CHINA RETALIATORY TARIFFS List 4B
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Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
Shuttle-Craft Guild Bulletin #7, April 1925
Shuttle-Craft Guild Bulletin #7, April 1925 This Bulletin’s weave structure, the Bronson Book calls it barleycorn and has many 4 shaft drafts weave was first introduced last month as one of the in Chapter 10 (pages 83-92). Davison writes that the recommended structures for baby blankets. The weave is ideal for linens and specifically, calls out Shuttle Craft Bulletin #7 article gets into more detail. the Mildred Keyser Linen weave for toweling (page Mary called this structure the Bronson weave as 86). It is also known as droppdräll in Sweden and she originally found it in the book, Domestic diaper by the Mary’s original source (Bronson 1817). Manufacturer’s Assistant and Family Directory in the A diaper pattern weave refers to a small repeating Arts of Weaving and Dyeing, by J Bronson and R. overall pattern. Bronson, printed 1817. She stated that the weave Anne Dixon’s book The Handweaver’s Pattern appeared nowhere else as far as she knows. The Directory includes several examples of 4-shaft Spot Bronson book is available as a Dover publication, as Bronson. Dixon states that this weave produces a an e book or in paperback (at some very reasonable delicate textured cloth. Her examples of most of them prices –see this link: amazon.com/Early-American- are shown in two light colors-see the draft below. Weaving-Dyeing-Americana/dp/0486234401). The Bronson weave is commonly woven in one color The Bronson weave is a spot weave from England for both warp and weft, although Mary Atwater and was used for linens and for shawls, but in states that a second color may be added in the weft Colonial America, it was used for linens exclusively. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Dragon's Blood Profile • Norman Farnsworth Tribute • History Of
HerbalGram 92 • November 2011 – January 2012 History of Adulterants • Norman Farnsworth Tribute • Dragon's Blood Profile • Medicinal Plant Fabrics • Soy Reduces Blood Pressure Reduces • Soy Fabrics • Medicinal Plant Blood Profile • Dragon's Tribute 2011 – January HerbalGram 92 • November 2012 History • Norman Farnsworth of Adulterants Dragon's Blood Profile • Norman Farnsworth Tribute • History of Adulterants • Cannabis Genome Medical Plant Fabric Dyeing • Soy Reduces Blood Pressure • Cocoa and Heart Disease The Journal of the American Botanical Council Number 92 | November 2011 – January 2012 US/CAN $6.95 www.herbalgram.org www.herbalgram.org www.herbalgram.org 2011 HerbalGram 92 | 1 Herb Pharm’s Botanical Education Garden PRESERVING THE INTEGRITY OF NATURE'S CHEMISTRY The Art & Science of Herbal Extraction At Herb Pharm we continue to revere and follow the centuries-old, time-proven wisdom of traditional herbal medicine, but we also integrate that wisdom with the herbal sciences and technology of the 21st Century. We produce our herbal extracts in our new, FDA-audited, GMP- compliant herb processing facility which is located just two miles from our certified-organic herb farm. This assures prompt delivery of HPTLC chromatograph show- freshly-harvested herbs directly from the fields, or recently dried herbs ing biochemical consistency of 6 directly from the farm’s drying loft. Here we also receive other organic batches of St. John’s Wort extracts and wildcrafted herbs from various parts of the USA and world. In producing our herbal extracts we use precision scientific instru- ments to analyze each herb’s many chemical compounds. However, You’ll find Herb Pharm we do not focus entirely on the herb’s so-called “active compound(s)” at most health food stores and, instead, treat each herb and its chemical compounds as an integrated whole. -
Agency at the Frontier and the Building of Territoriality in the Naranjo-Ceibo Corridor, Peten, Guatemala
