CANNONBALL ADDERLEY: the Black Messiah (2-CD Set)

Total Page:16

File Type:pdf, Size:1020Kb

CANNONBALL ADDERLEY: the Black Messiah (2-CD Set) SELLING POINTS: CANNONBALL ADDERLEY: • Cannonball Adderley Was a Mainstay The Black Messiah (2-CD Set) of Miles Davis’ Kind of Blue Band and Was a Charting Solo Artist During the In 1970, Cannonball Adderley recorded a series of concerts that resulted in three cult ‘60s (“Mercy, Mercy, Mercy”) classic live albums, of which this double-album—produced, like other landmark double albums of the time like Soul Zodiac and Soul of the Bible, by David Axelrod—is the • The Black Messiah Was One of a hardest to find. It captures Cannonball and the Quintet (brother Nat Adderley on Celebrated Series of Collaborations cornet, Roy McCurdy on drums, Walter Booker on bass and George Duke—fresh with Producer David Axelrod from replacing Joe Zawinul, who had left to form Weather Report—on keyboards) at • Featured Quintet of Nat Adderley, the forefront of the burgeoning electronic jazz-rock fusion movement, sounding at Roy McCurdy, Walter Booker and times every bit like the early ‘70s band of Cannonball’s former bandleader Miles George Duke Davis, except maybe even funkier and more out there. But Cannonball always had a populist streak to him—after all, the man had a Top 20 hit with “Mercy, Mercy, • Guests Included Airto Moreira, Mercy”—and so The Black Messiah also features flat-out rock and roll (guest Alvin Battiste, Ernie Watts, Buck Clark guitarist Mike Deasy’s “Liittle Benny Hen”) as well as dips into the soul-jazz style and Mike Deasy that had landed him on the charts several years earlier, all punctuated by his always • Recorded Live at the Troubadour in entertaining between-song raps. The band is killer, too, with guests including, in addition to Deasy, Los Angeles During Same Concert percussionists Airto Moreira and Buck Clark, clarinetist Alvin Battiste and saxman Ernie Watts. How this fascinating Stand That Produced the Album double live album—which was recorded at the Troubadour in Los Angeles during the same concerts that yielded the Music, You All album Music, You All—has eluded reissue till now is anybody’s guess, but our Real Gone Music/Dusty Groove release features liner notes by Cannonball devotee Bill Kopp, with original art and added photos. Remastered by Maria Triana at • Liner Notes by Bill Kopp Battery Studios in NYC—one of the most mindblowing collaborations between Adderley and Axelrod! • Original Gatefold Album Art with Added Photos Songs: • Complete Double Album on Two CDs DISC ONE DISC TWO • Remastered by Maria Triana at 1. Introduction 1. The Chocolate Nuisance Battery Studios in NYC 2. The Black Messiah 2. Untitled 3. Monologue 3. The Steam Drill • Worldwide CD Debut for an 4. Little Benny Hen 4. Eye of the Cosmos Adventuresome Cult Classic 5. Zanek 5. Episode from The Music Came 6. Dr. Honouris Causa 6. Heritage STREET DATE: April 29, 2014 7. Circumference LABEL: Real Gone Music 8. Pretty Paul GENRE: Jazz 9. The Scene FORMAT: CD ORDER USING 848064002475.
