DOCSLIB.ORG

For an International Brand – Plus Add

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
For an International Brand – Plus Add Folio 线 STYLE Edited by Marianna Cerini / [email protected] RADAR LIFE & STYLE COVET UNDER THE LENS MADE IN CHINA Cray Cray for Prints Cavalli’s New China Girl Lalu does homemade skincare products that are chemical-free, 100 percent natural and so Patterned clothes and playful New China Girl is the name of Roberto Cavalli’s latest divine-smelling you might be tempted to motifs are all the rage these collection, unveiled at Milan Fashion Week last month. eat them instead of smother them on your days – so much so that, often, The Italian designer looked east for his Autumn/Winter body (papaya-mango body cream anyone?). anything lower down the food 2015 line, presenting a sartorial vision influenced The range spans scrubs, creams and body chain than a leopard spot looks by the modern spirit of China, such as Ming-vase- butters, all made with luxurious ingredients meek. Whimsical, bold and inspired floral prints on dresses and skirts, rather like avocado, jojoba, coconut oil and sweet China-inspired (its name is than the hackneyed cliches. Other traditional Chinese almond oils. ‘Acupuncture’) this men’s shirt elements shone throughout the lineup: coats, trousers The entrepreneur is also happy to by Shanghai brand Batabasta and dresses featured gold pagoda buttons while long customize her recipes according to clients’ is right on trend. Embrace it overcoats sported cloisonné-enamel-inspired linings. needs and skin types, and is currently boys – you’re going to look rad. Maggie Cheung’s turn in Wong Kar-wai’s In the Mood working on a spring selection influenced by RMB800. for Love made an appearance too, inspiring a modern cocktails – think Piña Colada and Margarita- > batabasta.com, contact them directly windowpane check incorporated on quite a few inspired scrubs. A joy to use, each Lalu treat to order garments. Sitting in the front row was Crouching Tiger, is also incredibly affordable: scrubs go for Hidden Dragon actress Michelle Yeoh. That’s what we call RMB88-98 a jar, while body lotions are a collection with purpose – a very, very obvious one. RMB120/160 each. A wholesome deal all round. For many, the thought of going organic pioneers campaigning for products that are > Delivery charges in Beijing range from RMB12-16. To feels like a confusing and expensive authentically ‘green.’ Enter beauty brand SPOTLIGHT place an order, check Lalu's Facebook page, contact to use light colors business, whether it’s food, clothing or Lalu. Founded in Shanghai by Senegalese her at [email protected], or add her on Wechat Mario Duyuchen, to naughty things lifestyle products. But don’t lose faith. Adja Lalu (Lalu being a nickname referring (AdjaLalu) up. Among chemical charlatans and pricey to the young proprietress’ dreamy, wild Fashion Designer brands there are still those trusted and funky approach to life), the venture If you could dress a style icon, who would that be? OVERHEARD Can I say myself? Do you have any advice for “FOR AN INTERNATIONAL the local fashion Rainy Pop scene? Design collection Seletti Wears Less is more. BRAND – PLUS Toiletpaper ranges from quirky > www.marioduyuchen. to raunchy to surreal – it’s just What’s your background? For your debut fashion show, com overall badass. An example? This I spent my childhood in Jeju you had ‘real people’ rather ADD GOLD INTO ultra-pop ‘lipstick’ umbrella. Island, South Korea and moved than models walk the runway. Boasting bold advertising to many different places Why is that? graphics from the 60s, it’s sure growing up. I studied art and I wanted to show that my THE EQUATION – to make you stand out in the design at the Accademia di clothes can be worn by anyone rain and have you wishing for a Belle Arti in Rome and, after – you don’t have to be super downpour. RMB380. graduating, joined the World tall and skinny to sport a piece AND I THINK THAT > www.10corsocomo.cn Luxury Association as a PR. I by Mario Duyuchen. I like to left that job for more fashion- think that my brand belongs to oriented roles – as fashion ordinary people – yet when you COMBINATION IS GOING director for a bespoke Dutch wear one of my creations, you men’s suits company and as are no longer ordinary. fashion host for the Trend TO APPEAL IN CHINA” Your aesthetic in three words. Group. I decided to go solo last Simple, elegant, classic. year, and launched my first ...said Chris Jones [somewhat clunkily, we and follows the popularity of the gold iPhone. collection here in Beijing last How would you describe your should add], an analyst for research firm According to projections from the tech giant, December. style? Canalys, on Apple’s decision to release the the PRC alone should push its global sales to I am quite old-fashioned when Apple Watch in an 18-karat gold edition. 15 million units this year. Looks like President What brought you to Beijing? it comes to style. I like black Priced at about RMB126,800, the timepiece, Xi’s crackdown on conspicuous consumption The desire to study modern and white, solid hues and which goes on sales this month, is expected is not worrying the Californian corporation Chinese literature. silhouettes. Occasionally, I like to tap right into China’s appetite for luxury, one bit. 16 | A PRIL 2015 | WWW.THATSMAGS.COM WWW.THATSMAGS.COM | APRIL 2015 | 17.
