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Journalistic Networks and the Diffusion of Local News: the Brief, Happy News Life of the “Francisville Four”
This is a repository copy of Journalistic Networks and the Diffusion of Local News: The Brief, Happy News Life of the “Francisville Four”. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/127472/ Version: Accepted Version Article: Anderson, CW orcid.org/0000-0002-3893-8411 (2010) Journalistic Networks and the Diffusion of Local News: The Brief, Happy News Life of the “Francisville Four”. Political Communication, 27 (3). pp. 289-309. ISSN 1058-4609 https://doi.org/10.1080/10584609.2010.496710 © Taylor & Francis Group, LLC. This is an Accepted Manuscript of an article published by Taylor & Francis in Political Communication on 06 Aug 2010, available online: https://doi.org/10.1080/10584609.2010.496710 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 “The Role Played by Journalistic Networks in the Construction of “Public” Issues: The Brief, Happy News Life of the ‘Francisville Four,” Chris Anderson Revise and Resubmit at Political Communication 2 “Common Knowledge” About the Blogger-Journalist Relationship The last eight years have seen the analysis of the relationship between “blogging” and “journalism” emerge as an academic growth industry. -
What Is Financial Journalism For? Ethics and Responsibility in a Time of Crisis
What is financial journalism for? Ethics and responsibility in a time of crisis and change Report by damian tambini polis, lse www.polismedia.org email: [email protected] www.charliebeckett.org www.lse.ac.uk/collections/media@lse/ www.lcc.arts.ac.uk www.polismedia.org email: [email protected] www.charliebeckett.org www.lse.ac.uk/collections/media@lse/ www.lcc.arts.ac.uk 2 What is financial journalism for? Ethics and responsibility in a time of crisis and change Report by damian tambini polis, lse I am grateful to Isabelle Cao Lijun, Terence Kiff, Eva Knoll, Judy Lin, and Gladys Tang for research assistance relating to this article. Thanks also to those that contributed in the seminars and interviews, who are listed in the appendix. Preface A Crisis for Financial Journalism? The current crisis in global banking, markets and economies has reminded us all of the importance of financial and business journalism. It has also raised a set of profound questions as to the quality of that form of reporting. Why didn’t we know this was coming? Did the journalists fail to put the financial system under proper scrutiny? Are they equipped to deal with the continuing complex story? Is this representative of a wider problem with the news media? This pamphlet seeks to address some of those questions. Research for this report began before the Northern Rock scandal. It is not a knee- jerk response. It attempts to set out a framework for a critical analysis of financial journalism. Therefore, we believe it is a useful tool for addressing the present debate about the coverage of the developing crisis. -
Minutes — American Society of Newspaper Editors Board of Directors Meeting October 16-17, 1992 -- Marriott Marquis, New York City
1275 Minutes — American Society of Newspaper Editors Board of Directors Meeting October 16-17, 1992 -- Marriott Marquis, New York City Mr. Topping called the meeting to order. The following were present, with absences noted. Board members attending: Seymour Topping, New York Times Co., president Bill Hilliard, Portland Oregonian, vice president Gregory Favre, Sacramento (Calif.) Bee, secretary Bill Ketter, Quincy (Mass.) Patriot Ledger, treasurer Linda Cunningham, Rockford (Ill.) Register Star Jack Driscoll, Boston Globe Al Fitzpatrick, Knight-Ridder, Inc., Miami Bob Giles, Detroit News Bob Haiman, The Poynter Institute, St. Petersburg, Fla. Jane Healy, Orlando (Fla.) Sentinel Al Johnson, Columbus (Ga.) Ledger-Enquirer Dave Lawrence, Miami Herald Ron Martin, Atlanta Journal and Constitution Tim McGuire, Minneapolis Star Tribune Marcia McQuern, Riverside (Calif.) Press-Enterprise Acel Moore, Philadelphia Inquirer Geneva Overholser, Des Moines (Iowa) Register Sandy Rowe, Norfolk Virginian-Pilot and Ledger-Star Board member absent: Chris Anderson, Orange County Register, Santa Ana, Calif. Edward Seaton, Manhattan (Kan.) Mercury Committee chairs: Lou Boccardi, Associated Press Shelby Coffey, Los Angeles Times Frank Denton, Wisconsin State Journal, Madison Jim Herman, Ottaway Newspapers, Campbell Hall, N.Y. Beverly Kees, Fresno (Calif.) Bee John Lee, New York Times Diane McFarlin, Sarasota (Fla.) Herald-Tribune Pat Murphy, Paradise Valley, Ariz. Peter Prichard, USA Today Arnold Rosenfeld, Cox Newspapers, Atlanta John Simpson, USA Today International -
