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The 26Th Society for Animation Studies Annual Conference Toronto
Sheridan College SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence The Animator Conferences & Events 6-16-2014 The Animator: The 26th oS ciety for Animation Studies Annual Conference Toronto June 16 to 19, 2014 Society for Animation Studies Paul Ward Society for Animation Studies Tony Tarantini Sheridan College, [email protected] Follow this and additional works at: http://source.sheridancollege.ca/conferences_anim Part of the Film and Media Studies Commons SOURCE Citation Society for Animation Studies; Ward, Paul; and Tarantini, Tony, "The Animator: The 26th ocS iety for Animation Studies Annual Conference Toronto June 16 to 19, 2014" (2014). The Animator. 1. http://source.sheridancollege.ca/conferences_anim/1 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the Conferences & Events at SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. It has been accepted for inclusion in The Animator by an authorized administrator of SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. For more information, please contact [email protected]. THANK YOU TO OUR SPONSORS THE ANIMATOR THEThe 26th Society forANIMATOR Animation Studies Annual Conference TheToronto 26 Juneth Society 16 to 19, 2014 for www.theAnimation animator2014.com Studies @AnimatorSAS2014 Annual Conference Toronto June 16 to 19, 2014 • www.the animator2014.com • @AnimatorSAS2014 WELCOME Message from the President Animation is both an art and skill; it is a talent that is envied the world over. Having a hand in educating and nurturing some of the finest animators in the world is something for which Sheridan is exceptionally proud. -
Short Film Programme
SHORT FILM PROGRAMME If you’d like to see some of the incredible short films produced in Canada, please check out our description of the Short Film Programme on page 50, and contact us for advice and assistance. IM Indigenous-made films (written, directed or produced by Indigenous artists) Films produced by the National Film Board of Canada NFB CLASSIC ANIMATIONS BEGONE DULL CARE LA FAIM / HUNGER THE STREET Norman McLaren, Evelyn Lambart Peter Foldès 1973 11 min. Caroline Leaf 1976 10 min. 1949 8 min. Rapidly dissolving images form a An award-winning adaptation of a An innovative experimental film satire of self-indulgence in a world story by Canadian author Mordecai consisting of abstract shapes and plagued by hunger. This Oscar- Richler about how families deal with colours shifting in sync with jazz nominated film was among the first older relatives, and the emotions COSMIC ZOOM music performed by the Oscar to use computer animation. surrounding a grandmother’s death. Peterson Trio. THE LOG DRIVER’S WALTZ THE SWEATER THE BIG SNIT John Weldon 1979 3 min. Sheldon Cohen 1980 10 min. Richard Condie 1985 10 min. The McGarrigle sisters sing along to Iconic author Roch Carrier narrates A wonderfully wacky look at two the tale of a young girl who loves to a mortifying boyhood experience conflicts — global nuclear war and a dance and chooses to marry a log in this animated adaptation of his domestic quarrel — and how each is driver over more well-to-do suitors. beloved book The Hockey Sweater. resolved. Nominated for an Oscar. -
Ten Years Supporting, Delivering & Promoting the Whole Spectrum of Animation
