Read Ebook {PDF EPUB} Rose Hip Zero Volume 1 by Tōru Fujisawa Rose Hip Rose Vol

Total Page:16

File Type:pdf, Size:1020Kb

Read Ebook {PDF EPUB} Rose Hip Zero Volume 1 by Tōru Fujisawa Rose Hip Rose Vol Read Ebook {PDF EPUB} Rose Hip Zero Volume 1 by Tōru Fujisawa Rose Hip Rose Vol. #01 Manga Review. Teenage girl weapons expert with hardcore merc skills teams up with a tough-guy cop to bring down the organization that killed his sister. Creative Staff Story/Art: Tohru Fujisawa Translation/Adaptation: Takae Brewer, Kara Stambach. What They Say Appearances can be deceiving. There is trouble in Tokyo as a mysterious terrorist organization called ALICE plots against the government. Just as the police are tasked to bring these men to justice, they are given a “secret weapon” who happens to be a young girl, with a mysterious past, named Kasumi Asakura. She may look innocent, but walks softly and carries a big gun. Content: (please note that content portions of a review may contain spoilers): An international terrorist force is knocking off Japanese police officers, thirty high-level officials to be precise. Because of this, the head of Division 4, Mr. Hata, has sought out the agency’s former top field agent, Kyoji Kido. Kido used to be directly involved with terrorist investigations but transferred to the juvenile crimes department after the terrorist group known as ALICE killed his sister. Initially, Kido refuses to return but quickly changes his mind when Mr. Hata presents evidence that links ALICE to the recent police killings. Mr. Hata is glad to have Kido back, but there is just one caveat to his return; Kido has to take on a new partner. Normally a new partner wouldn’t be a problem, but Kido’s new partner is not only a rookie but she’s also only fourteen years old. Kasumi Asakura is fourteen, even though she looks nineteen, and she is an expert marksman. It quickly becomes apparent that Asakura is more than she appears when she reacts to a nearby police shootout. Not only does she show Kido that she can handle a gun and the physical hardships of battle, but she also single-handedly takes out four armed men. Wait a minute, how can a teenage girl kick ass like a merc? Well that’s part of what makes this story interesting. It seems that Asakura, and the members of ALICE, have been trained and manipulated with some type of drug. Because the drug makes the user euphoric during battle, Asakura and ALICE have been too tough for the police to combat. Will this be enough to convince Kido that Asakura is a worthy partner? Why is Asakura trained like a merc? Why is Asakura willing to fight ALICE? Some readers should be familiar with Fujisawa’s art style from GTO The character designs for Rose Hip Zero are actually quite similar to GTO, especially the nameless thugs and the protagonist for both books. For Rose Hip Zero, the characters are well proportioned and the artwork is attractive. Fujisawa does a couple of interesting things in this book. First, the gutters are solid black during flashback scenes, which makes a solid transition for the reader. The second thing is the way backgrounds are used. Usually, when the panel only depicts one character there is no background detail, which forces all attention on the character’s posture and facial expression. Otherwise, the backgrounds are highly detailed when present. The only problem I have with the art is the inconsistency with Asakura’s character. She is supposed to be fourteen but she looks nineteen, kind of like the twenty-six-year-old playing the high school student in a Hollywood movie. I actually like Asakura the way she’s depicted, but I think she should have been made older in the story, sixteen I could buy but there’s no way she looks fourteen. The other problem I had was the inconsistency with her height near the end of this book. Throughout the book, the top of Asakura’s head comes up to Kido’s nose, but when Kido gives her a hug near the end, she only comes up to his chest. I understand the ‘protective older brotherâ’ thing Fujisawa is going for but the height change really threw me off. In Summary : This is a fun read, once you get past the stupid (ALICE) and overused (Zero) names, and ignore the fact that Asakura is supposed to be younger than she looks. Kido is the smart-ass cop with a vendetta, and Asakura is cute and innocent one minute and blowing away the bad guys the next minute. I think Kido’s personal tragedy is a good reason for him to want revenge and strong enough to carry the story as long as it keeps a good pace in follow-up issues. I still want to see more of Asakura’s background; right now, I’m not quite sure of her reason for fighting, unless it is as simple as wanting to save her friends. If you hate cop stories then I can’t