Sport, University of Ljubljana, Slovenia The objective of our study was to determine the major kinematic parameters that generate a model of hurdle clearance technique on the 4th hurdle in the 110 metres hurdles. A biomechanic analysis was performed on one of the best hurdlers, a world record holder, Colin Jackson. The analysis of the hurdle clearance technique was made by means of 3D kinematic system ARIEL. The subject of the study was kinematic analysis of the take-off, flight and landing. The results showed that the rational technique of hurdle clearance is defined by the following parameters: horizontal speed of CM (centre of mass) in the moment of take-off, the level of CM in take-off, speed of the swing leg during take-off, take-off angle, time of the flight over a hurdle, level of CM above a hurdle, horizontal speed of CM in the landing phase, level of CM in the landing phase, and contact time in the landing phase. KEY WORDS: hurdles, technique, model, kinematics. INTRODUCTION: The high hurdles are among the technically most demanding of track and field events. According to some researches carried out so far (Schluter, 1981; Mero, Luhtanen, 1986; La Fortune, 1988; McDonald; Dapena, 1991; McLean, 1994 ), the hurdle clearance technique is one of the key elements defining the competition result. From the aspect of biomechanics, hurdles is a combination of cyclic sprinting and acyclic clearance of ten 1.067m hurdles. -
Ffilm/Cerddoriaeth/Theatr/Celf/Dawns/Sgyrsiau/Comedi a Mwy… Film/Music/Theatre/Art/Dance/Talks/Comedy and More… Digwyddiadau’R Tymor/Season Events
Rhaglen Ddigwyddiadau Ionawr – Ebrill 2019 Events Programme January – April 2019 Ffilm/Cerddoriaeth/Theatr/Celf/Dawns/Sgyrsiau/Comedi a mwy… Film/Music/Theatre/Art/Dance/Talks/Comedy and more… Digwyddiadau’r Tymor/Season Events Digwyddiad/Event Dyddiad/Date Amser/Time Digwyddiad/Event Dyddiad/Date Amser/Time Andre Rieu’s 2019 New Year’s Concert 05.01.19 19:00 Sgriblo a Sgetsio 09.02.19 11:00–12:00 06.01.19 15:00 Estyneto 10.02.19 13:30–15:00 Cerdd Dafod yn y Doc (gwersi cynganeddu) o/from: 19:30–21:30 Cainc 10.02.19 15:00–17:00 08.01.19–02.07.19 Olwyn Lliw: Lliw/Colour 14.02.19 10:30–12:30 Olwyn Lliw: Creu Marciau/Mark-making 10.01.19 10:30–2:30 Kendal Mountain Festival UK Tour 2019 15.02.19 19:30 TONIC: Math Roberts 10.01.19 14:30–15:30 Blasu Crefft: Breichled weiren a gleiniau/ 19.02.19 18:30–20:30 Y Ffrog/The Dress 11.01.19–24.02.19 Bead & wire bracelet arddangosfa Kristina Banholzer exhibition Lovecraft (Not the Sex Shop in Cardiff) 20.02.19 19:30 Sgriblo a Sgetstio 12.01.19 11:00–12:00 TONIC: Doniau Cudd 21.02.19 14:30–15:30 Metropolitan Opera Live: 12.01.19 17:55 Cyngerdd Meistri a Disgyblion CGWM 22.02.19 19:00 Adriana Lecouvreur (Cilea) Estyneto 24.02.19 13:30–15:00 NT Live: 15.01.19 19:00 The Tragedy of King Richard the Second [12A] Gwˆyl Ffilm PICS 2019 Film Festival 22.02.19–03.03.19 Michael Clarke: Felt & Crybabies 19.01.19 19:30 Cwrs Creu Ffilm 22.02.19–26.02.19 10:00–16:00 P’nawn yn y Pictiwrs 20.01.19 14:30 Creu Eitem Ffeithiol 25.02.19 12:00–17:00 Blasu Crefft: Sgraffito (ar wydr/on glass) 22.01.19 18:30–20:30 Gweithdy -
Radio 4 Listings for 12 – 18 January 2013 Page
Radio 4 Listings for 12 – 18 January 2013 Page 1 of 16 SATURDAY 12 JANUARY 2013 Grade 2 listed buildings but some have been destroyed by fire Dublin and others virtually abandoned by owners who can't afford the SAT 00:00 Midnight News (b01pp62f) development work. He helps assess one of the buildings with When the writer Joseph O'Connor was a child, his mother The latest national and international news from BBC Radio 4. experts from English Heritage who want to produce a database would take him for walks around their Dublin neighbourhood, Followed by Weather. on the state of Grade 2 listed buildings. and point out where James Joyce and John Synge had lived and Jules also explores nearby Middleton Hall which was so worked. neglected it was used as a motorbike track. Volunteers set up a SAT 00:30 Book of the Week (b01px4q3) trust and have spent 35 years bringing it back into use. "I grew up in Dun Laoghaire, a coastal town 8 miles south of The Examined Life However, they say their work is still not done. Dublin city where there was a pier and a waterfront, and the nightly entertainment in the summer when you were a teenager Episode 5 Produced by Anne-Marie Bullock. was to walk down the pier and look at the boats and the ferries leaving for London and wonder to yourself would you go to The world bedevils us. To make sense of it, we tell ourselves Manchester or Coventry. There was no notion that you'd stay in stories. -
