DOCSLIB.ORG

2019 Proceedings Las Vegas, Nevada

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2019 Proceedings Las Vegas, Nevada Las Vegas, Nevada 201 9 Proceedings Social Network Analysis for Contemporary Fashion show affected by Intermedia Seulah Lee, Hanyang University, South Korea HyunJu Shin, Korea Polytechnics, South Korea Hyun-Jung Lee, Hanyang University, South Korea YeJin In, Hanyang University, South Korea Younhee Lee, Hanyang University, South Korea Keywords: intermedia, fashion show, social-network, runway show Introduction: With the advent of diverse media people tend to seek new stimulations constantly. Extended the boundaries of the media emerged in various experimental attempts. Intermedia has characteristic that goes beyond mixed media, which the incorporates factor of one medium in another (Spielmann, 2001). It is also expanding to various fields. The intermedia is to be found in the contemporary fashion show, which is the ways for communicating the philosophy of fashion forward to people. Although a fashion show has steadily been studied as fashion design, fashion media has not yet sufficiently been studied. Therefore, the aim of this paper is to verify the contemporary fashion show based on intermedia through the relationship between articles using social network analysis. Background: The fashion show is one of the oldest traditional fashion media. Many designers and brands have transformed the fashion show (Duggan, 2001). The fashion show is a mixed media, which is intermingled with various media such as show, art, culture, and new media. In the past, the fashion show is a simple event where models wear a new style of dress for the public. However, contemporary fashion show has become a new hybrid of performance art. Intermedia is a term of art to describe new genres mixed with various genres of art in the 1960s (Breder, 1995; Higgins, 1966). The fashion industry is leading the live streaming and 3D runway regardless of time and place. In addition, along with the increasing importance of science, culture, art, and the increasing variety of media such as SNS (Social Network Service), the trend of intermedia in fashion shows has increased by sharing their interests and activities. Not only avant-garde designers such as Alexander McQueen, Viktor&Rolf, and Hussein Chalayan, but also traditional designers such as Chanel and Burberry, have begun to release fashion show of intermedia trend using various media as mean of expression for their own way (Lee & Lee, 2016). Methods: For this study, the contemporary fashion show affected by intermedia was comprehensively analyzed from designer to audience. We extracted words (n=253) on intermedia tendency in 159 articles based on 22 designers of New York, London, Paris and Milan collections after the 2000s. The relationships between keywords made an analysis of between centrality, and cluster variables applied Clauset-Newman-Moore by using KrKwic and NodeXL programs. Page 1 of 3 Published under a Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. ITAA Proceedings, #76 – https://itaaonline.org 2019 Proceedings Las Vegas, Nevada Results and Discussion: As a result, Paris collection was most affected by intermedia. To communicate the brand's philosophy to the public effectively, designers in Paris attempted many experimental fashion shows. Additionally, Channel collection (32 sections) in Paris was the highest intermedia show in the contemporary fashion show, followed by Rodart, Thome Browne, and Louis Vuitton. From the results of the analysis of the between centrality, the important factors in the contemporary fashion show are 'model' and 'stage', which is the highest involvement in in-degree centrality and centrality. The website as a mediator between the digital and fashion shows is a high centrality. However, the in-degree centrality is lower since it is rarely used in almost all of fashion show. In addition, the ten groups are classified as shown in Figure 1. The ten groups can be classified as model, art, story, stage, performance, website, music, object (set), life, and inspiration. Therefore, several characteristics emerged from data analysis, the results can classify them into four sections by 'model performance', 'symbolic stage management', ' new media utilization', and 'convergence in arts'. Conclusion: In this study, to explore the relationship between fashion and audience. Moreover, the phenomenon of various media performing a mediating role in fashion and shows, we conducted the analysis of the contemporary fashion show in intermedia trends using the social network analysis. We found out that the contemporary fashion show can broaden the method of expression and a variety of applications, which is able to communicate with the public and to establish a brand image in the Era of the Fourth Industrial Revolution. In additionally, there is considerable synergy effect between the characteristics and expression methods of intermedia and contemporary fashion shows. It would be useful to provide data of an experimental study for this research. Figure 1. Social network analysis for the Contemporary fashion show Page 2 of 3 Published under a Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. ITAA Proceedings, #76 – https://itaaonline.org 2019 Proceedings Las Vegas, Nevada Acknowledgments This work was supported in part by the convergence technology development program for bionic arm through the National Research Foundation of Korea(NRF) funded by the Ministry of Science & ICT (No. 2015M3C1B2052811). Reference Breder, H. (1995). Intermedia: Enacting the liminal. Performing Arts Journal, 17(2/3), 112-120. Duggan, G. G. (2001). The greatest show on earth: A look at contemporary fashion shows and their relationship to performance art. Fashion Theory, 5(3), 243-270. Higgins, D. (1966). Statement on intermedia. Dé-coll/age (décollage), 6. Lee, S. A., & Lee, Y. H. (2016). Relationship characteristics of intermedia and fashion show in the Chanel collection. The Research Journal of the Costume Culture, 24(3), 367-384. Spielmann, Y. (2001). Intermedia in electronic images. Leonardo, 34(1), 55-61. Page 3 of 3 © 2019 The author(s). Published under a Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. ITAA Proceedings, #76 – https://itaaonline.org .
Load more

Recommended publications
  • Charitably Chic Lynn Willis
    Philadelphia University Spring 2007 development of (PRODUCT) RED, a campaign significantly embraced by the fashion community. Companies working with Focus on . Alumni Focus on . Industry News (PRODUCT) RED donate a large percentage of their profits to the Global Fund to fight Lynn Willis Charitably Chic AIDS. For example, Emporio Armani’s line donates 40 percent of the gross profit By Sara Wetterlin and Chaisley Lussier By Kelsey Rose, Erin Satchell and Holly Ronan margin from its sales and the GAP donates Lynn Willis 50 percent. Additionally, American Express, Trends in fashion come and go, but graduated perhaps the first large company to join the fashions that promote important social from campaign, offers customers its RED card, causes are today’s “it” items. By working where one percent of a user’s purchases Philadelphia with charitable organizations, designers, University in goes toward funding AIDS research and companies and celebrities alike are jumping treatment. Motorola and Apple have also 1994 with on the bandwagon to help promote AIDS a Bachelor created red versions of their electronics and cancer awareness. that benefit the cause. The results from of Science In previous years, Ralph Lauren has the (PRODUCT) RED campaign have been in Fashion offered his time and millions of dollars to significant, with contributions totaling over Design. Willis breast cancer research and treatment, which $1.25 million in May 2006. is senior includes the establishment of health centers Despite the fashion industry’s focus on director for the disease. Now, Lauren has taken image, think about what you can do for of public his philanthropy further by lending his someone else when purchasing clothes relations Polo logo to the breast cancer cause with and other items.
