Intertextuality As Translation Problem: Explicitness, Recognisability and the Case of “Literatures of Smaller Nations” Ин
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Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Heraclitus and the Work of Awakening A Dissertation Presented by Nicolas Elias Leon Ruiz to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Philosophy Stony Brook University August 2007 Copyright by Nicolas Elias Leon Ruiz August 2007 Stony Brook University The Graduate School Nicolas Elias Leon Ruiz We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Dr. Peter Manchester – Dissertation Advisor Associate Professor of Philosophy Dr. David Allison – Chairperson of Defense Professor of Philosophy Dr. Eduardo Mendieta Associate Professor of Philosophy Dr. Gregory Shaw Professor of Religious Studies Stonehill College This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Heraclitus and the Work of Awakening by Nicolas Elias Leon Ruiz Doctor of Philosophy in Philosophy Stony Brook University 2007 Heraclitus is regarded as one of the foundational figures of western philosophy. As such, he is typically read as some species of rational thinker: empiricist, materialist, metaphysician, dialectician, phenomenologist, etc. This dissertation argues that all of these views of Heraclitus and his work are based upon profoundly mistaken assumptions. Instead, Heraclitus is shown to be a thoroughly and consistently mystical writer whose work is organized around the recurring theme of awakening. He is thus much more akin to figures such as Buddha, Lao Tzu, and Empedocles than to Aristotle or Hegel. -
The Consolations of Death in Ancient Greek Literature
$B 44 125 The Consolations of Death In Ancient Greek Literature By SISTER MARY EVARISTUS, MA. of THE SISTERS OF CHABITY, HALIFAX, N. S. A DISSERTATION Submitted to the Catholic Sisters College of the Catholic University of America in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Digitized by the Internet Archive in 2007 with funding from Microsoft Corporation http://www.archive.org/details/consolationsofdeOOmorarich The Consolations of Death In Ancient Greek Literature SISTER MARY EVARISTUS, M.A. of THE SISTERS OF CHARITY, HALIFAX, N. S. A DISSERTATION Submitted to the Catholic Sisters College of the Cathoh University of America in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy NA.ICXAI SA'.TAL PICS' 'MC , WA'iUNOTON, D. C. TABLE OF CONTENTS Page Introduction 7 CHAPTER I The Inevitableness of Death 10 Universality of death a motive for consolation. Views of death in Homer. Homeric epithets for death. No power can ward off death. Consolation afforded by the thought that it cannot come before the appointed time. Inevitableness of death as depicted in the Lyric Poets, * Tragedians, Plato, Lysias, Apollonius Rhodius, ps.- Plutarch, Plutarch. CHAPTER II Others Have Had to Die 19 Treatment of t&kos in Homer, ov <roi /xopoj. Tragic Poets, Plutarch, ps.-Plutarch. Examples of those who have borne sufferings nobly. Extension of t&kos. Even better men have died. CHAPTER III Death the Payment of a Debt to Nature 26 Should not complain when loan is claimed. Simonides of Ceos. Euripides. Plato. ps.-Plutarch. CHAPTER IV Death Not to be Regarded as Unexpected 28 Nothing ought to appear unexpected. -
Anthology of Polish Poetry. Fulbright-Hays Summer Seminars Abroad Program, 1998 (Hungary/Poland)
DOCUMENT RESUME ED 444 900 SO 031 309 AUTHOR Smith, Thomas A. TITLE Anthology of Polish Poetry. Fulbright-Hays Summer Seminars Abroad Program, 1998 (Hungary/Poland). INSTITUTION Center for International Education (ED), Washington, DC. PUB DATE 1998-00-00 NOTE 206p. PUB TYPE Collected Works - General (020)-- Guides Classroom - Teacher (052) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Anthologies; Cultural Context; *Cultural Enrichment; *Curriculum Development; Foreign Countries; High Schools; *Poetry; *Poets; Polish Americans; *Polish Literature; *World Literature IDENTIFIERS Fulbright Hays Seminars Abroad Program; *Poland; Polish People ABSTRACT This anthology, of more than 225 short poems by Polish authors, was created to be used in world literature classes in a high school with many first-generation Polish students. The following poets are represented in the anthology: Jan Kochanowski; Franciszek Dionizy Kniaznin; Elzbieta