DOCSLIB.ORG

Malthouse Theatre Season 2017 Brochure

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Malthouse Theatre Season 2017 Brochure 2017 SEASON 2017 4 SEASON 2017 JOIN US. COME SIT IN THE DARK AND FEEL SOME- THING. 5 SEASON 2017 CONTENTS INTRODUCTION 36 BLACK RIDER: ABOUT US THE CASTING 02 WELCOME OF THE 58 ABOUT US MAGIC BULLETS 60 FIND US THE SEASON 40 THE TESTAMENT 61 WHILE YOU’RE 06 THE ENCOUNTER OF MARY HERE 08 LITTLE EMPERORS 62 SUPPORT US SPECIAL EVENTS 10 THE 63 OUR HOMOSEXUALS SUPPORTERS 44 PRE AND POST 14 PIECE FOR SHOW TALKS 64 OUR SPONSORS PERSON AND & PARTNERS 46 ANTI GRAVITY GHETTO BLASTER 47 CARAVAN 16 AWAY IMPORTANT DATES OF LOVE & BOOKING INFO 22 WILD BORE 66 SEASON 2017 24 RE VOLT. SHE SAID. NEW IN 2017 CALENDAR REVOLT AGAIN. MALTHOUSETHEATRE.COM.AU 50 SEASON 70 TICKET PRICES 28 HEART IS A PASSES WASTELAND 71 BOOKING FORM 30 YOU’RE NOT ARTISTIC PROGRAMS ALONE 54 32 THE REAL AND IN HOUSE IMAGINED 56 SUITCASE HISTORY OF THE SERIES ELEPHANT MAN 57 WE’RE FOR ARTISTS 1 SEASON 2017 WELCOME TO 2017: AN ANARCHIC, RIBALD SEASON OF THEATRE THAT REVOLTS AGAINST THE ESTABLISHMENT #MALTHOUSETHEATRE2017 AND SEARCHES FOR RADICAL COMPASSION. In 2017 we are honoured to continue new Australian plays, eight world Malthouse Theatre’s 40-year premieres, three collaborations legacy of mapping the dramatic with local independent companies, changes of our world. a cohort of international guests, contemporary adaptations of From our mainstage we create a classics and a devilish musical. space for interrogation, conversation and debate. We invent and reflect This isn’t just a season brochure, the world that surrounds us. this is an invitation to join Malthouse Theatre in a year of enacting change This year we rebel against the through interrogation, human establishment, focus on characters connection, anarchy, and compassion. at epic crossroads, and share stories that search for empathy and Yours sincerely, compassion in unexpected places. Thanks to your support 2016 was a great success for Malthouse Theatre, Matthew Lutton Sarah Neal and we are enormously proud to Artistic Director Executive Producer offer you a season that includes five & Co-CEO & Co-CEO 2 SEASON 2017 MALTHOUSETHEATRE.COM.AU 3 SEASON 2017 #MALTHOUSETHEATRE2017 4 SEASON 2017 SEASON 2017: PROPOSI- TIONS FOR REVOLUTION, RADICAL EMPATHY AND UNBRIDLED MALTHOUSETHEATRE.COM.AU FARCE. 5 SEASON 2017 #THEENCOUNTER 6 SEASON 2017 THE ENCOUNTER BY comPliciTE / Simon MCBURNEY 2 – 10 FEB ‘...THIS IS MASTERFUL STORYTELLING FROM A MAN AND A COMPANY WHO ARE INCAPABLE OF REMAINING WITHIN KNOWN THEATRICAL BOUNDARIES. A MUST-SEE—OR PERHAPS I SHOULD SAY, A MUST-HEAR.’ – THE INDEPENDENT (UK) MERLYN THEATRE The Encounter tells the true story of National Geographic photographer Loren McIntyre lost in a INSPIRED BY / remote area of Brazil in 1969. The journey leads to a The book Amazon Beaming by Petru Popescu startling encounter that is to change his life. Bringing DiRECTION / the limits of human consciousness into startling Simon McBurney focus, The Encounter comes to Malthouse Theatre #THEENCOUNTER PERFORMED BY / fresh from Broadway. Richard Katz CO-DIRECTION / For over thirty years, renowned UK theatre company Kirsty Housley Complicite have dazzled audiences with their DESIGN / spectacular use of technology in theatre. In their most Michael Levine SOUND / immersive and multisensory work to date, a state-of- Gareth Fry with the-art audio design will lead audiences into another Pete Malkin world, raising some of the most urgent questions of LIGHTING / today: about how we live and what we believe to be Paul Anderson true. In this solo performance Richard Katz transports PROJECTION / Will Duke the audience to the Amazon as McIntyre encounters ASSOCIATE DiRECTOR / the Mayoruna people and is led into the depths of the Jemima James rainforest