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TRU Speak Program 021821 XS
THEATER RESOURCES UNLIMITED VIRTUAL BENEFIT PLAYBILL TRU SPEAK Hear Our Voices! An evening of awareness to benefit THEATER RESOURCES UNLIMITED executive producer Bob Ost associate producers Iben Cenholt and Joe Nelms benefit chair Sanford Silverberg plays produced by Jonathan Hogue, Stephanie Pope Lofgren, James Rocco, Claudia Zahn assistant to the producers Maureen Condon technical coordinator Iben Cenholt/RuneFilms editor-technologists Iben Cenholt/RuneFilms, Andrea Lynn Green, Carley Santori, Henry Garrou/Whitetree, LLC video editors Sam Berland/Play It Again Sam’s Video Productions, Joe Nelms art direction & graphics Gary Hughes casting by Jamibeth Margolis Casting Social Media Coordinator Jeslie Pineda featuring MAGGIE BAIRD • BRENDAN BRADLEY • BRENDA BRAXTON JIM BROCHU • NICK CEARLEY • ROBERT CUCCIOLI • ANDREA LYNN GREEN ANN HARADA • DICKIE HEARTS • CADY HUFFMAN • CRYSTAL KELLOGG WILL MADER • LAUREN MOLINA • JANA ROBBINS • REGINA TAYLOR CRYSTAL TIGNEY • TATIANA WECHSLER with Robert Batiste, Jianzi Colon-Soto, Gha'il Rhodes Benjamin, Adante Carter, Tyrone Hall, Shariff Sinclair, Taiya, and Stephanie Pope Lofgren as the Voice of TRU special appearances by JERRY MITCHELL • BAAYORK LEE • JAMES MORGAN • JILL PAICE TONYA PINKINS •DOMINIQUE SHARPTON • RON SIMONS HALEY SWINDAL • CHERYL WIESENFELD TRUSpeak VIP After Party hosted by Write Act Repertory TRUSpeak VIP After Party production and tech John Lant, Tamra Pica, Iben Cenholt, Jennifer Stewart, Emily Pierce Virtual Happy Hour an online musical by Richard Castle & Matthew Levine directed -
Little Shop of Horrors
PRESENTS LITTLE SHOP OF HORRORS Book and Lyrics by Music by HOWARD ASHMAN ALAN MENKEN Based on the film by Roger Corman Screenplay by Charles Griffith Directed by Bill Fennelly September 10 – October 16, 2016 Artistic Director | Chris Coleman LITTLE SHOP OF HORRORS Music by Book and Lyrics by ALAN MENKEN HOWARD ASHMAN Based on the film by Roger Corman Screenplay by Charles Griffith Directed by Bill Fennelly Music Supervisor Choreographer Scenic Designer Rick Lewis Kent Zimmerman Michael Schweikardt Costume Designer Lighting Designer Sound Designer Kathleen Geldard William C. Kirkham Casi Pacilio Original Vocal Original Orchestrations Fight Director Arrangements Robert Merkin John Armour Robert Billig Stage Manager Dance Captain Assistant Stage Manager Mark Tynan* Johari Nandi Mackey* JanineVanderhoff* Production Assistants New York Casting Local Casting Bailey Anne Maxwell Harriet Bass Brandon Woolley Stephen Kriz Gardner *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. CAST LIST Chiffon Johari Nandi Mackey* Crystal Alexis Tidwell* Ronnette Ebony Blake* Mushnik David Meyers* Audrey Gina Milo* Seymour Nick Cearley* Orin Jamison Stern* The Voice of Audrey II/Wino 1 Chaz Rose* Audrey II Manipulation Stephen Kriz Gardner *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Co-produced with Cincinnati Playhouse in the Park, Blake Robison, Artistic Director, and Buzz Ward, Managing Director. Originally produced by the WPA Theatre (Kyle Renick, Producing Director). Originally produced at the Orpheum Theatre, New York City, by the WPA Theatre, David Geffen, Cameron Mackintosh and the Shubert Organization. Little Shop of Horrors was originally directed by Howard Ashman with musical staging by Edie Cowan. -
A Cognitive Approach to Gestural Life in Stephen Sondheim's Musical Genres