Recommended publications
  • Jazzweek with Airplay Data Powered by Jazzweek.Com • December 13, 2010 Volume 7, Number 3 • $7.95
    JazzWeek with airplay data powered by jazzweek.com • December 13, 2010 Volume 7, Number 3 • $7.95 Jazz Album No. 1: The Clayton Brothers The Smooth Album No. 1: Dave Koz Hello New Song And Dance (ArtistShare) Tomorrow (Concord) World Music No. 1: AfroCubism AfroCubism Smooth Single No. 1: Dave Koz “Put The Top (Nonesuch) Down” (Concord) Jazz Album Chart .................... 3 Jazz Add Dates ...................... 7 Smooth Jazz Album Chart ............. 4 Jazz Radio Currents .................. 8 Smooth Singles Chart ................. 5 Jazz Radio Panel ................... 11 World Music Album Chart.............. 6 Smooth Jazz Current Tracks........... 13 Smooth Jazz Station Panel............ 14 Jazz Birthdays December 13 December 17 December 25 Sonny Greer (1895) Ray Noble (1903) Kid Ory (1890) Ben Tucker (1930) Sy Oliver (1910) Cab Calloway (1907) Reggie Johnson Born (1940) Sonny Red (1932) Chris Woods (1925) Mark Elf (1949) Walter Booker (1933) Bob James (1939) December 14 December 18 Ronnie Cuber (1941) Budd Johnson (1910) Fletcher Henderson (1897) December 26 Ted Buckner (1913) Eddie “Cleanhead” Vinson (1917) Monty Budwig (1929) Clark Terry (1920) Harold Land (1928) John Scofield (1951) Cecil Payne (1922) Leo Smith (1941) Cassandra Wilson (1955) Phineas Newborn (1931) December 19 December 27 Jerome Cooper (1946) Bob Brookmeyer (1929) Bunk Johnson (1889) Dan Barrett (1955) Bobby Timmons (1935) Booty Wood (1919) December 15 December 20 Walter Norris (1931) Stan Kenton (1911) Larry Willis (1940) December 28 Billy Butler (1925) December
    [Show full text]
  • A Sleepin' Bee Press Release
    NEWS RELEASE Contact: Ann Braithwaite (781) 259-9600 [email protected] Lauren Kinhan Pays Tribute to Legendary Vocalist Nancy Wilson in Transformative Fashion on the First All-Standards Album of her Career A Sleepin’ Bee uses Wilson’s iconic collaborations with Cannonball Adderley and George Shearing as the starting point for a unique take on the tribute album “Lauren Kinhan is… a tremendously gifted jazz singer.” – Christopher Loudon, JazzTimes "Her luscious, velvet voice is a good place to rest your weary head." – Ken Blanchard, Jazznote SD "A vocal tour de force" – Jazz Journal, Sally Evans-Darby CD Release Concerts: • November 8, 2017 – Red Room @ Café 939, WBGO Live Stream – Boston, MA • January 3, 2018 – JEN Convention – Inspiration Stage – Dallas, TX Whether on her own highly-acclaimed albums, as a 25-year member of the beloved vocal group New York Voices, or as co-founder of two diverse and inventive supergroups, Moss and JaLaLa, singer/songwriter Lauren Kinhan has always forged her own path as a performer, composer and improviser. With her latest, A Sleepin’ Bee (due out October 6 on her own Dotted i Records), Kinhan once again steers herself in unexpected directions with a new release that is at once the first all-standards collection of her career, a loving tribute to legendary vocalist Nancy Wilson, and unmistakably a Lauren Kinhan album – with all the unique perspective and idiosyncratic personality that has come to imply. If the sudden appearance of an album’s worth of standards in a catalogue dominated by original songs comes as a surprise, the process of its creation is just as atypical.
    [Show full text]
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON School of Humanities: Music Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Thesis for the degree of Doctor of Philosophy October 2012 i UNIVERSITY OF SOUTHAMPTON ABSTRACT Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Josef Zawinul (1932-2007) holds a rare place in the world of jazz in view of the fact that as a European he forged a long and distinguished musical career in America. Indeed, from a position of relative obscurity when he arrived in New York in 1959, he went on to become one of contemporary jazz’s most prolific and commercially successful composers. The main focus of this dissertation will be Zawinul’s rise to prominence in American jazz during the 1960s and 1970s.
    [Show full text]
  • ("DSCC") Files This Complaint Seeking an Immediate Investigation by the 7
    COMPLAINT BEFORE THE FEDERAL ELECTION CBHMISSIOAl INTRODUCTXON - 1 The Democratic Senatorial Campaign Committee ("DSCC") 7-_. J _j. c files this complaint seeking an immediate investigation by the 7 c; a > Federal Election Commission into the illegal spending A* practices of the National Republican Senatorial Campaign Committee (WRSCIt). As the public record shows, and an investigation will confirm, the NRSC and a series of ostensibly nonprofit, nonpartisan groups have undertaken a significant and sustained effort to funnel "soft money101 into federal elections in violation of the Federal Election Campaign Act of 1971, as amended or "the Act"), 2 U.S.C. 5s 431 et seq., and the Federal Election Commission (peFECt)Regulations, 11 C.F.R. 85 100.1 & sea. 'The term "aoft money" as ueed in this Complaint means funds,that would not be lawful for use in connection with any federal election (e.g., corporate or labor organization treasury funds, contributions in excess of the relevant contribution limit for federal elections). THE FACTS IN TBIS CABE On November 24, 1992, the state of Georgia held a unique runoff election for the office of United States Senator. Georgia law provided for a runoff if no candidate in the regularly scheduled November 3 general election received in excess of 50 percent of the vote. The 1992 runoff in Georg a was a hotly contested race between the Democratic incumbent Wyche Fowler, and his Republican opponent, Paul Coverdell. The Republicans presented this election as a %ust-win81 election. Exhibit 1. The Republicans were so intent on victory that Senator Dole announced he was willing to give up his seat on the Senate Agriculture Committee for Coverdell, if necessary.
