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Pdf Catalogo Daciano D DACIANODACOSTADESIGNER The Calouste Gulbenkian Ana Caetano | Ana Monteiro da Costa Fine Arts Service | António Aguiar | Carlos Alberto Silva Foundation thanks Manuel da Costa Cabral, Director | Carlos Costa | Carlos Reis | Carlos Lucília Alvoeiro, Deputy Director all the people Silva | Catarina Amaro da Costa | and institutions Catarina Monteiro da Costa | Commissioner Conceição and Alexandre Rebelo | João Paulo Martins that have made Dionísio Pestana | Fátima Libório | possible Eduardo Afonso Dias | Filipa Queiroz Production e Mello | Hermann Simon | João Rita da Fabiana the exhibition Soares | Joaquim Flórido | José Barata and the catalogue Moura | José Fernando Anacleto | Administrative Support José Manuel Torrão | Manuel Fernando Gaiaz Magalhães | Maria do Rosário Raposo | Maria do Rosário Santos | Maria Luísa Exhibition Design Cabral | Mário Brilhante | Margarida Atelier Daciano da Costa Ricardo Covões | Margarida Veiga | Cristina Sena da Fonseca Michael Schoomewagin | Pedro Martins Pereira | Rita Martinez | Mounting Coordination Rui Correia | Salette and José Brandão | Cristina Sena da Fonseca Sofia Nobre | Teresa Monteiro da Costa | Thomaz Rossner | Mounting Vasco Morgado Construções António Martins Sampaio ana, Aeroporto de Lisboa | Lighting design ana, Aeroporto Francisco Sá-Carneiro, fcg Central Services Porto | Biblioteca Nacional, Lisboa | Caixa Geral de Depósitos | Câmara Photo Enlargements Municipal de Lisboa | Carlton Alvor Textype (scanning) Hotel | Coliseu dos Recreios, Lisboa F. Costa (printing) | Companhia de Seguros Império | Crédito Predial Português | Crowne Graphic Design Plaza Resort Madeira, Funchal | Atelier B2 ddi, Difusão Internacional de José Brandão | Teresa Olazabal Cabral Design, Lda. | Fundação Centro Cultural de Belém | Hotel Altis, Transportation Lisboa | Hotel Madeira Palácio, rntrans, actividades transitárias Funchal | Interescritório. Mobiliário Internacional para Escritório, Insurance Lda. | Julcar, Augusto Carvalho Fidelidade Seguros & Flórido, Lda. | Laboratório Nacional de Engenharia Civil, Lisboa Restoration | Larus, Design Urbano, Artigos fcg Central Services para Construção e Equipamento, Maximino Alves Lda. | Lisboa Penta Hotel | Longra, EXHIBITION Mobiliário de Escritório | Ministério da Justiça | Museu da tap | Museu do Design-Fundação Centro Cultural de Belém | Parque Expo’98, s.a. | Pestana Carlton Park Hotel, Funchal | Pestana Delfim Hotel, Alvor | Reitoria da Universidade de Lisboa | Teatro Villaret, Lisboa And also, Art Archive of the Fine Arts Service | of the Calouste Modern Art Centre | Museum Service | Gulbenkian Foundation Central Services Publisher Photography Credits Fundação Calouste Gulbenkian Organization and selection of documents, Unless stated otherwise, the photographs project presentation texts, biographical notes, were expressly made for this work in the list of works and projects years 2000 and 2001 by PH3: Manuel Silveira Ramos João Paulo Martins and Jorge Castro, who also photographed Texts the selected drawings. António Sena da Silva José Pedro Martins Barata Jorge Spencer Angel Ordiales: pp. 76.1, 209, 211 | António Rosado: pp. 100, José Brandão Maria Helena Souto 176, 177 | Municipal Photographic Archive, Lisboa City Ana Cristina Tostões Council: pp. 290.2 | Atelier Daciano da Costa: pp. 51, 87.3, 97, Carlos Duarte 120.2/3/4, 126.2/3/4, 127.1, 128.2/4, 133, 135.1/2, 136.2, 144, 145, Rui Afonso Santos João Paulo Martins 146, 147.2, 148.2, 149, 175, 204, 236, 237, 239, 240, 264, 288.3, 291, 307.3/4/5/6, 308.2, 312.2/3 | Fundação Centro Cultural de Photography PH3: Manuel Silveira Ramos | Jorge Castro Belém: pp. 182.2, 187.3 | Carlos Lopes: p. 35 | Costa Martins: pp. 312.1, 313.3 | Daciano da Costa: p. 304.1/2/3 | Daciano da Costa Design Atelier B2 and Frederico George: pp. 98, 99 | F. Costa + Ramos: pp. 272, José Brandão | Teresa Olazabal Cabral 273 | gpa, Atelier Maurício de Vasconcelos: p. 313.1 | Horácio Print management Novais (Atelier Daciano da Costa archive): pp. 127.2/3, 129, Gabriel Godoi 130.4/5, 131 | Horácio Novais (Calouste Gulbenkian Foundation Revision Art Archive): pp. 61, 67.2, 115, 288.1, 289.1, 302.2, 305.2, 306.1 | António Alves Martins João Firmino: cover, pp. 107, 218 | João Paulo Martins: pp. 86.3, A. Miguel Saraiva e António Lampreia (collaboration) 106, 109.2/3, 134.5, 148.3, 168.2 | José Miguel Figueiredo: pp. 80, Pre-printing 193, 195.3, 196 | Laura Castro Caldas and Paulo Cintra: p. 300.5 Textype | Luís Filipe Oliveira: pp. 86.4, 274, 275 | Luísa Ferreira: pp. 8, Printing 68.1, 169.6, 199, 315 | Manuel Aguiar: pp. 104, 105, 313.2 Printer | Mário Novais (Calouste Gulbenkian Foundation Art Archive): ISBN 972-678-032-2 pp. 56, 67.1, 69.1, 93, 94, 254, 255, 256, 258, 260, 261 Legal Deposit 165 076/01 | Otto Auer: pp. 69.2, 266, 267.2 | Parque Expo’98, s.a., Tiago Lisbon, 2019 Venâncio: pp. 108, 109.1 | Perestrelos: pp. 81.2, 172.4, 294.1 | PH3 (archive): pp. 76.2, 85, 280, 282, 283, 284, 285, 300.1 | Fundação Calouste