“MY ARM IS COMPLETE”: A COGNITIVE APPROACH TO GESTURAL LIFE IN STEPHEN SONDHEIM’S MUSICAL GENRES by Diana Louise Calderazzo AB, Smith College, 1999 MA, University of Central Florida, 2005 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES DEPARTMENT OF THEATRE ARTS This dissertation was presented by Diana Louise Calderazzo It was defended on July 11, 2012 and approved by Marlene Behrmann, Professor, Department of Psychology, Carnegie Melon University Atillio Favorini, Professor, Department of Theatre Arts, University of Pittsburgh Kathleen George, Professor, Department of Theatre Arts, University of Pittsburgh Dissertation Director: Bruce McConachie, Professor, Department of Theatre Arts, University of Pittsburgh ii Copyright by Diana Louise Calderazzo 2012 iii “MY ARM IS COMPLETE”: A COGNITIVE APPROACH TO GESTURAL LIFE IN STEPHEN SONDHEIM’S MUSICAL GENRES Diana Louise Calderazzo, PhD University of Pittsburgh, 2012 Traditionally, musical theatre has been accepted more as a practical field than an academic one, as demonstrated by the relative scarcity of lengthy theory‐based publications addressing musicals as study topics. However, with increasing scholarly application of cognitive theories to such fields as theatre and music theory, musical theatre now has the potential to become the topic of scholarly analysis based on empirical data and scientific discussion. This dissertation seeks to contribute such an analysis, focusing on the implied gestural lives of the characters in three musicals by Stephen Sondheim, as these lives exemplify the composer’s tendency to challenge traditional audience expectations in terms of genre through his music and lyrics. -
The Berkeley Rep Magazine 2017–18 · Issues 5–6
aids in the United States today 25 · 4 questions for the cast 27 · The program for Angels in America: A Gay Fantasia on National Themes 33 THE BERKELEY REP MAGAZINE 2017–18 · ISSUES 5–6 AG_program.indd 1 4/4/18 3:54 PM Encore spread.indd 1 2/28/18 3:55 PM Encore spread.indd 1 2/28/18 3:55 PM AG_program.indd 4 4/4/18 3:54 PM IN THIS ISSUE 16 23 29 BERKELEY REP PRESENTS MEET THE CAST & CREW · 34 ANGELS IN AMERICA: A GAY FANTASIA ON NATIONAL THEMES · 33 PROLOGUE A letter from the artistic director · 7 Connect with us online! A letter from the managing director · 8 Visit our website berkeleyrep.org facebook.com/ @berkeleyrep You can buy tickets and plan your visit, berkeleyrep watch videos, sign up for classes, donate to vimeo.com/ @berkeleyrep REPORTS the Theatre, and explore Berkeley Rep. berkeleyrep The Messenger has arrived: berkeleyrep. berkeleyrep The art of theatrical flying ·13 We’re mobile! tumblr.com Crossing paths: Download our free iPhone or Google Play app —or visit our mobile site —to buy tickets, read An intergenerational conversation · 16 the buzz, watch videos, and plan your visit. June 2018, when 21 Ground Floor projects roam · 19 Considerations FEATURES Only beverages in cans, cartons, or cups with You are welcome to take a closer look, but The Origin Story · 20 lids are allowed in the house. Food is prohibited please don’t step onto the stage or touch in the house. the props. Tinkering and tinkering: An interview with Tony Kushner and Tony Taccone · 21 Smoking and the use of e-cigarettes is prohibited Any child who can quietly sit in their own by law on Berkeley Rep’s property. -
Group Sales Tickets
SHAKESPEARE THEATRE COMPANY 21st Annual Table of Contents D.C.’s favorite Feature Letter from Michael Kahn 5 The Two Faces of Capital summer by Drew Lichtenberg 6 Program Synopsis 11 theatre event About the Playwright 13 Title Page 15 Cast 17 is back! Cast Biographies 18 PRESENTED BY Direction and Design Biographies 22 Shakespeare Theatre Company Tickets will be available Board of Trustees 8 online and in line! Shakespeare Theatre Company 26 Individual Support 28 Visit ShakespeareTheatre.org/FFA for more details on how to get your tickets via lottery Corporate Support 40 or at Sidney Harman Hall on the day of the Foundation and performance. Tickets for 2011–2012 Season Government Support 41 subscribers available through the Box Office Academy for Classical Acting 41 beginning July 5, 2011, at 10 a.m. For the Shakespeare Theatre Company 42 Join the Friends of Free Staff 44 JULIUS For All for tickets! Audience Services 50 Free For All would not be possible without Creative Conversations 50 CAESAR the hundreds of individuals who generously donate to support the program each year. “ Only with the help of the Friends of Free For All is STC able to offer free performances, All hail Julius Caesar! making Shakespeare accessible to … One of the best productions of this or any season.” Washington, D.C., area residents every summer. The Washingtonian In appreciation for this support, Friends of Free For All receive exclusive benefits during This Year's Production: the festival such as reserved Free For All tickets, the option to have tickets mailed in August 18–September 4 advance, special event invitations, program recognition and more. -