and through time. A Complicite co-production As each member of the audience dons a headset, they with Edinburgh International Festival, the Barbican, London, are plunged headlong into McIntyre’s world through a Onassis Cultural Centre – Athens, 3D soundscape, where the heat of the rainforest and Schaubühne Berlin, Théâtre the whisper of unfamiliar languages whips through Vidy-Lausanne and Warwick Arts Centre. Supported by Sennheiser the ears, in an intoxicating and immersive experience. and The Wellcome Trust. Expect to be on the edge of your seat. 7 SEASON 2017 8 #LITTLEEMPERORS SEASON 2017 LITTLE EMPERORS 小皇帝 9 – 26 FEB ‘ASPIRING AND AMBITIOUS, THEATRE DIRECTOR WANG CHONG IS ON A MISSION TO OVERTHROW THE DATED STAGE TECHNIQUES THAT DOMINATE CHINESE THEATRE TODAY.’ – THE GloBAL Times BeckeTT THEATRE ‘Little Emperor Syndrome’ is a term used to describe the behavioural time-bomb created WRITTEN BY / by China’s One Child Policy. Introduced in the Lachlan Philpott DiRECTION / aftermath of the Cultural Revolution as a way Wang Chong of curbing population growth, an entire TTLEEMPERORS I DRAMATURGY / generation was raised without brothers and #L Mark Pritchard sisters. Pampered, entitled, and bucking against SET & COSTUME China’s proud tradition of filial piety, the children DESIGN / Romanie Harper of the world’s next superpower were born bearing LIGHTING DESIGN / the weight of their parents’ expectation. Emma Valente In 2016 China’s One Child Policy officially ended, A Malthouse Theatre and to mark the close of an era, we’ve teamed production presented in association with Asia TOPA: up with award-winning Australian writer Lachlan Asia Pacific Triennal of Philpott and one of Beijing’s most innovative Performing Arts, and supported by the Victorian Government directors, Wang Chong, to explore the stories, through Creative Victoria. secrets and aspirations of the children of a radical With producing support from political experiment. Set in both Melbourne Ping Pong Productions. and Beijing, and weaving between Mandarin and English, this rich and revelatory new play cuts through our assumptions to take us deep into the lives of a generation of secret and only children. 9 SEASON 2017 THE HomoseXUALS, OR FAGGOTS 17 FEB – 12 MAR FAGGOT noun #HOMOS ( ) 1/ A ball or roll of seasoned chopped liver, baked or fried 2/ A bundle of sticks bound together as fuel 3/ Pejorative term for a male homosexual 10 SEASON 2017 #HOMOS 11 SEASON 2017 #HOMOS 12 SEASON 2017 THE HomoseXUAls, OR FAGGOTS 17 FEB – 12 MAR ‘WE ARE GOING TO BE HERE TO SEE THE START OF THE PARADE, WE DON’T GO TO THE PARTY, WE GENERALLY HAVE AN EARLY NIGHT, BUT I AM SURE EVERYONE WHO DOES WILL HAVE A GOOD TIME.’ – MAlcolm TURNBULL ON SYDNEY GAY AND LesBIAN MARDI GRAS 2016 MERLYN THEATRE Warren and Kim are happily married—or as happily ‘married’ as two rich, white gay men in Australia BY / can be. Perusing a dinner menu at a pub one night, Declan Greene DiRECTION / they are mortally offended by the dinner special: #HOMOS Lee Lewis ‘Faggots—with mashed potato and gravy.’ Jump CAST INCLUDES / forward one month: Warren is attending a party Lincoln Younes in a highly offensive costume. Kim is interviewing SET & COSTUME a highly offend-able academic. You’d hope their DESIGN / Marg Horwell paths wouldn’t cross. But this is a farce, so they definitely do. A co-production with Griffin Theatre Company. Set during Sydney’s Mardi Gras this comedy of ‘mistaken identities’ takes the farce to new extremes. As one half of queer theatre outlaws Sisters Grimm, playwright Declan Greene (I Am A Miracle, Calpurnia Descending) has made his name toying with the subversive. With The Homosexuals, he takes the comedy of errors and lets it swerve across the road like a drunken driver, creating a howlingly funny hour of blistering satire that deals equally vicious blows to left and right wing hypocrisy. 