MAY 1993 Issue 130 H
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Nero Numero 0
questo primo numero è dedicato a Emiliana Mensile a distribuzione gratuita Direttore Responsabile Giuseppe Mohrhoff 02 / RUSS MEYER Direzione 05 / ANOMOLO RECORDS Francesco de Figueiredo 08 / MELTING & DISTINGUISHING ([email protected]) Luca Lo Pinto 10 / CONTEMP/OLACCHI ([email protected]) Valerio Mannucci 12 / RAYMOND SCOTT ([email protected]) Lorenzo Micheli Gigotti 15 / PARIS-DABAR ([email protected]) 16 / OLAF NICOLAI Collaboratori 19 / ENDOGONIDIA Francesco Tato’ 23 / CESARE PIETROIUSTI / Rosso Ilaria Gianni Rudi Borsella 27 / WAKING LIFE Francesco Ventrella Carola Bonfili 30 / ACCUMULAZIONI > DISPERSIONI Anna Passarini Edoardo Caruso 32 / JUSTIN BENNETT Paolo Colasacco Nicola Capodanno 35 / ARCHIGRAM Andrea Proia Anna Neudecker 37 / WIRE Marco Cirese Marta Garzetti 40 / TORE SANSONETTI Edgardo Ferrati 42 / NERO TAPES Progetto Grafico e Impaginazione Industrie Grafiche di Roma 43 / RICCARDO PREVIDI / Supercolosseo 2004 Daniele De Santis ([email protected]) 44 / RECENSIONI Pubblicita’ 48 / NERO INDEX [email protected] 06/97600104 339/7825906 339/1453359 Distribuzione [email protected] 333/6628117 333/2473090 Editore Produzioni NERO soc. coop. a r.l NERO Numero 1 Via Paolo V, 53 00168 ROMA tel. 06/97600104 - [email protected] www.neromagazine.it registrazione al tribunale di Roma n. 102/04 del 15 marzo 2004 Stampa OK PRINT Via Calamatta, 16 - ROMA In copertina un’illustrazione di Carola Bonfili ogni erotomane assillato dall’abbondanza godereccia e sbavona dei seni gonfi, grossi e fecondi. Erotismo e violenza, spirito di sopraffazione tra sessi e ironia, prorompenti pin-up e reietti sociali sono miscelati all’interno di vicende narrative sconclusionate e RUSS MEYER demenziali. di Lorenzo Micheli Gigotti Quello di Russ Meyer è uno sguardo provocatorio “Signori e signore benvenuti alla violenza. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Punk-rock (These are excerpts from my book "A History of Rock and Dance Music") London's burning TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The effervescence of New York's underground scene was contagious and spread to England with a 1976 tour of the Ramones that was artfully manipulated to start a fad (after the "100 Club Festival" of september 1976 that turned British punk-rock into a national phenomenon). In the USA the punk subculture was a combination of subterranean record industry and of teenage angst. In Britain it became a combination of fashion and of unemployment. Music in London had been a component of fashion since the times of the Swinging London (read: Rolling Stones). Punk-rock was first and foremost a fad that took over the Kingdom by storm. However, the social component was even stronger than in the USA: it was not only a generic malaise, it was a specific catastrophe. The iron rule of prime minister Margaret Thatcher had salvaged Britain from sliding into the Third World, but had caused devastation in the social fabric of the industrial cities, where unemployment and poverty reached unprecedented levels and racial tensions were brooding. -
