ANNA SHELDRAKE Production Designer

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The Screen Talent Agency 020 7729 7477 ANNA SHELDRAKE Production Designer With a background that covers drama, comedy, commercials and music promos, Anna has packed a lot in over the last eight years. She’s worked with top brands (John Lewis, Sky), top artistes (Coldplay, Boyzone), and top directors (Andy de Emmony, Mackenzie Crook) as well as for major networks, including BBC1, 2, 3 and 4, and Sky Atlantic. She’s based in London and is available for work worldwide. www.annasheldrakedesign.com Selected recent credits date production director / production company features: 2021 PEOPLE JUST DO NOTHING: Jack Clough / Roughcut TV BIG IN JAPAN television: 2021 THE CURSE James de Frond / Shiny Button 2021 KING GARY Series 2 James de Frond / Shiny Button 2020 KING GARY CHRISTMAS SPECIAL James de Frond / Shiny Button 2019 KING GARY James de Frond / Shiny Button 2019 MOTHERLAND Series 2 Juliet May / Clelia Mountford / Merman Films 2019 I AM KIRSTY Dominic Savage / Me and You Productions 2019 I AM NICOLA Dominic Savage / Me and You Productions 2018 HIGH AND DRY Dave Lambert / Baby Cow Productions for C4 2017 ALAN PARTRIDGE'S SCISSORED ISLE Rob & Neil Gibbons / Baby Cow Productions for Sky Atlantic winner: International Emmy Award – Best Comedy 2015 PAPPY'S CHRISTMAS (Sky Comedy Shorts) Dave Lambert / Baby Cow Productions for Sky Arts 2015 THE BIG PAINTING CHALLENGE Sam Campbell / BBC1 2015 MY FIRST FAST Dave Lambert / Baby Cow Productions for BBC 2014 THE JOKE MACHINE Jason Dawson / Liberty Bell for CBBC as art director: 2019 THE NEW POPE (UK shoot) Paolo Sorrentino / Wildside/HBO 2017 QUACKS Andy De Emmony / Lucky Giant for BBC2 2017 BOUNTY HUNTERS William Sinclair / Tiger Aspect for Sky 1 2016 ZAPPED Dave Lambert / Baby Cow Productions for Dave 2016 HOFF THE RECORD Series 2 Gordon Anderson / Me & You Productions for Dave 2015 DETECTORISTS Series 2 Mackenzie Crook / Channel X for BBC 2012 LIVE AT THE ELCTRIC Series 1 & 2 Craig Young, Andrew Gaynord / Avalon for BBC 3 commercials: 2020 VANARAMA Andrew Gaynord / Mind’s Eye 2018 THREE MOBILE INSTAGRAM STORIES Tom Brown / Gravity Road 2018 HOUSE SIMPLE HOUSE SOLD Brad Lubin / Mind's Eye Media 2014 COSTA BINGO – SCARY Martin Weisz / Believe 2014 THE RANGE – HOME Neil Scholes / Koala 2014 THE RANGE – GARDEN Neil Scholes / Koala 2014 THE RANGE – CHRISTMAS ELF Neil Scholes / Koala 2014 THE RANGE – DIVERSITY Neil Scholes / Koala 2014 OVO – COUNSELLOR Andrew Gaynord / Mind's Eye 2013 JOHN LEWIS - NEW YEAR, NEW START Ben Wilson / Mind's Eye James Little The Screen Talent Agency Rich Mix Building 35-47 Bethnal Green Road London E1 6LA tel 020 7729 7477 email [email protected] web www.screen-talent.com .

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THE BIRTHDAY PARTY by Harold Pinter Directed by Ian Rickson
PRESS RELEASE – Tuesday 6th March 2018 IMAGES CAN BE DOWNLOADED HERE @BdayPartyLDN / TheBirthdayParty.London Sonia Friedman Productions in association with Rupert Gavin, Tulchin Bartner Productions, 1001 Nights Productions, Scott M. Delman present THE BIRTHDAY PARTY By Harold Pinter Directed by Ian Rickson CRITICALLY ACCLAIMED 60th ANNIVERSARY REVIVAL OF THE BIRTHDAY PARTY ENTERS FINAL WEEKS AT THE HAROLD PINTER THEATRE STRICTLY LIMITED WEST END RUN STARRING TOBY JONES, STEPHEN MANGAN, ZOË WANAMAKER AND PEARL MACKIE MUST COME TO AN END ON 14TH APRIL Audiences now have just five weeks left to see the critically acclaimed West End production of playwright Harold Pinter’s The Birthday Party. The company for the major revival, which runs 60 years since the play’s debut, includes Toby Jones, Stephen Mangan, Zoë Wanamaker, Pearl Mackie, Tom Vaughan-Lawlor and Peter Wight, and is directed by Ian Rickson. Stanley Webber (Toby Jones) is the only lodger at Meg (Zoë Wanamaker) and Petey Boles’ (Peter Wight) sleepy seaside boarding house. The unsettling arrival of enigmatic strangers Goldberg (Stephen Mangan) and McCann (Tom Vaughan-Lawlor) disrupts the humdrum lives of the inhabitants and their friend Lulu (Pearl Mackie), and mundanity soon becomes menace when a seemingly innocent birthday party turns into a disturbing nightmare. Truth and alliances hastily shift in Pinter's brilliantly mysterious dark-comic masterpiece about the absurd terrors of the everyday. The production is designed by the Quay Brothers, with lighting by Hugh Vanstone, music by Stephen Warbeck, sound by Simon Baker, and casting by Amy Ball. For more information visit TheBirthdayParty.London -ENDS- For further information please contact The Corner Shop PR on 020 7831 7657 Maisie Lawrence [email protected] / Ben Chamberlain [email protected] LISTINGS Sonia Friedman Productions in association with Rupert Gavin, Tulchin Bartner Productions, 1001 Nights Productions, Scott M.
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103 WIELAND SCHWANEBECK , Dresden The More, the Merrier? British Comedy and the Community of Laughter Amongst the many myths surrounding the birth of comedy in the ancient world is one which claims that comedy came into being as a deliberate antithesis to the solemn nature of tragedy. According to this myth, comedy was conceived when "a rowdy, drunken band of revelers mov[ed] unsteadily and noisily through the street" to mock the elaborate tragic verse which dominated the ritual festivities (Alan Sommerstein qtd. in Weitz 2010, 41). While this story is not true (at least not regarding its factual content), it does nevertheless appear as a fitting invention, for there is definitely a social aspect about comedy which renders it an experience both inclusive and exclusive at the same time. Though comedy has been identified as an essentially antisocial phenomenon by some observers – for laughter derives from challenging norms and from moving its heroes outside the accepted order into the realm of "[the] destructive and [the] anarchic" (Charney 1990, 171) – its social implications and its community-building effects are not to be overlooked. As F.H. Buckley argues in The Morality of Laughter , shared laughter builds societies and even has an economic dimension, since "[b]y establishing a bond between jester and listener, laughter permits them to promote their trust in each other. With the trust comes a greater ability to exploit profitable opportunities for joint gain" (2003, 178). The following pages will elaborate on these ideas and characterise the traditional relationship between the genre of comedy and the idea of community.
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David and Gareth – Office Lookalikes Firebird Events Ltd
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