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Professor Sir Andrew Motion
Impact case study (REF3b) Institution: Royal Holloway, University of London Unit of Assessment: English Title of case study: Literature in Public Life: Professor Sir Andrew Motion. 1. Summary of the impact (indicative maximum 100 words) Professor Sir Andrew Motion works at the heart of the poetry sector in the UK and speaks for it at all levels of public discourse. His research into poetry through criticism and practice, and his tireless public engagement, lead to impacts on a wide range of users in cultural life and education, civil society, public discourses and public services. These are achieved through such positions as Director and Co-Founder of The Poetry Archive (since 2003) Chair of Arts Council Review Group (2009) Director of Poetry by Heart (from 2012). Widespread benefits are felt through the creation and identification of cultural capital influence on education and public policy (2008-13). 2. Underpinning research (indicative maximum 500 words) Professor Motion was appointed Professor of Creative Writing (0.5 FTE) in the English Department at Royal Holloway in 2003. He was already established in the Laureateship, occupying this high office in public life to serve Queen and Commonwealth, engaged in revitalizing the traditions of the role established by such figures as Wordsworth, Tennyson, Betjeman and Hughes. His writing continued to mark not simply Royal occasions, but also encompassed many commissions from Charities seeking his voice to promote their causes in verse. Beyond his work as poet and novelist, he is an influential biographer, editor, and literary critic, specializing in Romantic, twentieth-century and contemporary literature. These are all areas of activity which he has maintained since his appointment at Royal Holloway and since stepping down as Laureate (2009). -
Anthology of Named Poems and Study Guide
AS (Paper 1) and A Level (Paper 3) English Literature Anthology of Named Poems and Study Guide Please note that biographical detail is included for information purposes only, to support you with your knowledge and possible further reading on each poet. There is no expectation that you would refer to any such materials in your assessment at either AS or A level. Contents Page in this Page in Poem Poet booklet Anthology Eat Me Patience Agbabi 3 3 Chainsaw Versus the Pampas Simon Armitage 7 6 Grass Material Ros Barber 11 10 Inheritance Eavan Boland 17 22 A Leisure Centre is Also a Sue Boyle 21 23 Temple of Learning History John Burnside 25 25 The War Correspondent Ciaran Carson 30 29 An Easy Passage Julia Copus 36 37 The Deliverer Tishani Doshi 41 43 The Map Woman Carol Ann Duffy 46 47 The Lammas Hireling Ian Duhig 53 51 To My Nine-Year-Old Self Helen Dunmore 58 52 A Minor Role U A Fanthorpe 62 57 The Gun Vicki Feaver 66 62 The Furthest Distances I’ve Leontia Flynn 70 64 Travelled Giuseppe Roderick Ford 74 66 Out of the Bag Seamus Heaney 78 81 Effects Alan Jenkins 85 92 The Fox in the National Robert Minhinnick 90 121 Museum of Wales Genetics Sinéad Morrissey 95 125 From the Journal of a Andrew Motion 99 127 Disappointed Man Look We Have Coming to Daljit Nagra 104 129 Dover! Fantasia on a Theme of James Sean O’Brien 108 130 Wright Please Hold Ciaran O’Driscoll 112 132 You, Shiva, and My Mum Ruth Padel 117 140 Song George Szirtes 122 168 On Her Blindness Adam Thorpe 126 170 Ode on a Grayson Perry Urn Tim Turnbull 131 172 Sample Assessment Questions 137 Sample Planning Diagrams 138 Assessment Grid 143 2 Patience Agbabi, ‘Eat Me’ Biography Patience Agbabi (b. -
September 2012
founded in 1912 by harriet monroe September 2012 FOUNDED IN 1912 BY HARRIET MONROE volume cc • number 5 CONTENTS September 2012 POEMS jane hirshfield 431 Fado Like Two Negative Numbers Multiplied by Rain My Weather Things keep sorting themselves. Like the Small Hole by the Path-Side Something Lives in joan hutton landis 436 The Plan frederick seidel 437 Snow Mount Street Gardens The State of New York Oedipal Strivings Victory Parade What Next john de stefano 446 From “Critical Opalescence and the Blueness of the Sky” billy collins 448 Report from the Subtropics Cheerios ange mlinko 450 The Grind deborah paredez 452 The Gulf, 1987 Wife’s Disaster Manual dana levin 454 My Sentence Urgent Care mary karr 458 Read These Suicide’s Note: An Annual john koethe 461 Book X james longenbach 464 By the Same Author Opus Posthumous COMMENT a.e. stallings 469 Austerity Measures: A Letter from Greece william logan 483 Going, Going beverley bie brahic 493 No Fish Were Killed in the Writing of These Poems letters to the editor 499 contributors 503 back page 519 Editor christian wiman Senior Editor don share Associate Editor fred sasaki Managing Editor valerie jean johnson Editorial Assistant lindsay garbutt Reader christina pugh Art Direction winterhouse studio cover art by oded ezer “Scribble Pegasus,” 2012 POETRYMAGAZINE.ORG a publication of the POETRY FOUNDATION printed by cadmus professional communications, us Poetry • September 2012 • Volume 200 • Number 5 Poetry (issn: 0032-2032) is published monthly, except bimonthly July / August, by the Poetry Foundation. Address editorial correspondence to 61 W. Superior St., Chicago, IL 60654. -