recommend this title, but if you don’t mind the genre and what looks like an interesting story with a smattering of humor (GTO’style) then you should give this first volume a try. Content Grade : B+ Art Grade : A- Packaging Grade : A Text/Translation Grade : B. Age Rating : 16+ Released By : TOKYOPOP Release Date : December 8th, 2006 MSRP : $9.99. Tooru Fujisawa. Tooru Fujisawa ( 藤沢とおる , Fujisawa Tooru ? , born in 1967) is a Japanese manga author. His name is romanized as Tohru Fujisawa on the Tokyopop English-language Great Teacher Onizuka books and as Toru Fujisawa on the Kodansha bilingual releases. His first serialized work was Adesugata Junjou Boy , published from 1989 in Weekly Shonen Magazine . Fujisawa's best-known work is Great Teacher Onizuka ( GTO ) about a biker, Eikichi Onizuka, and his attempt to become and remain a teacher. It is a sequel to Shōnan Jun'ai Gumi! and its side story Bad Company . In 1998, Fujisawa won the Kodansha Manga Award for Great Teacher Onizuka . [1] Works. Love You (1989, Magazine Fresh!, Kodansha) (艶姿純情Boy, 1989, Weekly Shonen Magazine, Kodansha) (湘南純愛組!, 1990-1996, Weekly Shonen Magazine, Kodansha) (1996, Weekly Shonen Magazine, Kodansha) (1997-2002, Weekly Shonen Magazine, Kodansha) (2002-2003, Young Magazine Uppers, Kodansha) (特公, 2003, Monthly Afternoon, Kodansha) (2003, Weekly Shonen Magazine, Kodansha. Artwork by Taroh Sekiguchi) (ひみつ戦隊モモイダー, 2003/2006-2007, Weekly Young Jump, Young Jump Extra Edition Mankaku, Shueisha) (2005-2006, Weekly Shonen Magazine, Kodansha) (2006, Weekly Shonen Magazine, Kodansha) (仮面ティーチャー, 2006-2007, Weekly Young Jump, Shueisha) (2006-, Monthly Comic REX, Ichijinsha) (アニマルJOE, 2006/2008, Big Comic Spirits, Shogakukan) (あんハピっ!, 2008, Comic Charge, Kadokawa) (遠い星から来たALICE, 2008, Big Comic Spirits, Shogakukan) (2009-, Weekly Shonen Magazine, Kodansha) Shōnan Jun'ai Gumi! originally talks about the legendary biker duo Eikichi and his partner Ryuuji and their constant struggle to pick up young girls and finally lose their virginity. In order to do this, they decide to pose as fashionable, nice guys with no association to gangs or street fighting. However the story soon becomes more fight oriented as they can't help but make new enemies. In this manner, they soon enough get in even deeper trouble with the local street gangs, bosozoku and even yakuza. Bad Company tells how Eikichi met Ryuuji, and despite taking place before Shonan Junai Gumi (which in turn took place before GTO ), it was written during the final stages of the series as a prequel. Other well-known titles include Rose Hip Rose , Rose Hip Zero , and Tokko . Rose Hip Zero: Volume 1. Rose Hip Zero is a sequel or rather prequel to the Manga, Rose Hip Rose (published in Young Magazine in 2002), which focused on an amnesiac named Asakura Kasumi , who happens to be a girl assassin. The third series, Magnum Rose Hip , is currently being published. Rose Hip Zero takes us back to the mysterious origins of Asakura, but Volume 1 of RHZ focuses on Kyoji Kido , a Tokyo police officer who works in juvenile crime. Kido gets a visit from his old boss, Mr. Hata . Hata wants Kido to return to Division Four , a crack unit that deals with terrorist groups, and help them with the bold and deadly new international terrorist group known as ALICE , which has declared war on Tokyo's police department and is making assassination attempts on various department high officials. Kido left Division Four after his wife was killed in London by a bomb attack. When Hata informs Kido that evidence indicates ALICE was involved, Kido jumps back to his old division. There is, of course, a catch. Kido must take a new Division Four agent under his wings, the highly athletic and firearms proficient Asakura Kasumi. Kido refuses, but Asakura's skill at firing Kido's favorite weapon, the Desert Eagle , which most men can't even handle, gives Kido second thoughts. Many times, comic book reviews separate the narrative into story and art, and Manga is often not so much about plot and text with accompanying illustrative drawings. What's on the page exists as if it were drawn without a prose narrative first shaping it. Reviewing Manga is often about seeing and feeling what the Manga-ka draws onto the page, how he/she designs that page, and organizes in the context of other pages. Tohru Fujisawa ( GTO ) and his assistants have presented a tale that is about wide-open visuals not words. It is action scenes, gunfights, explosions, and posing characters. There is certainly a plot, and we get to know the characters, but Rose Hip Zero is not to be thought about. RHZ is like a Hollywood action movie - theatre of sensations. That's not a bad thing. Rose Hip Zero wants to be crazy, sexy, and cool, and it largely succeeds.