    [Show full text]
  • Runway Shows and Fashion Films As a Means of Communicating the Design Concept
    RUNWAY SHOWS AND FASHION FILMS AS A MEANS OF COMMUNICATING THE DESIGN CONCEPT A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts By Xiaohan Lin July 2016 2 Thesis written by Xiaohan Lin B.S, Kent State University, 2014 M.A., Kent State University, 2016 Approved by ______________________________________________ Name, Thesis Supervisor ______________________________________________ Name, Thesis Supervisor or Committee Member ______________________________________________ Name, Committee Member ______________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ______________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ______________________________________________ Mr. J.R. Campbell, Director, The Fashion School ______________________________________________ Dr. Christine Havice, Director, The School of Art ______________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts 3 REPORT OF THESIS FINAL EXAMINATION DATE OF EXAM________________________ Student Number_________________________________ Name of Candidate_______________________________________ Local Address_______________________________________ Degree for which examination is given_______________________________________ Department or School (and area of concentration, if any)_________________________ Exact title of Thesis_______________________________________
    [Show full text]
  • Fashion Show Essentials Overview
    Fashion Show Essentials Overview. The 4-H Fashion Show allows members to exhibit their skills in wardrobe selection; clothing construction or comparison shopping; fashion interpretation and understanding of style; good grooming and poise; and modeling and presentation of themselves and their garments, at the county, district and state levels. The state 4-H Fashion Show is held during Texas 4-H Roundup. Fashion Show basics. 4-H Fashion Show at the county level is an optional activity open to all 4-H members who have completed a clothing project. Senior 4-H members who have won at the district Fashion Show competition can compete at the Fashion Show at State Roundup. Each district may send one contestant from each of the four categories (casual, dressy, formal and specialty) in the construction and buying divisions, and one contestant from each of the two divisions (cotton and wool/mohair) in Natural Fiber. There are four categories within each division (construction and buying) of the Fashion Show. 4-H members must select a category to compete in at the county level and compete in that same category throughout the levels of competi- tion. The categories are: casual, dressy, formal and specialty. • Construction: A 4-H member applies knowledge and skills in garment construction to make a garment to exhibit in the Fashion Show. Garments may be constructed by sewing, knitting or crocheting using new or recycled materials. • Buying: A 4-H member applies knowledge and skills in comparison shopping to select a garment to exhibit in the Fashion Show. Three different comparison shopping sources must be used and documented.
    [Show full text]
  • Versace's Native American
    VERSACE’S NATIVE AMERICAN A COLONIZED FEMALE BODY IN THE NAME OF AESTHETIC AND DYNASTIC GLORY 1 In this contemporary moment fashion designers have the means to collaborate with Native American fashion designers. However, there is still a flourishing fashion market that refuses to recognize Native American tribes as owners of intellectual property.1 While some brands may initially start on the right track via collaboration with Native artists, it may not always end in success.2 Most recently, Versace has included Native American designs in their ready-to-wear fashion for the 2018 Spring-Summer season. This component of the collection belongs to a tribute honoring Gianni Versace and his original FW ’92 Native American print (Figures 1 and 2).3 I will be discussing the implications of the revived Native American print and how it affects Native North American men and women. In this essay, I will look at Versace’s legacy and his original print; the new Native American Tribute Collection by Donatella Versace; and Donna Karan’s collaboration with Pueblo artist, Virgil Ortiz. I argue that respectful recognition of Native North American property is thrown aside for aesthetic and dynastic glory, which in turn, allows non-Native designers to colonize the ‘exotic’ Native woman’s body by denying Native North American men and women the opportunity to represent themselves to the global fashion community. Virgil Ortiz’s collaboration with Donna Karan illustrates how respectful collaboration can shape the dominant society’s perception of Native North American women. If we use Native North American fashion as a framework to understand how Native designers are working to dismantle mainstream stereotypes, it is imperative that global designers 1 “Navajo Nation Sues Urban Outfitters,” Business Law Daily, March 18, 2012.
    [Show full text]
  • Innovating a 90'S Streetwear Brand for Today's Fashion Industry
    FOR US BY US: INNOVATING A 90'S STREETWEAR BRAND FOR TODAY'S FASHION INDUSTRY A Thesis submitted to the FAculty of the Graduate School of Arts and Sciences of Georgetown University in partiAl fulfillment of the requirements for the degree of MAsters of Arts in CommunicAtion, Culture And Technology By Dominique HAywood, B.S WAshington, DC May 26, 2020 Copyright 2020 by Dominique HAywood All Rights Reserved ii FOR US BY US: INNOVATING A 90'S STREETWEAR BRAND FOR TODAY'S FASHION INDUSTRY Dominique HAywood, BS Thesis Advisor: J.R. Osborn, Ph.D ABSTRACT This thesis is a cAse study of how a vintAge fashion brand cAn be innovated through humAn centered design for the current fashion industry. IDEO, global design and innovation company, has clAssified humAn centered design as A method for identifying viAble, feAsible and desirable solutions with the integration of multidisciplinary insights (IDEO). For this thesis, the brand of focus is FUBU, for us by us, a 90’s era streetweAr brand that is a product of New York City hip-hop culture. A succinct proposAl for FUBU’s resurgence in the fashion industry will be designed by first identifying the viAbility of the fashion industry and feAsibility of the brand’s revival. ViAbility will be determined by detAiling the current stAte of the fashion and streetweAr industries. This is to estAblish the opportunities and threAts of new and returning entrants into the industry. FeAsibility will be declAred by reseArching the history and current stAte of the brand, its cultural relevancy, and its strengths and weAknesses.
