Julian "Cannonball" Adderley Bohemia After Dark Mp3, Flac, Wma

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Julian "Cannonball" Adderley Bohemia After Dark mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Bohemia After Dark Country: US Released: 1955 MP3 version RAR size: 1710 mb FLAC version RAR size: 1204 mb WMA version RAR size: 1498 mb Rating: 4.4 Votes: 771 Other Formats: DXD FLAC MP1 AHX VOX WAV AAC Tracklist Hide Credits Bohemia After Dark A1 6:06 Written-By – Oscar Pettiford Chasm A2 4:18 Written-By – Julian "Cannonball" Adderley*, Nat Adderley Willow Weep For Me A3 6:18 Written-By – Ann Ronell Late Entry A4 6:56 Written-By – Julian "Cannonball" Adderley*, Nat Adderley Hear Me Talkin' To Ya B1 3:12 Written-By – Julian "Cannonball" Adderley*, Nat Adderley With Apologies To Oscar B2 9:06 Written-By – Julian "Cannonball" Adderley*, Nat Adderley We'll Be Together Again B3 5:42 Written-By – Carl Fischer , Frankie Laine Credits Alto Saxophone – Julian "Cannonball" Adderley* (tracks: A1 to B2) Bass – Paul Chambers Cornet – Nat Adderley Drums, Leader – Kenny Clarke Mastered By – Rudy Van Gelder Piano – Hank Jones (tracks: B3), Horace Silver (tracks: A1 to B2) Tenor Saxophone, Flute – Jerome Richardson (tracks: A1 to B2) Trumpet – Donald Byrd (tracks: A1 to B2) Notes The third reissue. PREVIEW SELECTION: Track B3 is part of an experiment conducted on several Savoy Jazz releases, where a track is added from another title in the Savoy Jazz catalog. This track features Nat Adderley in solo form from his Savoy Jazz release "That's Nat" (Savoy MG 12021). This track was not on this album, but is another number from the recording date. Other versions Category Artist Title (Format) Label Category Country Year Julian Julian "Cannonball" "Cannonball" Adderley* With Adderley* With Horace Silver, Paul Savoy Horace Silver, Chambers , Donald MG-12017, Records, MG-12017, Paul Chambers , Byrd, Nat Adderley, US 1955 MG 12017 Savoy MG 12017 Donald Byrd, Nat Jerome Richardson, Records Adderley, Jerome Kenny Clarke - Richardson, Kenny Bohemia After Dark Clarke (LP, Album, Mono) Bohemia After Dark Savoy MG 12017 Kenny Clarke MG 12017 Japan 1992 (CD, Album, RE) Records Julian "Cannonball" Julian Adderley* With "Cannonball" Horace Silver, Paul Adderley* With Chambers , Donald Horace Silver, Byrd, Nat Adderley, COCB-53765 Paul Chambers , Savoy Jazz COCB-53765 Japan 2008 Jerome Richardson, Donald Byrd, Nat Kenny Clarke - Adderley, Jerome Bohemia After Dark Richardson, Kenny (CD, Album, Ltd, RE, Clarke Pap) Bohemia After Dark Savoy COCB-53960, COCB-53960, Kenny Clarke (CD, Album, Mono, Jazz, Japan 2010 MG 12017 MG 12017 RE, RM) Savoy Jazz Julian "Cannon Ball" Julian "Cannon Adderley* - Donald Ball" Adderley* - Savoy Byrd - Horace Silver - Donald Byrd - Records, 6001, SA Jerome Richardson - 6001, SA Horace Silver - Savoy 6001, 30 SA Paul Chambers - Nat 6001, 30 SA France 1960 Jerome Richardson Records, 6001 Adderley - Kenny 6001 - Paul Chambers - Savoy Clarke - Bohemia Nat Adderley - Records After Dark (LP, Kenny Clarke Album, Mono, RE) Related Music albums to Bohemia After Dark by Julian "Cannonball" Adderley Nat Adderley - Introducing Nat Adderley Cannonball Adderley Quintet, The - Country Preachers Cannonball Adderley Quartet - Cannonball Takes Charge Julian "Cannonball" Adderley - Jump For Joy The Cannonball Adderley Quintet - Them Dirty Blues Cannonball Adderley - Big Man adderley, cannonballwritten and narrated by rick holmes and the Nat Adderley sextet - Soul Zodiac Julian "Cannonball" Adderley - Julian "Cannonball" Adderley.