Gulbenkian Serviço de Belas-Artes Sérgio Guimarães: pp. 244, 245, 247, 310.5 | Other photographs Av. de Berna, 45-A 1067-001 Lisboa Codex of unknown origin: pp. 13, 32.3, 34, 37, 44, 45, 57.2, 62, 64, 69.3, [email protected] • www.gulbenkian.pt 70.1/3, 71.1/2, 72.1, 74, 75, 82, 83, 95, 110, 112.2, 113, 114.2, 141, © Fundação Calouste Gulbenkian 147.3, 152, 154.1, 155, 156, 158, 159, 161, 162, 163.3/4, 164.3/4/5, © Of texts and photographs, the authors 165, 166, 168.1, 170.4, 172.1, 184, 187.2, 189.2, 191.1, 200, The drawings reproduced in this catalogue are the property of Atelier Daciano da Costa, unless otherwise 202, 203, 234, 235, 242, 243, 248, 252, 253, 257, 259, 262, 263, indicated in the respective caption. All rendered sketches 267.1, 269, 271, 279, 289.3/4/7, 290.1/3, 292, 293, 294.3/4, 295, are by Daciano da Costa. The technical drawings include 299, 302.1, 303, 304.4, 305.1, 306.5, 307.1, 308.1/3/4/5/6/7, 309, the original scale, materials and medium used, CATALOGUE and the name of the collaborator who produced them. 310.1/2/3/4, 311, 314, 315.1, he Head Office’s temporary exhibition gallery, recently refurbished T by designer Daciano da Costa, hosts, from 15 May to 24 June 2001, a retrospective exhibition of the work of this author, who notably designed most of the interiors and furniture of the Calouste Gulbenkian Foundation in the 1960s. Daciano da Costa worked his entire life to change the role of Design in Portugal; he studied, painted and drew, designed, collaborated, broke and twisted, invented, restarted and won. This is what this exhibition and its catalogue want to make known. It is not just a matter of showing, throughout his career as a professional designer, the finished solutions, but also the approximations, hesitations and boldness of a great talent and of the rigorous use of a suitable method for solving the problems raised by different investigations and commissions. The Gulbenkian Foundation therefore welcomes this opportunity and thanks the dedicated collaboration of all those involved in the production and setting up of this initiative, and especially the commitment and enthusiasm of its commissioner, João Paulo Martins. The diverse space of the Foundation opened to the public in 1969 and occupies a significant and exemplary place in the city of Lisbon and in the history of Design, Architecture and Landscaping in Portugal, which is pertinent to note and essential to document. With the Daciano da Costa exhibition, the Calouste Gulbenkian Foundation begins a cycle of three major exhibitions, to be continued in 2003 and 2005, dedicated to presenting the body of work of the authors of the Head Office’s landscape and architectural projects. It is also important to note that the present renovation of the Head Office’s interiors and the adaptation of its spaces to new requirements benefits from Daciano da Costa’s enthusiastic collaboration, which gives continuity to work started some 40 years ago. To show here, at the Gulbenkian Foundation, Daciano da Costa's already historic work is like presenting it at home. Emílio Rui Vilar Foreword Trustee of the Calouste Gulbenkian Foundation his exhibition was built as a network of affiliations. First of all, because T this way the Fine Arts Service of the Calouste Gulbenkian Foundation, on the initiative of its director the painter Manuel da Costa Cabral, fulfils the institution’s tradition – of promoting modernity and disseminating the values​​ of Portuguese culture –, by allowing a retrospective view of a career that, from very early on, was linked to the very image of the Foundation. Secondly, because both the exhibition and the catalogue are the result of rela- tionships cultivated over the years – working relationships, but also friendship. A former student of Daciano da Costa’s at Lisbon’s Faculty of Architecture, I have been a collaborator in his atelier, working daily on projects, and a teaching assistant for the undergraduate Design course that he coordinates. When I accepted the invitation to be this exhibition’s commissioner, I knew that for the book that would preserve its memory I could count on the col- laboration of José Brandão – with all his professionalism and rigour –, who is also a former collaborator of Daciano’s and a lecturer for our degree. Nothing could be more natural, then, than to perceive these tasks as an extension of everyday professional practice, as a consequence of the act of designing and its teaching. For this reason, the structure of the exhibition and the final selection of the graphic material to be presented were determined, delibera- tely, in an ongoing dialogue – a fruitful dialogue, of constant discoveries, with the author of the work to be exhibited and with the team responsible for the graphic design of the catalogue. Our main intention was to reveal the “backstage” of the creative act: to show the daily labour that precedes and supports the final product; to display the final work but also the method followed to achieve it.
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