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Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
886448056478.Pdf
1 Modest Mussorgsky (1839-1881) Pictures at an Exhibition [34:10] K The Marketplace of Limoges (The Big News) [1:30] Tondichtung für großes Orchester (frei nach Friedrich Nietzsche) Limoges. Le Marché (La Grande Nouvelle) Tableaux d’une exposition Allegretto vivo, sempre scherzando Orchestrated by Maurice Ravel (1875-1937) L Catacombae, sepulchrum Romanum [2:16] A Promenade [1:37] Largo Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto M Cum mortuis in lingua mortua [1:57] B Gnomus [2:47] Andante non troppo, con lamento Vivo N The Hut on Chicken’s Legs (Baba-Yaga) [3:24] C Promenade [0:56] La Cabane sur des pattes de poule (Baba-Yaga) Moderato comodo e con delicatezza Allegro con brio, feroce – Andante mosso – Allegro molto D Il vecchio castello [4:42] O The Great Gate of Kiev [5:40] Andante Le Grande Porte de Kiev E Promenade [0:31] Allegro alla breve. Maestoso. Con grandezza Moderato non tanto, pesamente P F Tuileries Gardens (Children Quarrelling at Play) [1:03] Khovanstchina: Entr’acte to Act IV, Scene 2 Tuileries (Disspute d’enfants aprèes jeux) “Prince Galitzin’s Journey into Exile” [4:41] Allegretto non troppo, capriccioso Orchestrated by Nikolai Rimsky-Korsakov (1844-1908) G Bydlo [3:14] Q Sempre moderato, pesande St. John’s Night on the Bare Mountain (A Night at Bare Mountain, Original version) [12:57] H Promenade [0:42] Tranquillo Total Playing Time [52:05] I Ballet of Chicks in Their Shells [1:14] Ballet des poussins dans leurs coques Scherzino. Vivo leggiero J Samuel Goldenberg and Schmuyle [2:31] Andante 2 NHK Symphony Orchestra, Tokyo Recorded: September 14 & 15, 2016, Suntory Hall, Tokyo (Live Recording at The Subscription Concerts No. -
Sächsische Staatskapelle Dresden
Sächsische Staatskapelle Dresden Sächsische Staatskapelle Dresden Matthias Claudi PR und Marketing T 0351 4911 380 Christian Thielemann, Chefdirigent F 0351 4911 328 [email protected] Myung-Whun Chung, Erster Gastdirigent Herbert Blomstedt, Ehrendirigent Durch Kurfürst Moritz von Sachsen 1548 gegründet, ist die Sächsische Staatskapelle Dresden eines der ältesten und traditionsreichsten Orchester der Welt. Seit ihrem Bestehen haben bedeutende Kapellmeister und international geschätzte Instrumentalisten die Geschichte der einstigen Hofkapelle geprägt. Zu ihren Leitern gehörten u. a. Heinrich Schütz, Johann Adolf Hasse, Carl Maria von Weber und Richard Wagner, der das Orchester als seine »Wunderharfe« bezeichnete. Bedeutende Chefdirigenten der letzten 100 Jahre waren Ernst von Schuch, Fritz Reiner, Fritz Busch, Karl Böhm, Joseph Keilberth, Rudolf Kempe, Otmar Suitner, Kurt Sanderling, Herbert Blomstedt und Giuseppe Sinopoli. Ab 2002 standen Bernard Haitink (bis 2004) und Fabio Luisi (2007-2010) an der Spitze des Orchesters. Seit der Saison 2012 / 2013 ist Christian Thielemann Chefdirigent der Sächsischen Staatskapelle. Im Mai 2016 wurde der ehemalige und langjährige Chefdirigent Herbert Blomstedt zum Ehrendirigenten des Orchesters ernannt. Diesen Titel hatte bislang einzig Sir Colin Davis von 1990 bis zu seinem Tod 2013 inne. Myung-Whun Chung trägt seit der Spielzeit 2012 / 2013 den Titel des Ersten Gastdirigenten. Richard Strauss war der Staatskapelle mehr als sechzig Jahre lang freundschaftlich verbunden. Neun seiner Opern, darunter »Salome«, »Elektra« und »Der Rosenkavalier« wurden in Dresden uraufgeführt; seine »Alpensinfonie« widmete er der Staatskapelle. Auch zahlreiche andere berühmte Komponisten schrieben Werke, die von der Staatskapelle uraufgeführt wurden bzw. ihr gewidmet sind. An diese Tradition knüpft das Orchester seit 2007 mit dem Titel »Capell-Compositeur« an. -