Druzbacka; Antoni Malczewski; Adam Mickiewicz; Juliusz Slowacki; Cyprian Norwid; Wladyslaw Syrokomla; Maria Konopnicka; Jan Kasprowicz; Antoni Lange; Leopold Staff; Boleslaw Lesmian; Julian Tuwim; Jaroslaw Iwaszkiewicz; Maria Pawlikowska; Kazimiera Illakowicz; Antoni Slonimski; Jan Lechon; Konstanty Ildefons Galczynski; Kazimierz Wierzynski; Aleksander Wat; Mieczyslaw Jastrun; Tymoteusz Karpowicz; Zbigniew Herbert; Bogdan Czaykowski; Stanislaw Baranczak; Anna Swirszczynska; Jerzy Ficowski; Janos Pilinsky; Adam Wazyk; Jan Twardowski; Anna Kamienska; Artur Miedzyrzecki; Wiktor Woroszlyski; Urszula Koziol; Ernest Bryll; Leszek A. Moczulski; Julian Kornhauser; Bronislaw Maj; Adam Zagajewskii Ferdous Shahbaz-Adel; Tadeusz Rozewicz; Ewa Lipska; Aleksander Jurewicz; Jan Polkowski; Ryszard Grzyb; Zbigniew Machej; Krzysztof Koehler; Jacek Podsiadlo; Marzena Broda; Czeslaw Milosz; and Wislawa Szymborska. (BT) Reproductions supplied by EDRS are the best that can be made from the original document. Anthology of Polish Poetry. Fulbright Hays Summer Seminar Abroad Program 1998 (Hungary/Poland) Smith, Thomas A. -
Venice According… Venice According to Odyniec (And Mickiewicz?) in Romantic Contexts
Czytanie Literatury https://doi.org/10.18778/2299-7458.09.04 Łódzkie Studia Literaturoznawcze 9/2020 ISSN 2299–7458 ANNA KURSKA e-ISSN 2449–8386 Jan Kochanowski University of Kielce 0000-0002-2776-2449 65 VeNICe ACCoRDING… VeNICe Venice According to Odyniec (and Mickiewicz?) in Romantic Contexts SUMMARY This text is a reconstruction of the image of Venice offered in Listy z podróży by Antoni Edward Odyniec. Against the background of Romantic traditions (Byron, Chateaubriand, Shelley, and Radcliffe), I present how the author shaped the portrait of Venice suspended between the Romantic vision of the city/monster (Leviathan) and the ballad-based vision of the city/Siren. I indicate not only the fact that the im- age of Venice was rooted in the sentimental/Romantic stereotype, but I also define to what extent it was formed by the imagined world of Polish nobility, i.e. szlachta. Most of all, however, I am interested in the traces present in Listy z podróży which enable one to uncover Mickiewicz’s influence on how Odyniec shaped the image of Venice. Keywords Adam Mickiewicz, Antoni Edward Odyniec, Venice, Romanticism, journey. Mickiewicz arrived with Odyniec in Venice on 7 October 1829 “at one in the afternoon”; they stayed at the de Luna Inn, from where they moved the very next day to a private apartment at “Ponte dei Dai, Torre Correnta, al. Moro.” Their visit lasted until 20 October and it was recorded by Antoni Edward Odyniec in a fragment of Listy z podróży that he wrote to Julian Korsak and Ignacy Chodźko. His description raises a major question: to what degree © by the author, licensee Łódź University – Łódź University Press, Łódź, Poland. -
Intertextuality of Deor
Vol. 4(8), pp. 132-138, October, 2013 DOI: 10.5897/JLC11.080 Journal of Languages and Culture ISSN 2141-6540 © 2013 Academic Journals http://www.academicjournals.org/JLC Review Intertextuality of Deor Raimondo Murgia Tallinn University, Narva mnt 25, 10120 Tallinn, Estonia. Accepted 22 November, 2012 The Deor is a poem found in the Exeter Book and included in the Old English elegies. The main purpose of this contribution is to highlight the possible intertextual links of the poem. After an outline of the old English elegies and a brief review of the most significant passages from the elegies, this short poem will be analyzed stanza by stanza. An attempt will be made to demonstrate that the various interpretations of the text depend on particular keywords that require that the readers to share the same time and space coordinates as the author. The personal names are the most important clues for interpretation. The problem is that they have been emended differently according to the editors and that the reader is supposed to know the referent hinted by those particular names. Key words: Old English elegies, Exeter Book, Deor, intertextuality. INTRODUCTION OF THE OLD ENGLISH ELEGIES It must be underlined that the term „elegy‟ applying to old definition of Old English elegy is Greenfield‟s (1965): “a English (hereafter OE) poetry could be misleading since relatively short reflective or dramatic poem embodying a one would expect the meter of such poetry to be the contrastive pattern of loss and consolation, ostensibly same as the Greek and Latin Elegies, in which their based upon a specific personal experience or observa- elegiac distich (Pinotti, 2002) points out that in the fourth tion, and expressing an attitude towards that experience”. -
