The Influence of I Am Legend on Stephen King´S Cell Bachelor’S Diploma Thesis

Total Page:16

File Type:pdf, Size:1020Kb

The Influence of I Am Legend on Stephen King´S Cell Bachelor’S Diploma Thesis Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Anna Hamzová The Influence of I Am Legend on Stephen King´s Cell Bachelor’s Diploma Thesis Supervisor: doc. Michael Matthew Kaylor, PhD. 2016 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgement I would like to thank my supervisor, Dr. Kaylor, for his support and immense understanding. This thesis would never have existed without his precious advice. I would also like to thank my mother, who introduced me to the world of literature and Stephen King’s work as well, and who has always had my back. And finally, I would like to thank my partner, who has the strongest nerves and an infinite patience. Table of Contents Introduction ................................................................................................. 5 Chapter 1 – The Authors ............................................................................... 8 1.1. Richard Matheson ........................................................................... 8 1.2. Stephen King ............................................................................... 10 Chapter 2 – Vampire or Zombie? What is the difference? ............................... 14 2.1. Vampiric Stereotypes .................................................................... 14 2.2. The Zombie Evolution ................................................................... 17 2.3. Vampires as Portrayed by Matheson .............................................. 20 2.4. Zombies as Portrayed by King ....................................................... 25 2.5. The Development of the Evil Characters......................................... 30 Chapter 3 – Analysis of the Main Characters.................................................. 36 Chapter 4 – Narrative Methods ..................................................................... 40 Conclusion .................................................................................................. 44 Works Cited ................................................................................................ 46 Résumé in English ....................................................................................... 47 Résumé in Czech ......................................................................................... 48 Introduction Stephen King is known for being one of the most prolific writers of the present day. He has published a great number of novels, short stories, and even few screenplays. His career seems to be very much similar to the one of Richard Matheson. He was also a writer, and wrote both – books and screenplays. Matheson was born earlier than King, and it seems that it was predestined for him to be King’s inspiration. They both said that their ideas for books come from everyday situations. As Paul Simpson states in his book A Brief Guide to Stephen King, Stephen King got the idea to write Cell outside of a New York hotel when he saw a woman who was talking on her cell phone, and King asked the magical question – What-if? In this case, the What-if was: “What if she got a message over the cell phone that she couldn’t resist, and she had to kill people until somebody killed her?” (Simpson 133). Similarly, Richard Matheson asked the same question, when he got the idea for his novel I Am Legend while watching the 1931 version of Dracula: “If one vampire is scary, what if the whole world is full of vampires?” (TVLEGENDS 7:50) It took many years before Matheson turned the idea into a book, but when it happened, it was a pivotal moment for the horror genre and literature in general. When Richard Matheson died in 2013, Stephen King wrote on his official website: “Without his I Am Legend, there would have been no Night of the Living Dead; without Night of the Living Dead, there would have been no Walking Dead, 28 Days Later, or World War Z.” 5 It is clear that Richard Matheson’s work has influenced many – probably most – writers of horror and science fiction since 1950s. The first moment Stephen King felt Matheson’s influence was probably in 1961, when King was just a boy. As described in King’s On Writing, young Stephen and his friend Chris Chesley went to see one of the “Poepictures”, as they called the films based on Edgar Allan Poe’s stories: ( . ) [T]he one that affected Chris and me the most deeply was The Pit and the Pendulum. Written by Richard Matheson and filmed in both widescreen and Technicolor ( . ). It might have been the last really great studio horror picture before George Romero’s ( . ) The Night of the Living Dead came along and changed everything forever ( . ). (King 41-2) And it was the very movie, written by his future influence Richard Matheson, that gave him the first idea that he could write something himself. As Stephen King probably realized many years later, Matheson really did become his inspiration, which, for that matter, was confirmed by himself by stating that exactly in the preface of I Am Legend, and also this in the “Afterword” to the same book: “When people talk about genre, I guess they mention my name first, but without Richard Matheson, I wouldn’t be around. He is much my father as Bessie Smith was Elvis Presley’s mother” (162). However, to narrow the focus of my research just a little bit more, there is one strong connection in particular between King and Matheson – King’s Cell is dedicated to him. Therefore, in this thesis I will concentrate purely on Stephen King’s Cell and how it was influenced by Matheson’s I Am Legend. 