13 SEASON 2017 14 #PIECEFORPERSON SEASON 2017 Piece FOR PERSON AND GHETTO BlASTer 15 – 26 MAR ‘COMIC GENIUS… GUNN’S TEXT IS INTRICATE AND OFTEN BRILLIANT, FULL OF UNPREDICTABLE DIGRESSIONS AND CURIOUS FACTOIDS. IT’S THE VERBAL EQUIVALENT OF SKIMMING STONES OVER WATER.’ – THE Age BeckeTT THEATRE Walking along the river in a foreign country, you see a man throwing stones at a nesting duck. CONCEPT, TEXT & PERFORMANCE BY / You ask him to stop. He tells you to mind your ORPERSON Nicola Gunn own business. What do you do? F CHOREOGRAPHER / ECE I Jo Lloyd Presented as a part of Dance Massive, Piece For #P SOUND DESIGN / Person and Ghetto Blaster explores the rawness Kelly Ryall of confrontation and the ethical dilemma of LIGHTING DESIGN / intervention. Through the lens of a surreal but Niklas Pajanti everyday event, Gunn plays out the tangle of AV DESIGN & DRAMATURGY / imagined responses and repercussions through Martyn Coutts a web of performance and dance. SCRIPT DRAMATURGY / Choreographed by Jo Lloyd to a rhythmic Jon Haynes COSTUME DESIGN / electronic soundscape, the interior struggle over Shio Otani whether to intervene or not becomes an erratic, TOUR PRODUCER / and ecstatic, meditation on the complexities of Performing Lines becoming a better person. Nicola Gunn was last A co-production with Performing seen on our stage in the furious political satire A Lines. Presented in association Social Service. Piece For Person and Ghetto Blaster with Dance Massive. harnesses Gunn’s signature wit to create a scathing performance of self-examination that is hypnotic and profoundly funny. 15 SEASON 2017 AWAY 3 – 28 MAY ‘GOW BALANCES EPIC FORCES— DARK AND LIGHT, LIFE AND DEATH, RAGE AND #A FORGIVENESS— W AYTHESHO ELEGANTLY AND W EVEN DELICATELY… IN A WAY THAT IS UNSENTIMENTAL, TRUE, FUNNY, AFFECTIONATE AND WISE.’ – HILAry BELL 16 SEASONSEASON 2017 W AYTHESHO W #A 17 SEASON 2017 18 #AWAYTHESHOW SEASON 2017 AWAY By MICHAEL GOW 3 – 28 MAY ‘WHAT COUNTRY, FRIENDS, IS THIS?’ – TWELFTH NIGHT, AcT I, sc. ii. Merlyn THEATRE Families can be cruel as well as kind. It is summer, W 1967, and three families head for the coast to get BY / away, to move on, to change.
Load more

Recommended publications
  • LE MONDE/PAGES<UNE>
    www.lemonde.fr 57e ANNÉE – Nº 17415 – 7,50 F - 1,14 EURO FRANCE MÉTROPOLITAINE SAMEDI 20 JANVIER 2001 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI Les soucis Les juges, leur malaise et leurs erreurs de M. Jospin b Les magistrats manifestent, vendredi, pour dénoncer leur manque de moyens b Les charges nouvelles a Fonctionnaires : liées à la loi sur la présomption d’innocence les inquiètent b Ils se sentent mal aimés et mal compris les négociations b Ce mouvement survient alors que des juges d’instruction sont contestés pour des fautes de procédure salariales À L’APPEL de tous leurs syndi- Français qui ont la vision d’une jus- cats, les magistrats devaient mani- tice compliquée, lourde, longue et ont échoué fester, vendredi 19 janvier, devant peu équitable. L’accroissement de le ministère de la justice. Ils man- leurs tâches ne peut, selon eux, a quent, disent-ils, de personnel, de qu’aggraver cette perception. Les syndicats locaux, d’équipement, de crédits. D’autant que la manière dont ont GARY HERSHORN/REUTERS Ces revendications sont ancien- été menées certaines enquêtes sur réclament nes, mais elles ont été exacerbées des affaires politico-financières les ÉTATS-UNIS par la mise en œuvre de la loi sur ont soumis à de violentes criti- une augmentation la présomption d’innocence, ques. Cela a été le cas lors de la entrée en vigueur le 1er janvier. Les mise en détention de Michel Rous- Qui est plus forte syndicats estiment qu’elle est diffi- sin, ancien ministre RPR et proche cilement applicable faute de ren- collaborateur de Jacques Chirac, pour 2000 forts.
