Interview with Med Hondo by Mark Reid and Sylvie Blum
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'Ex-Lexes' Cherished Time on Hawaiian Room's Stage POSTED: 01:30 A.M
http://www.staradvertiser.com/businesspremium/20120622__ExLexes_cherished_time_on_Hawaiian_Rooms_stage.html?id=159968985 'Ex-Lexes' cherished time on Hawaiian Room's stage POSTED: 01:30 a.m. HST, Jun 22, 2012 StarAdvertiser.com Last week, we looked at the Hawaiian Room at the Lexington Hotel in New York City, which opened 75 years ago this week in 1937. The room was lush with palm trees, bamboo, tapa, coconuts and even sported a periodic tropical rainstorm, said Greg Traynor, who visited with his family in 1940. The Hawaiian entertainers were the best in the world. The Hawaiian Room was so successful it created a wave of South Seas bars and restaurants that swept the country after World War II. In this column, we'll hear from some of the women who sang and danced there. They call themselves Ex-Lexes. courtesy Mona Joy Lum, Hula Preservation Society / 1957Some of the singers and dancers at the Hawaiian Room in the Lexington Hotel. The women relished the opportunity to "Singing at the Hawaiian Room was the high point of my life," perform on such a marquee stage. said soprano Mona Joy Lum. "I told my mother, if I could sing on a big stage in New York, I would be happy. And I got to do that." Lum said the Hawaiian Room was filled every night. "It could hold about 150 patrons. There were two shows a night and the club was open until 2 a.m. I worked an hour a day and was paid $150 a week (about $1,200 a week today). It was wonderful. -
Towards an Aesthetic of the Migrant Self — the Film Le Clandestin by José Zeka Laplaine
MARIE–HÉLÈNE GUTBERLET ⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯ Towards an Aesthetic of the Migrant Self — The Film Le Clandestin by José Zeka Laplaine A BSTRACT: The representation of migrant arrivals in Europe is at the centre of this investigation of Zeka Laplaine’s short film Le Clandestin (1996). Placing the short film in the context of the African cinematographic traditions of earlier, more conventional, migrant narratives, the essay shows that the associative structure and the postmodern use of irony and magical realism in this short film question both our sense of familiarity and the promise of effortless transcultural communication. 1 OST FILMS (cinema and television productions) dealing with African migration, especially migration to Europe, are produced M and realized by European film and broadcasting companies. They reflect a specific attitude towards individuals and their situation and towards the issue of foreign presence on European soil. The portrayal and production of the African migrant in European media represents a complex field of poli- tically, socially, racially, and aesthetically relevant influences that would need to be analysed specifically. Awareness of these issues has spread beyond the academic field: everybody is more or less familiar with the images of African migrants, with the unease, the exaggerations, humiliations, and transformations taking place in the production of these images, and has learned to view against the grain and sometimes see behind the obvious. Another concern underlies the present essay: are there other ways of expressing and showing the arrival of © Transcultural Modernities: Narrating Africa in Europe, ed. Elisabeth Bekers, Sissy Helff & Daniela Merolla (Matatu 36; Amsterdam & New York NY: Editions Rodopi, 2009). -
Kodak Movie News; Vol. 3, No. 1; Jan
VOLUME 3, NUMBER 1 JANUARY-FEBRUARY 1955 lntroducing in HERE's a new program on TV Peepers ... a nd Jamie. He also has to his T whichyou willwant to see! Forwethink credit the first Alan Young Show, Operation you will not only delight in "Norb.y" as a Airlift, October Story, and others. Before show, but will also welcome the Iast-minute these TV successes, his unusual talent was news of photo products and developments apparent in Walt Disney's Pinocchio, Peter which the program will bring you-in full Pan, Snow White, and many other films. TV color, if you're equipped to receive it Dave Swift has a deft and sure tauch audi- or in regular black-and-white, as most ences recognize and appreciate. folks will see it. He thinks "Norby" will be the best thing "Norby" is Kodak's first venture jnto he has dorre. So do we. TV. For years we've sought the right ve- "Norby" hicle. Here's why we think you'll like the The story result : The play is named after its leading.character, "Norby" is created, directed, a:nd pro- Pearson Norby, who, in the first show, becomes duced by David Swift. There are two other vice-president in charge of smail loans of the current TV hits, born of his active and per- ceptive mind, you probably know. Mr. Every week on NBC-TV Your family will Iove the NORBY family! Evan Elliot, as Hank Norby, , , Joan Lorring, as Helen Norby . .. Susan Halloran, as Dianne . and David Wayne, as Pearson Norhy First National Bank of Pearl River. -