Heidi Grant Murphy, Soprano
Master Class Heidi Grant Murphy, soprano March 23, 2021 Tuesday Presented Virtually 3:30 pm Program Del Cabello más sutil Fernando Obradors (1897–1945) “Mein Herr Marquis” from Die Fledermaus Johann Strauss, Jr. (1825–1899) Gretchen Enterline, soprano Il pleure dans mon cœur Claude Debussy (1862–1918) “Steal Me, Sweet Thief” from The Old Maid and the Thief Gian Carlo Menotti (1911–2007) Becka Lundy, soprano Ideale Francesco Paolo Tosti (1846–1916) “Inkslinger's Song” from Paul Bunyan Benjamin Britten (1913–1976) Colin Kase, tenor “Chacun le sait” from La Fille du Régiment Gaetano Donizetti (1797–1848) Villanelle Eva Dell’acqua (1856–1930) Yaqi Yang, soprano "Or sai chi l'onore" from Don Giovanni Wolfgang Amadeus Mozart (1756–1791) "September" from Vier letzte Lieder Richard Strauss (1864–1949) Patricia Luecken, soprano One hundred eighty-fourth performance of the 2020-2021 season. About the Artist A shimmering soprano with enchanting stage presence, HEIDI GRANT MURPHY is one of the outstanding vocal talents of her generation. A native of Bellingham, Washington, she began vocal studies while attending Western Washington and the Indiana University Jacobs School of Music. Her graduate studies were interrupted when she was named a winner of the Metropolitan Opera National Council Auditions and engaged by Maestro James Levine to participate in the Metropolitan Opera's Lindemann Young Artist Development Program. Today, she has established a reputation not only for her radiant musicianship and impeccable vocal technique but also for her warm personality and generosity of spirit. Murphy has appeared with many of the world's finest opera companies and symphony orchestras, working with many of the world's most esteemed conductors. -
Broschüre DMW-Künstlerliste SOLIST
Künstlerliste Solisten 19 Deutscher Musikrat gemeinnützige Projektgesellschaft mbH Projektleitung Deutscher Musikwettbewerb und Bundesauswahl Konzerte Junger Künstler Weberstraße 59 53113 Bonn www.deutscher-musikwettbewerb.de 20 Kontakt Preisträger-CDs des Deutscher Musikrat Deutschen Musikwettbewerbs gemeinnützige Projektgesellschaft mbH bei GENUIN Projektbüro Deutscher Musikwettbewerb Projektleitung: Irene Schwalb Weberstraße 59 53113 Bonn Tel. 0228 2091-160 Fax. 0228 2091-250 [email protected] www.deutscher-musikwettbewerb.de Formular zur Antragstellung: www.deutscher-musikwettbewerb.de/solisten Förderer der Künstlerliste: Es fehlen RM von: Umschlag Volbers - nochmal geschrieben Levin (kommt später) Hartwig - nochmal geschrieben Künstlerliste 2019/2020 SolistInnen des Deutschen Musikwettbewerbs eine Kooperation des Deutschen Musikwettbewerbs (DMW) und der Gesellschaft zur Verwertung von Leistungsschutzrechten (GVL) Der Deutsche Musikwettbewerb empfiehlt den Orchestern in Deutschland die PreisträgerInnen und ausgewählte FinalistInnen des DMW Wird ein/e Solist/in aus dieser Broschüre für Solokonzerte engagiert, kann das veranstaltende Orchester einen Honorarzuschuss der GVL beim Projektbüro DMW beantragen. Bitte kontaktieren Sie uns bei allen Fragen, es ist uns ein Anliegen, möglichst alle unsere Preisträger und Stipendiaten zu fördern! 1 Künstlerliste 2019/2020 SolistInnen des Deutschen Musikwettbewerbs eine Kooperation des Deutschen Musikwettbewerbs (DMW) und der Gesellschaft zur Verwertung von Leistungsschutzrechten (GVL) -
The Blake Collection Click on Item Titles Or in Memory of Nancy M