Poetry GCSE English Literature for AQA Teacher’S Resource GCSE English Literature for AQA: Poetry Teacher’S Resource
Brighter Thinking Poetry GCSE English Literature for AQA Teacher’s Resource GCSE English Literature for AQA: Poetry Teacher’s Resource CAMBRIDGE UNIVERSITY PRESS University Printing House, Cambridge CB2 8BS, United Kingdom Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence. www.cambridge.org Information on this title: www.cambridge.org/ukschools/9781107455467 (Free online) www.cambridge.org/ukschools/9781107455436 (Cambridge Elevate-enhanced Edition) © Cambridge University Press 2015 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2015 A catalogue record for this publication is available from the British Library ISBN 978-1-107-455467 Free online ISBN 978-1-107-455436 Cambridge Elevate-enhanced Edition Additional resources for this publication at www.cambridge.org/ukschools Cover image © Alfred Eisenstaedt/Getty Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. NOTICE TO TEACHERS The photocopy masters in this publication may be photocopied or distributed [electronically] free of charge for classroom use only. Worksheets and copies of them remain in the copyright of Cambridge University Press. The publishers would like to thank Marcella McCarthy for her contribution to this Teacher’s Resource. -
LITR316 Course Name: British Poetry Credit Hours: 3 Length of Course: 8 Weeks Prerequisite: ENGL101, ENGL102, Or ENGL202
STUDENT WARNING: This course syllabus is from a previous semester archive and serves only as a preparatory reference. Please use this syllabus as a reference only until the professor opens the classroom and you have access to the updated course syllabus. Please do NOT purchase any books or start any work based on this syllabus; this syllabus may NOT be the one that your individual instructor uses for a course that has not yet started. If you need to verify course textbooks, please refer to the online course description through your student portal. This syllabus is proprietary material of APUS. School: School of Arts and Humanities Course Number: LITR316 Course Name: British Poetry Credit Hours: 3 Length of Course: 8 Weeks Prerequisite: ENGL101, ENGL102, or ENGL202 Table of Contents Instructor Information Evaluation Procedures Course Description Grading Scale Course Scope Course Outline Course Objectives Policies Course Delivery Method Academic Services Course Resources Selected Bibliography Instructor Information Course Description (Catalog) This course will offer a chronological survey of British poetry from the Anglo-Saxon era through the twentieth century. The poetry will be examined within the social and cultural contexts in which it was produced. Table of Contents Course Scope STUDENT WARNING: This course syllabus is from a previous semester archive and serves only as a preparatory reference. Please use this syllabus as a reference only until the professor opens the classroom and you have access to the updated course syllabus. Please do NOT purchase any books or start any work based on this syllabus; this syllabus may NOT be the one that your individual instructor uses for a course that has not yet started. -
Michael Shepherd - Poems
Poetry Series Michael Shepherd - poems - Publication Date: 2009 Publisher: Poemhunter.com - The World's Poetry Archive Michael Shepherd(8.4.1929) farmwork; 9-14 teacher; pro-am drama; scholarship to Oxford University to study Anglo-Saxon and English Literature; dropout; backstage Ballets de Paris; industrial journalism; midlife crisis around 25; invoice typist; bookshop assistant; art journalist; book reviewer; small book on Barbara Hepworth,1963; art critic for national newspapers and magazines 20 years; radio and television work; presented to Queen Mother for services to Canadian art; and to Rajeev Gandhi for services to Indian art; Post-graduate Thesis Tutor, Royal Academy of Art 20 years; Selector and Juror Mid-States Art Contest, Indiana; translator and research team for Letters of Marsilio Ficino; obituary writer for The Times; 24/7 carer 7 years; writer/editor of Ficino celebratory volume 1999(see Books page here) now translated into Dutch; political satirist for website, 'Call Me Tony'; proofreader for forthcoming 18-volume Encyclopaedia of Hindu Philosophy; various essays on 50 years of Zimbabwean sculpture; historical context essay for 'Gardens of Philosophy: Ficino on Plato' by Arthur Farndell, Shepheard-Walwyn Publishers,2006, £18.95; Godstow Press in Oxford published 136 sonnets under the title 'Awakening to Myself' in December 2004 (£15 postfree in Britain, contact Godstow Press for overseas postage) . For international payment, see info@ Michael has been a member of the School of Economic Science/School of Practical Philosophy in London for 50 years, and moderates (2008) the Poetry Forum attached to its website. He is currently Text Editor for the 'Hindupedia' encyclopaedia of Hinduism. -