    [Show full text]
  • Verse in Fraser's Magazine
    Curran Index - Table of Contents Listing Fraser's Magazine For a general introduction to Fraser's Magazine see the Wellesley Index, Volume II, pages 303-521. Poetry was not included in the original Wellesley Index, an absence lamented by Linda Hughes in her influential article, "What the Wellesley Index Left Out: Why Poetry Matters to Periodical Studies," Victorian Periodicals Review, 40 (2007), 91-125. As Professor Hughes notes, Eileen Curran was the first to attempt to remedy this situation in “Verse in Bentley’s Miscellany vols. 1-36,” VPR 32 (1999), 103-159. As one part of a wider effort on the part of several scholars to fill these gaps in Victorian periodical bibliography and attribution, the Curran Index includes a listing of verse published in Fraser's Magazine from 1831 to 1854. EDITORS: Correct typo, 2:315, 1st line under this heading: Maginn, if he was editor, held the office from February 1830, the first issue, not from 1800. [12/07] Volume 1, Feb 1830 FM 3a, A Scene from the Deluge (from the German of Gesner), 24-27, John Abraham Heraud. Signed. Verse. (03/15) FM 4a, The Standard-Bearer -- A Ballad from the Spanish, 38-39, John Gibson Lockhart. possib. Attributed by Mackenzie in introduction to Fraserian Papers Vol I; see Thrall, Rebellious Fraser: 287 Verse. (03/15) FM 4b, From the Arabic, 39, Unknown. Verse. (03/15) FM 5a, Posthumous Renown, 44-45, Unknown. Verse. (03/15) FM 6a, The Fallen Chief (Translated from the Arabic), 54-56, Unknown. Verse. (03/15) Volume 1, Mar 1830 FM 16b, A Hard Hit for a Damosell, 144, Unknown.
    [Show full text]
  • September – November Hohe Giebel
    OKTOBER Ausstellungen VERANSTALTUNGEN & AUSSTELLUNGEN KUTSCHFAHRTEN The Black Rider - „Equi Animo - Die Seele der Pferde“ – Do 25.6. – So 18.10. Sa 5.9. – Sa 28.11. Sonderausstellung: Sonderausstellung: jedenKUTSCHFAHRTEN Freitag und Samstag The Casting of the magic Bullets Wiebke Haas 1920 – Eine Provinz „HandwerksKunst“ Büchersonntag 11.00 Uhr bis 15.00 Uhr Do 8.10., 20.00 Uhr So 9.8. – So 25.10. verschwindet mit Kai Gaeth – jedenStart Freitag ab Marktplatz und Samstag Theater am Wall Historisches Rathaus, Markt 1 Westpreußisches Fantastische Pfeifen & kostenfrei Landesmuseum Manfred Kronenberg – 11.00 Uhr bis 15.00 Uhr „The Black Rider“ – ein Stück zwischen Drogenrausch und Lo- Mit der Ausstellung „Equi Animo - Die Seele der Pferde“ 19 28 Di bis So 10 – 18 Uhr Fabelhafte Bilder Adam & Eva Start ab Marktplatz ve-Story, Höllenfahrt und Gespensterzauber. Der Amtsschreiber entführt die Tierfotografin Wiebke Haas vom 9. August Stylebar by ebbers Westpreußisches Kindermoden kostenfrei Wilhelm und die Försterstocher Käthchen sind verliebt. Mög- bis zum 25. Oktober 2020 im historischen Rathaus der So 12.7. – Do 31.12. Münsterstraße 22 bis September Landesmuseum 2020 Heumarkt 4 lichst bald wollen sie heiraten. Allerdings kommt für Käthchens Pferdestadt Warendorf in die Welt der Pferdefotografie. Profession & Passion - Di bis So 10 – 18 Uhr Vater nur ein treffsicherer Jäger wie Robert in Frage. Der unge- Rund 50 großformatige Fotografien zeigen die verschie- David Yarrow 20 29 Di 27.10. – Fr 27.11. Schöner Wohnen Intersport übte Schütze Wilhelm willigt in ein Wettschießen ein und stellt denen Serien der Fotografin. Neben den bekanntesten Galerie Heinrich September – November Friederichs Museum, Druckgrafik und Malerei Preckel Kuschinski fest, dass er chancenlos ist.