Recommended publications
  • The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney Jennifer M
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2009 The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney Jennifer M. Stockins University of Wollongong Recommended Citation Stockins, Jennifer M., The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney, Master of Arts - Research thesis, University of Wollongong. School of Art and Design, University of Wollongong, 2009. http://ro.uow.edu.au/ theses/3164 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney A thesis submitted in partial fulfillment of the requirements for the award of the degree Master of Arts - Research (MA-Res) UNIVERSITY OF WOLLONGONG Jennifer M. Stockins, BCA (Hons) Faculty of Creative Arts, School of Art and Design 2009 ii Stockins Statement of Declaration I certify that this thesis has not been submitted for a degree to any other university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due reference has been made in the text. Jennifer M. Stockins iii Stockins Abstract Manga (Japanese comic books), Anime (Japanese animation) and Superflat (the contemporary art by movement created Takashi Murakami) all share a common ancestry in the woodblock prints of the Edo period, which were once mass-produced as a form of entertainment.
    [Show full text]
  • Magazines V17N9.Qxd
    Apr COF C1:Customer 3/8/2012 3:24 PM Page 1 ORDERS DUE th 18APR 2012 APR E E COMIC H H T T SHOP’S CATALOG IFC Darkhorse Drusilla:Layout 1 3/8/2012 12:24 PM Page 1 COF Gem Page April:gem page v18n1.qxd 3/8/2012 11:16 AM Page 1 THE MASSIVE #1 STAR WARS: KNIGHT DARK HORSE COMICS ERRANT— ESCAPE #1 (OF 5) DARK HORSE COMICS BEFORE WATCHMEN: MINUTEMEN #1 DC COMICS MARS ATTACKS #1 IDW PUBLISHING AMERICAN VAMPIRE: LORD OF NIGHTMARES #1 DC COMICS / VERTIGO PLANETOID #1 IMAGE COMICS SPAWN #220 SPIDER-MEN #1 IMAGE COMICS MARVEL COMICS COF FI page:FI 3/8/2012 11:40 AM Page 1 FEATURED ITEMS COMICS & GRAPHIC NOVELS Strawberry Shortcake Volume 2 #1 G APE ENTERTAINMENT The Art of Betty and Veronica HC G ARCHIE COMIC PUBLICATIONS Bleeding Cool Magazine #0 G BLEEDING COOL 1 Radioactive Man: The Radioactive Repository HC G BONGO COMICS Prophecy #1 G D. E./DYNAMITE ENTERTAINMENT Pantha #1 G D. E./DYNAMITE ENTERTAINMENT 1 Power Rangers Super Samurai Volume 1: Memory Short G NBM/PAPERCUTZ Bad Medicine #1 G ONI PRESS Atomic Robo and the Flying She-Devils of the Pacific #1 G RED 5 COMICS Alien: The Illustrated Story Artist‘s Edition HC G TITAN BOOKS Alien: The Illustrated Story TP G TITAN BOOKS The League of Extraordinary Gentlemen III: Century #3: 2009 G TOP SHELF PRODUCTIONS Harbinger #1 G VALIANT ENTERTAINMENT LLC Winx Club Volume 1 GN G VIZ MEDIA BOOKS & MAGAZINES Flesk Prime HC G ART BOOKS DC Chess Figurine Collection Magazine Special #1: Batman and The Joker G COMICS Amazing Spider-Man Kit G COMICS Superman: The High Flying History of America‘s Most Enduring
    [Show full text]
  • CONTEMPORARY COMMUNICATION, the CULTURE of MANGA Christiana Constantopoulou Manga and Anime
    French Journal For Media Research – n° 6/2016 – ISSN 2264-4733 ------------------------------------------------------------------------------------ CONTEMPORARY COMMUNICATION, THE CULTURE OF MANGA Christiana Constantopoulou Professeure de Sociologie de la Communication Université Panteion, Athènes - Grèce Manga and Anime The popularity of anime and manga has helped westerners gain a broader understanding of Japanese culture. Manga is a generic term for all graphic novels and comic books originally published in Japan. Manga is read either in serialized comic books, monthly magazines, or graphic novels. All formats are available in English translation, graphic novels, however, are