6 Firstly, the thesis focuses on the lives of the two authors, trying to find any connections or similarities that could be clues to their intertwining. The first chapter also offers few of the King’s insights on Matheson’s writing, which will be useful later in the thesis. Secondly, the thesis examines the concept of the monsters occurring in both books, the vampires and zombies, respectively. At first, the conventional – or mainstream – perception of both types of the creatures is evaluated, and then it is compared to the particular type of the monster in each book. That is, the conventional vampires are compared to Matheson’s vampires, and conventional zombies are compared to King’s zombies. Also, I will try to explain the reasons for any similarities between King’s zombies and Matheson’s vampires that do not correspond to the usual perception. In third chapter I will focus on the main characters from both books. I will try to examine their motivation and what social aspects effected their behaviour and therefore their success or failure at the end of the book. The last chapter will deal with the different narrative approaches used by both authors. 7 Chapter 1 – The Authors 1.1. Richard Matheson Richard Burton Matheson was born on 20 February 1926 in Allendale, New Jersey. He was one of the most influential writers and screenwriters of the middle of the 20th century. As Stephen King says about him in the “Afterword” to I Am Legend, “( . ) horror must constantly regenerate and renew itself or die. In the early 1950s, when ( . ) the [horror] genre was languishing in the horse attitudes, Richard Matheson came like a bolt of pure ozone lightning” (161). In an interview with the Archive of American Television, Matheson says that as a young child, he enjoyed drawing small cartoon stories. He was taught by his mother how to play the piano and when he was older, he started to write his own music. He was also “an avid reader” and his mother took him to the library very often. His talent of storytelling became evident very soon, because at the age of 9, he already had published few of his stories and poems in The Brooklyn Eagle (TVLEGENDS 4:00). Although Matheson’s name does not have that famous, recognizable “ring” as Stephen King’s name for many people, his work is firmly embedded into the American literary and television culture. He not only inspired many of the contemporary blockbusters, such as the 2007 I Am Legend film starring Will Smith, based on the novel of the same name, or the 2009 The Box starring Cameron Diaz, based on his short story “Button, Button”, originally published in the Playboy magazine in 1970. This short story also inspired an episode of the television series The Twilight Zone, for which Matheson wrote many other 8 episodes. Also, he turned his short story “Duel” into a screenplay for a young director, Steven Spielberg. It was one of the first feature films Spielberg has ever directed, and its success opened the door for him to the world of professional cinematography (TVLEGENDS). Movies were always Matheson’s great inspiration, especially bad movies, as he says in the interview. When he was watching a good movie, his brain and attention was absorbed into the movie and “just went along with it”. But when watching a bad movie, he would get distracted - something in the picture would make “his mind drift off to a different area”. Exactly this had happened during the time he watched the 1931 Dracula, although he stresses that the movie was not that bad, and I Am Legend was born (TVLEGENDS 7:08). Matheson’s parents got divorced when he was only 8 years old and he grew up only with his mother and siblings. His mother influenced him very much, she guided him towards music and literature. As a teenager, he managed to read a vast selection of novels by Kenneth Roberts, who was a writer of a historical fiction (TVLEGENDS 5:00). Matheson graduated from Brooklyn Technical High School, which he says was a “mistake” to go to in the first place, because he ended doing things he knew he had never wanted to do (TVLEGENDS 5:50). He then joined the U. S. Army and served in Germany during the World War II. Because he went to the technical high school, he joined up an “army specialized training programme to become an engineer.” However, the programme was ended halfway through and Matheson was assigned to the infantry. The novel The Beardless Warrior was later written based on his battle experience. The war was a very painful experience, as he 9 says, it constantly rained and it was cold.
Recommended publications
  • Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
    Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J.