    [Show full text]
  • ROBERT WILSON Biography Long Version, 2,054 Words / 13,233 Characters
    ROBERT WILSON Biography long version, 2,054 words / 13,233 characters The New York Times described Robert Wilson as “a towering figure in the world of experimental theater and an explorer in the uses of time and space on stage. Transcending theatrical convention, he draws in other performance and graphic arts, which coalesce into an integrated tapestry of images and sounds.” Susan Son- tag has said of Wilson’s work, “it has the signature of a major artistic creation. I can’t think of any body of work as large or as influential.” Born in Waco, Texas, Wilson was educated at the University of Texas and Brook- lyn’s Pratt Institute, where he took an interest in architecture and design. He stud- ied painting with George McNeil in Paris and later worked with the architect Paolo Solari in Arizona. Moving to New York City in the mid-1960s, Wilson found himself drawn to the work of pioneering choreographers George Balanchine, Merce Cun- ningham, and Martha Graham, among others artists. By 1968 he had gathered a group of artists known as The Byrd Hoffman School of Byrds, and together they worked and performed in a loft building at 147 Spring Street in lower Manhattan. Performing Arts In 1969 two of Wilson’s major productions appeared in New York City: The King of Spain at the Anderson Theater, and The Life and Times of Sigmund Freud, which premiered at the Brooklyn Academy of Music. In 1971 Wilson received international acclaim for Deafman Glance (Le Regard du Sourd), a silent opera created in collaboration with Raymond Andrews, a talented deaf-mute boy whom Wilson had adopted.
    [Show full text]
  • 2011 Next Wave Festival OCT 2011
    2011 Next Wave Festival OCT 2011 Donald Baechler, Red + Blue Rose (detail), 2011 BAM 2011 Next Wave Festival sponsor Published by: BAM 2011 Next Wave Festival Brooklyn Academy of Music presents Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board The Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, Threepenny President Joseph V. Melillo, Executive Producer Opera BAM Howard Gilman Opera House Oct 4—8, 2011 at 7:30pm Approximate running time: three hours including one intermission A play by Bertolt Brecht Adapted from Elizabeth Hauptmann’s German version of John Gay’s The Beggar’s Opera Lyrics by Bertolt Brecht Music by Kurt Weill Berliner Ensemble BAM 2011 Next Wave Festival sponsor Direction, Stage, Light concept by Robert Wilson Music direction by Hans-Jörn Brandenburg and Stefan Rager Leadership support for the Next Wave Costumes by Jacques Reynaud Festival provided by the Ford Foundation. Co-direction by Ann-Christin Rommen Co-design scenery by Serge von Arx The Threepenny Opera is part of Global Co-design costumes by Yashi Tabassomi Connections at BAM sponsored by MetLife Foundation. Dramaturgy by Jutta Ferbers and Anika Bárdos Leadership support for The Threepenny Lighting by Andreas Fuchs Opera provided by brigitte nyc; Mr. & Mrs. and Ulrich Eh Sid R. Bass; and The Joseph and Sylvia Slifka Foundation, with additional support from the David L. Klein, Jr. Foundation. Performed in German with English titles, translated by Endowment funding for The Threepenny John Willett in 1976 Opera has been provided by The Andrew W. Mellon Foundation Fund for Opera and Used by arrangement with European American Music-Theater.