BBC Wales, Management Review, 2009/10
WALES MANAGEMENT REVIEW 2009/10 a INTRODUCTION FROM DIRECTOR, BBC CYMRU WALES IN A YEAR WHEN DIGITAL SWITCHOVER SWEPT ACROSS THE COUNTRY, THE ROLE OF WALES’ nATIONAL BROADCASTER HAS NEVER BEEN CLEARER. Some said that digital switchover would change everything. By beaming countless additional channels into every home across Wales, some warned it would accelerate the fragmentation of viewing, weakening the social and civic ties that bind us together. And yet take a look at what actually happened. In 2009/10, almost a million viewers – the highest figures for at least five years – tuned into BBC Cymru Wales programming each and every week. On top of this success, our network output continued to attract worldwide attention, including Torchwood’s stunning debut on BBC One and BBC Two’s captivating Last Chance to See. That success is of course a tribute to the skills and resilience of our talented production teams – both in-house and across the independent sector – and many of their achievements are rightly “ THIS YEAR’S SUCCESS IS A POWERFUL REMINDER OF captured in this review. OUR AUDIENCE’S DEMAND FOR HIGH QUALITY AND Our success this year is a powerful reminder that in an age of apparent digital plenty – with all its countless distractions – our audience’s demand for high quality and distinctive national programming DISTINCTIVE NATIONAL PROGRAMMING.” is as strong and robust as ever. MENNA RICHARDS, It is, needless to say, a challenge and responsibility we relish. DIRECTOR, BBC CYMRU WALES Menna Richards COVER IMAGE Director, BBC Cymru Wales Presenter Eddie Butler tells the story of a 5th or early 6th century carved sandstone, part of a trail of historical objects inspired by our History of the World project, and which can be seen at the National Museum Wales in Cardiff. -
Cynulliad Cenedlaethol Cymru / National
Cynulliad Cenedlaethol Cymru / National Assembly for Wales Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu / The Culture, Welsh Language and Communications Committee Radio yng Nghymru / Radio in Wales CWLC(5) RADIO06 Ymateb gan BBC Cymru / Evidence from BBC Wales 1. Cyflwyniad Mae’r BBC yn croesawu'r cyfle i gyfrannu at yr adolygiad hwn o radio yng Nghymru. Yn rhy aml, mae radio’n gyfrwng nad yw’n cael y gydnabyddiaeth mae’n ei haeddu er gwaethaf ei apêl a’i effaith oesol i gynulleidfaoedd. Serch bod tirlun y cyfryngau yn newid, mae Radio’r BBC yn parhau’n rhan greiddiol o fywyd bob dydd i lawer. Ledled y DU, mae’n cyflwyno gwybodaeth, yn addysgu ac yn diddanu bron i 35 miliwn o bobl bob wythnos. A 95 mlynedd ers y darllediad radio cyntaf yng Nghymru, mae Radio’r BBC yn parhau i wneud cyfraniad hanfodol i gymdeithas, diwylliant a bywyd cenedlaethol yng Nghymru. Nodwn fod yr adolygiad wedi amlinellu nifer o feysydd mae'n awyddus i’w harchwilio. Pwrpas y dystiolaeth hon yw rhoi trosolwg i’r pwyllgor o ddarpariaeth radio’r BBC yn gyffredinol yng Nghymru. Mae’r portffolio hwn yn cynnwys ein gwasanaethau radio cenedlaethol – BBC Radio Wales, BBC Radio Cymru a Radio Cymru 2 a lansiwyd yn ddiweddar - yn ogystal â gwasanaethau radio rhwydwaith y BBC. 2. Cynulleidfaoedd Radio’r BBC yng Nghymru - trosolwg Mae Radio'r BBC yn denu mwy o wrando yng Nghymru nag yn unrhyw wlad arall yn y DU. Mae tua 70% o oedolion yng Nghymru’n clywed unrhyw ddarpariaeth gan Radio’r BBC bob wythnos - ffigwr llawer uwch na’r gwledydd eraill: Gogledd Iwerddon (59%) a’r Alban (60%). -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
904-4 BBC NR AC Wales 210612.Indd