    [Show full text]
  • Scary Movies at the Cudahy Family Library
    SCARY MOVIES AT THE CUDAHY FAMILY LIBRARY prepared by the staff of the adult services department August, 2004 updated August, 2010 AVP: Alien Vs. Predator - DVD Abandoned - DVD The Abominable Dr. Phibes - VHS, DVD The Addams Family - VHS, DVD Addams Family Values - VHS, DVD Alien Resurrection - VHS Alien 3 - VHS Alien vs. Predator. Requiem - DVD Altered States - VHS American Vampire - DVD An American werewolf in London - VHS, DVD An American Werewolf in Paris - VHS The Amityville Horror - DVD anacondas - DVD Angel Heart - DVD Anna’s Eve - DVD The Ape - DVD The Astronauts Wife - VHS, DVD Attack of the Giant Leeches - VHS, DVD Audrey Rose - VHS Beast from 20,000 Fathoms - DVD Beyond Evil - DVD The Birds - VHS, DVD The Black Cat - VHS Black River - VHS Black X-Mas - DVD Blade - VHS, DVD Blade 2 - VHS Blair Witch Project - VHS, DVD Bless the Child - DVD Blood Bath - DVD Blood Tide - DVD Boogeyman - DVD The Box - DVD Brainwaves - VHS Bram Stoker’s Dracula - VHS, DVD The Brotherhood - VHS Bug - DVD Cabin Fever - DVD Candyman: Farewell to the Flesh - VHS Cape Fear - VHS Carrie - VHS Cat People - VHS The Cell - VHS Children of the Corn - VHS Child’s Play 2 - DVD Child’s Play 3 - DVD Chillers - DVD Chilling Classics, 12 Disc set - DVD Christine - VHS Cloverfield - DVD Collector - DVD Coma - VHS, DVD The Craft - VHS, DVD The Crazies - DVD Crazy as Hell - DVD Creature from the Black Lagoon - VHS Creepshow - DVD Creepshow 3 - DVD The Crimson Rivers - VHS The Crow - DVD The Crow: City of Angels - DVD The Crow: Salvation - VHS Damien, Omen 2 - VHS
    [Show full text]
  • RAMSEY CAMPBELL INTERVIEWED RAMSEY CAMPBELL INTERVIEW ^By Brendan Ryder Page 13
    ISSUE NO. 76 August 1992 ________ ISSN 0791-3966 RAMSEY CAMPBELL INTERVIEWED RAMSEY CAMPBELL INTERVIEW ^by Brendan Ryder page 13 THE TWILIGHT ZONE How to find your way around by Michael Cullen page 5 OUR SEMI-ANNUAL "MEGA" QUIZ It’s not just a quiz, it's the contents of page 11 MORPHING So how did Arnie turn into Michael Jackson? See on page 12 REGULAR FEATURES News 3 ISFA News 4 Letters 7 Meeting report 8 Movies 9 Videos 10 Book Reviews 15 Comics 18 Drabbles 19 PUBLISHED BY Wc welcome unsolicited manuscripts on the basis that the THE IRISH SCIENCE FICTION ISFA is poor, and if wc don’t actually pay contributors it ASSOCIATION doesn’t mean wc don’t appreciate them. So send us your news. Send us your opinions. Send us your doodles. Send 30, BEVERLY DOWNS us your shorts. But wash ’em first. KNOCKLYON ROAD Take that old dusty Royal out of the wardrobe and type it, TEMPLEOGUE, DUBLIN 16 if you can. If you can’t, well, it’s not the end of the world. FURTHER INFORMATION NOTE: OPINIONS EXPRESSED ARE NOT THOSE OF FROM THIS ADDRESS OR THE ISFA, EXCEPT WHERE STATED AS SUCH PHONE 934712 2 ISFA Newsletter August 1992 NEWS Crypt Creator Dies Wiliam M Gaines, publisher of Mad maga­ zine and the EC comics line which included Rings, No Strings Weird Science, Tales from the Crypt, and As part of the Galway Arts Festival which ran The Vault of Horror, died in Manhattan in from 15-26 July, the Canadian Theatre Sans June, at the age of 70.
