Meseums in Moscow
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Museum of Pictorial Culture
The Museum Of Pictorial Culture From Less-Known Russian Avant-garde series Lev Manovich and Julian Sunley, 2021 Although we usually assume think that first museum of The Tretyakov Gallery, Moscow, 2019-2020, curated by Dr. modern art was MoMA (New York, 1929), an earlier museum Liubov Pchelkina. From the exhibition description: called Museum of Pictorial Culture was established in 1919 “2019 will mark 100 years since the implementation of the and run by most important Russian avant-garde artists until unique museum project of Soviet Russia – the creation of the its closing in 1929. Our essays discuss innovative museum Museum of Pictorial Culture, the first museum of contemporary concepts developed by these artists, and point out their art in our country… “The exhibition will present the history of the Museum of Pictorial Culture as an important stage in the history relevance to recent museum experiments in presenting their of Russian avant-garde and the history of the Tretyakov Gallery’s collections online using visualization methods. acquisitions. The exposition will reflect the unique structure of the museum. The exhibition will include more than 300 You can find our sources (including for images) and further paintings, drawings, sculptures from 18 Russian and 5 foreign reading at the bottom of the essay. The main source for this collections. For the first time, the audience will be presented essay is the the exhibition 'Museum of Pictorial Culture. To the with experimental analytical work of the museum. Unique 100th Anniversary of the First Museum of Contemporary Art’ at archival documents will be an important part of the exposition.” Room C at the original Museum of Pictorial Culture, containing works by Room C reconstructed at The Tretyakov Gallery, 2019. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Henryk Siemiradzki and the International Artistic Milieu
ACCADEMIA POL ACCA DELLE SCIENZE DELLE SCIENZE POL ACCA ACCADEMIA BIBLIOTECA E CENTRO DI STUDI A ROMA E CENTRO BIBLIOTECA ACCADEMIA POLACCA DELLE SCIENZE BIBLIOTECA E CENTRO DI STUDI A ROMA CONFERENZE 145 HENRYK SIEMIRADZKI AND THE INTERNATIONAL ARTISTIC MILIEU FRANCESCO TOMMASINI, L’ITALIA E LA RINASCITA E LA RINASCITA L’ITALIA TOMMASINI, FRANCESCO IN ROME DELLA INDIPENDENTE POLONIA A CURA DI MARIA NITKA AGNIESZKA KLUCZEWSKA-WÓJCIK CONFERENZE 145 ACCADEMIA POLACCA DELLE SCIENZE BIBLIOTECA E CENTRO DI STUDI A ROMA ISSN 0239-8605 ROMA 2020 ISBN 978-83-956575-5-9 CONFERENZE 145 HENRYK SIEMIRADZKI AND THE INTERNATIONAL ARTISTIC MILIEU IN ROME ACCADEMIA POLACCA DELLE SCIENZE BIBLIOTECA E CENTRO DI STUDI A ROMA CONFERENZE 145 HENRYK SIEMIRADZKI AND THE INTERNATIONAL ARTISTIC MILIEU IN ROME A CURA DI MARIA NITKA AGNIESZKA KLUCZEWSKA-WÓJCIK. ROMA 2020 Pubblicato da AccademiaPolacca delle Scienze Bibliotecae Centro di Studi aRoma vicolo Doria, 2 (Palazzo Doria) 00187 Roma tel. +39 066792170 e-mail: [email protected] www.rzym.pan.pl Il convegno ideato dal Polish Institute of World Art Studies (Polski Instytut Studiów nad Sztuką Świata) nell’ambito del programma del Ministero della Scienza e dell’Istruzione Superiore della Repubblica di Polonia (Polish Ministry of Science and Higher Education) “Narodowy Program Rozwoju Humanistyki” (National Programme for the Develop- ment of Humanities) - “Henryk Siemiradzki: Catalogue Raisonné of the Paintings” (“Tradition 1 a”, no. 0504/ nprh4/h1a/83/2015). Il convegno è stato organizzato con il supporto ed il contributo del National Institute of Polish Cultural Heritage POLONIKA (Narodowy Instytut Polskiego Dziedzictwa Kul- turowego za Granicą POLONIKA). Redazione: Maria Nitka, Agnieszka Kluczewska-Wójcik Recensione: Prof. -
International Scholarly Conference the PEREDVIZHNIKI ASSOCIATION of ART EXHIBITIONS. on the 150TH ANNIVERSARY of the FOUNDATION