Issue 184.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 184 November Oxford’s Music Magazine 2010 Oxford’s Greatest Metal Bands Ever Revealed! photos: rphimagies The METAL!issue featuring Desert Storm Sextodecimo JOR Sevenchurch Dedlok Taste My Eyes and many more NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net COMMON ROOM is a two-day mini-festival taking place at the Jericho Tavern over the weekend of 4th-5th December. Organised by Back & To The Left, the event features sets from a host of local bands, including Dead Jerichos, The Epstein, Borderville, Alphabet Backwards, Huck & the Handsome MOTOWN LEGENDS MARTHA REEVES & THE VANDELLAS play Fee, The Yarns, Band of Hope, at the O2 Academy on Sunday 12th December. Reeves initially retired Spring Offensive, Our Lost Infantry, from performing in 1972 due to illness and had until recently been a Damn Vandals, Minor Coles, The member of Detroit’s city council. In nine years between 1963-72 the trio Scholars, Samuel Zasada, The had 26 chart hits, including the classic `Dancing In The Streets’, `Jimmy Deputees, Message To Bears, Above Mack’ and `Heatwave’. Tickets for the show are on sale now, priced £20, Us The Waves, The Gullivers, The from the Academy box office an online at www.o2academyoxford.co.uk. DIVE DIVE have signed a deal with Moulettes, Toliesel, Sonny Liston, Xtra Mile Records, home to Frank Cat Matador and Treecreeper. Early Turner, with whom they are bird tickets, priced £8 for both days, on Friday 19th November, with be released and the campaign bandmates, and fellow Oxford stars A are on sale now from support from Empty Vessels plus culminates with the release of ‘Fine Silent Film. -
Feb-Web-Targ-Zine.Pdf
CLIP THESE OUT & GIVE ‘EM TO YOUR SWEETHEART! WORDS FROM THE WIZARD Hey Ottawa – you’re really somethin’. It’s a pleasure hangin out, you always know what to say. Thanks for being a pal, it means a lot that you care - more than you could know. Well loyal Targians, the organ which And hey, thanks for wearing out our fl oor paint and pumps blood throughout our bodies eating all our perogies – it’s nice to know that the work holds major signifi cance this month we put into this relationship is appreciated and enjoyed. but February also marks a much more serious annual observance... I am of Sorry about the cold out there – we are working on a scheme but it’ll take course talking about BLACK METAL some time – our research and development division is working for YOU at HISTORY MONTH... it’s the time of year maximum overdrive speed and is promising either results or distractions when we refl ect on all aspects of this soon. sub-genre of music, and its effect on the world. Our anniversary will be coming up in a couple months…. we promise not to forget. We’ve got some new toys for you to play with - games that will BLACK METAL had its humble of the recording enhances the feel of it keep you laughing and killer nights/shows that’ll keep you rockin. Hope beginnings in the 80s, when no-one if anything. However, in some cases it things are well with you, try not to worry so much – everything will work took it or its lyrical content seriously, does affect the quality merely in that in out. -
Alumni End 5,000-Mile Ride on Campus Diversity at Vanderbilt Is an Eight-Part Series Appearing in Every Monday and Friday Issue in September
INSIDE What’s it like to balance In the Bubble 2 marriage and Opinion 4 college life? Sports 6 THETHE VOICEVOICE OFOF VANDERBILTVANDERBILT SINCESINCE 18881888 Life 8 page 8 FRIDAY, SEPTEMBER 8, 2006 • 118 TH YEAR, NO. 49 Fun & Games 12 SPECIAL REPORT CHARITY Alumni end 5,000-mile ride on campus Diversity at Vanderbilt is an eight-part series appearing in every Monday and Friday issue in September. With this series, we are attempting to bring diversity to the forefront of campus discussion. The profi les are not meant to showcase one group over another but to demonstrate the depth of the Vanderbilt community. While the series will offi cially last for one month, it is meant to demonstrate The Hustler’s commitment to consistently represent the entire Vanderbilt community. Chancellor’s Scholarship opens doors for diversity Awards given to 25 new students