(Scroll to the end of this document for an Index to all items. Please note that this Archive contains Live Links: The Blake Collection click on item titles or pictures to go to the In Memory of Nancy M. Blake Library’s catalog, and click on citations to see full articles.) BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma. -
Staatskapelle Dresden
Staatskapelle Dresden Staatskapelle Dresden Matthias Claudi PR und Marketing Theaterplatz 2 Christian Thielemann, Principal Conductor 01067 Dresden Germany Myung-Whun Chung, Principal Guest Conductor T 0351 4911 380 herberb Blomstedt, Conductor Laureate F 0351 4911 328 [email protected] Founded by Prince Elector Moritz von Sachsen in 1548, the Staatskapelle Dresden is one of the oldest orchestras in the world and steeped in tradition. Over its long history many distinguished conductors and internationally celebrated instrumentalists have left their mark on this onetime court orchestra. Previous directors include Heinrich Schütz, Johann Adolf Hasse, Carl Maria von Weber and Richard Wagner, who called the ensemble his »miraculous harp«. The list of prominent conductors of the last 100 years includes Ernst von Schuch, Fritz Reiner, Fritz Busch, Karl Böhm, Joseph Keilberth, Rudolf Kempe, Otmar Suitner, Kurt Sanderling, Herbert Blomstedt and Giuseppe Sinopoli. The orchestra was directed by Bernard Haitink from 2002-2004 and most recently by Fabio Luisi from 2007-2010. Principal Conductor since the 2012 / 2013 season has been Christian Thielemann. In May 2016 the former Principal Conductor Herbert Blomstedt received the title Conductor Laureate. This title has only been awarded to Sir Colin Davis before, who held it from 1990 until his death in April 2013. Myung-Whun Chung has been Principal Guest Conductor since the 2012 / 2013 season. Richard Strauss and the Staatskapelle were closely linked for more than sixty years. Nine of the composer’s operas were premiered in Dresden, including »Salome«, »Elektra« and »Der Rosenkavalier«, while Strauss’s »Alpine Symphony« was dedicated to the orchestra. Countless other famous composers have written works either dedicated to the orchestra or first performed in Dresden. -
The Little Match Girl, Choral Music by Gordon Getty
FOR IMMEDIATE RELEASE NEW PENTATONE CLASSICS CD: THE LITTLE MATCH GIRL CHORAL WORKS BY GORDON GETTY A new recording of choral music by composer Gordon Getty, The Little Match Girl, has just been released on the PentaTone Classics label (PTC 5186 480). Four of Getty’s choral works are performed by the Münchner Rundfunkorchester (Munich Radio Orchestra) and Chor des Bayerischen Rundfunks (Bavarian Radio Choir), with soloists Nikolai Schukoff, Melody Moore and Lester Lynch. The world premiere recordings of The Little Match Girl, after the story by Hans Christian Andersen, and A Prayer for My Daughter, based on the Yeats poem, are coupled with Poor Peter, with text by the composer (a premiere recording of this arrangement), and Joan and the Bells, Getty’s cantata for soprano, baritone, chorus and orchestra. Contents of the CD PentaTone Classics (PTC 5186 480) THE LITTLE MATCH GIRL COMPOSER GORDON GETTY (b. 1933) 2 Nikolai Schukoff, tenor Melody Moore, soprano Lester Lynch, baritone Chor des Bayerischen Rundfunks Chorus Masters: Jörn Hinnerk Andresen (tracks 1-5) and Robert Blank (6-8) Münchner Rundfunkorchester Conducted by Asher Fisch (1-5) and Ulf Schirmer (6-8) A PRAYER FOR MY DAUGHTER* (TRACK 1) For Chorus and Orchestra Text by William Butler Yeats POOR PETER* (TRACKS 2-4) For Tenor, Chorus and Orchestra Text by Gordon Getty THE LITTLE MATCH GIRL* (TRACK 5) For Chorus and Orchestra Text by Hans Christian Andersen (English translation by H. B. Paull) From the short story The Little Match Girl JOAN AND THE BELLS (TRACKS 6-8) Cantata for Soprano, Baritone, Chorus and Orchestra Text by Gordon Getty Total playing time = 66:59 * World Premiere Recording About Gordon Getty (Composer) The music of the American composer Gordon Getty has been widely performed in North America and Europe in such prestigious venues as New York’s Carnegie Hall and Lincoln Center, London’s Royal Festival Hall, Vienna’s Brahmssaal, and Moscow’s Tchaikovsky Hall and Bolshoi Theatre, as well as at the Aspen, Spoleto, and Bad Kissingen festivals. -