TEN YEARS SUPPORTING, DELIVERING & PROMOTING THE WHOLE SPECTRUM OF ANIMATION Directors Message Wow – we made it to our 10th anniversary!! Who would have thought it? From very humble beginnings – our first festival in 2004 screened at the now-defunct Rupert Street Cinema in Piccadilly – to LIAF 2013, 10 days at 3 different venues. We have survived - sort of. Over 10 years we’ve received more than 12,000 entries, screened more than 2,500 films, and had some of the most talented animators in the world come and hang out with us. And we’ve had a ball on the way. It’s time to blow our own trumpet. As well as being the largest festival of it’s kind in the UK in terms of films and programmes screened, we have a substantial touring component and we run satellite events all year-round. We’ve screened at festivals, cinemas, theatres and colleges all around the world and in the UK and hopefully we have spread the word that animation is a valid artform that is only limited by the animator’s imagination. In short, our maxim is that in animation anything can happen. Long may this be. There are far too may people to thank here (hopefully you know who you are) but the guidance and immense work-rate of my co-Director Malcolm Turner has to be acknowledged. Way back when in our ground zero - actually in the year 1999 - I still vividly recall that very first meeting Malcolm and I had with our then-colleague Susi Allender in the back garden of our Melbourne flat. -
Named Audience Award Winner at SXSW Fest - Panarmenian.Net
3/17/2014 “Before I Disappear” named audience award winner at SXSW Fest - PanARMENIAN.Net Like 58k USD 414.96 EUR 576.55 RUR 11.32 Yerevan +7 ... +12 C Home All news World Foreign Policy & Diaspora Politics Arts & Showbiz more... Overview News Articles Interviews Calendar Like Share Be the first of your friends to like this. Home All news “Before I Disappear” named audience award winner at Overview: Arts & Showbiz SXSW Fest Other news in this section March 17, 2014 14:23 AMT PanARMENIAN.Net Shawn Christensen’s Before I Disappear was named the audience award winner in the narrative feature competition at the South by Southwest Film Festival. Based on Christensen’s Oscarwinning 2012 short film Curfew, Disappear stars the writerdirector as a man, hitting a low point, who is asked to look after his 11yearold niece, The Hollywood Reporter said. In the documentary feature competition, the audience award winner was Diana Whitten’s Vessel, a portrait of abortion activist Rebecca Gomperts. Diego Luna’s Cesar Chavez, a drama about the famed labor organizer, which Lionsgate and its Pantelion Films are releasing theatrically March 28, took the audience award in the narrative spotlight category. The audience awards follow the previously announced 2014 Jury Awards, which included Grand Jury Latest news winners SarahViolet Bliss and Charles Rogers’ Fort Tilden for narrative feature, and Margaret Brown’s Asteroid Data Hunter Challenge The Great Invisible for documentary feature. launched The agency has since been collecting ideas for how to track, deflect Over the course of nine days, the 2014 SXSW Film Festival is screening a total of 133 features and 113 and capture asteroids, including turning to shorts. -
Titolo Anno Paese
compensi "copia privata" per l'anno 2018 (*) Per i film esteri usciti in Italia l’anno corrisponde all’anno di importazione titolo anno paese #SCRIVIMI ANCORA (LOVE, ROSIE) 2014 GERMANIA '71 2015 GRAN BRETAGNA (S) EX LIST ((S) LISTA PRECEDENTE) (WHAT'S YOUR NUMBER?) 