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Download PDF Booklet A COUNTRY LIFE WALTER PARDON 1 Raggle Taggle Gypsies 2 Peggy Bawn 3 Bold Princess Royal 4 One Cold Morning in December 5 The Devil and the Farmer’s Wife 6 An Old Man’s Advice 7 Uncle Walter’s Tune 8 A Country Life 9 Cupid the Ploughboy 10 The Dandy Man 11 Jack Hall 12 I Wish, I Wish 13 Broomfield Hill 14 The Hungry Arm First published by Topic 1982 Recorded by Mike Yates Produced by Mike Yates and Tony Engle Sleeve notes by A L Lloyd and Mike Yates Photography and notes by Mike Yates A COUNTRY LIFE “Uncle Billy told me that his father used to play the clarinet in the Church Band and that he had the words and music of Recording Walter Pardon the songs printed on sheets - broadsides you call ‘em - but I never saw them, not that I can remember. Like you say, a Gimingham, Trimingham, Knapton and Trunch, lot of the songs are Irish. Peggy Bawn, The Bonny Bunch of Southrepps and Northrepps lay all in a bunch. Roses, and I think that when they built the North Walsham to Dilham canal in 1812-1827, that’s when those songs came For some reason it was always raining, the wind always in around here, brought here by the Irish navvies.” blowing inland from the direction of Mundesley and Bacton, always leaving the taste of salt on my lips. Knapton lies a Most of the songs on this record come from Uncle Billy Gee. A Country Life few miles from the small Norfolk town of North Walsham Raggle Taggle Gypsies, Peggy Bawn, One Cold Morning in a rich farming area of wheat and barley fields, of potato in December, The Devil and the Farmer’s Wife, An Old 02 and sugar beet plots divided by small woods and copses; a Man’s Advice, A Country Life, Cupid the Ploughboy, Jack land where red brick farm buildings break the skyline. From Hall, I Wish, I Wish, and Broomfield Hill. The Hungry Knapton the fields dip gently down to the sea. The weather Army was also sung by Uncle Billy, although Walter’s text cock on the church tower must be visible from miles around. has been augmented from a published copy. Similarly The Walter Pardon’s cottage stands to the side of the North Dandy Man was also sung by Uncle Tom Gee and Walter Walsham road. He was born there on March 4th 1914 and has again used a printed text to complete what was, for has been a carpenter since 1928 when he began work in the him, an incomplete song. The other song on the record,The nearby village of Paston. His uncle, Billy Gee (born 1863), Bold Princess Royal, was learnt from John Fish, an old shared the cottage and it was from Billy that Walter learnt gamekeeper from Trunch, when Walter was about 14 years most of his songs. old. “The family sang it, but it was just like The Old Miser, same I keep in my memory the love of the past, tune see, so I never bothered until I heard John Fish, and he with me ‘tis bright as of old. taught it to me. No one else sang it that way - not round here, For deep in my heart it was planted to last; anyway. In absence it never grows cold. “Seamus Ennis came by here in the 50s looking for music for the radio, but he missed me, ’cause nobody outside the “He’d either sing them at night, here by the fire, or else, if it family knew that I had the songs. I didn’t know that any was raining and he couldn’t work, we’d sit in the toolshed body was interested in ‘em … didn’t even know that there singing to one another. You see that big drum hanging up was a festival in Norwich, the local reports didn’t mention it. there… that was from the Knapton Drum and Fife Band. But then I got to thinking, sitting here by myself, and trying Uncle Billy played the fiddle with them. We didn’t sing much to remember ’em. It was years since l’d sung some of ’em. A in the pubs. Uncle Billy had done, in his youth. He picked up Ship to Old England, The Dark-Eyed Sailor; there were some some songs in the ‘Mitre Tavern’ in North Walsham. But not verses I just couldn’t remember. Then Roger Dixon, who’s me. I only sang at home. related to me, gave me a tape recorder and I sang some of TSDL392 them on to the tape. I reckon it took all winter to get them Raggle Taggle Gypsies (Child 200) down, ‘bout twenty of ’em. Roger gave the tape to Peter It is almost certain that the ballad of The Gypsy Laddie is Bellamy and that was how I got known. A lot more songs of Scots origin, with