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The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney Jennifer M
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2009 The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney Jennifer M. Stockins University of Wollongong Recommended Citation Stockins, Jennifer M., The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney, Master of Arts - Research thesis, University of Wollongong. School of Art and Design, University of Wollongong, 2009. http://ro.uow.edu.au/ theses/3164 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney A thesis submitted in partial fulfillment of the requirements for the award of the degree Master of Arts - Research (MA-Res) UNIVERSITY OF WOLLONGONG Jennifer M. Stockins, BCA (Hons) Faculty of Creative Arts, School of Art and Design 2009 ii Stockins Statement of Declaration I certify that this thesis has not been submitted for a degree to any other university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due reference has been made in the text. Jennifer M. Stockins iii Stockins Abstract Manga (Japanese comic books), Anime (Japanese animation) and Superflat (the contemporary art by movement created Takashi Murakami) all share a common ancestry in the woodblock prints of the Edo period, which were once mass-produced as a form of entertainment. -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Speak-Life-Verses.Pdf
Numbers 6:24-26 May the LORD bless you and protect you. May the LORD smile on you and be gracious to you. May the LORD show you his favor and give you his peace. Deuteronomy 4:4 But all of you who were faithful to the LORD your God are still alive today—every one of you. Deuteronomy 30:19 Today I have given you the choice between life and death, between blessings and curses. Now I call on heaven and earth to witness the choice you make. Oh, that you would choose life, so that you and your descendants might live! Deuteronomy 31:6 So be strong and courageous! Do not be afraid and do not panic before them. For the LORD your God will personally go ahead of you. He will neither fail you nor abandon you. Joshua 1:9 This is my command—be strong and courageous! Do not be afraid or discouraged. For the LORD your God is with you wherever you go. Psalm 19:14 May the words of my mouth and the meditation of my heart be pleasing to you, O LORD, my rock and my redeemer. Psalm 23 The LORD is my shepherd; I have all that I need. He lets me rest in green meadows; he leads me beside peaceful streams. He renews my strength. He guides me along right paths, bringing honor to his name. Even when I walk through the darkest valley I will not be afraid, for you are close beside me. Your rod and your staff protect and comfort me. -
December 2020 Newsletter
D E C E M B E R 4 , 2 0 2 0 I S S U E 2 THE VIGIL PROJECT The Vigil Project Newsletter WELCOME I N T H I S I S S U E by The Vigil Project WELCOME Welcome to the second edition of The Vigil Project Newsletter! We are so glad you are here and we MORE THAN A BAND appreciate all the wonderful feedback we have received since launching our first newsletter last BETHLEHEM, A CITY month. If you are new here, thank you for being here and [TVP] HAPPENINGS being part of our Vigil family! We pray that this space inspires you, informs you of exciting BABY ERSKINE initiatives, and offers a place of community for you. MONTHLY MUSIC PLAYLIST There’s lots to cover in this newsletter including a new album, Giving Tuesday, new partnerships, a tiny addition to the Vigil family and more. So FEATURED ARTIST without further ado, let’s jump in! WHAT SAY YOU? ON THE ROAD D E C E M B E R 2 0 2 0 I S S U E 2 MORE THAN A BAND by Andrea Thomas We've been joking internally for the last couple of years, that More Than a Band should actually be our mission tagline. Last month, I had the delight of sharing with you a family recipe that's been with my family for years. What makes that bread special (aside from the perfection of the crust), is the story behind it. That bread is meaningful because of where it came from, and I am reminded of the generations who came before me every single time I make it. -
