Newsletter Fall 2012 Franklin Square
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07 – Spinning the Record
VI. THE STEREO ERA In 1954, a timid and uncertain record industry took the plunge to begin investing heav- ily in stereophonic sound. They were not timid and uncertain because they didn’t know if their system would work – as we have seen, they had already been experimenting with and working the kinks out of stereo sound since 1932 – but because they still weren’t sure how to make a home entertainment system that could play a stereo record. Nevertheless, they all had their various equipment in place, and so that year they began tentatively to make recordings using the new medium. RCA started, gingerly, with “alternate” stereo tapes of monophonic recording sessions. Unfortunately, since they were still uncertain how the results would sound on home audio, they often didn’t mark and/or didn’t file the alternate stereo takes properly. As a result, the stereo versions of Charles Munch’s first stereo recordings – Berlioz’ “Roméo et Juliette” and “Symphonie Fanastique” – disappeared while others, such as Fritz Reiner’s first stereo re- cordings (Strauss’ “Also Sprach Zarathustra” and the Brahms Piano Concerto No. 1 with Ar- thur Rubinstein) disappeared for 20 years. Oddly enough, their prize possession, Toscanini, was not recorded in stereo until his very last NBC Symphony performance, at which he suf- fered a mental lapse while conducting. None of the performances captured on that date were even worth preserving, let alone issuing, and so posterity lost an opportunity to hear his last half-season with NBC in the excellent sound his artistry deserved. Columbia was even less willing to pursue stereo. -
Bellini's Norma
Bellini’s Norma - A discographical survey by Ralph Moore There are around 130 recordings of Norma in the catalogue of which only ten were made in the studio. The penultimate version of those was made as long as thirty-five years ago, then, after a long gap, Cecilia Bartoli made a new recording between 2011 and 2013 which is really hors concours for reasons which I elaborate in my review below. The comparative scarcity of studio accounts is partially explained by the difficulty of casting the eponymous role, which epitomises bel canto style yet also lends itself to verismo interpretation, requiring a vocalist of supreme ability and versatility. Its challenges have thus been essayed by the greatest sopranos in history, beginning with Giuditta Pasta, who created the role of Norma in 1831. Subsequent famous exponents include Maria Malibran, Jenny Lind and Lilli Lehmann in the nineteenth century, through to Claudia Muzio, Rosa Ponselle and Gina Cigna in the first part of the twentieth. Maria Callas, then Joan Sutherland, dominated the role post-war; both performed it frequently and each made two bench-mark studio recordings. Callas in particular is to this day identified with Norma alongside Tosca; she performed it on stage over eighty times and her interpretation casts a long shadow over. Artists since, such as Gencer, Caballé, Scotto, Sills, and, more recently, Sondra Radvanovsky have had success with it, but none has really challenged the supremacy of Callas and Sutherland. Now that the age of expensive studio opera recordings is largely over in favour of recording live or concert performances, and given that there seemed to be little commercial or artistic rationale for producing another recording to challenge those already in the catalogue, the appearance of the new Bartoli recording was a surprise, but it sought to justify its existence via the claim that it authentically reinstates the integrity of Bellini’s original concept in matters such as voice categories, ornamentation and instrumentation. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
House Manager Status: Part-Time, Seasonal/Non-Exempt Reports To: Director of Marketing & Communications Supervises: Volunteer Ushers
POSITION DESCRIPTION Position Title: House Manager Status: Part-Time, Seasonal/Non-Exempt Reports To: Director of Marketing & Communications Supervises: Volunteer Ushers Position Summary: The House Manager is responsible for ensuring all Symphony patrons receive the best overall front-of-house concert experience. S/He must be able to effectively and courteously problem- solve and exhibit grace under pressure. Responsibilities: Recruit, train, schedule and monitor volunteer ushers for all Symphony performances at the Times-Union Center for the Performing Arts, ensuring Symphony events are staffed by volunteers of the highest caliber. Serve as a liaison between patrons and the Symphony, ensuring an