    [Show full text]
  • Nominations1
    Section of the WSFS Constitution says The complete numerical vote totals including all preliminary tallies for rst second places shall b e made public by the Worldcon Committee within ninety days after the Worldcon During the same p erio d the nomination voting totals shall also b e published including in each category the vote counts for at least the fteen highest votegetters and any other candidate receiving a numb er of votes equal to at least ve p ercent of the nomination ballots cast in that category The Hugo Administrator reports There were valid nominating ballots and invalid nominating ballots There were nal ballots received of which were valid Most of the invalid nal ballots were electronic ballots with errors in voting which were corrected by later resubmission by the memb ers only the last received ballot for each memb er was counted Best Novel 382 nominating ballots cast 65 Brasyl by Ian McDonald 58 The Yiddish Policemens Union by Michael Chab on 58 Rol lback by Rob ert J Sawyer 41 The Last Colony by John Scalzi 40 Halting State by Charles Stross 30 Harry Potter and the Deathly Hal lows by J K Rowling 29 Making Money by Terry Pratchett 29 Axis by Rob ert Charles Wilson 26 Queen of Candesce Book Two of Virga by Karl Schro eder 25 Accidental Time Machine by Jo e Haldeman 25 Mainspring by Jay Lake 25 Hapenny by Jo Walton 21 Ragamun by Tobias Buckell 20 The Prefect by Alastair Reynolds 19 The Name of the Wind by Patrick Rothfuss Best Novella 220 nominating ballots cast 52 Memorare by Gene Wolfe 50 Recovering Ap ollo
    [Show full text]
  • INTERVIEW with ROBERT BLOCH - 1 - by Jean-Marc Lofficier
    INTERVIEW WITH ROBERT BLOCH - 1 - By Jean-Marc Lofficier INTERVIEW WITH ROBERT BLOCH Randy and Jean-Marc Lofficier RL: Who do you consider to be at the root of your inspiration for your writing of terror and horror fiction? RB: Well, I spent eleven years in an advertising agency! Actually, as a child I was interested in reading that sort of thing. But, I was more interested, and I think most imaginative children are, in the mysteries of death, age and cruelty. Why do these things happen? Why do people do these things to one another? An innocent child believes in the protection and security of his daddy and mama, his friends and his safe home environment. Then to read and learn about these things is a great shock. I've done a good deal of talking with many other contemporary writers of this sort of fiction, people like Stephen King, Peter Straub, Richard Matheson and half-a- dozen others. They all had the same experience; they all feel this was their motivation. Some kids don't think about these things particularly, but I did. Particularly when I was hiding under the bed or in the closet after seeing something like Lon Chaney in The Phantom of the Opera for the first time at the age of 8 or 9. I decided, as I guess most of these people did, if you can't lick ‘em, join ‘em. So, I learned the method of what it is that terrifies other people as well. Yet, I tried to do it in a way that is safe.
    [Show full text]
  • Richard Matheson: Collected Stories: Volume 1 Pdf, Epub, Ebook
    RICHARD MATHESON: COLLECTED STORIES: VOLUME 1 PDF, EPUB, EBOOK Richard Matheson,Stanley Wiater | 399 pages | 05 Dec 2003 | Gauntlet Press | 9781887368629 | English | United States Richard Matheson: Collected Stories: Volume 1 PDF Book I heard a lot of Theodore in this tale as well, when a humble but perhaps overly sensitive tie salesman is driven to insanity by the annoyances and impingings of modern city life. It's a dark, dark take on the s "monster kid" culture and the ending is wonderfully ambiguous validation, or insanity? At 79, with a new novel out and his early work back in print, Richard Matheson is seeing his legend blossom. Published December 5th by Gauntlet Press first published Have to say something before I get to the actual book Your question required. En particular los cuentos de terror con esos finales inesperados que acostumbraba Matheson y que nos presentaban horrores cotidianos viajes en el tiempo, desapariciones, casas encantadas. Randomizer rated it really liked it Nov 20, Her points out that a number of stories are based in a fictional locale of "Fort College", named after the noted iconoclast and collector of paranormal info, Charles Fort another figure I was lucky enough to stumble onto as a grade-schooler, another man whose books shaped my world - something I'd never noticed before. Richard Matheson was a hell of a writer as well. Science Fiction. I had no way of seeing how much more I had to go. Two remarkable, adventuresome kids-Emma and Ryan-discover a parallel world that is the source of all our most He also contributed a number of scripts to the Warner Brothers western series "The Lawman" between and See more details at Online Price Match.