the most common and can be found in both major bookstore chains and local comic shops. The graphic novels are usually presented in "manga-style," meaning a right-to-left format. The word Manga, when translated directly, means “whimsical drawings”. Manga are typically 'comic books' as the West understands them; rather, they represent pieces of Japanese culture and history. The 'manga' style has an extensive history, beginning sometime in the 10th century; scrolls from that period depict animals as part of the 'upper class', behaving as a typical human would in similar situations. Such scrolls would go on to be known as the Chōjū giga or “The Animal Scrolls”. Scrolls found later on in the 12th century would depict images of religion such as the Gaki Zoshi (Hungry Ghost Scrolls) and the Jigoku zoshi (Hell Scrolls). While both dealt with various aspects of religion, unlike “The Animal Scrolls”, these provided a more instructive viewpoint, rather than a comedic style. Manga are more significant, culturally, than Western comic books (though many fill the same role).
    [Show full text]
  • Manga Vision: Cultural and Communicative Perspectives / Editors: Sarah Pasfield-Neofitou, Cathy Sell; Queenie Chan, Manga Artist
    VISION CULTURAL AND COMMUNICATIVE PERSPECTIVES WITH MANGA ARTIST QUEENIE CHAN EDITED BY SARAH PASFIELD-NEOFITOU AND CATHY SELL MANGA VISION MANGA VISION Cultural and Communicative Perspectives EDITED BY SARAH PASFIELD-NEOFITOU AND CATHY SELL WITH MANGA ARTIST QUEENIE CHAN © Copyright 2016 Copyright of this collection in its entirety is held by Sarah Pasfield-Neofitou and Cathy Sell. Copyright of manga artwork is held by Queenie Chan, unless another artist is explicitly stated as its creator in which case it is held by that artist. Copyright of the individual chapters is held by the respective author(s). All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/mv-9781925377064.html Series: Cultural Studies Design: Les Thomas Cover image: Queenie Chan National Library of Australia Cataloguing-in-Publication entry: Title: Manga vision: cultural and communicative perspectives / editors: Sarah Pasfield-Neofitou, Cathy Sell; Queenie Chan, manga artist. ISBN: 9781925377064 (paperback) 9781925377071 (epdf) 9781925377361 (epub) Subjects: Comic books, strips, etc.--Social aspects--Japan. Comic books, strips, etc.--Social aspects. Comic books, strips, etc., in art. Comic books, strips, etc., in education.
    [Show full text]
  • Amy | ‘Tis the Season | Meru | the Wolfpack | the Jinx | Big Men | Caring for Mom & Dad | Walt Disney | the Breach | GTFO Scene & He D
    November-December 2015 VOL. 30 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 6 IN THIS ISSUE Amy | ‘Tis the Season | Meru | The Wolfpack | The Jinx | Big Men | Caring for Mom & Dad | Walt Disney | The Breach | GTFO scene & he d BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Scene & He d team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications KNOWLEDGEABLE Full-time staff of A/V catalogers, backed by their MLS degree and more than 43 years of media cataloging expertise 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review Amy HHH 2011, she died of alcohol toxicity at the age of Lionsgate, 128 min., R, 27. Drawing on early home movies, newsreel DVD: $19.98, Blu-ray: footage, and recorded audio interviews, Amy $24.99, Dec. 1 serves up a sorrowful portrait of an artist’s Publisher/Editor: Randy Pitman This disturbing, dis- deadly downward spiral. Extras include au- concerting, booze ‘n’ dio commentary by the director, previously Associate Editor: Jazza Williams-Wood drugs documentary unseen performances by Winehouse, and Copy Editor: Kathleen L. Florio about British song- deleted scenes.