International scholarly conference THE PEREDVIZHNIKI ASSOCIATION OF ART EXHIBITIONS. ON THE 150TH ANNIVERSARY OF THE FOUNDATION ABSTRACTS 19th May, Wednesday, morning session Tatyana YUDENKOVA State Tretyakov Gallery; Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow Peredvizhniki: Between Creative Freedom and Commercial Benefit The fate of Russian art in the second half of the 19th century was inevitably associated with an outstanding artistic phenomenon that went down in the history of Russian culture under the name of Peredvizhniki movement. As the movement took shape and matured, the Peredvizhniki became undisputed leaders in the development of art. They quickly gained the public’s affection and took an important place in Russia’s cultural life. Russian art is deeply indebted to the Peredvizhniki for discovering new themes and subjects, developing critical genre painting, and for their achievements in psychological portrait painting. The Peredvizhniki changed people’s attitude to Russian national landscape, and made them take a fresh look at the course of Russian history. Their critical insight in contemporary events acquired a completely new quality. Touching on painful and challenging top-of-the agenda issues, they did not forget about eternal values, guessing the existential meaning behind everyday details, and seeing archetypal importance in current-day matters. Their best paintings made up the national art school and in many ways contributed to shaping the national identity. The Peredvizhniki -
Places in Moscow That Have to Be Visited
Places in Moscow which have to be visited Оглавление SHOPPING CENTERS 3 GUM 3 TSUM 3 AVIAPARK 4 EVROPEISKY 4 AFIMALL CITY 4 MOSCOW PARKS. 5 GORKY CENTRAL PARK OF CULTURE AND LEISURE 5 TSARITSYNO MUSEUM-RESERVE 5 SOKOLNIKI PARK 6 MUZEON PARK OF ARTS 6 MUSEUMS 7 THE STATE DARWIN MUSEUM 7 THE STATE HISTORICAL MUSEUM 9 THE BASEL’S CATHERDRAL 10 MUSEUM OF THE PATRIOTIC WAR OF 1812 11 MUSEUM OF THE GREAT PATRIOTIC WAR, MOSCOW 12 THE STATE TRETYAKOV GALLERY 12 THE TRETYAKOV GALLERY ON KRYMSKY VAL 13 PRIVATE PHOTOGRAPHING IN THE GALLERY 14 ENGINEERING BUILDING AT LAVRUSHINSKY LANE, 12 15 PUSHKINS STATE MESEUM OF FINE ARTS 16 THE MUSEUM OF COSMONAUTICS 17 TOUR GROUPS 17 TOLSTOY HOUSE MUSEUM MOSCOW 18 Shopping centers GUM (pronounced [ˈɡum], an abbreviation of Russian: Глáвный универсáльный магазин, tr. Glávnyj Universáĺnyj Magazín literally "main universal store") With the façade extending for 242 m. along the eastern side of Red Square, the Upper Trading Rows (GUM) were built between 1890 and 1893 by Alexander Pomerantsev (responsible for architecture) and Vladimir Shukhov (responsible for engineering). The trapezoidal building features a combination of elements of Russian medieval architecture and a steel framework and glass roof, a similar style to the great 19th-century railway stations of London. William Craft Brumfield described the GUM building as "a tribute both to Shukhov's design and to the technical proficiency of Russian architecture toward the end of the 19th century”. The glass-roofed design made the building unique at the time of construction. The roof, the diameter of which is 14 m., looks light, but it is a firm construction made of more than 50,000 metal pods (about 819 short tons (743 t), capable of supporting snowfall accumulation. -
Top Moscow Observation Decks Moscow Tours
Moscow Metro Map Sights and Tourist Attractions 23 Kadashevskaya 34 Andronikov Monastery 46 Maly Theatre 58 Central Moscow Sloboda Museum Complex Tel.: +7 (495) 911-45-02 Tel.: +7 (495) 624-40-46 Hippodrome Tel.: +7 (925) 131-19-06 10 Andronyevskaya Sq. 1 Teatralny Pass. Tel.: +7 (495) 945-42-03 MUSEUMS 12 Bakhrushin State 2 Kadashevsky Blind maly.ru 22 Begovaya St., bld. 1 1 Moscow Kremlin Central Theatre Museum 35 Krutitskoye Lane, bld. 5 cmh.ru Museums Tel.: +7 (495) 953-44-70 Patriarchal Metochion 47 Chekhov Moscow museumkadashi.com Tel.: +7 (495) 695-41-46 31/12 Bakhrushina St. Tel.: +7 (495) 676-30-93 Art Theatre GARDENS, PARKS, ZOO The Kremlin gctm.ru 24 Polytechnic Museum 13 Krytitskaya St. Tel.: +7 (495) 629-87-60 59 Zaryadye Park kreml.ru +7 (495) 730-54-38 