AGENCY AT THE FRONTIER AND THE BUILDING OF TERRITORIALITY IN THE NARANJO-CEIBO CORRIDOR, PETEN, GUATEMALA By LUIS ALFREDO ARRIOLA A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2005 Copyright 2005 by Luis Alfredo Arriola To my beloved family, in appreciation of all they have endured. ACKNOWLEDGMENTS The sheer magnitude of a dissertation necessarily engages multiple collaborations. In consequence I render proper credit to the people and institutions who partook of this endeavor. My everlasting gratitude goes, first and foremost, to the people of Naranjo and Ceibo who taught more than I could ever learn from them. Intellectual support was always there when needed from committee members, namely Professors Allan Burns, Marianne Schmink, Michael Heckenberger, and Murdo MacLeod. They challenged my intellect in many positive, creative ways. My dissertation mutual support group is recognized for invaluable contributions to my refining of the manuscript’s content and form at several stages of its development. The insightful feedback from Alex Rodlach, Maxine Downs, Deborah Rodman, Paige Lado, and Fatma Soud helped me through difficult times. My editors, Martha Jeanne Weismantel, Tara Boonstra and Mark Minho, have but my highest regards. Other people who accompanied me in this intellectual journey and who deserve mentioning include Norman Schwartz, Victor Hugo Ramos, Edgar Calderón, Roberto Barrios, Kevin Gould, Georg Grumberg, Julio Cano and Werner Ramírez. Diverse kinds of support came from Tom Ankersen, Hugo Guillen, Bruce Ferguson, Richard Phillips, Paul Losch, Marie-Claire Paiz, Abimael Reinoso, Jorge Soza, Amilcar Corzo, Mario Mancilla and Luis A. -
Lens Material Transmittance
Visible Light Transmittance of Common Lens Materials All colors are simulated Photochromic Lens Materials Darkened Faded 0% 25% 50% 75% 100% 22% 85% P hotogray E xtra 1.523 25% 85% P hotobrown E xtra 1.523 16% 86% Photogray Thin &Dark ™ (1.5mm C.T.) 1.523 25% 85% Autumn Gold ™ 1.523 22% 83% Photosolar, 1.60, Gray 1.60 12% 89% Transitions ® G ray** 1.50 15% 89% Transitions ® Brown** 1.50 22% 87% Transitions ® High-X ™ , Gray** 1.55 28% 87% Transitions ® High-X ™ , Brown** 1.55 ® ™ 14% 80% Transitions Aris Gray 1.53 ® ™ 28% 80% Transitions Aris Brown 1.53 16% 40% Glass Polarized Thin & Dark ™ Gray 1.523 19% 38% Glass Polarized Photobrown Extra 1.523 15% 32% Glass Polarized Autumn Gold ™ 1.523 ® 12% 40% NXT Polarized Gray Fixed Tint Lens Materials Polarized Lens Materials 15% UVSG (Gray, UV Filtering Sunglass) 1.597 11% Glass Polar G-15 19% G-15 1.523 15% NXT Polar Gray 20% Gray 3 1.523 15% NXT Polar Brown 21% Tan 3 1.523 17% Glass Polar Brown 3 30% Gray 2 1.523 17% Glass Polar Gray 3 36% Green 3 1.523 19% Poly G-15 40% Gray 1 1.523 20% Poly Brown 3 51% Green 2 1.523 20% Plastic Polar Gray 3 64% Rose Didymium 1.523 20% Poly Polar Gray 3 67% Green 1 1.523 25% Plastic Polar Brown 3 82% Canary Yellow 1.523 38% Glass Polar Brown 1 82% Rose 2 1.523 41% Glass Polar Gray 1 85% 1.80/High Index Glass 1.801 41% Plastic Polar Gray 1 86% 1.70/High Index Glass 1.701 87% Polycarbonate 1.598 NXT® Lens Material 88% Aris™ 1.523 Photochromic Gray 88% High-X™ 1.670 Photochromic Brown 88% Rose 1 1.523 Photochromic Copper 89% Clear 16™ 1.601 Photochromic yellow to Gray 92% Clear Crown Glass 1.523 15% Gray-15, w/wo Silver Mirror 92% CR-39 Plastic Resin 1.498 15% Brown-15, w/wo Gold Mirror 92% High-X™ 1.554 15% Green-15 (G-15 Like Color) Note:All readings were taken at 77 degrees fahrenheit, at 2.0mm C.T. -
Texas Administrative Code Title 40. Social Services and Assistance Part 19. Department of Family and Protective Services Chapter 746