Mike Fila Associate Director of Marketing and Communications [email protected]
CONTACT: Mike Fila Associate Director of Marketing and Communications [email protected] DATE: February 16, 2021 CAST ANNOUNCED FOR COCK, FIRST PRODUCTION IN STUDIO THEATRE'S ALL-DIGITAL 2020-2021 SUBSCRIPTION SEASON Cock Written by Mike Bartlett Directed by David Muse Streaming at studiotheatre.org from March 26 – April 18, 2021 Press streaming begins March 25, 2021—RSVP for link to access "A sizzling seriocomedy...a crackling play, staged with acerbic brio at Studio Theatre." —The Washington Post "Hilarious...one can sense the playwright in the center of the ring, slyly asking, are you not entertained?" —Washington City Paper "Cock, the pugilistic, punch-drunk comedy…sears you with snark while ripping your heart out." —DC Theatre Scene Studio Theatre returns after a yearlong hiatus from producing theatre with the first production in its 2020-2021 subscription season, Mike Bartlett's "sizzling seriocomedy" Cock, directed by Artistic Director David Muse. The production features Randy Harrison (Queer as Folk) as John, a man wrestling with his sexual identity and the paralysis of choice, as two love interests—"M" (Scott Parkinson) and "W" (Kathryn Tkel)—vie for his affection. Alan Wade returns to Studio, playing M's father, "F." Cock will be available to stream on-demand through Studio's website (studiotheatre.org) from March 26 – April 18, 2021. Studio’s original production of Cock, produced in 2014 and also directed by Muse, received the Helen Hayes award for Outstanding Play. Multiple cameras will capture this reimagined digital version, staged "in the room" in Studio’s raw Stage 4 space, blending theatrical and cinematic qualities. -
Bill Fennelly Associate Professor
BILL FENNELLY ASSOCIATE PROFESSOR BRET ADAMS LTD ARTISTS AGENCY Agent’s Phone (212) 765-5630 Email: [email protected] EDUCATION 2001-2004 MFA Directing, summa cum laude University of California San Diego, La Jolla CA Studied with: Eva Barnes, Andrei Belgrader, Anne Bogart, Kyle Donnelly, Robert Egan, Shirley Fishman, Loretta Grecco, Tina Landau, Des McAnuff, Ursula Meyer, Charlie Oates, Darko Tresnjak, Ivo Van Hove, Doug Wager, Les Waters, Matthew Wilder, and Jim Winker 1991-1995 BM Music Theatre Performance, Directing, and Dramatic Writing, magna cum laude The Hartt School, University of Hartford, Hartford CT HONORS Drexel University, Provost’s Award for Outstanding Early Career Scholarly Productivity, 2016 Syracuse Area Live Theatre Award, Director of the Year, Hairspray, at Syracuse Stage 2015 Syracuse Area Live Theatre Award, Production of the Year, Hairspray, at Syracuse Stage 2015 Barrymore Award, Nomination for Outstanding Director, Herringbone, at Flashpoint Theatre 2014 Dallas Column Award, Best Director of a Musical, Fly By Night, at Dallas Theater Center 2014 Dallas Column Award, Best Production of a Musical, Fly By Night, at Dallas Theater Center 2014 Syracuse Area Live Theatre Award, Director of the Year, A Midsummer Night’s Dream, at Syracuse Stage 2013 Syracuse Area Live Theatre Award, Production of the Year, A Midsummer Night’s Dream, at Syracuse Stage 2013 Bay Area Critics Award, Nomination Best Director, FlY By Night, 2011 New Dramatists Selection Committee, New Dramatists NYC, 2008-2009 The Phil Killian Directing Fellowship, -