Listy Jana Kasprowicza Do Kazimierza Twardowskiego
Wiek XIX. Rocznik Towarzystwa Literackiego im. Adama Mickiewicza rok V (XLVII) 2012 DOI: 10.l83l8/WIEKXIX.2O12.27 Listy Jana Kasprowicza do Kazimierza Twardowskiego Opracował Roman Loth iedy się poznali, dokładnie nie wiadomo1. Kasprowicz mieszkał we Lwowie Kod grudnia 1888 roku, w tym wczesnym okresie (do października roku 1900) pracował w redakcji „Kuriera Lwowskiego”. Młodszy od niego o sześć lat Kazimierz Twardowski (1866–1938) – przyszły wybitny fi lozof i psycholog, przybył do stolicy Galicji w roku 1895, w listopadzie tego roku objął stanowisko profesora nadzwy- czajnego na Uniwersytecie Lwowskim. Obaj uczestniczyli w życiu kulturalnym Lwowa, prawdopodobnie na tym gruncie zetknęły się ich drogi. Gdy w listopadzie roku 1898 została powołana seria wydawnicza Związku Naukowo-Literackiego „Wiedza i Życie”, obaj znaleźli się w składzie jej zespołu redakcyjnego. Kontakty musiały być częste i bliskie, skoro w niedługim czasie związała ich przyjaźń, ogar- niająca obie całe rodziny. O Twardowskich – profesorze i jego żonie, noszącej to samo imię: Kazimiera, pisała córka poety, Anna Kasprowicz-Jarocka: Ojciec cenił i lubił ich obydwoje, łączyły Go z nimi zażyłe stosunki, pozostawali z sobą na „ty”. Profesora, jak nieraz żartował, „bał się” trochę. Obaj byli bardzo do siebie przywiązani, a przyjaźń ta przetrwała aż do śmierci.2 1 O kontaktach między Kasprowiczem a Twardowskim zob. R. Jadczak, Jan Kasprowicz i Kazimierz Twardowski. Z dziejów przyjaźni, „Ruch Literacki” 1993, z. 5, s. 617–630; A. Tomczak, Kasprowicz we wspomnieniach i pamiątkach rodziny Twardowskich, w: O Janie Kasprowiczu. W siedemdziesięciolecie zgonu, pod red. P. Kuleczki, Kraków 1997, s. 69–86 (tu cytowane fragmenty listów Kasprowicza). Zob. także: A. Tomczak, Informacja o archiwum osobistym Kazimierza Twardowskiego, „Ruch Filozofi czny” 1992, t. -
Sappho's Aesthetics by Lauren R. W. Vanderdeen Submitted in Partial
Sappho’s Aesthetics by Lauren R. W. Vanderdeen Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2020 © Copyright by Lauren R. W. Vanderdeen, 2020 ἀεροβατῶ καὶ περιφρονῶ τὸν ἥλιον. ii Table of Contents Abstract .............................................................................................................................. iv Acknowledgments............................................................................................................... v Chapter 1. Introduction ....................................................................................................... 1 (i) Lyric poetry: problems and contexts .......................................................................... 2 (ii) Ideas of beauty .......................................................................................................... 3 Chapter 2. Beauty................................................................................................................ 6 (i) Situating κάλος in Sappho .......................................................................................... 6 (ii) Adjacent aesthetic language .................................................................................... 17 (iii) “the most beautiful thing on the dark earth” .......................................................... 27 Chapter 3. Nature .............................................................................................................. 34 (i) Fullness -
Defining Femininity Outside the Male Heteronormative World in John