    [Show full text]
  • Robert Bloch
    ROBERT BLOCH APPRECIATIONS OF THE MASTER EDITED BY RICHARD MATHESON AND RICIA MAINHARDT ® TOR® A TOM DOHERTY ASSOCIATES BOOK / NEW YORK CONTENTS Acknowledgments 11 Introduction by Ricia Mainhardt 15 Douglas E. Winter 17 Frederik Pohl Our Bob 28 Peter Straub 29 Introduces "The Cloak" 32 Gahan Wilson 44 Introduces "Beetles" 48 Andre Norton 57 Christopher Lee 58 William E Nolan 61 Introduces "I Do Not Love Thee, Dr. Fell" 63 Richard Matheson 70 Introduces "Enoch" 74 Hugh B. Cave 85 Introduces "Sweets to the Sweet" 87 Philip Klass (William Tenn) On Robert Bloch 94 Introduces "That Hell-Bound Train" 98 David J. Schow 109 Introduces "The Final Performance" 115 Randall D. Larson Robert Bloch—A Personal Appreciation 125 Introduces "The Pin" 129 Joe R. Lansdale 140 Introduces "The Animal Fair" 143 Jeff Walker Bob, We Bearly Knew Ye ... The Hokas, Hollywood, and Development Hell 154 Introduces Scenes from a Screenplay: Earthman's Burden 157 Introduces "The Plot Is the Thing" 164 Harlan Ellison 170 Introduces "Yours Truly, Jack the Ripper" 177 Julius Schwartz The Good Old Days 190 Melissa Ann Singer Lessons 193 Introduces "A Toy for Juliette" 196 Arthur C. Clarke 201 Philip Jose Farmer More Than Most 203 Introduces "All on a Golden Afternoon" 206 Brian Lumley 226 Ramsey Campbell 229 Introduces "Notebook Found in a Deserted House" 231 Bill Warren 246 Introduces "The Clown at Midnight" 250 Mick Garris Four in the Back 258 William Peter Blatty 261 Introduces "A Good Knight's Work" 262 Sheldon Jaffery A Chip Off the Old Bloch 280 Introduces "The Yougoslaves" 283 Stephen King Robert Bloch: An Appreciation 299 Stephen Jones 301 Introduces "The Dead Don't Die!" 304 Neil Gaiman 355 Neil Gaiman and Stephen Jones 358 Introduce "Warning: Death May Be Injurious to Your Health" 359 Ray Bradbury Remembering Bob Bloch 360 Richard Matheson and Ricia Mainhardt 362 Introduce "The Pied Piper Fights the Gestapo" 363 Contributors' Biographies 377 10.
    [Show full text]
  • GOTHIC HORROR Gothic Horror a Reader's Guide from Poe to King and Beyond
    GOTHIC HORROR Gothic Horror A Reader's Guide from Poe to King and Beyond Edited by Clive Bloom Editorial matter and selection © Clive Bloom 1998 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London WIP 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. __ First published 1998 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 978-0-333-68398-9 ISBN 978-1-349-26398-1 (eBook) DOI 10.1007/978-1-349-26398-1 A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 07 06 05 04 03 02 01 00 99 98 __ Published in the United States of America 1998 by ST. MARTIN'S PRESS, INC., Scholarly and Reference Division, 175 Fifth Avenue, New York, N.Y.
    [Show full text]
  • Physical and Moral Survival in Stephen King's Universe
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2012-03-06 Monsters and Mayhem: Physical and Moral Survival in Stephen King's Universe Jaime L. Davis Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons, and the Comparative Literature Commons BYU ScholarsArchive Citation Davis, Jaime L., "Monsters and Mayhem: Physical and Moral Survival in Stephen King's Universe" (2012). Theses and Dissertations. 2979. https://scholarsarchive.byu.edu/etd/2979 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Monsters and Mayhem: Physical and Moral Survival in Stephen King’s Universe Jaime L. Davis A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Carl Sederholm, Chair Kerry Soper Charlotte Stanford Department of Humanities, Classics, and Comparative Literature Brigham Young University April 2012 Copyright © 2012 Jaime L. Davis All Rights Reserved ABSTRACT Monsters and Mayhem: Physical and Moral Survival in Stephen King’s Universe Jaime L. Davis Department of Humanities, Classics, and Comparative Literature, BYU Master of Arts The goal of my thesis is to analyze physical and moral survival in three novels from King’s oeuvre. Scholars have attributed survival in King’s universe to factors such as innocence, imaginative capacity, and career choice. Although their arguments are convincing, I believe that physical and moral survival ultimately depends on a character’s knowledge of the dark side of human nature and an understanding of moral agency.