krutitsy.ru 3 Kamergersky Lane Tel.: +7 (495) 531-05-00 13 Pushkin Memorial TOURIST CALL CENTER OF MOSCOW 9 Lubyansky Lane, bld. 1 6 Varvarka St. 2 State Historical Apartment on Arbat 36 Kazan Cathedral mxat.ru 8-800-302-31-12 AND 8-800-350-51-12 polymus.ru zaryadyepark.ru Museum Tel.: +7 (499) 241-92-95 on Red Square 48 Gorky Moscow +7 (495) 587-71-12 Tel.: +7 (495) 692-40-19 53 Arbat St. MODERN ART CENTERS Tel.: +7 (495) 698-27-26 Art Theatre 60 Alexandrov Gardens MOSCOW TOURIST PORTAL 1 Red Square pushkinmuseum.ru 25 Winzavod Centre 3 Nikolskaya St. On the northwest side Tel.: +7 (495) 697-87-73 DISCOVER.MOSCOW shm.ru of Contemporary Art kazanski-sobor.ru of the Kremlin walls 14 Bulgakov Museum 22 Tverskoy Boulevard 3 Tel.: +7 (495) 917-46-46 Tretyakov Gallery Tel.: +7 (495) 699-53-66 37 Vysokopetrovsky mxat-teatr.ru 61 Hermitage Garden MOSCOW GUEST PASS CARD: Tel.: +7 (495) 957-07-27 1/8 4th Syromyatnichesky RUSSIANCITYPASS.COM 10 Bolshaya Sadovaya St. -
Former President Kocharyan Arrested for Using Deadly Force in 2008 Russian, Armenian KOCHARYAN, from Page 1 Serious Concern About It
AUG 4, 2018 Mirror-SpeTHE ARMENIAN ctator Volume LXXXIX, NO. 3, Issue 4547 $ 2.00 NEWS The First English Language Armenian Weekly in the United States Since 1932 INBRIEF Armenian Companies Former President Kocharyan Arrested To Take Part in Japan Tourism Expo For Using Deadly Force in 2008 YEREVAN (Armenpress) — Seven Armenian tourism companies will participate in Tourism YEREVAN (RFE/RL and Armenpress) — politically motivated. of a disputed presidential election held in Expo Japan 2018, from September 20 to 23, in Lawyers for former President Robert One of them, Aram Orbelian, said that February 2008, two months before he com- Tokyo, the Small and Medium Entrepreneurship Kocharyan said on Monday, July 30, that they expect Armenia’s Court of Appeals to pleted his second and final term. The accusa- Development National Center (SME DNC) founda- they will appeal a Yerevan district court’s start considering their petition this week. tion stems from the use of deadly force on tion announced. decision to allow law-enforcement authori- Kocharyan was arrested late on Friday, July On July 27, SME DNC executive director Arshak ties to arrest the former Armenian presi- 27, one day after being charged with “over- Grigoryan, president of the Tourism Committee, dent on coup charges which he denies as throwing the constitutional order” in the wake Hripsime Grigoryan, and executive director of the Tourism Development Foundation of Armenia Ara Khzmalyan signed a memorandum of cooperation for properly preparing and successfully participat- ing in the expo. According to the document, the sides will exchange their experience, knowledge and infor- mation with each other. -
Diversity United Presents Established and Emerging Artists Exploring Pro-European Dialogues
81 artists from 35 countries presenting the diverse artistic face of Europe: Diversity United presents established and emerging artists exploring pro-European dialogues. The exhibition - with venues in Moscow, Berlin and Paris – considers subjects including freedom, dignity, respect, conflicts and dialogue, landscapes and power and political and personal identity. 11 November 2020 – 21 February 2021 Slavs and Tatars, Mystical Protest, 2011, luminous paint, Muharram fabric, fluorescent lights, colour sleeves, cotton, 240 × 620 × 15 cm. Installation view at Ujazdowski Castle Centre for Contemporary Art, Warsaw, 2016. Photo Bartosz Górka The Foundation for Art and Culture, Bonn and the Tretyakov Gallery, Moscow are delighted to announce the travelling group show Diversity United. Contemporary European Art. Moscow. Berlin. Paris. The first venue - the Tretyakov Gallery, Moscow (11 November 2020 – 21 February 2021) - is followed by venues in Berlin and Paris (2021), presenting a survey of work from across the continent. Diversity United is under the patronage of the State Presidents of Germany, Russia and France, Frank-Walter Steinmeier, Vladimir