    [Show full text]
  • Fashion Week El Paseo™ 2019 Fact Sheet
    El Paseo Jewelers Fashion Week El Paseo celebrates its 14th year March 16–23, 2019 in the heart of Palm Desert, California, at e Gardens on El Paseo. Fashion Week El Paseo showcases the newest collections by top designers as well as fresh ideas by emerging designers. Produced by Palm Springs Life, it has become the largest fashion event in the West. ROGER MORALES FASHION WEEK EL PASEO RECAP 2018 ATTENDANCE: 13,200 (1,650 per day) GEOGRAPHIC COMPOSITION OF ATTENDEES: Coachella Valley – 46%; Out-of-Market – 54% ECONOMIC IMPACT: $4,950,000 EL PASEO IN-STORE EVENTS PARTICIPANTS: 169 separate in-store events / 25 stores participating SPONSORS & PARTNERS: 42 CHARITIES: 7 receiving over $71,038 VOLUNTEERS: 200 fashionweekelpaseo.com #FWEP #FashionWeekElPaseo GARY BINDMAN ROGER MORALES YASIN CHAUDHRY YASIN 2019 schedule of events SATURDAY, MARCH 16 THURSDAY, MARCH 21 CALIFORNIA UNZIPPED TRUNK SHOW FEATURING CRISTINA OTTAVIANO PRESENTED BY STACY BARTLETT RENSHAW 11 a.m.–3 p.m. 6:30 p.m. Cocktail Reception // 8 p.m. Fashion Show FIDM/FASHION INSTITUTE OF DESIGN AND SUNDAY, MARCH 17 MERCHANDISING’S DEBUT PRESENTATION TRUNK SHOW WITH CALIFORNIA UNZIPPED DESIGNERS 6:30 p.m. Cocktail Reception // 8 p.m. Fashion Show 10:30 a.m.–2 p.m. FRIDAY, MARCH 22 LE CHIEN THE BEST OF SAKS FIFTH AVENUE! PRESENTED BY ANIMAL SAMARITANS 6:30 p.m. Cocktail Reception // 8 p.m. Fashion Show 5 p.m. Cocktail Reception & Silent Auction 6 p.m. Fashion Show & Live Auction SATURDAY, MARCH 23 MONDAY, MARCH 18 THE BEST OF SAKS FIFTH AVENUE PORSCHE AND THE EL PASEO EXPERIENCE TRUNK SHOW COLLECTIONS 6:30 p.m.
    [Show full text]
  • Enclothed Knowledge: the Fashion Show As a Method of Dissemination in Arts-Informed Research
    Volume 18, No. 3, Art. 2 September 2017 Enclothed Knowledge: The Fashion Show as a Method of Dissemination in Arts-Informed Research Ben Barry Key words: arts- Abstract: In this article, I investigate the processes, benefits and dilemmas of producing a fashion based research; show as a method of dissemination in arts-informed qualitative research. I examine a project that arts-informed used a fashion show to analyze and represent interview findings about men's understandings and research; clothing; performances of masculinities. Fashion shows facilitate the dissemination of new qualitative data— embodiment; what I coin "enclothed knowledge"—which is embodied and inaccessible through static or verbal fashion show; descriptions. Fashion shows also enable participants to shape knowledge circulation and allow gender; researchers to engage diverse audiences. Despite these benefits, researchers have to be mindful masculinity; of ethical dilemmas that occur from the absence of anonymity inherent in public performances and participatory; therefore I suggest strategies to mitigate these threats to research ethics. Ultimately, I argue that performance fashion shows advance social justice because the platform can transform narrow, stereotypical understandings of marginalized identities. Table of Contents 1. Introduction 2. Fashioning Arts-Informed Research 3. Form and Fashion 4. The Project 5. Fashion Show Production Process 6. Translation of Research 7. Representation of Participants 8. Engagement of Communities 9. Conclusion Acknowledgments References Author Citation 1. Introduction In this article, I investigate the fashion show as a method of dissemination in arts- informed qualitative research. I explore a research project—Refashioning Masculinity—that used a fashion show to analyze and represent interview findings about men's understandings and performances of masculinities.