annually. By Allison Malone EDITOR-IN-CHIEF Each year, the Chancellor’s Scholars Program awards full scholarships to 25 incoming students who have demonstrated a commitment to leadership, diversity, citizenship and scholarship. Th e Chancellor’s Scholarship has aff ected diversity at Vanderbilt by addressing stereotypes and reaching out to underrepresented communities. BRETT KAMINSKY / The Vanderbilt Hustler Austin Bauman visits with a young oncology patient during his trip to Monroe Carell Jr. Children’s Hospital at Vanderbilt on Thursday. “Th e biggest problem with diversifying the student population, Alums bike across America to raise money for cancer research. RALLY ACROSS AMERICA FINALE from my personal experience as a Vanderbilt student in the late By Allison Smith WHAT 1960s, when there were three ASST NEWS EDITOR Parthenon in Centennial Park starting at the Children’s Hospital here. -
Dark German Romanticism and the Postpunk Ethos of Joy Division, the Cure and Smashing Pumpkins
University of South Carolina Scholar Commons Theses and Dissertations Fall 2020 Dark German Romanticism and the Postpunk Ethos of Joy Division, The Cure and Smashing Pumpkins Logan Jansen Hunter Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the German Language and Literature Commons Recommended Citation Hunter, L. J.(2020). Dark German Romanticism and the Postpunk Ethos of Joy Division, The Cure and Smashing Pumpkins. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/6182 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. DARK GERMAN ROMANTICISM AND THE POSTPUNK ETHOS OF JOY DIVISION, THE CURE AND SMASHING PUMPKINS by Logan Jansen Hunter Bachelors in Arts University of South Carolina, 2017 Submitted in Partial Fulfillment of the Requirements For the Degree of Masters in German College of Arts and Sciences University of South Carolina 2020 Accepted by: Nicholas Vazsonyi, Director of Thesis Yvonne Ivory, Reader Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Logan Jansen Hunter, 2020 All Rights Reserved. ii DEDICATION To my Opa, who helped me to appreciate the complexities of music, understand the significance of history and inspire to learn the German language. Without him, this thesis would not have been possible. iii ACKNOWLEDGEMENTS I would like to express my gratitude to Dr. Nicholas Vazsonyi for his willingness to direct my thesis. I would also like to thank Will Whisenant, Ross and James Haynes, Max Gindorf, and C.J. -
PDF Van Tekst
De Revisor. Halfjaarboek voor nieuwe literatuur 2-3 bron De Revisor. Halfjaarboek voor nieuwe literatuur 2-3. Em. Querido, Amsterdam 2011 Zie voor verantwoording: https://www.dbnl.org/tekst/_rev002201101_01/colofon.php Let op: werken die korter dan 140 jaar geleden verschenen zijn, kunnen auteursrechtelijk beschermd zijn. i.s.m. 7 [2011/2] Daan Stoffelsen Mijn kind 1 Het begint altijd met vragen. Bij mij tenminste. Ik weet niet of dat betekent dat ik een fase overgeslagen heb, of juist de rest van de wereld, maar vragen bepalen me, ze drijven me. Wat literatuur is, dat is er zo een, wat goed is, een andere, waarom ik, een derde. Misschien is twijfels een beter woord. Het mag bij vragen blijven, wat mij betreft. Dat de nieuwe verschijningsvorm van dit drie decennia oude tijdschrift zonder verantwoording of inleiding zou gaan, betreurde ik dan ook niet. Wij, de nieuwe redactie, waren niet van het manifest. Maar er waren wel antwoorden op de presentatie van het eerste nummer. Toen opende Gustaaf Peek de avond met een gedreven toespraak, die hij zo afsloot: Dit geloven we: wie goed leest, leeft beter. De wereld heeft schrijvers nodig die elke mogelijke gedachte kunnen vangen, en lezers die al die stemmen kunnen wegen. De Revisor erkent deze noodzaak. En het genot. Het pure plezier dat het juiste woord kan veroorzaken. Doe het maar eens, besta maar eens zonder taal. De Revisor zoekt naar schoonheid en moed en toewijding en kunst. We vragen lezers ons te vergezellen op deze tocht. Ja, dat willen wij. Maar wat willen we precies? Hoe dan? En in welke zin zijn we daarin anders dan al die andere tijdschriften die het beste De Revisor. -