Tarzan the Untamed
TARZAN THE UNTAMED I am grateful to see my grandfather’s works made available in the Edgar Rice Burroughs Authorized Library, the first-ever uniform editions of his entire literary catalog. Now readers everywhere can enjoy these timeless stories of wonder and adventure in a way they have never been presented before. These new editions represent the ultimate ERB experience, featuring magnificent cover art and frontispieces by legendary artist Joe Jusko, forewords and afterwords by noted authors and celebrities, and a bounty of rare and previously unpublished treasures straight from the archives of Edgar Rice Burroughs, Inc., in Tarzana, California. Whether a reader is new to my grandfather’s works or has spent a lifetime enjoying them as I have, the Edgar Rice Burroughs Authorized Library opens a unique window into extraordinary worlds of imagination, standing as an unparalleled landmark in an already historic legacy. John Ralston Burroughs Tarzan® Series Tarzan the Invincible Tarzan of the Apes Tarzan Triumphant The Return of Tarzan Tarzan and the City of Gold The Beasts of Tarzan Tarzan and the Lion Man The Son of Tarzan Tarzan and the Leopard Men Tarzan and the Jewels of Opar Tarzan’s Quest Jungle Tales of Tarzan Tarzan the Magnificent Tarzan the Untamed Tarzan and the Forbidden City Tarzan the Terrible Tarzan and the Foreign Legion Tarzan and the Golden Lion Tarzan and the Madman Tarzan and the Ant Men Tarzan and the Castaways Tarzan, Lord of the Jungle Tarzan and the Tarzan Twins Tarzan and the Lost Empire Tarzan: The Lost Adventure (with Tarzan at the Earth’s Core Joe R. -
Tarzan in the Early-20Th Century French Fantasy Landscape By
Wesleyan University The Honors College The Missing Link: Tarzan in the Early-20th Century French Fantasy Landscape by Medha Swaminathan Class of 2019 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in French Studies Middletown, Connecticut April, 2019 Table of Contents Introduction ................................................................................................................... 1 Embracing the Invented in the “Benevolent” Colonial ................................................ 9 Imagining “Africa” ..................................................................................................... 19 Le Tour du Monde en Un Jour: Tarzan and the 1930s Paris Colonial Exhibitions .... 36 “Civilization” vs. “Civilized” vs. “Savage” ................................................................ 49 Homme Idéal or Missing Link? Fetish, Fascination, and Fear in French Eugenics ... 57 Sex, Youth, Beauty, Valor, and the Légionnaire ........................................................ 70 Saturnin Farandoul: Tarzan’s French Foil? ................................................................ 81 “Comment dit-on sites de rêve en anglais ?” .............................................................. 96 References ................................................................................................................. 100 Acknowledgements This project would not have been possible without an incredible amount -
NEW-YORK, WEDNESDAY, OCTOBER 16. 1867. -*«-I«I- «'.Ay