2011 USA 002 OPERAZIONE LUNA 1965 ITALIA/SPAGNA 007 - IL MONDO NON BASTA (THE WORLD IS NOT ENOUGH) 2000 GRAN BRETAGNA 007 BERSAGLIO MOBILE (A VIEW TO A KILL) 1985 GRAN BRETAGNA 007 DOMANI NON MUORE MAI (IL) (TOMORROW NEVER DIES) 1997 GRAN BRETAGNA 007 SOLO PER I TUOI OCCHI (FOR YOUR EYES ONLY) 1981 GRAN BRETAGNA 007 VENDETTA PRIVATA (LICENCE TO KILL) 1989 USA 007 ZONA PERICOLO (THE LIVING DAYLIGHTS) 1987 GRAN BRETAGNA 10 CLOVERFIELD LANE 2016 USA 10 REGOLE PER FARE INNAMORARE 2012 ITALIA 10 YEARS - (DI JAMIE LINDEN) 2011 USA 10.000 A.C. (10.000 B.C.) 2008 USA 10.000 DAYS - 10,000 DAYS (DI ERIC SMALL) 2014 USA 100 DEGREES BELOW ZERO - 100 GRADI SOTTO ZERO 2013 USA 100 METRI DAL PARADISO 2012 ITALIA 100 MILLION BC 2012 USA 100 STREETS (DI JIM O'HANLON) 2016 GRAN BRETAGNA 1000 DOLLARI SUL NERO 1966 ITALIA/GERMANIA OCC. 11 DONNE A PARIGI (SOUS LES JUPES DES FILLES) 2015 FRANCIA 11 SETTEMBRE: SENZA SCAMPO - 9/11 (DI MARTIN GUIGUI) 2017 CANADA 11.6 - THE FRENCH JOB (DI PHILIPPE GODEAU) 2013 FRANCIA 110 E FRODE (STEALING HARVARD) 2003 USA 12 ANNI SCHIAVO (12 YEARS A SLAVE) 2014 USA 12 ROUND (12 ROUNDS) 2009 USA 12 ROUND: LOCKDOWN - (DI STEPHEN REYNOLDS) 2015 USA 120 BATTITI AL MINUTO (120 BETTEMENTS PAR MINUTE) 2017 FRANCIA 127 ORE (127 HOURS) 2011 USA 13 2012 USA 13 HOURS (13 HOURS: -
Hawaii Film & Entertainment
HAWAII FILM & ENTERTAINMENT BOARD 'Brem(R ellinB. Cfiarr SENATE COMMITTEES Screen ,;t\ctOYS 9Ui((;( ON ECONOMIC DEVELOPMENT and TAXAnON Chris Conyoeare, 'Esq. TOURISM and GOVERNMENT Voltovan .:4liuna 1..:4.'T.S.'E.. LocaC665 February 7, 2008 -1:15 pm 'Benita 'Brazier State Capitol, Conference Room 224 :Maui :firm Commission l1'aCea Ccmstantinau J{Olto[u[u :firm Office RE: SB 2273 - RELATING TO DIGITAL MEDIA Vonne Vawson Dear Chair Fukunaga, Chair Nishihara and members of the committees: J{awaif :FiCm Office jeanne lsfiiliawa The Hawaii Film and Entertainment Board. whose members include all ofHawaii's Teamsters. L oeaC 996 film unions. film commissions and leading industry associations. thank the Leroy jeniins legislature for its strong support ofHawaii's film industry but must oppose SB :H.l.y.Jl. 2273 as written as advised through the Attorney General's office through DBEDT because there are concerns about the constitutionality ofwhat has been proposed. john :Mason 'Bil} Is[a IU[:firm Office We also oppose the measure as written in regards to the certification and training 'Brien :MaLSon details. .:4.:J.:M., Lcca(677 We do. however. support the intent of the measure, to create incentives that drive Steylianie SyanBCer :f.7t.'V..:4.:H. workforce development ofthe industry, and encourage the legislature to continue to dialog with the film industry about the issue. .:4rt 'Umezu Xauai :FiCm Commission 1U4111falf Young 1. 'B.'E. W •• LocaC 1260 c/o SCREEN ACTORS GUILD. 949 Kapiolani Blvd., Suite t05. Honolulu, HI 96814. PH: (808) 596-0388' FAX: (800) 305-8146 ( LINDA LINGLE MARK J. -
0Ca60ed30ebe5571e9c604b661
Mark Parascandola ONCE UPON A TIME IN SHANGHAI Cofounders: Taj Forer and Michael Itkoff Creative Director: Ursula Damm Copy Editors: Nancy Hubbard, Barbara Richard © 2019 Daylight Community Arts Foundation Photographs and text © 2019 by Mark Parascandola Once Upon a Time in Shanghai and Notes on the Locations © 2019 by Mark Parascandola Once Upon a Time in Shanghai: Images of a Film Industry in Transition © 2019 by Michael Berry All rights reserved. ISBN 978-1-942084-74-7 Printed by OFSET YAPIMEVI, Istanbul No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without the prior permission in writing of copyright holders and of the publisher. Daylight Books E-mail: [email protected] Web: www.daylightbooks.org 4 5 ONCE UPON A TIME IN SHANGHAI: IMAGES OF A FILM INDUSTRY IN TRANSITION Michael Berry THE SOCIALIST PERIOD Once upon a time, the Chinese film industry was a state-run affair. From the late centers, even more screenings took place in auditoriums of various “work units,” 1940s well into the 1980s, Chinese cinema represented the epitome of “national as well as open air screenings in many rural areas. Admission was often free and cinema.” Films were produced by one of a handful of state-owned film studios— tickets were distributed to employees of various hospitals, factories, schools, and Changchun Film Studio, Beijing Film Studio, Shanghai Film Studio, Xi’an Film other work units. While these films were an important part of popular culture Studio, etc.