    [Show full text]
  • Eyes & Ears Awards 2007 INNOVATION & EFFECTIVENESS
    DESIGN · PROMOTION · MARKETING > TV · FILM · RADIO · INTERNET · MOBILE · GAMES · EVENTS Eyes & Ears Awards 2007 INNOVATION & EFFECTIVENESS Jury statements Category TV/Film/Media Design 1. Best design in print or poster advertising DMAX – Fernsehen für die tollsten Menschen der Welt: Männer DMAX chose an extraordinary look for its launch in the German TV landscape. The black and turquoise colour scheme gave posters, flyers and post cards a masculine, cinematic touch. Bold and provocative headlines added to the perfection of this presentation. Seasoned with humour and self-mockery, this fancy and likeable campaign is appreciated not only by men. 2. Best off-air corporate design innovation DMC: ARD Hauptstadtstudio The renewed off-air design for the ARD Hauptstadtstudio news magazine supports the programme's factual and information-related positioning and is a successful example of a format-related continuation of a Corporate Design. Thanks to uniform basic elements, the brand ARD Hauptstadtstudio remains recognisable even if used within a number of different applications. A redesign strengthening format and umbrella brand at the same time. 3. Best new on-air corporate design package CREATION CLUB: ARENA In the world of reduced colours on ARENA, the huge passion for football plays the main role. Implementing a black and white picture aesthetic, CREATION CLUB has created a stylish as well as thrilling approach to football fans. The orange coloured elements integrate the brand ARENA in a variety of ways, whether as fan make-up, corner flag or football jersey. Thus, a strong relation between brand, programme and audience has been created audiovisually. A perfect framework for great sporting events and ideal audience guidance.
    [Show full text]
  • Venues All Over the City. Artists from All Over the World
    VENUES ALL OVER THE CITY. ARTISTS FROM ALL OVER THE WORLD. LET YOUR HAIR DOWN WITH LIVE PERFORMANCE. January 16 - February 3, 2008 Vancouver • Canada www.pushfestival.ca Emily Molnar, Artist-in-Residence. Photo by Michael Slobodian. BC’s resource centre for dance Performances and events Resources, information and support for artists Studio rentals at Scotiabank Dance Centre Contact us for further information: The Dance Centre, Level 6, 677 Davie Street, Vancouver BC V6B 2G6 T 604 606 6400 www.thedancecentre.ca 2 Hello! Table of Contents Another year has passed. And here we Welcome Messages . .4 are submerged in the throes of winter. Main Program . 5–19, 22–29 January 2008 will bring the fourth Schedule . 20–21 installment of the Push International Performing Arts Festival. Three weeks Ticket + Pass Info . 20–21 of ground-breaking work from afar and Festival Credits . 21 just around the corner. I could list for Special Events . 31 you the number of productions, of PuSh Assembly . 33–34 artists, of performances—they Post-show Talkbacks . 36 are good numbers. But alas, only numbers. Venue Maps . 36 Acknowledgements . 38 There is a lot of talk these days about the need to quantify the impact of art. In some circles, it’s referred to as Legend “metrics”. In others, one speaks of Norman Armour, circa 1966 “measurables” and “outcomes”. Whatever the case, the task at hand is Wheelchair accessible to quantify the degree that the arts may be argued to have a socially relevant value—in other words, to demonstrate with tangible proof the transformative power of art and the role it plays in our lives.
    [Show full text]
  • Dylan Review, Summer 2020
    DYLAN REVIEW, SUMMER 2020 MASTHEAD CO-EDITORS Raphael Falco, University of Maryland, Baltimore County Paul Haney, University of Massachusetts, Boston Lisa O'Neill Sanders, Founder DR, Saint Peter's University Shelby Nathanson, Digital Editor Nicole Font, Assistant to the Editors EDITORIAL BOARD Mitch Blank, New York City Michael Gilmour, Providence University College (Canada) Nina Goss, Fordham University Charles O. Hartman, Connecticut College Jonathan Hodgers, Trinity College, Dublin Robert Reginio, Alfred University Christopher Rollason, Luxembourg Richard Thomas, Harvard University Dylan Review 2.1 (Summer 2020) DYLAN REVIEW, SUMMER 2020 TABLE OF CONTENTS SPECIAL TOPIC: CALL FOR SUBMISSIONS………………….……………………………..2 REVIEWS Charles O. Hartman, Rough and Rowdy Ways: Containing History….………....3 John Hunt and Tim Hunt, Travelin’ Thru ...…………………..……………………....16 THE DYLANISTA………………………………………………………………………………28 ARTICLES Richard F. Thomas, “And I Crossed the Rubicon”: Another Classical Dylan....35 Graley Herren, Young Goodman Dylan: Chronicles at the Crossroads..……..65 SONG CORNER Anne Margaret Daniel, “Murder Most Foul”….…………………………………….83 INTERVIEWS Mark Davidson…………………………………………………………………………... 95 LETTERS………………………………………………………………………………….…...106 CONTRIBUTORS…………………………………………………………………….………107 BOOKS RECEIVED………………………………………………………………………….109 BOB DYLAN LYRICS, COPYRIGHT INFORMATION……………………………………110 1 Dylan Review 2.1 (Summer 2020) SPECIAL TOPIC: CALL FOR SUBMISSIONS THE COPS DON’T NEED YOU AND MAN THEY EXPECT THE SAME For the next issue of the Dylan Review, Winter 2.2, the Editors invite articles and Song Corner essays on the special topic of political authority and race in Dylan’s work. Up on Housing Project Hill It’s either fortune or fame You must pick one or the other Though neither of them are to be what they claim If you’re lookin’ to get silly You better go back to from where you came Because the cops don’t need you And man they expect the same This familiar stanza from “Just Like Tom Thumb’s Blues” sets the tenor for the Editors’ special topic.