Load more

Recommended publications
  • Charitably Chic Lynn Willis
    Philadelphia University Spring 2007 development of (PRODUCT) RED, a campaign significantly embraced by the fashion community. Companies working with Focus on . Alumni Focus on . Industry News (PRODUCT) RED donate a large percentage of their profits to the Global Fund to fight Lynn Willis Charitably Chic AIDS. For example, Emporio Armani’s line donates 40 percent of the gross profit By Sara Wetterlin and Chaisley Lussier By Kelsey Rose, Erin Satchell and Holly Ronan margin from its sales and the GAP donates Lynn Willis 50 percent. Additionally, American Express, Trends in fashion come and go, but graduated perhaps the first large company to join the fashions that promote important social from campaign, offers customers its RED card, causes are today’s “it” items. By working where one percent of a user’s purchases Philadelphia with charitable organizations, designers, University in goes toward funding AIDS research and companies and celebrities alike are jumping treatment. Motorola and Apple have also 1994 with on the bandwagon to help promote AIDS a Bachelor created red versions of their electronics and cancer awareness. that benefit the cause. The results from of Science In previous years, Ralph Lauren has the (PRODUCT) RED campaign have been in Fashion offered his time and millions of dollars to significant, with contributions totaling over Design. Willis breast cancer research and treatment, which $1.25 million in May 2006. is senior includes the establishment of health centers Despite the fashion industry’s focus on director for the disease. Now, Lauren has taken image, think about what you can do for of public his philanthropy further by lending his someone else when purchasing clothes relations Polo logo to the breast cancer cause with and other items.
    [Show full text]
  • Runway Shows and Fashion Films As a Means of Communicating the Design Concept
    RUNWAY SHOWS AND FASHION FILMS AS A MEANS OF COMMUNICATING THE DESIGN CONCEPT A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts By Xiaohan Lin July 2016 2 Thesis written by Xiaohan Lin B.S, Kent State University, 2014 M.A., Kent State University, 2016 Approved by ______________________________________________ Name, Thesis Supervisor ______________________________________________ Name, Thesis Supervisor or Committee Member ______________________________________________ Name, Committee Member ______________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ______________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ______________________________________________ Mr. J.R. Campbell, Director, The Fashion School ______________________________________________ Dr. Christine Havice, Director, The School of Art ______________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts 3 REPORT OF THESIS FINAL EXAMINATION DATE OF EXAM________________________ Student Number_________________________________ Name of Candidate_______________________________________ Local Address_______________________________________ Degree for which examination is given_______________________________________ Department or School (and area of concentration, if any)_________________________ Exact title of Thesis_______________________________________
    [Show full text]
  • Fashion Show Essentials Overview
    Fashion Show Essentials Overview. The 4-H Fashion Show allows members to exhibit their skills in wardrobe selection; clothing construction or comparison shopping; fashion interpretation and understanding of style; good grooming and poise; and modeling and presentation of themselves and their garments, at the county, district and state levels. The state 4-H Fashion Show is held during Texas 4-H Roundup. Fashion Show basics. 4-H Fashion Show at the county level is an optional activity open to all 4-H members who have completed a clothing project. Senior 4-H members who have won at the district Fashion Show competition can compete at the Fashion Show at State Roundup. Each district may send one contestant from each of the four categories (casual, dressy, formal and specialty) in the construction and buying divisions, and one contestant from each of the two divisions (cotton and wool/mohair) in Natural Fiber. There are four categories within each division (construction and buying) of the Fashion Show. 4-H members must select a category to compete in at the county level and compete in that same category throughout the levels of competi- tion. The categories are: casual, dressy, formal and specialty. • Construction: A 4-H member applies knowledge and skills in garment construction to make a garment to exhibit in the Fashion Show. Garments may be constructed by sewing, knitting or crocheting using new or recycled materials. • Buying: A 4-H member applies knowledge and skills in comparison shopping to select a garment to exhibit in the Fashion Show. Three different comparison shopping sources must be used and documented.