    [Show full text]
  • George Pal Papers, 1937-1986
    http://oac.cdlib.org/findaid/ark:/13030/tf2s2004v6 No online items Finding Aid for the George Pal Papers, 1937-1986 Processed by Arts Library-Special Collections staff; machine-readable finding aid created by D.MacGill; Arts Library-Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 1998 The Regents of the University of California. All rights reserved. Finding Aid for the George Pal 102 1 Papers, 1937-1986 Finding Aid for the George Pal Papers, 1937-1986 Collection number: 102 UCLA Arts Library-Special Collections Los Angeles, CA Contact Information University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm Processed by: Art Library-Special Collections staff Date Completed: Unknown Encoded by: D.MacGill © 1998 The Regents of the University of California. All rights reserved. Descriptive Summary Title: George Pal Papers, Date (inclusive): 1937-1986 Collection number: 102 Origination: Pal, George Extent: 36 boxes (16.0 linear ft.) Repository: University of California, Los Angeles. Library. Arts Special Collections Los Angeles, California 90095-1575 Shelf location: Held at SRLF. Please contact the Performing Arts Special Collections for paging information. Language: English. Restrictions on Access Advance notice required for access.
    [Show full text]
  • 2004 World Fantasy Awards Information Each Year the Convention Members Nominate Two of the Entries for Each Category on the Awards Ballot
    2004 World Fantasy Awards Information Each year the convention members nominate two of the entries for each category on the awards ballot. To this, the judges can add three or more nominees. No indication of the nominee source appears on the final ballot. The judges are chosen by the World Fantasy Awards Administration. Winners will be announced at the 2004 World Fantasy Convention Banquet on Sunday October 31, 2004, at the Tempe Mission Palms Hotel in Tempe, Arizona, USA. Eligibility: All nominated material must have been published in 2003 or have a 2003 cover date. Only living persons may be nominated. When listing stories or other material that may not be familiar to all the judges, please include pertinent information such as author, editor, publisher, magazine name and date, etc. Nominations: You may nominate up to five items in each category, in no particular order. You don't have to nominate items in every category but you must nominate in more than one. The items are not point-rated. The two items receiving the most nominations (except for those ineligible) will be placed on the final ballot. The remainder are added by the judges. The winners are announced at the World Fantasy Convention Banquet. Categories: Life Achievement; Best Novel; Best Novella; Best Short Story; Best Anthology; Best Collection; Best Artist; Special Award Professional; Special Award Non-Professional. A list of past award winners may be found at http://www.worldfantasy.org/awards/awardslist.html Life Achievement: At previous conventions, awards have been presented to: Forrest J. Ackerman, Lloyd Alexander, Everett F.
    [Show full text]
  • Stephen King the Stephen King the Stephen King Checklist Checklist Checklist the Dark Tower the Stand the Dark Tower the Stand the Dark Tower the Stand 1
    The Stephen King The Stephen King The Stephen King Checklist Checklist Checklist The Dark Tower The Stand The Dark Tower The Stand The Dark Tower The Stand 1. The Gunslinger The Dead Zone 1. The Gunslinger The Dead Zone 1. The Gunslinger The Dead Zone 2. The Drawing of the Firestarter 2. The Drawing of the Firestarter 2. The Drawing of the Firestarter Three The Mist Three The Mist Three The Mist 3. The Waste Lands Cujo 3. The Waste Lands Cujo 3. The Waste Lands Cujo 4. Wizard and Glass Pet Sematary 4. Wizard and Glass Pet Sematary 4. Wizard and Glass Pet Sematary 5. Wolves of the Calla Christine 5. Wolves of the Calla Christine 5. Wolves of the Calla Christine 6. Song of Susannah Cycle of the Werewolf 6. Song of Susannah Cycle of the Werewolf 6. Song of Susannah Cycle of the Werewolf 7. The Dark Tower It 7. The Dark Tower It 7. The Dark Tower It 8. The Wind Through the The Eyes of the Dragon 8. The Wind Through the The Eyes of the Dragon 8. The Wind Through the The Eyes of the Dragon Keyhole The Tommyknockers Keyhole The Tommyknockers Keyhole The Tommyknockers Misery Misery Misery Talisman The Dark Half Talisman The Dark Half Talisman The Dark Half (with Peter Straub) Needful Things (with Peter Straub) Needful Things (with Peter Straub) Needful Things 1. The Talisman Dolores Claiborne 1. The Talisman Dolores Claiborne 1. The Talisman Dolores Claiborne 2. Black House Gerald's Game 2. Black House Gerald's Game 2. Black House Gerald's Game Insomnia Insomnia Insomnia The Green Mile Rose Madder The Green Mile Rose Madder The Green Mile Rose Madder 1.
    [Show full text]