    [Show full text]
  • Monatsprogramm
    N2018ov Monatsprogramm Diesmal 12 Seiten meh r! Unser großes Angebot für Weihnachten und den Jahreswechse l! e d n i e m e e r g r h e a t J rvice a se ur nd Kult u e ten- 0 r Ka 97-222 89 532 h (0) 0 +49 Telefon 1 T Unser Tipp Mit einer Teilnehmerschaft bei der TheaGe profitieren Sie nicht nur beim Kartenkauf direkt über uns: Zusätzlich erhalten Sie bei vielen Privattheatern, Museen und einigen anderen TheaGe- Partnern Ermäßigungen. Alle Bonuspartner finden Sie auch auf unserer Homepage www.TheaGe-Muenchen.de/bonusprogramm . Zum Jahresende möchten wir Ihnen zwei Highlights aus dem Programm unseres bewährten Partners, dem Tollwood Winter - festival auf der Theresienwiese ans Herz legen. 23.11. – 31.12.2018 Das Tollwood Winterfestival 2018 www.tollwood.de r e u a b r e k c a W d n r e B : o t o F Tollwood Winterfestival 23.11., 29.12., jeweils 20 Uhr (Einlass 18:30 Uhr) 30.12., 18 Uhr (Einlass 16:30 Uhr) Theaterzelt „Das Schloss“, Schwere-Reiter-Str. 15 (Außerhalb des Festivalgeländes) 26., 27., 28.12., jeweils 20 Uhr (Einlass 19 Uhr) Weltsalon, Theresienwiese CAVEMAN: Du sammeln. Ich jagen! Karsten Kaie erklärt das Missverhältnis zwischen Mann und Frau seit der Zeit des Neandertalers. 15 % Ermäßigung 28., 29.11., 4.12., jeweils 20 Uhr (Menübeginn 18 Uhr) Grand Chapiteau, Theresienwiese Circus Oz „Model Citizens“ Atemraubende körperliche Höchstleistung trifft beißende Satire Reihenplätze ohne Menü: 15 % Ermäßigung Tischplätze mit Menü: 10 % Ermäßigung Deutschlandpremiere. Mit ihrer neuesten Show „Model Citizens“ bringt die australische Compagnie Circus Oz die Mythen des modernen Australien auf die Bühne.
    [Show full text]
  • Engagement À Double Tranchant Devenir Volontaire Est Une Entreprise Tout À Fait Louable
    woxx déi aner wochenzeitung l’autre hebdomadaire 1313/15 ISSN 2354-4597 2.20 € 03.04.2015 Engagement à double tranchant Devenir volontaire est une entreprise tout à fait louable. Malheureusement, peu de gens se rendent compte de tout ce que cette décision implique. Regards p. 10 EDITO NEWS REGARDS 0 1 3 1 3 In die Schuhe geschoben S. 2 Floutage p. 3 Variante des Andersseins S. 8 Du bist Schuld! Nein, du! „School- Le rapport Artuso continue à faire des Ob Krankheit oder Wesensart, Leaks“ wird zum Showdown zwischen vagues et la société luxembourgeoise Autismus ist ein gesellschaftliches DP und CSV. Dabei zieht sich keiner sort lentement de sa léthargie. Seul Phänomen, das zunimmt. Ein Blick auf 5 453000 211009 der Beteiligten gut aus der Affäre. manque le courage politique. Luxemburg legt Schwachpunkte offen. 2 NEWS woxx | 03 04 2015 | Nr 1313 EDITORIAL SCHOOL-LEAKS NEWS Schäbiges Bild David Angel Die „School-Leaks“-Affäre artet zum Schließung des Datenlecks interes- Feuilleton aus. Eine gute Figur gibt siert. Vielmehr nahmen sie die sich dabei keiner der Beteiligten ab. bietende Möglichkeit, das Bildungsmi- nisterium und damit die DP bloßzu- Wer wusste wann woüber Be- stellen, dankbar an. Politik als Dienst scheid? Das scheint zur wichtigsten am Lande und an den Menschen sieht Frage im nun schon zwei Wochen an- anders aus. dauernden „School-Leaks“-Feuilleton zu werden. Während die CSV-Abge- ordneten Martine Hansen und Felix Während die CSV sich Eischen dem Bildungsminister Claude in ihren Spielchen Meisch mit einem „juristischen Nach- spiel“ drohen, wirft die DP der größ- verstrickt, betreibt ten Oppositionspartei vor, „ein poli- die Regierung tisches Spiel auf Kosten der Schüler“ eine desaströse zu spielen.