Putin and Emmanuel Macron. The exhibition showcases the strength and diversity of Europe’s cultural output and highlights the importance of a united Europe during times of political uncertainty. The exhibition looks at contemporary European art after the fall of the Iron Curtain, underlining the importance of intercultural dialogue today. It raises questions about freedom, dignity, democracy and respect whilst highlighting the continent’s artistic production in the context of historically relevant and current themes, such as political and personal identity, migration, (mental) landscape, gender and equality, nationality, territory and geopolitics and social conflicts. -
Moscow Travel Information5
Customer Success Team MOSCOW TRAVEL INFORMATION Hyve.group Customer Success Team For visa support, please see VISA SUPPORT the Travel & Accommodation page on the event website. AIRPORT TRANSFERS Moscow has Due to the traffic in Moscow, the fastest way to get from Sheremetyevo 4 international the airport to your hotel or exhibition venue is by public transport. Airport airports: Sheremetyevo, You can take the Aeroexpress The train from Domodedovo Domodedovo, train from the airport to one arrives at Paveletsky station, Vnukovo and of Moscow’s main railway from Sheremetyevo to Zhukovsky. stations and then take Belorussky station, and from the metro or a taxi. Vnukovo to Kievsky station. From Zhukovsky Airport you For trips within the city, can take an airport shuttle we recommend using bus. the metro. Zhukovsky International Airport Moscow If you prefer to use a taxi, we recommend using Gett Vnukovo or Yandex Taxi. The average price for a taxi journey Airport to and from the airports is around $23-38/£18-30. Moscow Domodedovo Airport ite-exhibHyve.groupitions.com Customer Success Team HOTELS AND RESTAURANTS NEAR CROCUS EXPO Hotels near Crocus Expo that we recommend: Hampton by Hilton Moscow Strogino SHOPS NEAR CROCUS EXPO AND FOOD DELIVERY Hyatt Regency Moscow Petrovsky Park Renaissance Monarch Moscow Centre Hotel Vegas City is a large shopping centre near Crocus Expo that features many of the restaurants listed above. Below are some restaurants near Crocus Expo: For food deliveries, we recommend Yandex food. Rose Bar Nobu Crocus City Traktir Pozharskogo Fusion ASIA THEATRES, MUSEUMS & POPULAR SITES CASA MIA Backstage Make the most of your time in Moscow by exploring the city, Zafferano sightseeing, or visiting museums and galleries. -
Dutch and Flemish Art in Russia
Dutch & Flemish art in Russia Dutch and Flemish art in Russia CODART & Foundation for Cultural Inventory (Stichting Cultuur Inventarisatie) Amsterdam Editors: LIA GORTER, Foundation for Cultural Inventory GARY SCHWARTZ, CODART BERNARD VERMET, Foundation for Cultural Inventory Editorial organization: MARIJCKE VAN DONGEN-MATHLENER, Foundation for Cultural Inventory WIETSKE DONKERSLOOT, CODART English-language editing: JENNIFER KILIAN KATHY KIST This publication proceeds from the CODART TWEE congress in Amsterdam, 14-16 March 1999, organized by CODART, the international council for curators of Dutch and Flemish art, in cooperation with the Foundation for Cultural Inventory (Stichting Cultuur Inventarisatie). The contents of this volume are available for quotation for appropriate purposes, with acknowledgment of author and source. © 2005 CODART & Foundation for Cultural Inventory Contents 7 Introduction EGBERT HAVERKAMP-BEGEMANN 10 Late 19th-century private collections in Moscow and their fate between 1918 and 1924 MARINA SENENKO 42 Prince Paul Viazemsky and his Gothic Hall XENIA EGOROVA 56 Dutch and Flemish old master drawings in the Hermitage: a brief history of the collection ALEXEI LARIONOV 82 The perception of Rembrandt and his work in Russia IRINA SOKOLOVA 112 Dutch and Flemish paintings in Russian provincial museums: history and highlights VADIM SADKOV 120 Russian collections of Dutch and Flemish art in art history in the west RUDI EKKART 128 Epilogue 129 Bibliography of Russian collection catalogues of Dutch and Flemish art MARIJCKE VAN DONGEN-MATHLENER & BERNARD VERMET Introduction EGBERT HAVERKAMP-BEGEMANN CODART brings together museum curators from different institutions with different experiences and different interests. The organisation aims to foster discussions and an exchange of information and ideas, so that professional colleagues have an opportunity to learn from each other, an opportunity they often lack. -