The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr. -
Constitution
Constitution Article I: Statement of Purpose The Huntington News is dedicated to serving the Northeastern University community with original, professional reporting and creating an environment in which student journalists can learn from one another. The Huntington News (hereafter called The News) is the independent student newspaper of the Northeastern University community. The News provides for the dissemination of news articles, opinion pieces and online content. The newspaper is under the direction of the Editorial Board, defined herein, which is wholly responsible for the publication’s character and content. The News is overseen by its Board of Directors in the World Series Way Publishing Company, Inc. Article II: The Board of Directors Established in 2011, The News operates under a 501(c)3 nonprofit company called World Series Way Publishing Company, Inc. We operate with the following officers: president, vice president, treasurer and secretary. 1. The Board consists of at least six members: two student delegates and any others who are either News alumni, Northeastern professors or those with expertise in finance, journalism or related fields. a. The editor-in-chief and managing editor will participate in Board meetings but do not sit on the Board. The two student delegates serve as The News’ business manager and outreach coordinator. 2. Members will serve on the Board for a minimum of one semester and may leave the Board after that time by notifying the president at least one month in advance. 3. The Board will meet once a month to discuss the progress of The News, and must be available to offer guidance as needed by The News staff. -
Second Chances in the Wire: Perspectives from Psychology and the Judiciary
University of Chicago Legal Forum Volume 2018 Article 9 2019 Second Chances in The irW e: Perspectives from Psychology and the Judiciary Rebecca R. Pallmeyer Dan P. McAdams Follow this and additional works at: https://chicagounbound.uchicago.edu/uclf Recommended Citation Pallmeyer, Rebecca R. and McAdams, Dan P. (2019) "Second Chances in The irW e: Perspectives from Psychology and the Judiciary," University of Chicago Legal Forum: Vol. 2018 , Article 9. Available at: https://chicagounbound.uchicago.edu/uclf/vol2018/iss1/9 This Article is brought to you for free and open access by Chicago Unbound. It has been accepted for inclusion in University of Chicago Legal Forum by an authorized editor of Chicago Unbound. For more information, please contact [email protected]. Second Chances in The Wire: Perspectives from Psychology and the Judiciary The Hon. Rebecca R. Pallmeyer† & Dan P. McAdams†† ABSTRACT Playing off a scene in The Wire wherein prison inmates discuss whether Ameri- can lives have “second acts,” this essay considers psychological and legal issues at play in people’s efforts to turn their lives around, from bad to good. In the first half of the essay, a professor of psychology discusses empirical research into re- demptive life stories in which people find positive meaning in suffering and/or transform their lives from failure to relative success. While examples of redemp- tive life stories may be found in The Wire, making good on second chances seems to be a relatively rare occurrence. In the second half, a federal judge considers the issue of second chances in the American legal system, focusing on the issue of sen- tencing. -
And All the Pieces Matter: Thoughts on the Wire and the Criminal Justice System
And All the Pieces Matter: Thoughts on The Wire and the Criminal Justice System Susan A. Bandes* "Whatever it was, they don't teach it in law school."' I. INTRODUCTION The standard police procedural, even including great dramas like NYPD Blue and Hill Street Blues, adheres to time-honored narrative conventions. It focuses on good, if sometimes imperfect, cops trying to find the real bad guys-the perpetrators-and bring them to justice. The episode begins when a crime ruptures the social fabric, and ends when guilt is determined and things are put to right. The standard procedural is concerned mainly with individual fault and individual heroism. It does not raise disquieting questions about the criminal justice system, the legal system, or the social and political arrangements that lead to a permanent underclass. There are eight million stories in the Naked City,2 and in the police procedural, every one of them stands on its own. This standard cop show narrative reflects and reaffirms a deeply ingrained, reassuring view of the world. The Wire is a different kind of television. It aims not to reassure but to unsettle, or as David Simon once put it, "to pick[] a fight."3 On its surface a police procedural, The Wire has been aptly described as a portrayal of "the social, political, and economic life of an American city with the scope, observational precision, and moral vision of great literature." Unlike the standard police procedural, which presents and resolves a discrete problem every week, The * Distinguished Research Professor, DePaul University College of Law. -