WALES AUDIENCE COUNCIL REVIew 2011/12 a 01 Foreword by the National Trustee 02 Audience Council activity 04 Audience Council Wales report on BBC performance 09 BBC performance against Public Purposes 14 Audience priorities for 2012/13 17 Audience Council Wales 18 Contacts Cover image BBC National Orchestra of Wales at one of its concerts for special schools. FORewORD BY THE NaTIONal TRUSTee announced. This has been hugely welcomed by audiences. The Roath Lock drama production facility in Cardiff Bay, which now provides a home for Pobol y Cwm, Casualty and Doctor Who, was delivered on budget and on time. It potentially provides a huge boost for the creative industries in Wales. Following the Westminster Government’s announcement that S4C would be funded from the licence fee from 2013, I strongly welcome the new agreement reached with S4C and I look forward to the BBC and S4C exploiting future opportunities for co-operation for the creative, social, educational and “The Roath Lock drama economic benefit of audiences in Wales. production facility in Cardiff Bay, The year under review saw the departure which now provides a home for of Keith Jones as Director BBC Wales Pobol y Cwm, Casualty and Doctor and the appointment of Rhodri Talfan Davies to that post. I am grateful to Keith Who, was delivered on budget for his substantial support for the work of and on time.” Audience Council Wales and contribution to BBC Cymru Wales over many years. I warmly welcome Rhodri’s appointment The BBC’s Audience Councils advise the and look forward to working closely with Trust on how well the BBC fulfils its Public him during the months and years to come. -
BBC Radio Scotland’S Delivery of the BBC’S Public Purposes
BBC Nations Radio Review BBC Nations Radio Review Quantitative audience research assessing BBC Radio Scotland’s delivery of the BBC’s Public Purposes Prepared for September 20 2011 Prepared by Kantar Media: Trevor Vagg, Sara Reid and Julia Harrison. Ref: 45110564. © Kantar Media. Contact: 020 7656 5500 All rights reserved www.kantarmedia.com www.kantarmedia.com reserved P a g e | 2 Contents 1. Introduction .................................................................................................................................... 2 1.1 Objectives.................................................................................................................................... 3 1.2 Methodology ............................................................................................................................... 3 1.3 Explanation of Public Purposes and performance gaps.............................................................. 4 2. Executive summary ......................................................................................................................... 6 3. Overall performance measures for BBC Radio Scotland............................................................... 10 3.1 Overall impression of BBC Radio Scotland ................................................................................ 10 3.2 Likelihood to miss BBC Radio Scotland ..................................................................................... 12 3.3 Perceived value for money of BBC Radio Scotland .................................................................. -
BBC Radio Wales Service Licence
BBC Radio Wales Service Licence. Issued May 2012 BBC Radio Wales Part l: Key characteristics of the service 1. Remit The remit of BBC Radio Wales is to be an English language speech-led service for listeners seeking programmes about the life, culture and affairs of Wales. Programmes should focus on local and national concerns but also address matters of UK and international significance. 2. Scope of this Licence BBC Radio Wales should be available every day for reception across Wales on Medium Wave and FM and more widely on DAB digital radio and digital television platforms1, and it may be simulcast on the internet. It may also offer its broadcast content on fixed and mobile internet protocol networks or via other platforms2. On the same platforms, it may allow users retrospectively or prospectively via pre-booking to stream multiple episodes of first- run series (known as ‘series stacking’)3 until a date no later than seven days after the last episode in the relevant series. This includes series where there is a break in scheduling between sub-sections of the