Apocalypticism in Wagner's Ring by Woodrow Steinken BA, New York
Title Page Everything That Is, Ends: Apocalypticism in Wagner’s Ring by Woodrow Steinken BA, New York University, 2015 MA, University of Pittsburgh, 2018 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2021 Committee Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Woodrow Steinken It was defended on March 23, 2021 and approved by James Cassaro, Professor, Music Adriana Helbig, Associate Professor, Music David Levin, Professor, Germanic Studies Dan Wang, Assistant Professor, Music Dissertation Director: Olivia Bloechl Professor, Music ii Copyright © by Woodrow Steinken 2021 iii Abstract Everything That Is, Ends: Apocalypticism in Wagner’s Ring Woodrow Steinken, PhD University of Pittsburgh, 2021 This dissertation traces the history of apocalypticism, broadly conceived, and its realization on the operatic stage by Richard Wagner and those who have adapted his works since the late nineteenth century. I argue that Wagner’s cycle of four operas, Der Ring des Nibelungen (1876), presents colloquial conceptions of time, space, and nature via supernatural, divine characters who often frame the world in terms of non-rational metaphysics. Primary among these minor roles is Erda, the personification of the primordial earth. Erda’s character prophesies the end of the world in Das Rheingold, a prophecy undone later in Siegfried by Erda’s primary interlocutor and chief of the gods, Wotan. I argue that Erda’s role changes in various stage productions of the Ring, and these changes bespeak a shifting attachment between humanity, the earth, and its imagined apocalyptic demise. -
Tenor Richard Leech
Tenor Richard Leech Discography Solo from the heart Telarc International CD-80432 (1 CD) Italian Arias and Neapolitan Songs Works by Cilea, Donizetti, Puccini, Verdi, De Curtis, Di Capua, Leoncavallo, Tosti London Symphony Orchestra John Fiore, cond. Berlioz La Damnation de Faust London/Decca 444 812-2 (2 CDs) with Françoise Pollet, Gilles Cachemaille Orchestre Symphonique de Montréal Charles Dutoit, cond. Hymne des Marseillaises Telarc International 80164 (1 CD) with Silvia McNair Baltimore Symphony Orchestra David Zinman, cond. Donizetti Dom Sébastien Legato Classics LCD 190-2 (2 CDs) with Klara Takacs, Lajos Miller, Sergej Koptchak Opera Orchestra of New York Eve Queler, cond. 2 Gounod Faust EMI Classics CDCC 54228 (3 CDs) CDCC 54358 (1 CD Highlights) with Cheryl Studer, Thomas Hampson, José van Dam Orchestre du Capitole de Toulouse Michel Plasson, cond. Mahler Symphony No. 8 in E-flat (Symphony of a Thousand) SONY Classical S2K 45754 (2 CDs) with Sharon Sweet, Pamela Coburn, Florence Quivar, Brigitte Fassbänder, Siegmund Nimsgern, Simon Estes, Vienna Philharmonic Orchestra Lorin Maazel, cond. Meyerbeer Les Huguenots Erato 2292-45027-2 (4 CDs) with Françoise Pollet, Ghylaine Raphanel, Danielle Borst, Gilles Cachemaille, Boris Martinovic, Nicola Ghiuselev Orchestre Philharmonique de Montpellier Cyril Diedrich, cond. Puccini La Bohème Erato 0630-10699-2 (2 CDs) with Kiri Te Kanawa, Nancy Gustafson, Alan Titus, Gino Quilico, Roberto Scandiuzzi London Symphony Orchestra Kent Nagano, cond. 3 J. Strauss Die Fledermaus (Alfred) Philips 432 157-2 (2 CDs) 438 503-2 (1 CD - Highlights) with Te Kanawa, Gruberova, Fassbänder, Brendel, Bär, Krause Vienna Philharmonic Orchestra André Previn, cond. R.Strauss Der Rosenkavalier (Italian Tenor) EMI Classics CDCC 54259 (3 CDs) with Kiri Te Kanawa, Barbara Hendricks, Anne Sofie von Otter, Kurt Rydl Staatskapelle Dresden Bernard Haitink, cond. -