efficient front-of-house operation and a positive experience for Symphony patrons; coordinate concert start and end times with back-of-house personnel; work with ASM (building management company) Executive on Duty to address any facility issues. Work with staff to address all patron issues either at the time of the issue or within three days of the concert at which the issue occurred. Other duties as assigned. Requirements: Bachelor’s degree preferred or two years of similar experience. Excellent communication, interpersonal, organization and leadership skills. Proficient in Microsoft Office. Responsible, reliable, able to work daytime, weekends and evenings. The position requires work at concerts most Friday and Saturday nights from mid-September through mid-June. There are also Friday morning, Thursday evening and Sunday afternoon concerts periodically throughout the season. Must have a positive attitude, be able to work as part of a high-functioning team, possess a knowledge of and passion for symphonic music, as well as the strong desire to share it with others. -
Ann Arbor Festival of Song Presents the Sixteenth Annual
ANN ARBOR FESTIVAL OF SONG PRESENTS THE TWENTY-SIXTH ANNUAL WEEK AFTER ART FAIR SONG FEST TUESDAY-FRIDAY, JULY 23-26, 2019 KERRYTOWN CONCERT HOUSE, ANN ARBOR OUR 25TH ANNIVERSARY TUESDAY, JULY 23, 8:00PM THURSDAY, JULY 25, 8:00PM LIZ PEARSE, PERFORMER SEX, DRUGS, AND OPERA SCENES FRIDAY, JULY 26 8:00PM CABARET SCHMABARET WEDNESDAY, JULY 24, 8:00PM Herz, Schmerz/Toujours L’amour 2019 ARTISTS Key to abbreviations: BGSU = Bowling Green State Univ; EMU = Eastern Michigan Univ; MOT= Michigan Opera Theatre; UM = Univ of Michigan Pianist KEVIN BYLSMA‘s work has taken him in recent years to Venice, Paris, Romania, Eastern Europe, New York City, Boston, Los Angeles, and Thailand. Recent collaborations include recitals with Jennifer Rowley, Irina Mishura, Michelle DeYoung, and Kathryn Lewek, and accompanying masterclasses of Samuel Ramey, Dianne Soviero, and Marilyn Horne. His music directing and coaching credits include Ann Baltz' OperaWorks in Los Angeles, Toledo Opera, MOT, OPERA!Lenawee, Papagena Opera Company, and the UM. Currently serving as Head of Music Preparation at Toledo Opera, and Lecturer of Opera at the College of Musical Arts at BGSU, Kevin has also served the Toledo, Adrian, and Greater Lansing Symphony Orchestras as keyboardist, and since 1993 has been associate organist at Mariners' Church of Detroit. CHRISTINE AMON, MEZZO-SOPRANO, a Grand Rapids native, has performed in recent seasons with Opera Carolina, Nashville Opera, Opera Memphis, Toledo Opera, Opera Louisiane, Union Avenue Opera, and Opera Grand Rapids. In 2018 she was a finalist in the Lotte Lenya Competition hosted by the Kurt Weill Foundation for Music. She is a voice instructor in the Grand Rapids area. -
Keith Phares, Baritone, and Michael Baitzer, Piano Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 3-21-2005 Keith Phares, baritone, and Michael Baitzer, piano Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Keith Phares, baritone, and Michael Baitzer, piano" (2005). Music Department Concert Programs. 342. https://scholarship.richmond.edu/all-music-programs/342 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Monday, March 21, 2005 • 7:30pm Modlin Center for the Arts Call),p Concert Hall, Booker Hall of Music Keith Phares, baritone Michael Baitzer, piano UN!VER.SlTY OF RICHMOND Sponsored in part by the 175th Anniversary Committee and the University's Cultural Affairs Committee The Modlin Center thanks Style Weekly for media sponsorship of the 2004-2005 season. Tonight's Program La bonne chanson, Op. 61 (Paul Verlaine) Gabriel Faure "Une Sainte en son aureole" (1845-1924) "Puisque l'aube gpndit" "La June blanche luit dans les bois" "J'allais par des chemins perfides" "J'ai presque peur, en verite" "Avant que tune t'en ailles" "Done, ce sera par un clair jour d'ete" "N'est-ce pas?" "L:hiver a cesse" Lieder eines fahrenden Gesellen Gustav Mahler "Wenn mein Schatz Hochzeit macht" (1860-1911) "Gieng heut' Morgen tiber's Feld" "Ich hab' ein gltiend Messer" "Die zwei blauen Augen" -Intermission- Bredon Hill and Other Songs (A.E. -
J2P and P2J Ver 1