series. The aggregate volume of such "series stacked" content must represent no more than 15% of all content offered on- demand. The service may offer its programmes streamed on-demand for a limited period after broadcast.4 It may also offer broadcast radio content for download for an unlimited period of time after broadcast, although this must not include unabridged readings of published works nor full track commercial music nor classical music (even if recorded 1 Service availability will be dependent on geographic coverage of DAB and digital television services 2 Provision by particular providers over certain platforms has been specifically approved by the Trust in its On-Demand public value test of April 2007. -
Bwrlwm Y Bae Eisteddfod Yr Urdd Caerdydd A'r Fro 2019
Bwrlwm y Bae Eisteddfod yr Urdd Caerdydd a’r Fro 2019 I ble mae Myfyr yn arwain y deurodiwr? td.17 Y DINESYDD Llywyddion Anrhydeddus Golygydd: Miranda Morton Golygydd Gorffennaf / Awst Wyn Mears Cyfraniadau erbyn 27 Mehefin i: [email protected] 13 Mayfair Drive, Thornhill, Caerdydd, CF14 9EN 029 20758726 / 07837 991189 Y Digwyddiadur: Yr Athro E Wyn James [email protected] Llun: 16 Kelston Road, Caerdydd, CF14 2AJ Garry Owen 029 20628754 Hysbysebion: Iestyn Davies [email protected] Llongyfarchiadau calonog i lywyddion anrhydeddus Eisteddfod 15 Birchfield Crescent, Parc Victoria, yr Urdd eleni - Gwilym Roberts, Emyr Edwards, Gaynor Jones ac Caerdydd, CF5 1AE Alun Guy. Mae’r pedwar yn llawn haeddu’r anrhydedd am oes o 07876 068498 wasanaeth i’r Urdd a’r diwylliant Cymraeg. Prif Ddosbarthwr: Arthur Evans Yr Eglwys Newydd. Gruffudd Eifion Owen [email protected] Bardd Plant Cymru 029 20623628 n Eisteddfod yr Urdd eleni Tanysgrifiadau i: Y cyhoeddwyd mai Gruffudd Eifion Ceri Morgan Owen fydd Bardd Plant Cymru am y [email protected] ddwy flynedd nesaf. Llongyfarchiadau 24, Cwm Gwynlais, Tongwynlais, mawr iddo ar ennill yr anrhydedd hon. Caerdydd, CF15 7HU 029 20813812 / 07774 816209 Brodor o Bwllheli yw Gruffudd Eifion ond y mae wedi ymgartrefu yng www.dinesydd.cymru Nghaerdydd ers tro gyda’i wraig Cyhoeddir gan Bwyllgor y Dinesydd. Gwennan a’i fab Dyfed Arthur. Nodir hawl y golygyddion i gwtogi Pan ymwelodd Eisteddfod yr Urdd â’r ar erthyglau yn ôl y gofyn. Bae ddegawd yn ôl, ef oedd enillydd Y Fedal Ddrama. A phan ymwelodd yr Eisteddfod Genedlaethol â’r Argraffwyr: Bae y llynedd ef oedd enillydd y Gadair gydag awdl ar y testun Gwasg Morgannwg, Castell-nedd ‘Porth’. -
Magazine-October-2019-Large-Print
CHAPTER 10.19 ART Garth Evans But, Hands Have Eyes: Six decades of sculpture Until 26.01.20 ‘But, Hands Have Eyes’ is a solo exhibition featuring six decades of sculpture. Alongside works produced in the UK in the 1960s and 70s, Evans also presents a body of work for their UK premiere, that he has produced in the United States since his move there in 1981. The work of Garth Evans is integral to the history of British sculpture. Experimenting with the potential of scale, weight, medium and form, Evans’ work comprises both a formal and conceptual approach. He is always interested in interrogating established boundaries and, as a result, his sculptures are made from a diverse range of materials including ceramics, steel, leather and fibreglass. Evans states that many of his works, even when most abstract, are “triggers for, and containers of, particular identifiable memories”. Ultimately, Garth Evans’ works are ambiguous, multi-faceted and completely original. Gallery Opening Times: Tue, Wed, Sat, Sun: 12–6pm, Thu, Fri: 12– 8pm, Mon: Closed Talks at 4 26.10.19 FREE Are you interested in finding out a little bit more about our latest exhibition? Then why not join us for a free and informal guided tour! Our ‘Talks at 4’ are led by our wonderful gallery assistants and are a great way to delve a little deeper into our current exhibition by Garth Evans and his approach to his work. No two talks are the same so come along and be a part of the conversation. Garth Evans: Untitled Sculpture Until 18.03.2020 Cardiff, The Hayes In 1972 Garth Evans created a large-scale sculpture that was placed in The Hayes, Cardiff city centre for six months as part of a ground-breaking national sculpture project.