Texas Administrative Code _Title 40. Social Services and Assistance _Part 19. Department of Family and Protective Services _Chapter 746. Minimum Standards for Child-Care Centers _Subchapter H. Basic Care Requirements for Infants 40 TAC § 746.2401 Tex. Admin. Code tit. 40, § 746.2401 § 746.2401. What are the basic care requirements for infants? Basic care for infants must include: (1) Care by the same caregiver on a regular basis, when possible; (2) Individual attention given to each child including playing, talking, cuddling, and holding; (3) Holding and comforting a child who is upset; (4) Prompt attention given to physical needs, such as feeding and diapering; (5) Talking to children as they are fed, changed, and held, such as naming objects, singing, or saying rhymes; (6) Ensuring the environment is free of objects that may cause choking in children younger than three years; and (7) Never leaving an infant unsupervised. 40 TAC § 746.2403 Tex. Admin. Code tit. 40, § 746.2403 § 746.2403. How must I arrange the infant care area? The room arrangement of the infant care area must: (1) Make it possible for caregivers to see and/or hear all children at a glance and be able to intervene when necessary; Current through 39 Tex.Reg. No. 5000, dated June 27, 2014, as effective on or before June 30, 2014 Texas Administrative Code _Title 40. Social Services and Assistance _Part 19. Department of Family and Protective Services _Chapter 746. Minimum Standards for Child-Care Centers _Subchapter H. Basic Care Requirements for Infants (2) Include safe, open floor space for floor time play; (3) Separate infants from children more than 18 months older than the youngest child in the group, except when 12 or fewer children are in care; (4) Have cribs far enough apart so that one infant may not reach into another crib; (5) Provide caregivers with enough space to walk and work between cribs, cots, and mats; and (6) Ensure older children do not use the infant area as a passageway to other areas of the building. -
The Science and Technology of Prescribing Photochromics
The Science and Technology of Jenean Carlton BA, ABOC, NCLC Prescribing Photochromics 9 Protect patients from harmful UV (cataracts, aging 9President, Carlton & Associates, LLC – Carlton Jenean Carlton BA, ABOC, NCLC around eyes, pterygium …) and Associates, LLC provides communications and educational materials for the optical industry. 9 Provide glare protection – especially important for 9Contributing Editor for Refractive Eyecare Course #214 patients with glare issues or photophobia magazine and freelance writer to the industry. Monterey Symposium 9Communications Committee member OWA. 9 Are convenient – easier than keeping up with two or 9Has worked in the optical industry for more than more pairs of glasses 25 years with more than half of this time spent managing practices. 9 Are variable – they automatically adjust to light 9Vision Monday’s Most Influential Women Award in conditions in the environment Optical 2005 Source: Transitions Optical 1 2 3 Copyright Carlton & Associates, LLC 2012 9 Americans at risk increasing Men Experiencing Women Experiencing 9 Only 9% of Americans know UV can as baby-boomers age cause eye damage Dry eye 9% 15% 9 4 leading causes of blindness Trouble seeing 11% 22% Proportion Awareness/Action at night 9 Age-related macular degeneration 1 out of 4 Do not know there’s a treatment Light sensitivity 6% 11% 9 Glaucoma for glaucoma 9 Cataract 1 out of 3 Do not know there’s a treatment 9 Diabetic retinopathy for astigmatism 9 More women say headaches impact 9 2 out of 3 Do not know there’s a treatment vision, and are caused by glare Total annual cost of adult for presbyopia Basketball superstar eye diseases = $35.4 billion Lebron James only recently realized that he 9 All issues increased with age could correct his vision 9 Can be detected / treated through regular eye care to see distant objects. -
The World's Finest Driving Sunglass