    [Show full text]
  • Online Version*
    ONLINE VERSION* SAN DIEGO CONVENTION CENTER QUICK GUIDE HILTON MANCHESTER OMNI SAN DIEGO SAN DIEGO GRAND HYATT SAN DIEGO CENTRAL BAYFRONT SAN DIEGO HOTEL LIBRARY MARRIOTT MARQUIS SAN DIEGO MARINA COMIC-CON® INTERNATIONAL 2017 JULY 20–23 • PREVIEW NIGHT: JULY 19 COMPLETE SCHEDULE GRIDS • EXHIBIT HALL MAP • EXHIBITOR LISTS MAPS OF THE CONVENTION CENTER/PROGRAM & EVENT VENUES/SHUTTLE ROUTES & HOTELS/DOWNTOWN RESTAURANTS *ONLINE VERSION WILL NOT BE UPDATED BEFORE COMIC-CON • DOWNLOAD THE OFFICIAL COMIC-CON APP FOR UPDATES COMIC-CON INTERNATIONAL 2017 QUICK GUIDE WELCOME! to the 2017 edition of the Comic-Con International Quick Guide, your guide to the show through maps and the schedule-at-a-glance programming grids! Please remember that the Quick Guide and the Events Guide are once again TWO SEPARATE PUBLICATIONS! For an in-depth look at Comic- Con, including all the program descriptions, pick up a copy of the Events Guide in the Sails Pavilion upstairs at the San Diego Convention Center . and don’t forget to pick up your copy of the Souvenir Book, too! It’s our biggest book ever, chock full of great articles and art! CONTENTS 4 Comic-Con 2017 Programming & Event Locations COMIC-CON 5 RFID Badges • Morning Lines for Exclusives/Booth Signing Wristbands 2017 HOURS 6-7 Convention Center Upper Level Map • Mezzanine Map WEDNESDAY 8 Hall H/Ballroom 20 Maps Preview Night: 9 Hall H Wristband Info • Hall H Next Day Line Map 6:00 to 9:00 PM 10 Rooms 2-11 Line Map THURSDAY, FRIDAY, 11 Hotels and Shuttle Stops Map SATURDAY: 9:30 AM to 7:00 PM* 14-15 Marriott Marquis San Diego Marina Program Information and Maps SUNDAY: 16-17 Hilton San Diego Bayfront Program Information and Maps 9:30 AM to 5:00 PM 18-19 Manchester Grand Hyatt Program Information and Maps *Programming continues into the evening hours on 20 Horton Grand Theatre Program Information and Map Thursday through 21 San Diego Central Library Program Information and Map Saturday nights.
    [Show full text]
  • The Female Gaze in Contemporary Japanese Literature
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 The Female Gaze in Contemporary Japanese Literature Kathryn Hemmann University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, Comparative Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Hemmann, Kathryn, "The Female Gaze in Contemporary Japanese Literature" (2013). Publicly Accessible Penn Dissertations. 762. https://repository.upenn.edu/edissertations/762 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/762 For more information, please contact [email protected]. The Female Gaze in Contemporary Japanese Literature Abstract The female gaze can be used by writers and readers to look at narratives from a perspective that sees women as subjects instead of objects. Applying a female gaze to discourses that have traditionally been male-dominated opens new avenues of interpretation that are empowering from a feminist perspective. In this dissertation, I use the murder mystery novels of the bestselling female author Kirino Natsuo and the graphic novels of a prolific four-woman artistic collective called CLAMP to demonstrate how writers are capable of applying a female gaze to the themes of their work and how readers can and have read their work from the perspectives allowed by a female gaze. Kirino Natsuo presents a female perspective on such issues as prostitution, marriage, and equal employment laws in her novels, which are often based on sensationalist news stories. Meanwhile, CLAMP challenges the discourses surrounding the production and consumption of fictional women, especially the young female characters, or shojo, that have become iconic in Japanese popular culture.