Forum Flyer 06232021
Thanks to Our Generous Supporters DIAMOND $10,000+ Future of News in a Digital World June 23, 2021 Alan D. Miller Denise Eck Executive Editor, The Columbus Dispatch and News Director, WCMH NBC4 Regional Editor, Gannet Ohio DENISEECK NBC4I NBC4COLUMBUS DISPATCHEDITOR DISPATCHALERTS NBC4I PLATINUM $5,000+ COLUMBUSDISPATCH COLUMBUSDISPATCH Denise Eck is the News Director of NBC4 in Columbus, Alan D. Miller is Executive Editor of The Columbus which provides more than 50 hours of local news, Dispatch and Regional Editor at Gannet Ohio. He weather and information each week, and information started at the paper as a reporter in 1984 and has covered regional 24/7 on nbc4i.com. She joined NBC4 in 2019 and is the first female news news, urban affairs, Columbus City Hall, and higher education. He was director in the history of WCMH. an Assistant City Editor, State Editor, Assistant Managing Editor and During the Covid-19 pandemic she debuted a state-of-the-art news set Managing Editor before becoming Editor in 2015 and Executive Editor and launched new newscasts at noon, 4:30pm and expanded news on in 2020. Saturday mornings at NBC4. GOLD $3,500 BRONZE $1,000 Miller is a member of the professional advisory board for the E.W. Before moving into newsroom management, Eck spent 15 years as a broad- Scripps School of Journalism at Ohio University and teaches journalism cast news reporter, anchor and producer. Accenture Ice Miller AECOM HNTB at Denison University in Granville. Eck and her husband live in Columbus with their 8-year-old son and two Barnes & Thornburg LLP National Church Residences American Dairy Association Mideast Home Care Assistance He received his Bachelor's and Master's Degrees in Journalism from dogs. -
Day 1, Panel 3: Newsroom Integration and the Prevailing Formula of Multimedia, Multiplatform Content ― Is It Working?
2009: International Symposium on Online Journalism Day 1, Panel 3: Newsroom Integration and the Prevailing Formula of Multimedia, Multiplatform Content ― Is it Working? Moderator/Chair: Fred Zipp, Editor, Austin American-Statesman Panelists: Jim Brady, Former Vice President and Executive Editor, Washington Post.com Sewell Chan, Bureau Chief of City Room Blog, NYT.com Jonathan Dube, Vice President, ABCNews.com Anthony Moor, Deputy Managing Editor/Interactive, Dallas Morning News Torry Pedersen, Chief Executive Office, VG Group (Norway) Rosental Calmon Alves: I want to invite our Dean of the College of Communication to say a few words to help us to welcome you. And he has been a great supporter, so Dean Rod Hart, please. [Applause.] Dean Rod Hart: Good afternoon. It’s a pleasure to be here. It’s sort of interesting to reflect back on our college and connect it with this conference. Some years ago in the late sixties, three department chairs got together on campus and they were thinking that it would make some sense to pull together the individual departments that were focusing on various pieces of the communication puzzle. And so they did. And ultimately the college grew into five departments. But what’s really interesting about that initial group of Radio-Television-Film, and Journalism, and Speech Communication, as Advertising and Public Relations came into the college, etc., in some ways, the college had constructed itself with a vision far beyond what it thought it had. Because here we are today with all of these divisions among the various communication silos breaking down, and so much of that is what you all are thinking about and how the web really has changed those very traditional distinctions. -
An Editing Job Improved My Writing a Former Newspaper Editor Shares Lessons She’S Put Into Practice As a Freelancer