club activities has been formed continues to latch on to inde- at MGM -Verve, including liai- pendent label product as they Club Picture Sharpens son offices on both the East and become hot. A prominent exam- West Coast. MGM artists who'll ple is Tamla- Motown, which the Continued from page ata Tebaldi, Birgit Nilsson, Ni- be available through the record Columbia club handles on a uso colai Ghiarunov, Mario del club include Roy Orbison, Sam nonexclusive basis. and its affiliated labels such as Monaco and Marilyn Horne. the Sham and the Pharaohs, the AQOQO! Command and Westminster. Animals, Herman's Hermits, Most of the important record MGM's deal with the Capitol Tie With London Connie Francis, Johnny Tillot- companies have already com- The Victor club's tie with club includes all product by mitted themselves to one club MGM, Verve and Folkways with son, Hank Williams and Erroll London gives it access to one of Garner, who recently joined the or another on an exclusive or the exception of artists whose the largest of the recorded opera label. Verve artists in the club nonexclusive basis. A notable well a contract prohibits it. MGM Rec- catalogs as as flock of include Stan Getz, Jimmy Smith, exception is Atlantic -Atco Rec- potent pop sellers. London has ords President Mort L. Nasatir ords. The clubs have indicated emphasized that none of the ex- Ella Fitzgerald, Astrud Gilberto about 200 items in its operatic and Cal Tjader. interest in the Atlantic -Atco catalog which features such ceptions were significant artists. product but the firm has yet to names as Joan Sutherland, Ren- A special division to handle The Columbia club, meantime, commit itself. -
North Shore Teacher Hit Outside High School GCHS Honors Its All-County
Volume XXII No. 27 Hometown Newspaper for Glen Cove, Sea Cliff, Glen Head, Glenwood, Locust Valley and Brookville Week of 3/7/13 75C North Shore Teacher Hit Outside High School By Carol Griffin Christopher Whalley, a North Shore School Latin teacher, was struck and in- jured by a reckless driver on Glen Cove Avenue as he was crossing the road go- ing from the high school to the middle school on March 1 at about 10:30 a.m. Police believe that the teacher had the right of way and was in the crosswalk when he was struck by a Lexus. The driver, Cruz Correa, 28 years old from Glen Cove, was driving a 1991 Lexus when he hit the teacher. He also hit and seriously injured a couple that was com- ing toward him in the southbound lane in Volkswagen. Law enforcement officials said they believe the Correa’s ability to drive at the time was impaired. Correa was arrested and charged with reckless driving. Police said he will be arraigned after he recovers from his injuries. Speaking with Chief Michael Ric- cardo of Glenwood Fire Company, he said the call on “pedestrian struck” came into his department shortly after it oc- curred. He said Glenwood responded with an ambulance, he requested am- bulances from Sea Cliff a from Nassau County. He also radioed Roslyn Rescue Fire Department for their EMS Unit for assistance. The horrible accident started with the 1991 Lexus (inset- top left) hitting a teacher who was walking on Glen Cove Avenue. It then hit a Volkswagen (insert- top right). -
N E W S R E L E a S E
N E W S R E L E A S E FOR IMMEDIATE RELEASE November 29, 2017 The Philadelphia Orchestra and Yannick Nézet-Séguin to Welcome Steve Martin as Special Guest for the Academy of Music 161st Anniversary Concert and Ball (Philadelphia, November 29, 2017)—For generations, the Academy of Music Anniversary Concert and Ball has been one of Philadelphia’s most anticipated and memorable evenings of the year. On Saturday, January 27, 2018, supporters of the Academy of Music will be treated to a special concert featuring celebrated comedian, actor, and entertainer Steve Martin and The Philadelphia Orchestra led by Music Director Yannick Nézet-Séguin. Martin will play the banjo with the Orchestra in newly created orchestrations arranged specifically for the evening. Ball festivities will follow in an elegantly spirited evening of friendship, music, dinner, and dancing. “It is always a tremendous joy to return to the Academy of Music, the Orchestra’s original home, for this memorable evening of music and camaraderie,” said Philadelphia Orchestra Music Director Yannick Nézet-Séguin. “I am particularly excited to collaborate with Steve Martin, a brilliant entertainer and talented banjo player. Expect some truly magical moments as he joins the ‘Fabulous Philadelphians’ on stage.” Always a new and exciting experience, yet rich with treasured traditions, the evening is a night for Philadelphians both young and young at heart. The theme for the Academy of Music 161st Anniversary Concert and Ball is Philadelphia: Past, Present, and Future. The annual fundraiser benefits the Academy of Music Restoration Fund and The Philadelphia Orchestra. “The significance of the annual Anniversary Concert and Ball extends far beyond a spectacular evening,” said Caroline B. -
Encyclopedia of African American Music Advisory Board