    [Show full text]
  • U.S. Government Publishing Office Style Manual
    Style Manual An official guide to the form and style of Federal Government publishing | 2016 Keeping America Informed | OFFICIAL | DIGITAL | SECURE [email protected] Production and Distribution Notes This publication was typeset electronically using Helvetica and Minion Pro typefaces. It was printed using vegetable oil-based ink on recycled paper containing 30% post consumer waste. The GPO Style Manual will be distributed to libraries in the Federal Depository Library Program. To find a depository library near you, please go to the Federal depository library directory at http://catalog.gpo.gov/fdlpdir/public.jsp. The electronic text of this publication is available for public use free of charge at https://www.govinfo.gov/gpo-style-manual. Library of Congress Cataloging-in-Publication Data Names: United States. Government Publishing Office, author. Title: Style manual : an official guide to the form and style of federal government publications / U.S. Government Publishing Office. Other titles: Official guide to the form and style of federal government publications | Also known as: GPO style manual Description: 2016; official U.S. Government edition. | Washington, DC : U.S. Government Publishing Office, 2016. | Includes index. Identifiers: LCCN 2016055634| ISBN 9780160936029 (cloth) | ISBN 0160936020 (cloth) | ISBN 9780160936012 (paper) | ISBN 0160936012 (paper) Subjects: LCSH: Printing—United States—Style manuals. | Printing, Public—United States—Handbooks, manuals, etc. | Publishers and publishing—United States—Handbooks, manuals, etc. | Authorship—Style manuals. | Editing—Handbooks, manuals, etc. Classification: LCC Z253 .U58 2016 | DDC 808/.02—dc23 | SUDOC GP 1.23/4:ST 9/2016 LC record available at https://lccn.loc.gov/2016055634 Use of ISBN Prefix This is the official U.S.
    [Show full text]
  • 2005 1. Ape Escape: on the Loose 2. Archer Maclean's Mercury 3
    2005 1. Ape Escape: On the Loose 2. Archer Maclean's Mercury 3. Armored Core: Formula Front - Extreme Battle 4. Asterix & Obelix XXL 2 - Mission: Wifix 5. ATV Offroad Fury: Blazin' Trails 6. Bleach: Heat the Soul 7. Bleach: Heat the Soul 2 8. Burnout Legends 9. Championship Manager 10. Coded Arms 11. Colin McRae Rally 2005 12. Crash Tag Team Racing 13. Daisenryaku Portable 14. Darkstalkers Chronicle: The Chaos Tower 15. Dead to Rights: Reckoning 16. Death Jr. 17. Densha de Go! 18. Derby Time 19. Dokodemo Issh 20. Dynasty Warriors 21. F1 Grand Prix 22. FIFA Soccer 23. FIFA Soccer 06 24. Fired Up 25. Frantix - A Puzzle Adventure 26. Frogger Helmet Chãos 27. Gallery Fake 28. Ghost in the Shell: Stand Alone Complex 29. Glorace: Phantastic Carnival 30. Grand Theft Auto: Liberty City Stories 31. Gretzky NHL 32. Gretzky NHL 06 33. GripShift 34. Gundam Battle Tactics 35. Harry Potter and the Goblet of Fire 36. Higanjima 37. Hot Shots Golf: Open Tee 38. Infected 39. Jet de Go! Pocket: Let's Go By Airliner 40. Jissen Pachislot Hisshouhou! 41. Kingdom of Paradise 42. Kotoba no Puzzle: Mojipittan Daijiten 43. Lumines 44. Madden NFL 06 45. Mahjong Fight Club 46. Marvel Nemesis: Rise of the Imperfects 47. MediEvil: Resurrection 48. Metal Gear Acid 49. Midnight Club 3: DUB Edition 50. Midway Arcade Treasures: Extended Play 51. MLB 52. Mobile Suit Gundam: Gihren's Ambition 53. MVP Baseball 54. Namco Museum 55. Namco Museum Battle Collection 56. NBA 57. NBA 06 58. NBA Live 06 59. NBA Street Showdown 60.