Eastman Business Park Site Newsletter
Eastman Business Park Site Newsletter Issue 3 Letter from Mike Alt Letter from Arline Liberti Director, Manager, Kodak Fall 2010 Eastman Business Park Rochester Facilities I’ve now been the Director of Eastman Amid all the change and challenge that Business Park (EBP) for five months and surrounds us today in our business world, during this time have had the opportu- the Kodak Rochester Facilities (KRF) mis- nity to meet most of our tenants. sion of creating value in the delivery and Shortly, with the arrival of our three quality of service to our tenants remains Cody Gate Companies, there will be 30 at the core of everything we do. We are tenants at EBP. excited about the new prospects resulting I have spent most of my time networking from Mike’s efforts to attract new tenants externally, focusing on understanding to the site, and are also pleased to share what we need to do to attract new busi- with you a number of improvement initia- nesses and tenants. I’ve attended over tives that will create greater sustainability 10 events, spoke at a NYS Economic De- in support of your business operations on velopment Conference, and hosted at EBP site. more than 20 tours. My learning’s from networking were applied to the develop- 43 Boiler Tube Replacement – On Sep- ment of a strategy for our future busi- tember 12, 2009, the site experienced a ness development. major steam and electric shutdown due to a tube failure on 43 boiler and subsequent Here are the key elements: www.eastmanbusinesspark.com shutdown of other operating boilers. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
EXPENDITURE REPORT Page:1 April 1, 2020 to September 30, 2020 SENATOR JOSEPH P
NEW YORK STATE SENATE EXPENDITURE REPORT Page:1 April 1, 2020 to September 30, 2020 SENATOR JOSEPH P. ADDABBO, JR. DEPUTY MAJORITY WHIP OF THE SENATE CHAIR OF RACING, GAMING AND WAGERING COMMITTEE PERSONAL SERVICE EXPENDITURES MEMBER EXPENDITURES Dates Of Service Title Pay Type Amount ADDABBO JR, JOSEPH P 03/19/20 - 09/30/20 MEMBER RA $59,230.78 STAFF EXPENDITURES Employee Dates Of Service Title Pay Type Amount CASSIDY, SHANNA M 03/05/20 - 09/16/20 COMMITTEE DIR & SR. LEGISLATIVE ASST SA $32,307.80 CLARK, VICTORIA L 03/05/20 - 09/16/20 LEGISLATIVE DIRECTOR RA $42,000.00 D'ANGELO, JOHN G 03/05/20 - 09/16/20 CONSTITUENT LIAISON RA $22,615.46 DELLANNO, THOMAS A 03/05/20 - 09/16/20 ASSISTANT COMMUNITY LIAISON SA $5,710.46 DEWEESE, KELLY C 03/05/20 - 09/16/20 DEPUTY DIRECTOR OF COMMUNICATIONS RA $35,538.58 DOREMUS, SANDEE 03/05/20 - 09/16/20 COMMUNITY LIAISON RA $22,677.91 GIANNELLI, NEIL C 03/05/20 - 09/16/20 CHIEF OF STAFF RA $35,865.34 GIUDICE, ANTHONY 03/05/20 - 09/16/20 PRESS SECRETARY/SPECIAL EVENTS COORD RA $23,961.56 GRECH, EVA 03/05/20 - 09/16/20 COMMUNITY LIAISON RA $18,389.48 KASH, JANET K 02/21/20 - 08/19/20 COMMUNICATIONS DIRECTOR TE $4,500.00 MOORE, CARL V 03/05/20 - 09/16/20 CONSTITUENT LIAISON RA $24,500.00 PORTH, KRISTI D 03/05/20 - 09/16/20 SCHEDULER RA $23,961.56 SPELLMAN, SARAH E 03/05/20 - 09/16/20 OFFICE MANAGER - MIDDLE VILLAGE RA $25,785.34 GENERAL EXPENDITURES MAINTENANCE & OPERATIONS EXPENDITURES Check Date Voucher# Vendor Description Amount 04/17/20 51071 OFFICE OF GENERAL SERVICES D.O. -
French Department Course Brochure 2017-2018
FRENCH DEPARTMENT COURSE BROCHURE 2017-2018 This brochure is also available on our website: http://www.wellesley.edu/french TABLE OF CONTENTS Page Course Descriptions………………………………… 2 – 26 Honors in the French Major (360/370)……..…..…27 – 31 Advanced Placement & Language Requirements, Graduate Study and Teaching………………………32 Requirements for the French Major……….………….33 The French Cultural Studies Major………..…..……..33 Linguistics Course Descriptions…………….……...…34 Maison Française/French House………………….….37 Wellesley-in-Aix……………………………….….……37 Faculty...………………………………………………..38 Awards and Fellowships…………………...……….…41 French Department Sarah Allahverdi ([email protected])….. (781) 283-2403 Hélène Bilis ([email protected]) ….. (781) 283-2413 Venita Datta ([email protected]) ….. (781) 283-2414 On Leave Spring 2018 Sylvaine Egron-Sparrow ([email protected]) ….. (781) 283-2415 French House assistantes….. (781) 283-2413 Marie-Cécile Ganne-Schiermeier ([email protected]) ….. (781) 283-2412 Scott Gunther ([email protected]) ….. (781) 283-2444 Chair-Spring 2018 Andrea Levitt ([email protected]) ….. (781) 283-2410 Barry Lydgate ([email protected]) ….. (781) 283-2439 Catherine Masson ([email protected]) ..