Preisgestaltung Liste.Xlsx
Position Schallplatte Preis 1 10 CC - How dare you - FOC, OIS - Mercury 9102 501 - Made in England 8,00 € 2 10 CC - In Concert - Contour CN 2056 - Made in England 8,00 € 3 10 CC - Live and let Live - 2 LP FOC - Mercury 6641 714 - Made in Germany 9,00 € 4 10 CC - Profile - DECCA 6.24012 AL 8,00 € 5 10 psychotherapeutische Behandlungsverfahren 6,00 € 6 38 Special - Rockin' into the night - A&M AMLH 64782 - Made in Holland 15,00 € 7 A Band Called O - Within Reach - UAG 29942 - UK 10,00 € 8 A flock of seagulls - Listen 10,00 € 9 A flock of seagulls - Same - Picture Disc 36,00 € 10 A flock of seagulls - The story of a young heart 13,00 € 11 A Split Second - From the inside 13,00 € 12 A Tribute to Duke Ellington - We love you madly - 2 LP FOC - Verve 2632 022 - Made in Germany 10,00 € 13 A.C. Bhaktivedanta Swami Prabhupada - Krsna Meditation - RKP 1005 12,00 € 14 A.R. Machines - Die grüne Reise, The Green Journey - (Achim Reichel) - Polydor 2459 057 - Made in Germany 60,00 € 15 ABBA - Arrival - Club Edition - Polydor 65 940 9 - Made in Germany 5,00 € 16 ABBA - Greatest Hits Vol. 2 9,00 € 17 ABBA - Super Trouper 9,00 € 18 ABBA - The Album - Dig It PL 3012 - Made in Italy 2,00 € 19 ABBA - The Very Best Of - 2 LP FOC - Polydor DA 2612 032 (on Cover, Labels are different) 5,00 € 20 ABBA - The Visitors 9,00 € 21 ABBA - Voulez Vous 10,00 € 22 Abbi Hübner & the Jailhouse Jazzmen - Same - Storyville 6.23803 18,00 € 23 Abbi Hübner's Low Down Wizards - 1964-1971 - Warnung: Nur für Sammler - PF 085 18,00 € 24 Abbi Hübner's Low Down Wizards - 20 Jahre, -
(Bass & Vocals), Bruce Gilbert
WIRE 1977–1980 Wire were formed by Colin Newman (guitar & vocals), Graham Lewis (bass & vocals), Bruce Gilbert (guitar) and Robert Grey (drums). The band subjected themselves to a lengthy period of intense, 12-hour rehearsals, honing their (admittedly basic) musical skills until razor-sharp. What emerged was a version of rock shorn of all ornamentation and showbusiness. Newman and Gilbert’s chord sequences often took unexpected turns, Graham Lewis’s unique lyrics were vivid but oblique, and Grey’s drumming was minimal and metronomic. They may have arrived at the same time as punk and drawn on its initial burst of energy, but Wire’s forward-looking attitude meant they always stood apart from it. In fact, Wire could easily lay claim to having been the very first post- punk band. And yet, it’s equally true to say they could be viewed as part of the British tradition of left-field art-school bands that includes Roxy Music and The Pink Floyd. Wire played their debut proper at London’s Roxy club on 1 April, 1977. The band were immediately picked up by prodigious EMI offshoot label Harvest, and their debut album Pink Flag was released in December of the same year. The album was a collection of 21 songs, many of them sharp, abrasive and extremely short – six didn’t even make the one-minute mark. Yet many tracks, such as ‘12XU’ and ‘Ex-Lion Tamer’, are now rightly regarded as classics. Pink Flag received near universal acclaim and would be cited as a major influence on a panoramic range of artists, including Big Black, My Bloody Valentine, Blur, Henry Rollins, Joy Division and R.E.M. -
What Is Post-Punk?