    [Show full text]
  • Felix Issue 0953, 1993
    (the untold story of the wild west) The latest film to star Mario van Peebles rides in on page 17 2 News Channel CCUs Elect New Exec Members Tunnel Linked ill!! By Imperial Dr Stefan Szymanski, has linked increases in Dover ferry brochure prices with plans to open the Channel Tunnel. Dr Szymanski is illilS an Economics lecturer in the Management School. In a paper entitled, 'Making Hay While The Sun Shines', Dr Szymanski discusses the reasons for effectively doubling car ferry prices. islaSaSlisS: Christmas Caper Comes! The Imperial College Christmas Caper will take place this year on Sunday 5th December. A pigeonhole waiting to be used. Guilds' elect their Vice-President today. The annual event is being organised by the HUB Office. It BY LYNN BRAVEY representatives." announced tonight. aims to introduce children to Fellow candidate, Steve The Royal College of Science science, technology and medicine Hustings were held last Tuesday for Hoborough, echoed these views by Union also held elections this through an 'unforgettable party'. the post of Vice-President in the suggesting that "college media week. Four members of their Tickets, at a cost of £3 for City and Guilds College Union should be used to it's full committee were elected on Monday adults, are available from the HUB (C&GCU). Hopeful candidates advantage". He added: "I've also at their Union General Meeting. Office (x3021). The HUB Office pledged themselves to improving been doing the job for six weeks." These were Stephen Dorman, are also looking for people to help student involvement in C&GCU The hustings were poorly Honorary Secretary; Chris Barry, with entertainment, science games affairs if they are elected.
    [Show full text]
  • Curran Index Part a - Verse
    Curran Index Part A - Verse Fraser's Magazine For a general introduction to Fraser's Magazine see the Wellesley Index, Volume II, pages 303-319. EDITORS: Correct typo, 2:315, 1st line under this heading: Maginn, if he was editor, held the office from February 1830, the first issue, not from 1800. [12/07] Volume 1, Feb 1830 3a, A Scene from the Deluge (from the German of Gesner), 24- 27, John Abraham Heraud. Signed. Verse. (03/15) 4a, The Standard-Bearer -- A Ballad from the Spanish, 38- 39, John Gibson Lockhart. possib. Attributed by Mackenzie in introduction to Fraserian Papers Vol I; see Thrall, Rebellious Fraser: 287 Verse. (03/15) 4b, From the Arabic, 39, Unknown. Verse. (03/15) 5a, Posthumous Renown, 44- 45, Unknown. Verse. (03/15) 6a, The Fallen Chief (Translated from the Arabic), 54- 56, Unknown. Verse. (03/15) Volume 1, Mar 1830 16b, A Hard Hit for a Damosell, 144, Unknown. Verse. (03/15) 16a, Song (Oh! I could whisper thee a tale), 144, Unknown. Verse. (03/15) 18a, The Bird-Messenger: A Ballad from the Limousin, 152, Unknown. Verse. (03/15) 20a, Stanzas (They scorn me when I weep for thee), 177, Unknown. Verse. (03/15) 24a, Am I to Blame?, 216, Nathaniel Thomas Haynes Bayly. Signed. Verse. (03/15) 24b, A Night-Thought. From the German of Göthe, 216, Unknown. Signed Y. Verse. (03/15) Volume 1, Apr 1830 27a, Our Belman's Address to his Public, -, Unknown. Umpaginated; signed Johnny Whistlecraft. Verse. (03/15) 27b, The Young Dragon, 255- 259, Robert Southey.
    [Show full text]