….. (781) 283-2417 Codruţa Morari ([email protected]) ….. (781) 283-2479 James Petterson ([email protected]) ….. (781) 283-2423 Anjali Prabhu ([email protected]) ….. (781) 283-2495 Marie-Paule Tranvouez ([email protected]) ….. (781) 283-2975 David Ward ([email protected]) ….. (781) 283-2617 Chair-Fall 2017 Course Distribution, when applicable, is noted in parenthesis following the prerequisites. 1 FRENCH 101-102 (FALL & SPRING) BEGINNING FRENCH I AND II Prerequisite: Open to students who do not present French for admission or by permission of the instructor. French 101-102 is a yearlong course. Students must complete both semesters satisfactorily to receive credit for either course. -
The Politics of Nelson Rockfeller´S Office of Inter-American Affair in Brazil During World War Ii
Passagens. Revista Internacional de História Política e Cultura Jurídica, Rio de Janeiro: vol. 2 no.4, maio-agosto 2010, p. 181-216. AMERICANIZATION OF BRAZIL OR A PRAGMATIC WARTIME ALLIANCE? THE POLITICS OF NELSON ROCKFELLER´S OFFICE OF INTER-AMERICAN AFFAIR IN BRAZIL DURING WORLD WAR II AMERICANIZAÇÃO DO BRASIL OU ALIANÇA PRAGMÁTICA EM TEMPOS DE GUERRA? A POLÍTICA DO OFFICE OF INTER-AMERICAN AFFAIRS DE NELSON ROCKFELLER NO BRASIL DURANTE A II GUERRA MUNDIAL AMERICANIZACIÓN DE BRASIL O ALLIANZA PRAGMÁTICA EN TIEMPOS DE GUERRA? LA POLÍTICA DEL OFFICE OF INTER-AMERICAN AFFAIRS DE NELSON ROCKFELLER EN BRASIL DURANTE LA SEGUNDA GUERRA MUNDIAL AMÉRICANISATION DU BRÉSIL OU ENGAGEMENT PRAGMATIQUE EN TEMPS DU GUERRE? LA POLITIQUE DE L’ OFFICE OF INTER-AMERICAN AFFAIRS DE NELSON ROCKFELLER AU BRÉSIL PENDANT LA SECONDE GUERRE MONDIALE Ursula Prutsch ABSTRACT This article considers firstly the wide range of activities spearheaded by the Office of Inter-American Affairs (OIAA) in Brazil and the significance of this wartime institution. The OIAA was created in 1940 and headed by Nelson A. Rockefeller to combat Axis inroads into the South of the Western Hemisphere and deepen U.S. influence in the region. Toward this end it was engaged in a variety of spheres, including finance, commerce, and manufacturing industry, communications and mass media, culture and education. Its politics in Brazil, the most important hemispheric partner moreover, serves to illustrate the intertwining of economy, politics, and culture in United States foreign policy, especially towards Latin America. Secondly, the article will also show that the Brazilian government – rather than being a passive recipient of dictums from Washington – worked hard to appropriate the OIAA’s agenda to the demands of its 181 own interests in the ongoing nation-building process. -
Corporate Archives and the Eastman Kodak Company
Rochester Institute of Technology RIT Scholar Works Theses 5-2018 Making History Work: Corporate Archives and the Eastman Kodak Company Emily King Rochester Institute of Technology, [email protected] Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation King, Emily, "Making History Work: Corporate Archives and the Eastman Kodak Company" (2018). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. ROCHESTER INSTITUTE OF TECHNOLOGY COLLEGE OF LIBERAL ARTS MAKING HISTORY WORK: CORPORATE ARCHIVES AND THE EASTMAN KODAK COMPANY A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE BACHELOR OF SCIENCE DEGREE IN MUSEUM STUDIES DEPARTMENTS OF PERFORMING ARTS AND VISUAL CULTURE AND HISTORY BY EMILY KING APRIL 2018 Contents Abstract............................................................................................................................................1 I. Literature Review.........................................................................................................................2 A. An Historical Perspective................................................................................................2 B. Advocating for Business Archives..................................................................................6 C. Best Practices in the Field -
September Entertainment