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The Famuan: October 2, 1986
This year, the Inde' owling team has as Coll. 0 :;a s heart set on NEWS ringing home the i ampionship. CAMPUS NOTES VSports 8 CLASSIFIEDS The Fal HEALTH THEVOCE*F LOIAAMUIEST 'an OPINIONS SPORTS VOL. 92 No. 15 / TALLAHASSEE, FLA. www.thefam an.com LIFESTYLES 9-12 - OCTOBER 23, 2000 - It's time FAMU defense saves the day By Andre Carter special teams units provided the Correspondent spark the struggling Rattlers needed again to after two straight losses. Florida A&M University radio The defense played a role in 28 of color commentator Mike Thomas the 42 points, including two defen- summed up FAMU's game against sive touchdowns. Turnovers set up represent the Norfolk State Spartans in 12 two more scores. They were seeking words. redemption after allowing 30 points "This has been a dominating per- versus North Carolina A&T last formance so far by this defensive week. They showed the same inten- unit," Thomas said during the first sity their coaches showed on the half. sidelines. In front of what was characterized After both teams started the game as a sparse crowd at Dick Price with three and outs of offense, cor- Stadium, FAMU defeated the nerback Troy Hart intercepted ANTOINE DAVIS Spartans 42-14. The Rattlers' record Spartan quarterback John Roberts moves to 6-2 overall and 5-1 in the and returned the ball to the Norfolk The Famuan/ Mid-Eastern Athletic Conference. State 5-yard line. Two plays later, Kea Dupree Editor's note: This column is While the offense started and stalled FAMU redeemed it's loss against the Aggies (above) with a running in the absence of SGA early in the game, the defense and Please see Game/ 8 42-14 victory over the Norfolk Spartans on Saturday.
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ARET(I) JACKSON FIVE, "LOOKIN' THROUGH the WIN- (Pundit,BMI)
DEDICATED TO THE NEEDS OF THE MUSIC/RECORD INDUSTRY ONE DOLLAR eoo, MAY27, 1972 ciif , WHO IN THE WORLD 04, Southern Gentleman Sonny James, s. - t' 3 0 4 Left, Has Signed A Long -Term 4 34' o Contract With Columbia Records, ti 47,27(. 4 Where, No Doubt, He Will Add 41 To His String Of 28 Consecutive Number One Country Singles. On Right Is Columbia President Clive Davis, Who Flew To Nashville To Announce The Signing. For More Details, Turn To Page 3. HITS T HA FRANKLIN,"ALLTHE KING'S HORSES." cg CANDI STATON, "IN THE GHETTO."(Screen 1.11ARET(i) JACKSON FIVE, "LOOKIN' THROUGH THE WIN- (Pundit,BMI). The latest from the Gems-Columbia/ElvisPresley,BMI). DOWS." The Jacksons,firmlyentrenchedin O undisputedQueenofSoul isas Pa Even though this Mac Davis -penned althe minds of the public, consistently come up different from "Day Dreaming" as w songishardly anoldie,theper- 'elwith winning efforts. Huge sales must be ex- that was from her earlier works. An - formance here is convincing enough pected,sincethisgiftedfamily alwaysde- co other assured smash. Atlantic 2883. tomake ithappenagain.Fame livers."LittleBittyPrettyOne"included. 91000 (UA). Motown M750L. NILSSON, "COCONUT." (Blackwood, BMI). Follow- FLASH, "SMALL BEGINNINGS."(Colgems/Black- THE BEACH BOYS, "PET SOUNDS/CARL AND THE upto "JumpInto The Fire"isa claw, ASCAP). Flash, very much like PASSIONS -SOTOUGH." Applausetoeveryone whimsical story from the outstand- Yes,should makeiton AM just concerned for this specially -priced doubleal- ing"Nilsson Schmilsson."Terrific, as they will on FM. This should be bum. "Pet Sounds," recordedin1966, was a and commercial enoughtogoall thefirsthitfromthebestnew recent purchase from Capitol.