    [Show full text]
  • For an International Brand – Plus Add
    Folio 线 STYLE Edited by Marianna Cerini / [email protected] RADAR LIFE & STYLE COVET UNDER THE LENS MADE IN CHINA Cray Cray for Prints Cavalli’s New China Girl Lalu does homemade skincare products that are chemical-free, 100 percent natural and so Patterned clothes and playful New China Girl is the name of Roberto Cavalli’s latest divine-smelling you might be tempted to motifs are all the rage these collection, unveiled at Milan Fashion Week last month. eat them instead of smother them on your days – so much so that, often, The Italian designer looked east for his Autumn/Winter body (papaya-mango body cream anyone?). anything lower down the food 2015 line, presenting a sartorial vision influenced The range spans scrubs, creams and body chain than a leopard spot looks by the modern spirit of China, such as Ming-vase- butters, all made with luxurious ingredients meek. Whimsical, bold and inspired floral prints on dresses and skirts, rather like avocado, jojoba, coconut oil and sweet China-inspired (its name is than the hackneyed cliches. Other traditional Chinese almond oils. ‘Acupuncture’) this men’s shirt elements shone throughout the lineup: coats, trousers The entrepreneur is also happy to by Shanghai brand Batabasta and dresses featured gold pagoda buttons while long customize her recipes according to clients’ is right on trend. Embrace it overcoats sported cloisonné-enamel-inspired linings. needs and skin types, and is currently boys – you’re going to look rad. Maggie Cheung’s turn in Wong Kar-wai’s In the Mood working on a spring selection influenced by RMB800.
    [Show full text]
  • Fashiontv Model Awards
    FashionTV Model Awards To watch promo click here Click here to watch the promo FashionTV Model Awards FashionTV is offering the chance for models all over the world to take part in the FashionTV Model Awards Models will be voted for via QR code scanning and online on fashiontv.com and Facebook page ‘Scan me Votes’ – models with the most scanned votes will win additional prices Voters can get in touch with models through the application FashionTV Model Awards Concept . Period of contest: 1 year (12 months) . Each month 32 models participate, 12 most voted of the month participate in seasonal voting . 48 models (12 most voted from each season) will participate in the final of Miss FashionTV, which will be held in May during Cannes Film Festival . The girl who gets the most votes wins title either Miss FashionTV of the month, season or year miss fashiontv of the miss fashiontv final month number of participants models participating in season season participants June 32 12 most voted of the month 12 models who got most July 32 12 most voted of the month summer season votes during seasonal voting August 32 12 most voted of the month September 32 12 most voted of the month 12 models who got most October 32 12 most voted of the month autumn season votes during seasonal voting November 32 12 most voted of the month December 32 12 most voted of the month 12 models who got most January 32 12 most voted of the month winter season votes during seasonal voting February 32 12 most voted of the month March 32 12 most voted of the month 12 models who
    [Show full text]
  • The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community
    Georgia State University ScholarWorks @ Georgia State University Anthropology Theses Department of Anthropology 12-17-2014 The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community Chancy J. Gatlin [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/anthro_theses Recommended Citation Gatlin, Chancy J., "The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/anthro_theses/87 This Thesis is brought to you for free and open access by the Department of Anthropology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Anthropology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE FASHION OF FRILL: THE ART OF IMPRESSION MANAGEMENT IN THE ATLANTA LOLITA AND JAPANESE STREET FASHION COMMUNITY by CHANCY J. GATLIN Under the Direction of Emanuela Guano, PhD ABSTRACT The Atlanta Lolita and Japanese Street Fashion Community is a multifaceted fashion community that developed in the early 2000s. The majority of the members wear Lolita fashion which is a fusion of Victorian era dress, Rococo costume, and various Japanese street fashions. Lolita fashion developed on the streets of Tokyo Japan in the 1990s and has since spread across the world. The Atlanta Lolita and Japanese Street Fashion Community heavily relies on the building and maintenance of impressions by its members. In this thesis, I analyze face-to-face and virtual community organization, fashion, and photography to illustrate how members of the community build their impressions, how they are maintained, or how they are threatened.