    [Show full text]
  • Curriculum Vitae Al 31 Dicembre 2020 1
    marco eugenio di giandomenico curriculum vitae al 31 dicembre 2020 1 marco eugenio di giandomenico 00077-777joy.inv./medg/records/2020 2 INDEX I. Professional Records II. Professional Records: some current professional positions III. Professional Records: some previous professional and scientific positions IV. Expertise Plan di MEDG V. Elencazione Non Esaustiva delle Pubblicazioni VI. Convegni, Seminari ed Eventi in Qualità di Relatore e/o Chairman VII. Principali Apparizioni e Interventi Televisivi e Cinematografici VIII. Iniziative di Project Management IX. Sitografia Rilevante X. Interviste e Riconoscimenti a Marco Eugenio Di Giandomenico I PROFESSIONAL RECORDS Marco Eugenio Di Giandomenico (born in Italy November 15, 1965, and living in Milan) 3 (Education: High School Diploma at Liceo Classico in Italy, Bachelor’s Degree in Economics and Business in Italy, Master Infor-IPSOA in Milan-Italy, in-depth studies in philosophy, theology and history of art) Scrittore, Critico ed Economista della Sostenibilità dell’Arte e della Cultura, Opinionista Televisivo, Esperto di Media & Entertainment, di CSR e del Terzo Settore, Personaggio Pubblico, Lifestyle Influencer *********** Dottore Commercialista e Revisore Ufficiale dei Conti Curatore Fallimentare, Consulente Tecnico per il Tribunale (Sezione Civile e Penale) VICE PRESIDENTE DEL CENTRO INTERACCADEMICO PER LE SCIENZE ATTUARIALI E LA GESTIONE DEI RISCHI (CISA) DI FIRENZE Docente di Logica e Organizzazione di Impresa nel corso di Laurea Magistrale in Product Design presso l’Accademia di Belle
    [Show full text]
  • Versace's Native American
    VERSACE’S NATIVE AMERICAN A COLONIZED FEMALE BODY IN THE NAME OF AESTHETIC AND DYNASTIC GLORY 1 In this contemporary moment fashion designers have the means to collaborate with Native American fashion designers. However, there is still a flourishing fashion market that refuses to recognize Native American tribes as owners of intellectual property.1 While some brands may initially start on the right track via collaboration with Native artists, it may not always end in success.2 Most recently, Versace has included Native American designs in their ready-to-wear fashion for the 2018 Spring-Summer season. This component of the collection belongs to a tribute honoring Gianni Versace and his original FW ’92 Native American print (Figures 1 and 2).3 I will be discussing the implications of the revived Native American print and how it affects Native North American men and women. In this essay, I will look at Versace’s legacy and his original print; the new Native American Tribute Collection by Donatella Versace; and Donna Karan’s collaboration with Pueblo artist, Virgil Ortiz. I argue that respectful recognition of Native North American property is thrown aside for aesthetic and dynastic glory, which in turn, allows non-Native designers to colonize the ‘exotic’ Native woman’s body by denying Native North American men and women the opportunity to represent themselves to the global fashion community. Virgil Ortiz’s collaboration with Donna Karan illustrates how respectful collaboration can shape the dominant society’s perception of Native North American women. If we use Native North American fashion as a framework to understand how Native designers are working to dismantle mainstream stereotypes, it is imperative that global designers 1 “Navajo Nation Sues Urban Outfitters,” Business Law Daily, March 18, 2012.