Newsletter 10/08 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 10/08 DIGITAL EDITION Nr. 230 - Juni 2008 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 10/08 (Nr. 230) Juni 2008 editorial Hallo Laserdisc- und DVD-Fans, Kost nicht zu kurz. DIE BAND VON NE- Begründung heisst es: “Der liebe Filmfreunde! BENAN empfiehlt sich hier. Die irrwitzige Appellationsausschuss hat nach ausführli- Nur noch ein paar Tage und dann beginnt Geschichte eines ägyptischen Polizei- cher Diskussion über mögliche Wirkungen das erste große CinemaScope-Festival in orchesters, das zu einem Konzert nach des Films diese Entscheidung gefällt, da der Karlsruher Schauburg. Und es gibt jetzt Israel eingeladen wird und dann im falschen anderenfalls die Erziehung von sechs- oder schon eine Programmänderung zu melden. Ort landet, hat ebenso viele amüsante wie siebenjährigen Kindern beeinträchtigt wer- Denn die schwierige rechtliche Lage lässt traurige Momente und besticht speziell in den könnte”. Begründet wird diese Ent- es momentan leider nicht zu, dass der Tony der Originalfassung durch ein ausgezeich- scheidung damit, dass die Sprache des Curtis Film DER EISERNE RITTER VON netes Schauspielerensemble. Und wer es Films häufig mit „sexualisierten, derben FALWORTH zur Aufführung kommen gerne horrormäßig spannend liebt, der soll- Ausdrucksweisen“ durchsetzt ist. Dabei wird. Aber es gibt stattdessen einen ad- te sich die Stephen King Verfilmung DER sei nicht auszuschließen, „dass die immer äquaten Ersatz: REBELL IHRER MAJE- NEBEL von Frank Darabont gönnen. Hier wieder verwandten derben, sexualisierten STÄT. -
Lavender-Notes-June-2018.Pdf
Lavender Notes Improving the lives of LGBTQ older adults through community building, education, and advocacy. Celebrating 23+ y ears of serv ice and positiv e change June 2018 Volume 25 Issue 6 William "Bill" Victor Campisi, Jr., Esq. Born on 5th September, 1946, in Middletown, CT, into an Italian Catholic family - mother with Neapolitan roots and father Sicilian - Bill was the second of four children. He and his older sister, Christine, were relocated to San Mateo County with their parents when he was less than two years old. Two younger brothers were born in California. They were a working-class family. Their father grew up during the Depression, left school early, rode the rails and lived in hobo camps in his early teens. "When our Dad moved the family to California, he chose the rather upscale peninsula town of Belmont, not really a working-class town," Bill relates. "Though traditional church-going Catholicism was not really part of our family life when we were growing up, my sister and I both attended Catholic school K through 12. I became a devout Catholic, finding a refuge in the Church as an escape from the turbulent lives of our parents. Dad 'got around' and could be violent. The 'bosom of Jesus' was a relatively safe place!" When Bill was first exposed to the works of St. Francis of Assisi in elementary school at Immaculate Heart of Mary in Belmont, he decided before he was ten years old that he wanted to become a priest and follow in the compassionate and caring steps of St. -
Fennelly Associate Professor Drexel University
BILL FENNELLY ASSOCIATE PROFESSOR DREXEL UNIVERSITY BRET ADAMS LTD ARTISTS AGENCY Agent’s Phone (212) 765-5630 Drexel Email: [email protected] EDUCATION 2001-2004 MFA Directing, summa cum laude University of California San Diego, La Jolla CA Studied with: Eva Barnes, Andrei Belgrader, Anne Bogart, Kyle Donnelly, Robert Egan, Shirley Fishman, Loretta Grecco, Tina Landau, Des McAnuff, Ursula Meyer, Charlie Oates, Darko Tresnjak, Ivo Van Hove, Doug Wager, Les Waters, Matthew Wilder, and Jim Winker 1991-1995 BM Music Theatre Performance, Directing and Dramatic Writing, magna cum laude The Hartt School, University of Hartford, Hartford CT HONORS Drexel University, Provost’s Award for Outstanding Early Career Scholarly Productivity, 2016 Syracuse Area Live Theatre Award, Director of the Year, Hairspray, at Syracuse Stage 2015 Syracuse Area Live Theatre Award, Production of the Year, Hairspray, at Syracuse Stage 2015 Barrymore Award, Nomination for OUtstanding Director, Herringbone, at Flashpoint Theatre 2014 Dallas Column Award, Best Director of a MUsical, Fly By Night, at Dallas Theater Center 2014 Dallas Column Award, Best MUsical, Fly By Night, at Dallas Theater Center 2014 Syracuse Area Live Theatre Award, Director of the Year, A Midsummer Night’s Dream, at Syracuse Stage 2013 Syracuse Area Live Theatre Award, Production of the Year, A Midsummer Night’s Dream, at Syracuse Stage 2013 Bay Area Critics Award, Nomination Best Director, Fly By Night, 2011 New Dramatists Selection Committee, New Dramatists NYC, 2008-2009 The Phil Killian Directing -