some commentators suggesting that it come back to me since then.” may contain remnants of the Celtic belief of fairy abduction. English 19th century broadsides usually include the line The recordings heard on this record were made as part of a that the gypsies “Cast their glamer over her” with the added project to document and study Walter Pardon’s complete note that glamer means “a charm or spell”. The ballad is still repertoire - a project which, I am happy to say, has been highly popular in Britain and North America and several enthusiastically welcomed by Walter Pardon himself. fine recordings are available. See especially the versions by Usually Walter and myself have spent some time talking Harry Cox of Norfolk, Jeannie Robertson of Aberdeen and A Country Life about his life and songs before beginning to record the Paddy Doran of Belfast, Frank Proffit of North Carolina, songs in question. It seems to me that he has often become O.J. Abbott of Canada and Robert Campbell, also of 03 so absorbed in the memories surrounding these songs that Canada. when he begins to sing his voice takes on an added quality and intensity. It is almost as though past and present become 1 Three gypsies came round to my door, merged into one. Downstairs ran my lady-o. One sang high and one sang low Further details of Walter’s life can be found in “Folk Review” And one sang bonny, bonny biscay-o. Vol. 3, No. 10 (August. 1974) and “Folk News” Vol. l, No.3 (August, 1977), whilst other songs can be heard on Walter’s 2 Then she took off her silken gown two previous albums, A Proper Sort and Our Side And dressed in hose of leather-o. of the Baulk. The dirty rags around my door, She’s gone with the raggle-taggle-gypsies-o. 3 Was late at night my lord returned Enquiring for his lady-o. The servants one and all replied: “She’s gone with the raggle-taggle-gypsies-o.” 4 “Go harness up my milk white steed, Go fetch me my pony-o. And I will ride to seek my bride Who’s gone with the raggle-taggle-gypsies-o.” 5 He rode high and he rode low, He rode through the woods and copses too. Until he came to a wide open field, 1 As I rambled over Highland hills, There he espied his lady-o. to a farmer’s house I came. The night being dark and something wet, 6 “Why did you leave your new-wedded lord, I ventured in the same; Your house and lands and money-o? Where I was kindly treated and a pretty girl I spied, To go and seek a roving life Who asked me if I had a wife, but marriage I denied. ’Long with the raggle-taggle~gypsies-o.” 2 I courted her all that long eve, 7 “What care I for my new-wedded lord, until near the dawn next day. My house and lands and money-o? When frankly unto me she said, A Country Life For I will seek a roving life “Straight along with you I’ll go, Along with the raggle-taggle-gypsies-o.” For Ireland is a fine country and you to the Scots are kin, 04 So I will go along with you, my fortune to begin.” 8 “Last night you slept in a goose feather bed With the sheets turned down so bravely-o. 3 The day-break being nearly come, Tonight you’ll sleep in the cold open fields I into the house was ta‘en. Along with the raggle-taggle-gypsies-o.” When the good man kindly asked me if would wed his daughter Jane. 9 “What care I for a goose feather bed “One hundred pounds I will give to you, With the sheets turned down so bravely-o? beside, a piece of land.” For I will seek a roving life But scarcely had he spoke the words, Along with the raggle-taggle-gypsies-o.” when I thought of Peggy Bawn. Peggy Bawn 4 “Your offer, sir, is very good, and I thank you too,” said I; The songPeggy Bawn was probably first printed in a Belfast “But I cannot be your son-in-law and Chapbook that bears the date 1764, although no printer’s I’ll tell you the reason why: imprint is shown. In 1788 William Shield included it in his My business calleth me in haste, opera Marian. I am the King’s messenger bound. The song later appeared in several Irish collections and Colm I cannot be your son-in-law until I’ve seen O’Lochlainn notes that it was “once very popular in Northern the Irish ground.” Ireland and among the Irish in Scotland.” Several English broadside printers also included the song among their wares - usually calling it 5 Oh, Peggy Bawn thou art my jewel Peggy Band.
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