    [Show full text]
  • Innovating a 90'S Streetwear Brand for Today's Fashion Industry
    FOR US BY US: INNOVATING A 90'S STREETWEAR BRAND FOR TODAY'S FASHION INDUSTRY A Thesis submitted to the FAculty of the Graduate School of Arts and Sciences of Georgetown University in partiAl fulfillment of the requirements for the degree of MAsters of Arts in CommunicAtion, Culture And Technology By Dominique HAywood, B.S WAshington, DC May 26, 2020 Copyright 2020 by Dominique HAywood All Rights Reserved ii FOR US BY US: INNOVATING A 90'S STREETWEAR BRAND FOR TODAY'S FASHION INDUSTRY Dominique HAywood, BS Thesis Advisor: J.R. Osborn, Ph.D ABSTRACT This thesis is a cAse study of how a vintAge fashion brand cAn be innovated through humAn centered design for the current fashion industry. IDEO, global design and innovation company, has clAssified humAn centered design as A method for identifying viAble, feAsible and desirable solutions with the integration of multidisciplinary insights (IDEO). For this thesis, the brand of focus is FUBU, for us by us, a 90’s era streetweAr brand that is a product of New York City hip-hop culture. A succinct proposAl for FUBU’s resurgence in the fashion industry will be designed by first identifying the viAbility of the fashion industry and feAsibility of the brand’s revival. ViAbility will be determined by detAiling the current stAte of the fashion and streetweAr industries. This is to estAblish the opportunities and threAts of new and returning entrants into the industry. FeAsibility will be declAred by reseArching the history and current stAte of the brand, its cultural relevancy, and its strengths and weAknesses.
    [Show full text]
  • MILAN FASHION WEEK 17-21 Giugno 2016 / 17Th-21St June 2016
    MILAN FASHION WEEK SFILATE/FASHION SHOWS 17-21 giugno 2016 / 17th-21st June 2016 CALENDARIO DEFINITIVO - Milano, 1 giugno 2016 - ultimo agg. 8 giugno 2016 VENERDÌ 17 GIUGNO SABATO 18 GIUGNO DOMENICA 19 GIUGNO LUNEDÌ 20 GIUGNO MARTEDÌ 21 GIUGNO 09,30 CHRISTIAN PELLIZZARI 09,30 CNMI BREAKFAST FOR MEN'S 09,30 DIESEL BLACK GOLD VIA BERGOGNONE, 34 HUB VIA VALTELLINA, 7 10,00 GIORGIO ARMANI 10,30 MIAORAN VIA BERGOGNONE, 34 10,30 EMPORIO ARMANI VIA BERGOGNONE, 59 VIA BERGOGNONE, 59 10,30 BOGLIOLI VIA BERGOGNONE, 59 11,30 CANALI VIA PASSIONE, 12 11,30 MOTO GUO Supported by CNMI* PIAZZA LINA BO BARDI, 1 11,30 RICHMOND VIA BERGOGNONE, 34 12,30 JIL SANDER VIA SAN PRIMO, 2/A 12,30 GUCCI 12,00 VIA BELTRAMI, 5 12,30 SALVATORE FERRAGAMO VIA VALTELLINA, 7 PIAZZA AFFARI, 6 14,00 ETRO 14,00 SUNNEI Supported by CNMI* VIA PIRANESI, 14 CRAFTING THE FUTURE OF VIA ENRICO TOTI, 2 15,00 MSGM 15,00 MARNI FASHION - SUMMIT CNMI VIALE UMBRIA, 42 15,00 VIVIENNE WESTWOOD VIA PIRANESI, 10 PIAZZA GAE AULENTI, 10 16,00 VERSACE PIAZZA VI FEBBRAIO 16,00 JUN LI Supported by CNMI* PIAZZALE CARLO MAGNO - GATE 17 16,00 MISSONI VIA BERGOGNONE, 34 17,00 LES HOMMES VIA FESTA DEL PERDONO, 7 17,00 STRATEAS CARLUCCI Supported by CORSO VENEZIA, 16 17,00 DAKS CNMI* 18,00 NEIL BARRETT VIA SAN GREGORIO, 29 VIA BERGOGNONE, 34 18,30 VIA SENATO, 10 18,00 PRADA 18,00 FENDI 19,00 PORTS 1961 19,00 PAL ZILERI VIA A.