Mtaii(£ PRICE FOUR CEINTS. V<*<> XXVU.N*»' 8,274. NEW-YORK, WEDNESDAY, OCTOBER 16. 1867. -*«-i«i- «'.ay. w,t.« i«. ha'..- reetoced t<» lum eertaia landa which TIIE SOUTHERN fit be forthe Fta-ianGovernment themoat lion for the rest v. a« thoroughlv, heartily. STATES. would here WASHINGTON. he owns mar and which are now occupied of The mi re ( vi" nae of again allv, national and int-rspeiaed Memphis, EUROPE. unwieldy elephants. patriotic, bjw h tiger, tranaferring the capital of italy to what ia ana lhere with a three times .m: wik o\ tuv. METROPOLITAS lîi'.viM'F. hy 1'reed ni en's I'unau pAcara iMAKVLAM» i. political «cut. i h ii-«»t as e*» i 1« ntly Uah to .ill;» .nu! nth-, :it least ¡it pn only ii« honorai volume and l'.OAltn.INA« ( «UNI D'.l.i. n«, t pv «'! IHK The I.vtcctivo Baker, bring < i««l tin- waitera. There waa only A, attachment against. PABAN Of «'V. «1V1VN'« HHITlRY. THE ROMAN BEV0LUT10N« capital, would be a ver] grave matter in the actual indigenous LOBBY.***..«.ov. ORR «« «un. i in- «d ORB. him before the ( ntnliiit t< «. '.'. .1« 1' Og since i. harmony, whan was Judicial y 1 condition oi the Italian but that would be ou« ',iiak -telling « BaLTIMOKE, Oct. ».-(¡«.v. Swann, nilli hif» *AT V_BOLl treasur. " statee." As- ISBY'SJURI ORDRB.i:\i-i:r. M.HIVK Of i««u. «I in «nance a of th«-lion««' tt N_,V_-BATT_E het1« :!«t era ia i ..;.¦. |ii. ii«. i hw of The Prosiil« L'nited put of i'«-«oiutioii stalf. -
Back to the Stone Age
BACK TO THE STONE AGE But Jason Gridley shook his head. “The rest of you go on,” he said. “I will remain in Pellucidar until I have solved the mystery.” Von Horst, von Horst— where are you now, Bill? Can you see that endless sun on high— can you sing those jazz- tune songs you loved and hear me calling? Or are your BACK TO THE STONE AGE dusty bones in some killer-cat’s lair and a ghost voice your only answer? PROLOGUE HE tale of the pioneer flight of the giant Zeppe - Tlin O-220 has already been told. In the Log Book of Great Adventures, written deep in red, have been inscribed the perils and privations, the victories and defeats, of those gallant companions from this land of ours who braved the mysteries of Pellucidar. Pellucidar — mocked by smug scientists who blind themselves to the proofs that our Earth is a hollow sphere, containing a habitable world within its interior! Pellucidar — scorned and derided by timid savants who fear to see beyond their own knotted brows, scoffing that here is no great opening at the frozen poles, that only two plus two makes four! But there were men of broader vision, of deeper un - derstanding, in that prize crew of the Zeppelin O-220; One was a tall man with mighty shoulders who walked with a cat’s soft tread; as Lord Greystoke he was known in London, though the creatures of the tropic wild called him Tarzan of the Apes. A second was Jason Gridley, the American explorer who financed the expedition. -
Magazines V17N9.Qxd
Apr COF C1:Customer 3/8/2012 3:24 PM Page 1 ORDERS DUE th 18APR 2012 APR E E COMIC H H T T SHOP’S CATALOG IFC Darkhorse Drusilla:Layout 1 3/8/2012 12:24 PM Page 1 COF Gem Page April:gem page v18n1.qxd 3/8/2012 11:16 AM Page 1 THE MASSIVE #1 STAR WARS: KNIGHT DARK HORSE COMICS ERRANT— ESCAPE #1 (OF 5) DARK HORSE COMICS BEFORE WATCHMEN: MINUTEMEN #1 DC COMICS MARS ATTACKS #1 IDW PUBLISHING AMERICAN VAMPIRE: LORD OF NIGHTMARES #1 DC COMICS / VERTIGO PLANETOID #1 IMAGE COMICS SPAWN #220 SPIDER-MEN #1 IMAGE COMICS MARVEL COMICS COF FI page:FI 3/8/2012 11:40 AM Page 1 FEATURED ITEMS COMICS & GRAPHIC NOVELS Strawberry Shortcake Volume 2 #1 G APE ENTERTAINMENT The Art of Betty and Veronica HC G ARCHIE COMIC PUBLICATIONS Bleeding Cool Magazine #0 G BLEEDING COOL 1 Radioactive Man: The Radioactive Repository HC G BONGO COMICS Prophecy #1 G D. E./DYNAMITE ENTERTAINMENT Pantha #1 G D. E./DYNAMITE ENTERTAINMENT 1 Power Rangers Super Samurai Volume 1: Memory Short G NBM/PAPERCUTZ Bad Medicine #1 G ONI PRESS Atomic Robo and the Flying She-Devils of the Pacific #1 G RED 5 COMICS Alien: The Illustrated Story Artist‘s Edition HC G TITAN BOOKS Alien: The Illustrated Story TP G TITAN BOOKS The League of Extraordinary Gentlemen III: Century #3: 2009 G TOP SHELF PRODUCTIONS Harbinger #1 G VALIANT ENTERTAINMENT LLC Winx Club Volume 1 GN G VIZ MEDIA BOOKS & MAGAZINES Flesk Prime HC G ART BOOKS DC Chess Figurine Collection Magazine Special #1: Batman and The Joker G COMICS Amazing Spider-Man Kit G COMICS Superman: The High Flying History of America‘s Most Enduring -