    [Show full text]
  • The Posthuman Master-Slave Dynamic in Japanese Science Fiction Anime" (2019)
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses July 2019 Everything feels like the future but us: The Posthuman Master- Slave Dynamic in Japanese Science Fiction Anime Ryan Daly University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Comparative Literature Commons, Japanese Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Women's Studies Commons Recommended Citation Daly, Ryan, "Everything feels like the future but us: The Posthuman Master-Slave Dynamic in Japanese Science Fiction Anime" (2019). Masters Theses. 766. https://doi.org/10.7275/14280113 https://scholarworks.umass.edu/masters_theses_2/766 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. EVERYTHING FEELS LIKE THE FUTURE BUT US: THE POSTHUMAN MASTER- SLAVE DYNAMIC IN JAPANESE SCIENCE FICTION ANIME A Thesis Presented by RYAN DALY Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment Of the requirements for the degree of MASTER OF ARTS MAY 2019 Japanese East Asian Language and Cultures EVERYTHING FEELS LIKE THE FUTURE BUT US: THE POSTHUMAN MASTER- SLAVE DYNAMIC IN JAPANESE SCIENCE FICTION ANIME A Thesis Presented by RYAN DALY Approved as to style and content by: ___________________________________________ Amanda C. Seaman, Chair ___________________________________________ Bruce Baird, Member _______________________________ David K. Schneider, Unit Director East Asian Languages and Cultures Program Department of Languages, Literatures and Cultures ________________________________________ Robert Sullivan, Chair Department of Languages, Literatures and Cultures DEDICATION For Petey.
    [Show full text]
  • Otherness and Identity in Shonen Manga
    OTHERNESS AND IDENTITY IN SHONEN MANGA ALEX JAMES LEWINGTON DOCTOR OF PHILOSOPHY UNIVERSITY OF YORK SOCIOLOGY AUGUST 2020 ABSTRACT This thesis explored how Otherness was identified and interpreted by adult readers within the United Kingdom, through their engagement with shonen manga. Using semi-structured interviews of 40 participants, 21 males and 19 females, this study investigated how UK manga readers contemplated Otherness, when the concept was broken down into overarching themes of exclusion, dehumanization and Othered identity. This study examined how questions of Otherness led readers to consider manga in relation to their identities. The findings indicate UK readers consider Otherness in relation to struggles of identity recognition and value. The Other is interpellated by UK manga readers as either a threat to power hierarchies between the Self and the Other, or a means for the Self to reinforce such hierarchies. The findings further suggest that UK manga readers commonly consider themselves to be the Other by way of social rejection, devaluation and systematic disregard; they often perceive themselves as underdogs; their identification of Otherness themes and their propensity to identify with Othered characters largely depends on their lived experiences of Otherness. Furthermore, UK manga readers widely report manga to be an inspirational medium, the reading of which is empowering, boosts self-esteem, encourages readers to embrace Otherness, to resist conformity to social norms, and inspires a never-give-up attitude in their pursuit of recognition. Lastly, their engagement with manga beyond the textual level provides UK manga readers with a sense of belonging within a community of other Others.
    [Show full text]
  • © Copyright 2019 Hyerim
    © Copyright 2019 Hyerim Cho Understanding Users of Cross-media Information: Contexts, motivations, and information features focusing on visual narrative materials Hyerim Cho A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2019 Reading Committee: Jin Ha Lee, Chair Allyson Carlyle Nicholas Weber Program Authorized to Offer Degree: Information Science University of Washington Abstract Understanding Users of Cross-media Information: Contexts, motivations, and information features focusing on visual narrative materials Hyerim Cho Chair of the Supervisory Committee: Jin Ha Lee Information Science Librarians and information experts play key roles in facilitating access to multimedia objects, and the importance of their expertise has increased with the growth of digital libraries. Existing studies show, however, that current information systems—including online databases, library catalogs, and recommendation services—do not fully meet the needs of multimedia information users. This study contributes to improving multimedia access by focusing on three different types of visual narrative materials and their users: printed visual narrative (e.g., comic books, graphic novels, manga, newspaper comic strips), visual narrative with a moving image format (e.g., animated films, anime, TV cartoons), and interactive visual narrative (e.g., video games). The objective of this study is to understand users of different types of visual narrative materials through a two-pronged approach: a diary study complemented by a follow-up interview, and a larger-scale content analysis of natural language queries collected from online fan communities. The researcher addresses three main themes in this dissertation: 1) the motivations, context, and situational information of users who consume visual narrative materials, 2) essential information features for the users to find relevant visual narrative materials, and 3) relationships among the motivations, contexts, and information features, if any.
    [Show full text]