Trinity University Digital Commons @ Trinity The Expositor: A Journal of Undergraduate Research in the Humanities English Department 2019 "What Shall We Call Thee Then?": Defining emininityF Outside the Male Heteronormative World in John Donne's "Sappho to Philaenis" Kristina Reinis Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/eng_expositor Repository Citation Reinis, K. (2019). "What shall we call thee then?": Defining emininityf outside the male heteronormative world in John Donne's "Sappho to Philaenis". The Expositor: A Journal of Undergraduate Research in the Humanities, 14, 54-66. This Article is brought to you for free and open access by the English Department at Digital Commons @ Trinity. It has been accepted for inclusion in The Expositor: A Journal of Undergraduate Research in the Humanities by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. The Expositor 55 nonetheless: femininity is what masculinity is not. These two declarations on women’s behavior and identity suggest the larger understanding of gender at “What Shall We Call the time: in the Renaissance, the categorization of women depended on men. However, when Queen Elizabeth I was on the throne and ruling without a Thee Then?”: Defining king, male anxiety began to rise, and the validity of masculine authority came to be questioned. Describing the rising masculine anxiety in England in this Femininity Outside the Male period, Mark Breitenberg argues that the discourse at the time regarding gen- der roles slowly threatened the idea of the “natural” superiority of men.3 In the late sixteenth century, this environment helped set the tone for John Donne’s Heteronormative World in elegies and, in particular, his “Sappho to Philaenis.” In most of his love elegies, Donne challenges the stability of gender identity. -
On Seneca, Mussato, Trevet and the Boethian "Tragedies"
Heliotropia 10.1-2 (2013) http://www.heliotropia.org On Seneca, Mussato, Trevet and the Boethian “Tragedies” of the De casibus hile good work has been done on the so-called Paduan prehu- manists since Billanovich put them in the critical spotlight half a W century ago,1 very little has subsequently been accomplished with regard to their influence on Boccaccio, especially his ideas on the relationship among poetry, philosophy and theology. I believe that there is a rich vein yet to be mined in this area, one that will aid us in understanding more profoundly not only his pre-Christian sources, which (always mediated, of course, by the influence of medieval interpretations) range broadly from the Pre-Socratics to Plato and Aristotle, to the Stoics and Neoplatonists, but also the way in which he creatively and convincingly interwove them into a tapestry of Christian doctrine. In other words, there is still something to be learned before we can confidently reconstruct his line, or lines, of humanistic thought. Unfortunately, it has become quite commonplace to think of Boccaccio’s defense of poetry in his final works as something that popped up almost spontaneously when, in reality, those pages actually depict a hypothesis of theologia poetica that evolved over a period of twenty-five years or so. Indeed, we may even say that his development of these holistic ideas, his attempts to unlock the wisdom of the ancients — whether enshrined in highly complex cosmological creations like the Calcidian Timaeus or simply glimpsed in flashes of literary brilliance in a handful of carefully chosen passages here and there — never really assumed a definitive form. -
On Ancient Greek Funerary Laments and Women in Democracy Christina Farella
Spolia | Issue 14 89 On Ancient Greek Funerary Laments and Women in Democracy Christina Farella sensitive Adonis is near to death Aphrodite what should we do? strike your breasts girls— rend your dresses Women in Sound, Women in Democracy Hemingway couldn’t stand Gertrude Stein’s voice. Artemis bellowed in the woods while hunting. Margaret Thatcher had a voice coach. Aphrodite’s voice was an object she kept on her belt. Sophocles describes Echo as “the girl with no door on her mouth.” Women in Lysistrata stage a bellicose revolt. Sappho encourages women to vociferously lament the death of Adonis. These are a handful of instances of sounds made by women in Anne Carson’s luminous essay “The Gender of Sound” where the author theorizes a relationship between the sounds produced by individuals and their place in a patriarchal social order. One of the pet projects of misogyny is the routine and ritualistic quieting of women. This ageless practice establishes a tension between reason and irrationality, logic and magic, high and low, quiet and loud, male and female, respectively. At the end of her essay Carson wonders “if there might not be another idea of human order than repression, another notion of human virtue than self-control, another kind of human self than one based on dissociation of inside and outside. Or indeed, another human essence than self.” Accompanying this gendering of sound is the Greek idea of sophrosyne, which can be understood as excellence achieved through a soundness of mind. (Obligatory etymology of the Greek: σωφροσύνη, “sōphrosúnē,” from σώφρων “sṓphrōn,” “sane, moderate, prudent,” from σῶς, “sôs,” “safe, sound, whole” + φρήν, “phrḗn,” “mind.”) Carson writes, “Verbal continence is an essential feature of the masculine virtue of sophrosyne… that organizes most patriarchal thinking on ethical or emotional matters. -