Soviet Museology During the Cultural Revolution: an Educational Turn, 1928-1933
Soviet Museology During the Cultural Revolution: An Educational Turn, 1928-1933 Masha Chlenova The author Masha Chlenova (PhD, Columbia University) is a New York based art historian and curator specializing in modern art with a focus on Russian modernism. Her writing has appeared in the journal October and in exhibition catalogs published by The Museum of Modern Art, Guggenheim Museum, Tate Modern, Royal Academy of Art and Art Institute of Chicago. She recently contributed a chapter to a monograph on the Polish abstract artist of the 1920s-30s Waclaw Szpakowski and curated the first extensive exhibition of his work in the United States. She currently works as freelance Curator at the Stedelijk Museum Amsterdam and teaches art history at New School University. Abstract The article examines a radical reform of Soviet art museums during the late 1920s and early 1930s both on their own distinct ideological terms, as institutions that would illustrate Marxist dialectical view of historical development, and in the context of a broader international drive to modernize art museums and turn them into primarily educational institutions accessible and attractive to the broader population. A case study of a radically innovative exhibition entitled Art on Soviet and Revolutionary Themes, organized by the young Marxist art historian and curator Aleksei Fedorov-Davydov at the State Tretyakov Gallery in Moscow in June 1930, reveals the degree to which the Soviet art historian’s innovative and polemical curatorial approach finds parallels with the educational strategies of one of the most iconic examples of modern displays in western museums, Cubism and Abstract Art, organized by Alfred Barr, Jr. -
Foreword from the Head of Moscow Metro 3 Events of the Year 4
Foreword from the head of Moscow Metro 3 Events of the year 4 Performance indicators 20 Metro staff 30 Development and technical upgrade 44 Safety and security 50 International activity 56 Future development 62 1 The year 2012 can certainly be described as a year of great accomplishments, including the opening of new stations, reconstruction of existing facilities and metro technical systems. This year we have introduced a new section “Novogireevo” – “Novokosino” on the Kalininskaya line”, that allows now quick, convenient and reliable mode of transport to be provided to almost 200,000 inhabitants of the district. Besides, the metro map shows the long-awaited station ”Alma-Atinskaya” on the Zamoskvoretskaya line and the station “Pyatnitskoye shosse” in the Arbatsko-Pokrovskaya Foreword from the head line. The future of Moscow transport system is unthinkable without development of the metro, which plays a key role in the city’s public transport of Moscow Metro system. The Moscow Metro management carries out all the changes planned and appointed by the Moscow Government by paying as much attention to the demand of Muscovites and guests of the capital as possible. By 2020, 67 new stations are planned to be constructed. At present, we prioritize the construction of the Exterior interchange circuit line with the phased commissioning of line sections, the extension of the Lyublinsko-Dmitrovskaya line from station “Maryina roshcha” to the northern areas of the city by 2015. Also the construction of the new Kozhukhovskaya line from the station “Aviamotornaya” to the station “Nekrasovka. By 2017, the Kalininsko-Solntsevskaya line will be formed and operated between the station “Novokosino” and the districts, Solntsevo and Novo-Peredelkino.