Issue07 Pages 1-15.Indd
Covering all of South Florida www.ExpressGayNews.com This Above All... To Thine Own Self Be True. Broward/Dade County’s Independent March 26th, 2001 Gay and Lesbian Community Newspaper HIDDEN TEXTTEXTHIDDEN Volume 2, Number 7 CenterOne Red Ribbon Awards Will Honor Liza Randy Harrison,left, and Gale Harold, background, from the cast of ‘Queer As Folk, in Manhattan last Sunday’ Photo by Kevin Hopper ‘Queer As Folk’ Captures the Heart and Soul of GLBT Community By Norm Kent Monologues.” Based on Britain’s critically acclaimed Each hour-long episode has creatively controversial series of the same name, ‘Queer and imaginatively focused on the As Folk’ premiered Sunday, December 3, 2000 relationships, careers, loves and ambitions at 10 PM on Showtime, the cable network. of a group of young gay men and lesbians Life has not been the same for the gay living in the working class city of Pittsburgh, and lesbian community of America ever since. Pennsylvania. Blending strong drama with The 22-hour series which stars Michelle charm and humor, the series promised to Clunie, Thea Gill, Gale Harold, Randy deliver a compelling, realistic and graphic Harrison, Scott Lowell, Peter Paige, Chris depiction of gay society as it really is, which Potter, Hal Sparks and Sharon Gless, a is rarely seen on television. nationally known television star (Cagney and It has met each and every test in every Lacey), who the Express just featured for her way. At a New York Times Seminar last South Florida role in “The Vagina (Continued on page 29) Corporate Sponsors Sought For Annual Event Gay Flamingos To Show Off- Autos CenterOne’s 2001 American Red Ribbon Getty, Rashida Jones, Karla Abaunza, Awards, celebrating the life and Michael Copponi, Craig Robins, and Iran Issa The group stated, “The accomplishments of LIZA MINNELLI, has Khan. -
The Glass Menagerie Sept 14 – Oct 27 Wurtele Thrust Stage WELCOME
The Call Is Places 2019–2020 SUBSCRIBER NEWSLETTER The Glass Menagerie Sept 14 – Oct 27 Wurtele Thrust Stage WELCOME From Artistic Director Joseph Haj SEASON 2019–2020 2019–2020 The Glass Menagerie Sept 14 – Oct 27, 2019 Dear Friends, Wurtele Thrust Stage Welcome to the Guthrie’s 2019–2020 Season! After months of planning Steel Magnolias and discussion, I’m deeply proud of the plays and creative teams we’ve Oct 26 – Dec 15, 2019 assembled. Curating an ambitious slate of classics and new works that McGuire Proscenium Stage explore the rites of passage and inescapable realities of the human experience has been a great pleasure, and I am thrilled to share the A Christmas Carol season with you. Nov 12 – Dec 29, 2019 Wurtele Thrust Stage Tennessee Williams, inarguably one of the greatest American playwrights, wrote a masterful portrayal of family in The Glass Menagerie — his first Noura major success — and mapped the great, unknowable distances between Jan 11 – Feb 16, 2020 McGuire Proscenium Stage people, especially those we love most and should know best. His semiautobiographical drama coined the term “memory play” and moved Twelfth Night American theater into bold, uncharted territory. The story hovers inside Feb 8 – March 22, 2020 Tom Wingfield’s fragmented memory as he wrestles with the ghosts of Wurtele Thrust Stage his past, allowing Williams to examine the very notion of memory: What do we choose to remember? What, despite our best efforts, do we find The Bacchae impossible to forget? Can our memories be trusted? And do they harm, Feb 29 – April 5, 2020 help or heal us? McGuire Proscenium Stage The Glass Menagerie’s themes are the forever themes: love, family, Emma loneliness, guilt, forgiveness.