Seneca-Letters.Pdf
CLARENDON LATER ANCIENT PHILOSOPHERS Series editors: Jonathan Barnes, Universite´ de Paris IV—Sorbonne and A. A. Long, University of California, Berkeley SENECA SELECTED PHILOSOPHICAL LETTERS Seneca’s Letters to Lucilius are a rich source of information about ancient Stoicism, an influential work for early modern philosophers, and a fascinating philosophical document in their own right. This selection of the letters aims to include those which are of greatest philosophical interest, especially those which highlight the debates between Stoics and Platonists or Aristotelians in the first century AD, and the issue, still important today, of how technical philosophical enquiry is related to the various purposes for which philosophy is practised. In addition to examining the philosophical content of each letter, Brad Inwood’s commentary discusses the literary and historical background of the letters and to their relationship with other prose works by Seneca. Seneca is the earliest Stoic author for whom we have access to a large number of complete works, and these works were highly influential in later centuries. He was also a politically influential advisor to the Roman emperor Nero and a celebrated author of prose and verse. His philosophical acuity and independence of mind make his works exciting and challenging for the modern reader. Brad Inwood is Professor of Classics and Philosophy at the University of Toronto. PUBLISHEDINTHESERIES Alcinous: The Handbook of Platonism John Dillon Epictetus: Discourses, Book Robert Dobbin Galen: On the Therapeutic Method, Books I and II R. J. Hankinson Porphyry: Introduction Jonathan Barnes Seneca: Selected Philosophical Letters Brad Inwood Sextus Empiricus: Against the Ethicists Richard Bett Sextus Empiricus: Against the Grammarians David Blank SENECA SELECTED PHILOSOPHICAL LETTERS Translated with an Introduction and Commentary by BRAD INWOOD 1 1 Great Clarendon Street, Oxford Oxford University Press is a department of the University of Oxford. -
The Place of Musie in Thepoetry of Kazimierz Przerwa-Tetmajer
Interdisciplinary Studies in Musicology g, 2011 © Department o f Musicology, Adam Mickiewicz University, Poznań, Poland JUSTYNA BAJDA (Wrocław) The place of musie in thepoetry of Kazimierz Przerwa-Tetmajer ABSTRACT: Young Poland poetry was dominated by artistic imaging, but its associations with music are also quite often mentioned. Many examples of its “musicality” can be found in various layers of poetic works, starting with their phonological aspect and versification, through the simple usage of lexical resources, descriptions of instruments and concerts and listeners’ impressions, up to attempts at finding appropriate means for transposing particu lar genres or specific musical works into poetry and even creating a poetic language mod elled on music. The characteristic phenomenon of poetry challenging music can be ob served during that period. The oeuvre of Fryderyk Chopin is especially important, as there are many sets of works concerned with Chopin’s music or the composer himself (about 150). Kazimierz Przerwa-Tetmajer was one of the Young Poland poets to show an interest in this subject. The images created by Tetmajer’s specific artistic imagination were often de fined by elements of a musical character. The best-known “musical” set of works by Tetma jer is the Preludes, considered to be his “calling-card”. Tetmajer used sounds in many dif ferent ways. Besides attempts at shaping this poetical cycle in the image of Chopin’s prel udes, one should mention here the role of the music and songs of the highlanders, the re petitive distant chime of church bells, the various musical instruments, notes and tones reverberating in many poems, and the specific role of the music of nature.