THE WORLD’S FINEST DRIVING SUNGLASS 2012 Some take the road less travelled, HAVØYSUND LOFOTEN while others take HELGELANDSKYSTEN NORD a road no one ATLANTERHAVSVEGEN GEIRANGER-TROLLSTIGEN has travelled HARDANGER before. Exploring new territories has always been at the heart of Serengeti®. It’s this spirit of discovery and innovation that led us to pioneer photochromic lens technology. And it’s this same spirit that brought us to the land of Norway, so we could experience firsthand some of the world’s most spectacular driving and roads that few have ever experienced. Here, you’ll discover pristine rural countryside, stunning water vistas and rugged Featuring the San Remo mountainscapes — a landscape bathed in light that’s constantly changing from moment to moment and season to season. In every condition, Serengeti® photo- chromic lenses deliver an impressive view of the road ahead, and dramatic proof that ours is unmistakably the world’s finest driving sunglass. 3 Lens Technology 23 Classics 5 Photochromic Lens Technology 33 Cosmopolitan 7 Polarized Lens Technology 39 Serengeti Sport ® 9 Spectral Control Lens Technology 41 Polar PhD™ Lens 10 RX Prescription Programme 46 Merchandising 12 Infiniflex 48 Distributors 13 Frame Materials 49 Product index 15 Flex Series COVER: Featuring her in the Bella and him in the Levanto BACK COVER: Featuring the Piero EUROPE | Bushnell Outdoor Products 4, rue Diderot 92150 Suresnes France | Tel: 33.1.41.44.94.80 | Email: [email protected] | Fax: 33.1.41.44.06.09 | serengeti-eyewear.com This catalog is recyclable. Serengeti recycles unused catalogs and encourages you to do the same. -
Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8. -
Diaper Changing Pad Carol A
Diaper Changing Pad Carol A. Brown When you are away from home with baby, it’s nice to have a clean surface for diaper changes. Take this pad with you and you’ll always be prepared. The changing pad is 15 1/4” wide x 30 1/2” long when open; when folded into thirds it is 9” x 15 1/4” x 3/4” thick. It also has a flap with a Velcro ® closure. (See the additional in- structions for an alternate way to finish the flap, including adding embroidery.) For best results, wipe the vinyl surface clean or, if you prefer, wash the changing pad by hand and air dry. Do not wring the vinyl. Materials: 1. Thick fusible fleece for pad: three pieces, each 14” x 8 1/2”. (Fig. 1) 2. Brightly colored calico print for pad: three pieces, each 15” x 9 1/2”. The pieces need not all be the same fabric. You can use three different ones, or one striped fabric, with a middle piece turned sideways for fun. (Polyurethane coated fabric will allow you to omit the vinyl.) (Fig. 2) 3. Mid-weight clear or frosted vinyl for pad: three pieces, each 15” x 9 1/2”. (Fig. 3) 4. Denim or sturdy fabric for shell: 36” x 17”. (The denim I used was overdyed with stripes on the wrong side. The stripes will not show on the finished pad but help show right and wrong sides of the fabric in my pictures.) (Fig. 4) 5. Embroidery design up to 240 mm wide and 150 mm high. -
List 3.3 ($60 Billion)
CHINA RETALIATORY TARIFFS List 3.3 ($60 billion) Released: August 3, 2018 Revised: May 13, 2019 Effective: September 24, 2018 Additional Tariffs HTSUS # Product Description (%) 1061990 Other mammals 10% 1062090 Other reptiles 10% 1064990 Other insects 10% 4081900 Other egg yolk 10% 5059090 Other feathers, feathers, feathers, feathers, bird parts and other parts of the bird 10% 5119190 Other listed aquatic products; chapter iii of the dead animals 10% 7101000 Frozen potatoes 10% 7102290 Frozen cowpea and beans 10% 7104000 Frozen sweet corn 10% 7108090 Frozen vegetables are not listed 10% 7109000 Frozen assorted vegetables 10% 9019010 Coffee pods and coffee 10% 9096290 Grilled other fennel 10% 11041990 Rolling or filing other grains 10% 11051000 Potato powder, powder and powder 10% 11061000 Dry powder, powder and powder 10% 11081200 Corn starch 10% 12024100 Other unedged peanuts 10% 12071090 Other palm fruits and palm kernel 10% 12112010 Fresh, cold, frozen or dried american ginseng 10% 12129100 Fresh, cold, frozen or dried beets 10% 12129919 Other apricot, peach, plum or lee's nucleus and nucleolus 10% 13021300 Hops flower juice and extract 10% 13023911 Carrageenan 10% 15122900 Refined cottonseed oil and its separation products 10% 15151900 Refined linseed oil and its fractions 10% 15219010 Beeswax 10% 16023100 Made or preserved turkey and chop suey 10% 16023291 Other methods of making or preserving chicken breasts 10% 17019100 Sugar added flavoring or coloring agents of 10% 17021100 Anhydrous lactose 10% 17021900 Milk and other lactose