Encyclopedia of African American Music Advisory Board James Abbington, DMA Associate Professor of Church Music and Worship Candler School of Theology, Emory University William C. Banfield, DMA Professor of Africana Studies, Music, and Society Berklee College of Music Johann Buis, DA Associate Professor of Music History Wheaton College Eileen M. Hayes, PhD Associate Professor of Ethnomusicology College of Music, University of North Texas Cheryl L. Keyes, PhD Professor of Ethnomusicology University of California, Los Angeles Portia K. Maultsby, PhD Professor of Folklore and Ethnomusicology Director of the Archives of African American Music and Culture Indiana University, Bloomington Ingrid Monson, PhD Quincy Jones Professor of African American Music Harvard University Guthrie P. Ramsey, Jr., PhD Edmund J. and Louise W. Kahn Term Professor of Music University of Pennsylvania Encyclopedia of African American Music Volume 1: A–G Emmett G. Price III, Executive Editor Tammy L. Kernodle and Horace J. Maxile, Jr., Associate Editors Copyright 2011 by Emmett G. Price III, Tammy L. Kernodle, and Horace J. Maxile, Jr. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Encyclopedia of African American music / Emmett G. Price III, executive editor ; Tammy L. Kernodle and Horace J. Maxile, Jr., associate editors. p. cm. Includes bibliographical references and index. ISBN 978-0-313-34199-1 (set hard copy : alk. -
Subseries 6.2: Dallas Times Herald Work, Circa 1961-1989 Extent: 30 Boxes (126 Film and 35 Mm) (Approximately 85,000 Negatives)
Subseries 6.2: Dallas Times Herald Work, circa 1961-1989 Extent: 30 Boxes (126 film and 35 mm) (approximately 85,000 negatives) Celebrities; stage, screen and TV stars; events, concerts, portraits and parties. Filed alphabetically by subject’s last name. Primarily black and white 35 mm roll film; some 126-roll film. Roll film is cut in strips and sleeved in polyethylene sheet protectors. Box 8 Last Name Beginning with “A” negatives (76 rolls, approximately 1,450 negatives) Rolls Able Will 1979 July 7 2 Adams Tom 1983 April 15 2 Adams Edie 1970 April 28 1 DSM June 1975 Alberghetti Anna Maria 1975 1 1975 June 4 Albert Eddie 2003 July 4 2 also 1977 Mar 22 Alda Robert 1971 Aug 11 1 Alda Alan 1981 April 3 7 USA Film Festival, SMU Alder Joe 1983 June 1 5 with James Drury Aleskovsky Ruth 2 Allen Marty 1971 Nov 1 3 @ the Fairmont, with Steve Rossi, @ Stoneleigh Allen Steve 1975 Nov 1 1 Fairmont Hotel Allred Libby Hunt 1 1988 Feb Alpert Hollis 1 @ SMU Alred Libby Hunt 1 Ameche Don 1972 Oct 10 1 With Jeb Stuart Ames Ed 1970 March 26 1 @ T Bar M, with Warren Jacques, Interview Ames Nancy 1 @ the Fairmont Chick 1964 May 28 1 With Mike Rogers at Stoneleigh Anderson Anderson Lynn 1979 March 21 7 and 1977; Venetian Room @ 1980 May 12 Fairmont Andrews Sisters 1 Ann-Margaret 1982 Aug 1 8 In “Tommy” Anspach Susan 1979 Nov 1 2 @ the Fairmont Applewhite Charlie 1961 Sept 14 1 Arden Eve 1982 July 2 1 With Donald O'Connor @DSM Ashley Elizabeth 1984 Feb 1 1 Manheim Asner Ed 1981 June 27 2 Golden Plate dinner awards Atkins Chet 1969 Jan 24 5 August Marie 1982 -
Public Figures Affected by Pancreatic Cancer
PUBLIC FIGURES AFFECTED BY PANCREATIC CANCER SURVIVORS Bob Uecker Former Major League Baseball player, comedian, and actor. Entering his 48th season as the Milwaukee Brewers broadcaster. Chris Rea British musician best know known for "The Road to Hell" Colin Friels Actor best known for "Dark City" and "Darkman" Dave Rose Head Coach for Brigham Young University men's basketball team Debbie Ryan Head Coach for University of Virginia women's basketball team Harry Reid Former Senate Majority Leader and retired senator (D-Nev.) Johnny Clegg South African musician best known for "Dela" José José Mexican singer known as "El Príncipe de la Canción" Kitty Swink Actress best known for "Star Trek: Deep Space Nine;" wife of actor Armin Shimerman Marilyn Horne Opera singer Ruth Bader Ginsburg Supreme Court Justice and second woman to be appointed to the position Ryan Buell Paranormal researcher on A&E's "Paranormal State" Ryan Frayne Founder and inventor of Windcatcher inflatable mattresses featured on ABC's "Shark Tank" Stefan Karl Actor best known as Robbie Rotten on the television show "LazyTown" Wilko Johnson Musician/actor best known for British band Dr. Feelgood and "Games of Thrones" DECEASED Name Profession Best Known For When Age ARTS Irving Wallace Author and "The Chapman Report" and "The Prize" 1990 74 Screenwriter Jack Keil Advertising Executive Creator and voice of "McGruff the Crime Dog" 2017 94 John F. Caldwell Cartoonist Freelancer for The New Yorker and Mad Magazine 2016 69 Lorraine Hansberry Writer “A Raisin in the Sun,” the first