    [Show full text]
  • Fashion Week El Paseo™ 2019 Fact Sheet
    El Paseo Jewelers Fashion Week El Paseo celebrates its 14th year March 16–23, 2019 in the heart of Palm Desert, California, at e Gardens on El Paseo. Fashion Week El Paseo showcases the newest collections by top designers as well as fresh ideas by emerging designers. Produced by Palm Springs Life, it has become the largest fashion event in the West. ROGER MORALES FASHION WEEK EL PASEO RECAP 2018 ATTENDANCE: 13,200 (1,650 per day) GEOGRAPHIC COMPOSITION OF ATTENDEES: Coachella Valley – 46%; Out-of-Market – 54% ECONOMIC IMPACT: $4,950,000 EL PASEO IN-STORE EVENTS PARTICIPANTS: 169 separate in-store events / 25 stores participating SPONSORS & PARTNERS: 42 CHARITIES: 7 receiving over $71,038 VOLUNTEERS: 200 fashionweekelpaseo.com #FWEP #FashionWeekElPaseo GARY BINDMAN ROGER MORALES YASIN CHAUDHRY YASIN 2019 schedule of events SATURDAY, MARCH 16 THURSDAY, MARCH 21 CALIFORNIA UNZIPPED TRUNK SHOW FEATURING CRISTINA OTTAVIANO PRESENTED BY STACY BARTLETT RENSHAW 11 a.m.–3 p.m. 6:30 p.m. Cocktail Reception // 8 p.m. Fashion Show FIDM/FASHION INSTITUTE OF DESIGN AND SUNDAY, MARCH 17 MERCHANDISING’S DEBUT PRESENTATION TRUNK SHOW WITH CALIFORNIA UNZIPPED DESIGNERS 6:30 p.m. Cocktail Reception // 8 p.m. Fashion Show 10:30 a.m.–2 p.m. FRIDAY, MARCH 22 LE CHIEN THE BEST OF SAKS FIFTH AVENUE! PRESENTED BY ANIMAL SAMARITANS 6:30 p.m. Cocktail Reception // 8 p.m. Fashion Show 5 p.m. Cocktail Reception & Silent Auction 6 p.m. Fashion Show & Live Auction SATURDAY, MARCH 23 MONDAY, MARCH 18 THE BEST OF SAKS FIFTH AVENUE PORSCHE AND THE EL PASEO EXPERIENCE TRUNK SHOW COLLECTIONS 6:30 p.m.
    [Show full text]
  • Enclothed Knowledge: the Fashion Show As a Method of Dissemination in Arts-Informed Research
    Volume 18, No. 3, Art. 2 September 2017 Enclothed Knowledge: The Fashion Show as a Method of Dissemination in Arts-Informed Research Ben Barry Key words: arts- Abstract: In this article, I investigate the processes, benefits and dilemmas of producing a fashion based research; show as a method of dissemination in arts-informed qualitative research. I examine a project that arts-informed used a fashion show to analyze and represent interview findings about men's understandings and research; clothing; performances of masculinities. Fashion shows facilitate the dissemination of new qualitative data— embodiment; what I coin "enclothed knowledge"—which is embodied and inaccessible through static or verbal fashion show; descriptions. Fashion shows also enable participants to shape knowledge circulation and allow gender; researchers to engage diverse audiences. Despite these benefits, researchers have to be mindful masculinity; of ethical dilemmas that occur from the absence of anonymity inherent in public performances and participatory; therefore I suggest strategies to mitigate these threats to research ethics. Ultimately, I argue that performance fashion shows advance social justice because the platform can transform narrow, stereotypical understandings of marginalized identities. Table of Contents 1. Introduction 2. Fashioning Arts-Informed Research 3. Form and Fashion 4. The Project 5. Fashion Show Production Process 6. Translation of Research 7. Representation of Participants 8. Engagement of Communities 9. Conclusion Acknowledgments References Author Citation 1. Introduction In this article, I investigate the fashion show as a method of dissemination in arts- informed qualitative research. I explore a research project—Refashioning Masculinity—that used a fashion show to analyze and represent interview findings about men's understandings and performances of masculinities.
    [Show full text]
  • Blurred Lines Help Couture King to Ready-To-Wear Success
    lifestyle SUNDAY, SEPTEMBER 25, 2016 FASHION Blurred lines help couture king to ready-to-wear success iambattista Valli says his fledgling ready-to- Like his compatriot Giorgio Armani he guards the wear line is thriving-thanks to spillover syn- independence of his operation fiercely, even if Gergy from a haute couture operation that that means foregoing the additional investment has made him a darling of the celebrity A-list set. that could come with a stock market listing or a The Paris-based Roman designer has made his partnership with a luxury brand management name with spectacularly beautiful and eye-water- company. ingly expensive made-to-measure creations for the After four seasons of the Giamba line, he says he likes of singer Rihanna, George Clooney’s wife is happy with its steady expansion. “It is successful Amal and, most recently, actress Emma Stone, who in a business way but it is successful too in the real wowed this month’s Venice film festival in one of world of women. And from a celebrity point of his dresses. view, from an editorial (coverage) point of view. So In the process, Valli has been credited with mak- it is very good, I am very happy. ing haute couture more relevant than it has ever “There is this kind of freshness it has-it’s youth- been and providing a bridge between a rarified ful, (about) embellishment, romanticism, but also a world and contemporary popular culture. bit of the rebellion that there is in the haute cou- The way he sees it, it’s all about ideas, and he ture I do.