—and the resulting films were dubbed in pitch-perfect Mandarin during the height of the socialist period, film was also a powerful tool for education Chinese, shot entirely on location in China by a local cast and crew, and produced and propaganda—in fact, one could argue that from 1949 (the founding of the almost exclusively for mainland Chinese film audiences. -
Animac 2014 Se Presenta El Próximo Viernes En Barcelona Con El Animador Chris Landreth
ANIMAC 2014 Mostra Internacional de Cine de Animación de Cataluña Del 20 al 23 de febrero Viernes 7 de febrero · 19h Auditorio del CCCB Animac 2014 se presenta el próximo viernes en Barcelona con el animador Chris Landreth Animación híbrida y psicorrealista con la proyección de su galardonado cortometraje Ryan Animac, la Mostra Internacional de Cine de Animación de Cataluña organizada por el Ayuntamiento de Lleida, dedica su 18ª edición a la animación híbrida y su capacidad de integración en todo tipo de formatos. En su presentación en el CCCB de Barcelona, contaremos con un invitado excepcional: Chris Landreth, animador norteamericano aficando en Canadà i especialista en animación CGI –generada por ordenador– de tipo híbrido, experimental y psicorrealista, como el mismo autor afirma. Antes de la presentación, la directora de la Mostra, Carolina López, presentará oficialmente el programa de Animac 2014 y, acto seguido, se proyectará Ryan, escrito y dirigido por Chris Landreth, y galardonado el año 2004 con el Oscar a Mejor Cortometraje Animado. Además, su último cortometraje, Subconscious Password –premiado en Annecy 2013 con el Grand Crystal– formará parte de la sesión inaugural de Animac 2014, del 20 al 23 de febrero en la ciudad de Lleida. Ryan Escrito y dirigido por Chris Landreth, Canadá, 2004, 14’ El mismo Chris Landreth narra la historia de Ryan Larkin, animador canadiense responsable de algunos de los cortometrajes animados más influyentes de los años 60 y 70. Reinterpretando una serie de entrevistas al propio Larkin y a sus amigos y familiares, este documental animado reconstruye la caída en desgracia de Larkin en el alcoholismo y la drogadicción, que incluso acabó mendigando por las calles para poder llegar a fin de mes. -
Cutie and the Boxer, 1/11/2013
CUTIE AND THE BOXER, 1/11/2013 PRESENTS A FILM BY ZACHARY HEINZERLING CUTIE AND THE BOXER US|HD UK THEATRICAL RELEASE: 1 Nov, 2013 RUNNING TIME: 82 minutes Press Contact: Yung Kha T. 0207 831 7252 [email protected] Web: http://cutieandtheboxer.co.uk/ Twitter: @CutieAndBoxer Facebook: http://www.facebook.com/cutieandtheboxer CUTIE AND THE BOXER, 1/11/2013 SHORT SYNOPSIS A reflection on love, sacrifice, and the creative spirit, this candid New York story explores the chaotic 40- year marriage of renowned “boxing” painter Ushio Shinohara and his artist wife, Noriko. As a rowdy, confrontational young artist in Tokyo, Ushio seemed destined for fame, but met with little commercial success after he moved to New York City in 1969, seeking international recognition. When 19-year-old Noriko moved to New York to study art, she fell in love with Ushio—abandoning her education to become the wife and assistant to an unruly, husband. Over the course of their marriage, the roles have shifted. Now 80, Ushio struggles to establish his artistic legacy, while Noriko is at last being recognized for her own art—a series of drawings entitled “Cutie,” depicting her challenging past with Ushio. Spanning four decades, the film is a moving portrait of a couple wrestling with the eternal themes of sacrifice, disappointment and aging, against a background of lives dedicated to art. LONG SYNPOSIS Cutie and the Boxer is an intimate, observational documentary chronicling the unique love story between Ushio and Noriko Shinohara, married Japanese artists living in New York. Bound by years of quiet resentment, disappointments and missed professional opportunities, they are locked in a hard, dependent love. -