    [Show full text]
  • HDFASHION&Lifestyle
    HDFASHION&LifeStyle WHAT? HDFASHION&LifeStyle is a unique niche TV channel broadcasting 24/7 about the world of fashion and lifestyle in high quality. It has taken its rightful place in the Top Five international TV channels highlighting fashion in all of its aspects. One of its features is a special content aer midnight called NIGHT FANTASY and created for those appreciating women’s beauty and erotica. HDFASHION&LIFESTYLE || hdfashion.net HDFASHION&LIFESTYLE || hdfashion.net HDFASHION&LIFESTYLE || hdfashion.net HDFASHION&LifeStyle WHERE? HDFASHION&LifeStyle broadcasts from the Amos 3 satellite. It is aired on the networks of the leading cable operators, IPTV and OTT providers, and also in the HoReCa seg- ment. WHEN? HDFASHION&LifeStyle is available 24 hours a day 7 days a week. HOW? HDFASHION&LifeStyle broadcasts in English, French, Italian and Russian. e channel has the picture ratio of 16/9, its format of video signal from the satellite is SD, and its format of video signal at trac exchange points is HD. HDFASHION&LifeStyle WHAT? HDFASHION&LifeStyle is a unique niche TV channel broadcasting 24/7 about the world of fashion and lifestyle in high quality. It has taken its rightful place in the Top Five international TV channels highlighting fashion in all of its aspects. One of its features is a special content aer midnight called NIGHT FANTASY and created for those appreciating women’s beauty and erotica. HDFASHION&LIFESTYLE || hdfashion.net HDFASHION&LIFESTYLE || hdfashion.net HDFASHION&LIFESTYLE || hdfashion.net HDFASHION&LIFESTYLE || hdfashion.net HDFASHION&LifeStyle WHY? HDFASHION&LifeStyle is of high quality, the channel has a dynamic and razor sharp picture, interesting and unconventional Ukrainian and international content, and also the in-house produced NIGHT FANTASY erotic section.
    [Show full text]
  • 2013-2014 Clothing and Textiles - Fashion Show Categories
    2013-2014 Clothing and Textiles - Fashion Show Categories *** This information is for senior aged 4-H members at this time. The decision for junior and intermediate categories has not yet been determined.*** CONSTRUCTION 1. Garments may be constructed by sewing, knitting, or crocheting. Accessories may be purchased. 2. All garments worn (garments that are visible – i.e., blouse under jacket or vest) during the interview process must be constructed. Close-fitting legwear, tights, and pantyhose do not need to be constructed. 3. In Construction, first place winners may enter the same category in which they have previously been awarded a first place entry at State. Category Descriptions Everyday Living - Includes casual sportswear, weekend-wear, sleepwear, clothing for school, casual after-school events, or hanging out with friends ReFashion - The result of modifying existing clothing or fabric item (such as table cloth or curtain) into something more fashionable. The main purpose of ReFashion is creativity, as well as sewing skills. The member designs and sews a wearable garment from previously used garments or fabric item. The completed garment is different from its original use, not just an alteration. (Examples: neck ties sewn together to form a skirt or taking old t-shirts and making them into a skirt) Semi-Formal to Formal - Entry must be designed for semi-formal to formal occasions and made from fabrics intended for the same. Original material must be fabric and not from recycled items. Theatre/Costume - Garment intended for use as a costume, which would include stage production. May be sewn from fabric or from another garment.
    [Show full text]