Off the Cuff Linda K. Wertheimer An editing job improved my writing A former newspaper editor shares lessons she’s put into practice as a freelancer riters love to bash edi- three to four weeks or more may be a tors: “They destroyed the decent grace period. I was too patient lead of my story.” “They with one magazine, though. A story took out my favorite sen- submitted on speculation apparently Wtence.” “They cut the story in half!” landed in the spam bucket. When I I know those whines well. I used to checked on the story’s status three recite them myself until I spent some months later, I learned the magazine time on the Other Side. After 18 years as had never received it. a newspaper reporter, I became an edi- Editing involves far more than as- tor in 2004, overseeing a team of educa- signing and editing. The typical assis- tion writers at The Boston Globe. No tant city editor at a newspaper reports to longer would I share war stories with several bosses and works with several other writers about those darn editors. I departments; life for a magazine editor, was now one of “them.” I understand, is not that different. Story For three years, I coached and edited editors have to coordinate with editors other writers, then returned to writing. in charge of photos, graphics, and on- The editing stint gave me these invalu- Thinking like an editor can get your story line components. Most editors now not able lessons: on the right track. Polishing your work up only review a story, but also must review front will keep you and your editor happy. -
Editing for Today's Changing Media
PART 1 Editing in the Age of Convergence C HAPTER 1 Editing for Today’s Changing Media THE EDItor’s Changing ROLE For generations, news was produced and distributed in assembly-line fashion. Reporters gathered and wrote it, editors edited it, and publishers produced and dis- tributed it in print or broadcast form to mass audiences. It was a one-to-many model born in the Industrial Revolution. Editors in that environment served as gatekeepers. They decided when to open the gate, allowing information to flow to the public. Editors had total control over what was published or broadcast. They determined which stories were newsworthy— those they deemed useful, relevant or interesting to their audiences. Editors controlled the gate, and consumers got only what editors gave them. Editors also controlled the play a story received. Was it newsworthy enough for Page One, where almost everyone would notice it, or should it be relegated to a brief on Page 37, where few would read it? Did it make the cover of Time, or did it not make the magazine at all? Did it warrant top billing on the evening newscast, or was it left to the local newspaper? Editors were powerful. They called all the shots. Today, that is far from universally true. The Internet and wireless devices (mobile phones and tablet computers) allow users to choose what news they want to consume from multiple providers—some traditional and some not—and from digital databases of information vastly larger than the content of the nation’s largest newspaper or a 24-hour-a-day cable-television news channel. -
I:\28531 Ind Law Rev 46-2\46Masthead.Wpd
THE WIRE AND ALTERNATIVE STORIES OF LAW AND INEQUALITY ROBERT C. POWER* INTRODUCTION The Wire was a dramatic television series that examined the connections among crime, law enforcement, government, and business in contemporary Baltimore, Maryland.1 It was among the most critically praised television series of all time2 and continues to garner substantial academic attention in the form of scholarly articles,3 academic conferences,4 and university courses.5 One aspect * Professor, Widener University School of Law. A.B., Brown University; J.D., Northwestern University Law School. Professor Power thanks Alexander Meiklejohn and John Dernbach for their comments on an earlier draft of this Article. He also thanks Lucas Csovelak, Andrea Nappi, Gabor Ovari, Ed Sonnenberg, and Brent Johnson for research assistance. 1. Substantial information about the series is available at HBO.COM, http://www.hbo.com/ the-wire/episodes#/the-wire/index.html [hereinafter Wire HBO site]. This site contains detailed summaries of each episode. Subsequent references to specific episodes in this Article refer to the season, followed by the number of the episode counting from the beginning of season one, and then the name of the episode. For example, the first episode of season four, which introduces the four boys who serve as protagonists in season four, is The Wire: Boys of Summer (HBO television broadcast Sept. 10, 2006) [hereinafter Episode 4-38, Boys of Summer]. Additional information is available at The Wire, IMDB.COM, http://www.imdb.com/ title/tt0306414/ (last visited Mar. 26, 2013) [hereinafter Wire IMDB site]. Several books contain essays and other commentaries about the series.