    [Show full text]
  • Looking Back on Milan Fashion Week Published on Iitaly.Org (
    Looking Back on Milan Fashion Week Published on iItaly.org (http://www.iitaly.org) Looking Back on Milan Fashion Week Kayla Pantano (September 27, 2016) A recap of the six-day event, where Italian designers paid homage to heritage while heralding innovation. Milan Fashion Week [2] commenced with a lunch hosted by Prime Minister Matteo Renzi [3], which instilled a further sense of purpose into the leading Italian designers, who were already eager to reveal their cherished designs. Manifesting that same energy, the six-day event closed with a spotlight on emerging designers, whose looks emanated youth and adventure. Overall, key collections debuted in Milan embodied heritage and zeitgeist. A blend of timelessness and trendy vibes, this season was filled with jaw-breaking innovation that drew on history and imagination. The highlights include an abundance of couture performance gear, heaps of floral, and glitter, of course. Day 1 Page 1 of 4 Looking Back on Milan Fashion Week Published on iItaly.org (http://www.iitaly.org) Gucci [4] kicked things off with a fantasy-filled collection rich in colors, fabrics, and prints, featuring embroidery reminiscent of a fairytale and accessories just as whimsical as the clothes, from floppy hats to square and sequined eyewear. Creative director Alessandro Michele [5]’s bohemian aesthetic shifted to favor a more punk look that veered through the eras, which included inspirations from the beloved 1970s, evident in the denim bell-bottoms and slim jackets. Needless to say, the reference point of Peter Dundas [6] at Roberto Cavalli [7] was also the ‘70s. But with a pioneering spirit in mind his mélange of influences, from Buffalo Soldier to Victoriana, takes you all around the globe.
    [Show full text]
  • BENJAMIN SKEPPER [BA/LLB (Hons) / LLM (International Law Deferred)]
    BENJAMIN SKEPPER [B.A/L.L.B (hons) / L.L.M (International Law deferred)] [SELECTED AND ABBREVIATED] MUSIC AND LIVE PERFORMANCE ART Science Gallery Melbourne Performance “Pump up your Blood” for BLOOD exhibition opening (Melbourne) (2017) Midsummer Nights Dream Festival Headline (Moscow) (2017) MARS Center for AV Art (Центр МАРС) (Moscow) (2016) Experimental Music & Art Expo at Vadima Sidur Museum (Moscow) (2016) Wall&Wall “Future Ambient” Sound Art Performance Series Launch (Tokyo) (2016) Klanghaus Festival (Styria) (2016) Symmetry Festival (Vienna) (2016) TECTONIC global launch at St Stephens Anglican Church (Melbourne) (2016) Bennetts Lane Jazz Club (Melbourne) (2016) Federation Square “Beyond the Bright Black Edge of Nowhere” (Melbourne) (2015) Super Deluxe Multi Media Installation (Tokyo) (2015) Manifesta 10 European Biennial of Contemporary Art Opening Hermitage Foundation (St Petersburg) (2014) The Kelvin Club 4th Solo Album Launch and Exhibition (Melbourne) (2014) MONA FOMA Festival Headline Performance (Tasmania) (2013) Bennetts Lane Jazz Club (Melbourne) (2013) The Corner Hotel MOFO Sideshow (Melbourne) (2013) Theatre Royal Regional Performance for Castlemaine State Festival (Victoria) (2013) National Gallery of Victoria “Napoleon: Revolution to Empire” Art After Dark (Melbourne) (2012) Palazzo Serbelloni x AMICA Magazine 50th Anniversary (Milan) (2012) Venice Carnivale – “The Forbidden Pleasures of Cassnova” (Venice) (2012) The Toff in Town Multi Media Sound Installation (Melbourne) (2012) Museo del Novecento Sunday sound interventions
    [Show full text]