HUNTING DIRTY MONEY How Enforcement Directorate Used Anti-Money-Laundering Operations to Become India’S Top Crime-Ghting Agency, Even Surpassing the CBI
SPECIAL REPORT HATHRAS SHIVRAJ SINGH CHOUHAN WHERE FEAR RULES WE FIGHT TO WIN, ONLY WIN US ELECTION & THE JOURNALISM WITH A HUMAN TOUCH www.theweek.in TheWeekMag TheWeekLive $ 60 INDIAN-AMERICAN VOTE FOREIGN WEED THREATENS WHEAT CROPS McKINSEY (INDIA) CHIEF: MOST SEVERE GDP DECLINE OCTOBER 18, 2020 OCTOBER IN FOUR DECADES HUNTING DIRTY MONEY How Enforcement Directorate used anti-money-laundering operations to become India’s top crime-ghting agency, even surpassing the CBI PLUS Government indulging in smear campaign DAVID GRIFFITHS, AMNESTY INTERNATIONAL ED has become Modi government’s puppet V. NARAYANASAMY, CHIEF MINISTER, PUDUCHERRY VOL. 38 NO. 42 THE WEEK OCTOBER 18 2020 VOL. 38 NO. 42 THE WEEK OCTOBER 18 2020 FOR THE WEEK OCTOBER 12 - OCTOBER 18 FOR THE WEEK OCTOBER 12 - OCTOBER 18 16 42 63 AP SPECIAL REPORT @LEISURE US ELECTION AHLAWAT SANJAY NAIR VISHNU V. Joe Biden and Kamala Harris are There are many offshoots of Most circus companies in India pulling out all stops to woo the the Hathras crime, but in its are reluctant to go online despite Indian-American community root lies fear taking multiple hits 30 COVER STORY 26 MADHYA PRADESH We will win all bypoll COLUMNS seats: Shivraj Singh 13 POWER POINT Chouhan, chief minister, Sachidananda Murthy Madhya Pradesh 19 SOUND BITE 28 COMMUNISM Anita Pratap IN INDIA @100 25 FORTHWRITE India’s first woman Meenakshi Lekhi comrade, Suhasini Chattopadhyay, remains 52 SCHIZO-NATION Anuja Chauhan largely uncelebrated in the country’s 59 DETOUR TARGET LOCKED political ‘his’tory. Shobhaa De ED personnel after 74 LAST WORD raiding jewellery 54 THE WEEK VIP Shashi Tharoor shops in Viviana India’s GDP could Mall, Thane, in con- contract between 9 nection with the and 12 per cent in the PTI Nirav Modi case agriculture. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
CONTEMPORARY COMMUNICATION, the CULTURE of MANGA Christiana Constantopoulou Manga and Anime
French Journal For Media Research – n° 6/2016 – ISSN 2264-4733 ------------------------------------------------------------------------------------ CONTEMPORARY COMMUNICATION, THE CULTURE OF MANGA Christiana Constantopoulou Professeure de Sociologie de la Communication Université Panteion, Athènes - Grèce Manga and Anime The popularity of anime and manga has helped westerners gain a broader understanding of Japanese culture. Manga is a generic term for all graphic novels and comic books originally published in Japan. Manga is read either in serialized comic books, monthly magazines, or graphic novels. All formats are available in English translation, graphic novels, however, are the most common and can be found in both major bookstore chains and local comic shops. The graphic novels are usually presented in "manga-style," meaning a right-to-left format. The word Manga, when translated directly, means “whimsical drawings”. Manga are typically 'comic books' as the West understands them; rather, they represent pieces of Japanese culture and history. The 'manga' style has an extensive history, beginning sometime in the 10th century; scrolls from that period depict animals as part of the 'upper class', behaving as a typical human would in similar situations. Such scrolls would go on to be known as the Chōjū giga or “The Animal Scrolls”. Scrolls found later on in the 12th century would depict images of religion such as the Gaki Zoshi (Hungry Ghost Scrolls) and the Jigoku zoshi (Hell Scrolls). While both dealt with various aspects of religion, unlike “The Animal Scrolls”, these provided a more instructive viewpoint, rather than a comedic style. Manga are more significant, culturally, than Western comic books (though many fill the same role).