Bernard Haitink 59 Murray Perahia
Table of Contents | Week 22 7 bso news 17 on display in symphony hall 18 bso music director andris nelsons 20 the boston symphony orchestra 23 resonance by gerald elias 32 this week’s program Notes on the Program 34 The Program in Brief… 35 Ludwig van Beethoven 43 Gustav Mahler 51 To Read and Hear More… Guest Artists 57 Bernard Haitink 59 Murray Perahia 62 sponsors and donors 80 future programs 82 symphony hall exit plan 83 symphony hall information program copyright ©2016 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo by Constantine Manos cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director bernard haitink, lacroix family fund conductor emeritus seiji ozawa, music director laureate 135th season, 2015–2016 trustees of the boston symphony orchestra, inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • George D. Behrakis, Vice-Chair • Cynthia Curme, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • Ronald G. Casty • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Alan J. Dworsky • Philip J. Edmundson, ex-officio • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Susan Hockfield • Barbara W. Hostetter • Stephen B. Kay • Edmund Kelly • Martin Levine, ex-officio • Joyce Linde • John M. Loder • Nancy K. Lubin • Joshua A. Lutzker • Robert J. Mayer, M.D. • Susan W. Paine • John Reed • Carol Reich • Arthur I. Segel • Roger T. Servison • Wendy Shattuck • Caroline Taylor • Stephen R. -
Opera, Dance, Classical Music Arts Holidays
OPERA, DANCE, TRAVELFOR THE ARTS CLASSICAL MUSIC SPRING & SUMMER FESTIVALS 2016 ARTS HOLIDAYS www.travelforthearts.com +44 20 8799 8350 [email protected] welcome to the world of OPERA, DANCE, CLASSICAL MUSIC ARTS HOLIDAYS Welcome to Travel for the Arts, the UK’s leading opera, All details including hotels, meals, excursions and tour leaders classical music and dance holiday specialist, established in are hand-picked, and we endeavour to provide the best tickets 1988 for The Friends of Covent Garden. We specialise in available for every performance. Our group tours are exclusive creating bespoke tours for private groups and arranging and rarely exceed 25 in number. We have no upper age limit ‘à la Carte’ itineraries for individuals. for participation and we are fully ABTA, IATA and ATOL bonded to assure quality and complete financial security. We are constantly searching for the finest Opera, Ballet and Classical Music performances worldwide. This brochure We pride ourselves on the personal care we give to our includes the highlights of the 2016 Spring and Summer patrons; many of our travellers are regulars with up to 100 TFA festivals, and we are delighted to be offering you the chance tours under their belts. We hope to welcome you on our of our to visit several new destinations once again. We hope that tours soon! you will find our selection of highlights tempting. www.travelforthearts.com Travel for the Arts for Travel MEET OUR TEAM Travel for the Arts is staffed by a team of specialists with a wealth of experience in travel, music and the arts, who are involved in the planning of every tour from conception to fruition.