The Poems Without Lines
The Poems Without Lines (',7('%<-$1(021621 British Prose Poetry Jane Monson Editor British Prose Poetry The Poems Without Lines Editor Jane Monson University of Cambridge Cambridge, UK ISBN 978-3-319-77862-4 ISBN 978-3-319-77863-1 (eBook) https://doi.org/10.1007/978-3-319-77863-1 Library of Congress Control Number: 2018940734 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifcally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microflms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affliations. Cover credit: AC Manley/Alamy Stock Photo Printed on acid-free paper This Palgrave Macmillan imprint is published by the registered company Springer International Publishing AG part of Springer Nature The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland PREFACE In 2002, N. -
Supervised by : Professor Sabbar S. Sultan
Ted Hughes : A Critical Study of His Poetry ﺗﯿﺪ ھﯿﻮز : دراﺳﺔ ﻧﻘﺪﯾﺔ ﻟﺸﻌﺮه Prepared by : Abdullah Mohammed Abu Rumman Supervised by : Professor Sabbar S. Sultan A Thesis Submitted in Partial Fulfillment of the Requirements for the Master of Arts Degree in English Language and literature Department of English Language and Literature Faculty of Arts and Sciences Middle East University December - 2014 II III IV Acknowledgments My deep thanks are due to my supervisor, Professor Sabbar Sultan, whose devoted supervision has been invaluable. His attention to my work has been exceeding any words of gratitude and admiration. I am also grateful to the thesis committee members Dr. Majid Abdellateef and Dr.Sabah Shakury for their fruitful discussion, constructive comments and insightful suggestions. Thanks are also due to the faculty members of the Department of English at Middle East University for their help and encouragement. Researcher V Dedication I would like to dedicate this thesis to my family and the people who supported me in taking each step of my life and taught me to trust Allah, believed in hard work, and encouraged me to believe in myself. Researcher VI Table of Contents Chapter Subject Page Number Title I Authorization Form II Committee Decision III Acknowledgements IV Dedication V Table of Contents VI - VIII Abstract in the English Language IX Abstract in the Arabic Language X Chapter One 1.0 Introduction 1 1.1 Background of the Study 1-3 1.2 Ted Hughes - Sylvia Plath 3-5 Relationship 1.3 Ted Hughes : The Poet 5-10 VII 1.4 The Animal's -
THE POET CHARLES CAUSLEY Photograph Copyright Carol Hughes the POET CHARLES CAUSLEY
‘It brought a tear to my eye, lovely Charles.’ Roger McGough. ‘It’s a delight. I can’t imagine anyone not enjoying it.’ Richard Carrington - The Poetry Archive. ‘The affection for him and the work is palpable.’ Andrew Motion. ‘It brought a tear to my eye, lovely Charles.’ Roger McGough. ‘It’s a delight. I can’t imagine anyone not enjoying it.’ Richard Carrington - The Poetry Archive. ‘The affection for him and the work is palpable.’ Andrew Motion. A DARKE TEBBS PRODUCTION 2017 THE POET CHARLES CAUSLEY Photograph copyright Carol Hughes THE POET CHARLES CAUSLEY A Documentary Film 59 mins The film was made entirely by Jane Darke and Andrew Tebbs. Director: Jane Darke Editor: Andrew Tebbs Music: Composed and performed by Jim Causley with Julie Murphy and Ceri Owen Jones. Additional music by the Boilerhouse Crew of Penzance. Poets: Phil Bowen Simon Armitage Andrew Motion Roger McGough Gillian Clarke Helen Mort Simon Parker Friends of Charles Causley: Michael Foreman – illustrator Mike Shepherd – Kneehigh Theatre Ian Tunbridge – former pupil Glennis Tunbridge – fellow teacher Anna Reade- fellow teacher Father Anthony Maggs Les Baker Arthur Wills Scholars: Will Coleman - Golden Tree Productions Michael Cooper John Hurst – curator Synopsis short: Charles Causley was one of the great poets of his generation, respected by his peers. He lived his whole life in Cornwall except for the years he served in the Royal Navy during WW2. His father was gassed on WWI and he lost close friends in WW2. He was one of very few war poets from the lower ranks and served as a coder on the aircraft carrier HMS Glory, witnessing the surrender of the Japanese commanders there.