The Reluctant Fundamentalist
Mongrel Media Presents The Reluctant Fundamentalist A film by Mira Nair (128 min., USA, 2012) Language: English and Urdu Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS 2011, Lahore. At a café a Pakistani man named Changez (Riz Ahmed) tells Bobby (Liev Schreiber), an American journalist, about his experiences in the United States. Roll back ten years, and we find a younger Changez fresh from Princeton, seeking his fortune on Wall Street. The American Dream seems well within his grasp, complete with a smart and gorgeous artist girlfriend, Erica (Kate Hudson). But when the Twin Towers are attacked, a cultural divide slowly begins to crack open between Changez and Erica. Changez’s dream soon begins to slip into nightmare: he is transformed from a well-educated, upwardly mobile businessman to a scapegoat and perceived enemy. Taking us through the culturally rich and beguiling worlds of New York, Lahore and Istanbul, The Reluctant Fundamentalist is a story about conflicting ideologies where perception and suspicion have the power to determine life or death. A MULTI-LAYERED VISION “Looks can be deceiving.” Changez Khan “An Indian director making a film about a Pakistani man. That’s not an easy thing to do,” says novelist and co-screenwriter Mohsin Hamid of The Reluctant Fundamentalist, the new film from award-winning filmmaker Mira Nair, based on Hamid’s acclaimed novel of the same name. -
MELISSA GIROTTI Cell: 416-268-0425 E-Mail: [email protected]
MELISSA GIROTTI Cell: 416-268-0425 E-mail: [email protected] Production “Downsizing” Feature Film Paramount Pictures Coordinator Producers: Mark Johnson 2016 Director: Alexander Payne Line Producer: Diana Pokorny UPM: Regina Robb Cast: Matt Damon, Kristen Wiig, Jason Sudeikis, Christoph Waltz Production “11.22.63” Mini Series Bad Robot / Warner Bros. Coordinator Producers: JJ Abrams, Kathy Lingg, Bridget Carpenter 2015 Director: Various Line Producer: Joseph Boccia UPM: Anna Beben Cast: James Franco, Sarah Gadon, Chris Cooper, Josh Duhamel, George MacKay Production “MARILYN” Mini Series Asylum / Lifetime Supervisor Producers: Don Carmody, David Cormican 2014 - 2015 Director: Laurie Collyer Line Producer / UPM: Joseph Boccia Cast: Susan Sarandon, Emily Watson, Kelli Garner, Jeffrey Dean Morgan Production “POLTERGEIST” (Reshoots Only) Feature Film MGM Coordinator Producers: Sam Raimi, Nathan Kahane, Roy Lee 2014 Director: Gil Kenan (Re-shoots) Line Producer: Becki Trujillo UPM: Joseph Boccia Cast: Sam Rockwell, Rosemarie DeWitt, Jared Harris Production “AGATHA” TV Pilot ABC Studios Coordinator Exec. Producers: Mark Gordon, Nick Pepper, Michael McDonald 2014 Director: Jace Alexander Line Producer: Todd Arnow UPM: Joseph Boccia Cast: Bojana Novakovic, Clancy Brown, Meta Golding Production “MAPS TO THE STARS” Feature Film Independent Supervisor Producers: Martin Katz, Saïd Ben Saïd, Michel Merkt 2013 France / Canada Director: David Cronenberg Co-Production Line Producer / UPM: Joseph Boccia Cast: Julianne Moore, John Cusack, Mia Wasikowska, -
Microsoft Office Outlook
Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music.