Neshaminy News Neshaminy Manor * 1660 Easton Rd. Warrington, Pa. 18976 * 215-345-3205 * Administration Update September Entertainment Striving to keep our residents happy in Sharing Hope with Kim mind, body and spirit while keeping them safe and healthy! Monday September 13th & 27th on C1 Thursday September 2nd & 16th on A2 & C2 Dear Residents, Family Members and Staff: Thursday September 9th & 23rd on A0 & A1 We hope you have had a great summer! It’s been wonderful to see so Music with Bronwyn many residents and families enjoying our outdoor patios. We are also happy Monday September 13 & 27 that we’ve been able to resume so 9:45 on A2 10:30 on C2 11:10 on D1 many group activities in the all th Monday September 20 purpose room the past couple months. 9:45 on A1 10:30 on A0 11:10 on C1 We continue to be vigilant in keeping Ballroom Dancing Show our residents and staff safe and healthy. We appreciate your Friday September 17th cooperation with following the current 10:30 for Units D1, A1, C1 in the APR guidelines per CDC, CMS and Dept. of Health. 2:00 for Units A0, A2, C2 in the APR Bob Tomlinson Guitar & Vocal Wedensday September 29 10:00 on A1 11:15 on D1 2:00 on A0 Come to the APR and check out the amazing art work our Thursday Sepember 30th residents have created over the 10:00 on A2 11:15 on C1 2:00 on C2 last year News You Can Use Hairdresser Hours Paige: Mon 9:30 am-3 A1 & A0 50/50 TICKETS Ellie: Tues 10 am–3 pm - every other Tues – D1, alternate Tues - C1 Ellie: Fri 10 am-3 pm A2 & C2 We are selling 50/50 tickets in the rotunda again. -
Orson Welles
Narrative Production RTF 366K 08730 Spring Semester 2016 Class: Thursdays 9:3012:30 CMB 4.122 Lab: Mondays 69pm CMB 4.118 Instructor: Deborah Eve Lewis Office hours Wednesdays 14pm, CMA TA: Mitchell O’Hearn Independent Inquiry This course carries the Independent Inquiry flag. Independent Inquiry courses are designed to engage you in the process of inquiry over the course of a semester, providing you with the opportunity for independent investigation of a question, problem, or project related to your major. You should therefore expect a substantial portion of your grade to come from the independent investigation and presentation of your own work. Course Description This course is an intensive workshop in visual storytelling and nondialogue filmmaking designed to build upon the fundamental production concepts and techniques first introduced in RTF 318 – Intro to Image & Sound. This class explores the expressive potential of image & sound through the production of 16mm film and digital video exercises and short films, ultimately preparing students for advanced narrative classes. Nondialog filmmaking is the root of all filmmaking. It asks you to understand the basic principles of storytelling through images and sound and the relationship between the two. One simply cannot rely on expositional dialog, or worse, poorly written dialog. One must truly communicate solely through visual and aural storytelling. With technology moving so quickly these days, the ease of digital filmmaking has become our enemy. "The enemy of art is the absence of limitations" Orson Welles Black & white reversal film, however, is completely unforgiving. Therefore, each shot and edit must be thought out creatively and technically – you must be confident in your creative decisions. -
The Precision Ag Retailer of Tomorrow
The Precision Ag Retailer of Tomorrow Introductory Remarks Before Retail Precision Programs Session Context “Failure is NOT Fatal, but Failure to CHANGE can be.” - John Wooden, American Basketball Coach “Standing still is the fastest way of moving backwards in a rapidly changing world.” - Lauren Bacall, Actress Agenda 1. Provide an independent analysis of the State of Ag Retail 2. Discuss drivers of change and a framework for transformation 3. Provide the rationale for “why change, why now and how” 4. Hear expert views from three panelists 5. Q&A My Thesis The Time to Transform is Now .The upturn in grain prices provides an ideal opportunity for business model transformation .Numerous technologies exist to power Precision Ag 4.0 (Precision + Digital Agriculture) .Partnerships and joint ventures offer a path forward Failing to Evolve is Dangerous .Does your business model look forward or defend the past? .Remember the 5 most expensive words in strategic planning: “This time will be different” .Review patterns in other industries: Don’t Make the Kodak or Netflix mistakes Digitally-Powered “Precision as a Service” = Future for Ag Retail About Me PROFILE .Institutionally-trained securities analyst and investor .Proven track record of return and strategic value creation .Subject matter expert in food, agriculture, finance, technology CAREER .Lead Economist & Strategist, CoBank ACB .Sector Manager, Food & Ag Industry Advisors, Wells Fargo, Executive Director, Rabobank Research .Senior Managing Partner, Carlan Advisors Group, Senior Analyst Lazard