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HITS OE the Wgigä
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Star Music: the Ancient Idea of Cosmic Music As a Philosophical Paradox
Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. Heyning, E. (2017) Star music: the ancient idea of cosmic music as a philosophical paradox. M.Phil. thesis, Canterbury Christ Church University. Contact: [email protected] Star Music The ancient idea of cosmic music as a philosophical paradox by Eduard C. Heyning Canterbury Christ Church University Thesis submitted for the Degree of Master of Philosophy 2017 2 Table of contents 1. Itroductio: the paradox of star usic .................................................................... 4 Star music - Cosmic music - Silent music - Reflexivity - Consciousness - Musicking - Relevance - Unfolding 2. The Pythagorean roots ............................................................................................... 15 Pythagorean philosophy - Harmonics - Pythagorean philosophy of number - Harmonia - Soul
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SELLING POINTS: CANNONBALL ADDERLEY: • Cannonball Adderley Was a Mainstay The Black Messiah (2-CD Set) of Miles Davis’ Kind of Blue Band and Was a Charting Solo Artist During the In 1970, Cannonball Adderley recorded a series of concerts that resulted in three cult ‘60s (“Mercy, Mercy, Mercy”) classic live albums, of which this double-album—produced, like other landmark double albums of the time like Soul Zodiac and Soul of the Bible, by David Axelrod—is the • The Black Messiah Was One of a hardest to find. It captures Cannonball and the Quintet (brother Nat Adderley on Celebrated Series of Collaborations cornet, Roy McCurdy on drums, Walter Booker on bass and George Duke—fresh with Producer David Axelrod from replacing Joe Zawinul, who had left to form Weather Report—on keyboards) at • Featured Quintet of Nat Adderley, the forefront of the burgeoning electronic jazz-rock fusion movement, sounding at Roy McCurdy, Walter Booker and times every bit like the early ‘70s band of Cannonball’s former bandleader Miles George Duke Davis, except maybe even funkier and more out there. But Cannonball always had a populist streak to him—after all, the man had a Top 20 hit with “Mercy, Mercy, • Guests Included Airto Moreira, Mercy”—and so The Black Messiah also features flat-out rock and roll (guest Alvin Battiste, Ernie Watts, Buck Clark guitarist Mike Deasy’s “Liittle Benny Hen”) as well as dips into the soul-jazz style and Mike Deasy that had landed him on the charts several years earlier, all punctuated by his always • Recorded Live at the Troubadour in entertaining between-song raps.
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A Musical Analysis of the Improvisational Bebop Style of Nat Adderley (1955-1964)
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 12-2020 A Musical Analysis of the Improvisational Bebop Style of Nat Adderley (1955-1964) Kyle Granville University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons Granville, Kyle, "A Musical Analysis of the Improvisational Bebop Style of Nat Adderley (1955-1964)" (2020). Student Research, Creative Activity, and Performance - School of Music. 152. https://digitalcommons.unl.edu/musicstudent/152 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. A MUSICAL ANALYSIS OF THE IMPROVISATIONAL BEBOP STYLE OF NAT ADDERLEY (1955-1964) by Kyle M. Granville A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Darryl White Lincoln, Nebraska December, 2020 A MUSICAL ANALYSIS OF THE IMPROVISATIONAL BEBOP STYLE OF NAT ADDERLEY (1955-1964) Kyle M. Granville, D.M.A. University of Nebraska, 2020 Advisor: Darryl White Nathaniel Carlyle Adderley was an American jazz artist active in New York City, Florida and Europe throughout his extensive musical career. A prominent cornet player and composer, Adderley was highly respected by many of his peers in New York City, Florida, as well as all over Europe.
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And Work Song
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE NAT ADDERLEY (1931-2000) AND WORK SONG: AN ANALYSIS OF IMPROVISATIONAL STYLE AND EVOLUTION A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS By MARTIN W. SAUNDERS Norman, Oklahoma 2008 NAT ADDERLEY (1931-2000) AND WORK SONG: AN ANALYSIS OF IMPROVISATIONAL STYLE AND EVOLUTION A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY ___________________________ Dr. Irvin Wagner ___________________________ Dr. Karl Sievers ___________________________ Dr. Eugene Enrico ___________________________ Dr. Eldon Matlick ___________________________ Dr. Alfred Striz © Copyright by MARTIN W. SAUNDERS 2008 All Rights Reserved. iv TABLE OF CONTENTS LIST OF TABLES. vi LIST OF EXAMPLES. vii Chapter I. INTRODUCTION. 1 II. CAREER BIOGRAPHY AND IMPROVISATIONAL STYLE 8 III. TRANSCRIPTION #1 Background. 17 Analysis. 18 Summary. 31 IV. TRANSCRIPTION #2 Background. 35 Analysis. 37 Summary. 49 V. TRANSCRIPTION #3 Background. 55 Analysis. 56 Summary. 67 VI. TRANSCRIPTION #4 Background. 71 Analysis. 72 Summary. 83 VII. TRANSCRIPTION #5 Background. 88 Analysis. 89 Summary. 97 v VIII. COMPARISON/CONTRAST AND SUMMARY OF ANALYZED TRANSCRIPTIONS Evolution of theoretical concepts, improvisatory language, and organizational thought. 102 Conclusions. 111 SELECTED BIBLIOGRAPHY. 113 WORKS CITED. 116 APPENDICES Nat Adderley Biography. 121 Work Song Discography. 123 Discography. 124 Transcription #1. 126 Transcription #2. 128 Transcription #3. 131 Transcription #4. 133 Transcription #5. 135 vi TABLES Table Page 1A - Analyzed 1960 Solo Transcription, p. 1. 33 1B - Analyzed 1960 Solo Transcription, p. 2. 34 2A - Analyzed 1968 Solo Transcription, p. 1. 52 2B - Analyzed 1968 Solo Transcription, p. 2. 53 2C - Analyzed 1968 Solo Transcription, p.
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