What is Post-Punk? A Genre Study of Avant-Garde Pop, 1977-1982 Mimi Haddon Schulich School of Music McGill University, Montréal April 2015 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Ph.D. in Musicology © Mimi Haddon 2015 iii TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Résumé ......................................................................................................................................... vii Acknowledgements ..................................................................................................................... viii List of Musical Examples ................................................................................................................ x List of Diagrams and Tables ........................................................................................................... xi List of Figures ............................................................................................................................... xii INTRODUCTION ........................................................................................................................... 1 Historiography and Genre ........................................................................................................ 4 Genre as Musical Style .......................................................................................................... -
29. Kasseler Dok U M Entarfilm- U N D Video Fest 2012
29. KASSELER DOKUMENTARFILM- UND VIDEOFEST 2012 Key Visual: Machbar GmbH / Foto: Lisa Rastl/Willi Dorner / Layout: atelier capra www.sw-kassel.de Tipps, Tricks und aktuelle Infos: www.facebook.com/swkassel 24 Stunden mobil für 6,80 € oder das ganze Wochenende MultiTicket – MultiSpaß Theater, Museum oder Ausstellung ganz bequem erreichen. Zu zweit und mit bis zu drei Kindern. 24 Stunden oder das ganze Wochenende. Im KasselPlus-Gebiet mit Bus, Tram und RegioTram. Infos zu Linien und Fahrplänen unter www.kvg.de und www.nvv.de Inhalt Table of contents Vorwort + Impressum Preface + Credits . 4 Das Kasseler Dokfest stellt sich vor About the Kassel Dokfest . 5 Grußworte Welcoming Remarks . 8 Team + Organisation Team + Organization . 9 Informationen Information . 10 Programmübersicht Timetable . 12 Preise + Jury Awards + Jury . 14 Kurz- + Langfilmprogramm Short + feature film program . 19 Finale + Preisverleihung Finale + Award Ceremony . 90 junges dokfest: Dokumentarfilm sehen und verstehen . 92 PraxisDokfest . 98 Hessischer Hochschulfilmtag Hessian University Film Day . 100 Workshop-Tagung interfiction Workshop symposium interfiction . 104 DokfestLounge (Audiovisuelle Audiovisual Performance) . 106 DokfestForum . 110 Ausstellung Monitoring Exhibition Monitoring . 114 Index . 134 Dank Acknowledgements . 137 Veranstalter Organizer: Hauptförderer Main Supporters: KASSEL KULTUR 2012.de_ Förderer Supporters: hFMA Sponsoren Sponsors Medienpartner Media Partners: Partner Partners: Ausstellung Monitoring in Kooperation mit Exhibition Monitoring in cooperation with: Goldener Herku les Golden Cube IMPRESSUM IMPRINT: HERAUSGEBER PUBLISHER: Filmladen Kassel e.V. · Goethestraße 31 · 34119 Kassel · Fon: +49.561.70764-21 Fax: +49.561.70764-33 · [email protected] · www.kasselerdokfest.de / AUFLAGE EDITION: 6.000 / ISBN: 978-3-9812605-5-7 MITGLIED IN MEMBER OF: AG Kurzfilm, Arbeitsgemeinschaft Dokumentarfilm, Verbund Filmfestivals Hessen 3 Vorwort Preface OBEN (v. -
22Nd February 2020 WOMBELLS Antiques & Fine Art
WOMBELLS Antiques & Fine Art Auctioneers Tel: 01904 790777 Northfield Business Park, Northfield Lane, Upper Poppleton, YORK, YO26 6QU Catalogue of lots for auction sale: 22nd February 2020 Lot Description Category Estimates Low/High 1 A figure of a hawk studio pottery under a glass dome a/f. MISC 20/40 2 A Chinese brass jardinaire. MISC 0/0 3 An Oriental tiered work box, a/f MISC 0/0 4 An African carved hardwood stylized figurine. MISC 20/40 5 A rotary dial telephone. MISC 20/40 6 A microscope. MISC 10/30 7 A collection of glass plate slides most topographical views. (2) MISC 30/50 8 An official despatch box, red leather with royal crest to lid. MISC 50/70 9 A brass and copper fire hose nozzle together with four torches. (5) MISC 20/40 10 A fishermans bait tin, together with a bentwood cigar box. (2) MISC 10/30 11 A railways interest plans, rule books etc. MISC 10/30 12 A pair of Zeiss ''Notarem'' binoculars; other binoculars etc. MISC 20/40 13 A folio of 18th century and later pictures and prints. PIC 30/50 14 A quantity of modern nostalgia type signs MISC 20/40 15 A silver plated entree dish, ceramics, glassware, a wooden box containing a wooden jigsaw etc. MISC 10/30 16 A stained glass panel. MISC 20/40 17 A collection of silver plated trophy cups. MISC 30/50 18 A Victorian writing slope having a Bramah lock, key lacking. MISC 60/90 19 Three flat irons, other metalwares etc.