    [Show full text]
  • Extensions of Remarks E41 EXTENSIONS of REMARKS
    January 9, 2007 CONGRESSIONAL RECORD — Extensions of Remarks E41 EXTENSIONS OF REMARKS KROEGER WINS FOOT LOCKER Following his first duty assignment with Ma- CELEBRATING THE LIFE OF JANE HIGH SCHOOL CROSS COUNTRY rine Corps Security Forces in Kings Bay, FAGERSTROM NATIONAL CHAMPIONSHIP Georgia, Corporal Dunham was assigned to Fourth Platoon, Kilo Company, Third Battalion, HON. BRIAN HIGGINS HON. LINCOLN DAVIS Regimental Combat Team 7, First Marine Divi- OF NEW YORK OF TENNESSEE sion. Having quickly proven himself as a capa- IN THE HOUSE OF REPRESENTATIVES ble and conscientious leader, Corporal IN THE HOUSE OF REPRESENTATIVES Tuesday, January 9, 2007 Dunham was assigned as a Squad Leader Tuesday, January 9, 2007 and entrusted with the training, welfare, and Mr. LINCOLN DAVIS of Tennessee. Madam lives of nine American Sons. He soon earned Mr. HIGGINS. Madam Speaker, it is my dis- Speaker, it is not everyday a Member of Con- a reputation for his unwavering commitment to tinct honor to remember the life of a proud gress gets the opportunity to proclaim they his fellow Marines. He had a caring, respect- Chautauqua County leader. Jane Fagerstrom, have a national champion attending school in ful, and humane style of leadership and be- born April 1, 1927, to Floyd and Bertha Alden their district. I rise today to congratulate Kathy lieved above all in leadership by example. Nelson, passed away on January 6, 2006, at Kroeger, a student at Independence High the age of 79. She left behind a legacy for all School in Thompson Station, Tennessee, for On 14 April 2004, while conducting a recon- Chautauqua County residents to be proud of.
    [Show full text]
  • Erie's Mayor Speaks on the Rise in Crime and Violence in the City
    The local voice for news, arts, and culture. with SINNOTT Erie’s Mayor Speaks on the Rise in Crime and Violence in the City August 5 - 18, 2015 / Vol. 5, No. 16 / ErieReader.com ATTACK OF BEARDED BABY THE PACA CELEBRATE ERIE GALLABALOO SUMMER JAM AT BT IS TODAY THE DAY YOU IGNITE YOUR FUTURE? If you have the spark, we have the programs to guide you toward a rewarding career. FORTIS offers programs in the following areas: Nursing • Medical/Dental • Business I.T. • Skilled Trades • Cosmetology CALL 1.800.555.7600 TEXT “IGNITE” TO 367847 FORTIS.EDU IGNITE YOUR FUTURE FORTIS INSTITUTE 5757 WEST 26TH STREET, ERIE, PA 16506 Financial Aid Available for those who qualify. Career Placement Assistance for All Graduates. For consumer information, visit Fortis.edu. From The Editors ter @Snevets_Yaj, as he’ll soon be launch- ing a podcast amongst what we’re sure or better or for worse, Erie has spent in search of a silver-bullet-proof-vest an- will be many other creative ventures. nearly a decade with Mayor Joe Sin- swer but to offer a longform interview he next installment of Erie Gives Fnott. And for better or for worse, that would fill as many pages as possible TDay falls on Tuesday, Aug. 11. From 8 Sinnott, who ran unopposed for his final and address as many topics as they could a.m. to 8 p.m., Erieites have a twelve-hour of three terms, reaching the imposed limit fit in. window to donate to the nonprofit of on all mayors after Lou Tullio’s two-de- Does it answer everything? No.
    [Show full text]
  • The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
    Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians.
    [Show full text]
  • 2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT for the ARTS
    2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT FOR THE ARTS 2015 Fellows Carla Bley George Coleman Charles Lloyd Joe Segal NEA Jazz Masters 2015 Contents Introduction ..............................................................................1 A Brief History of the Program ................................................2 Program Overview ...................................................................5 2015 NEA Jazz Masters............................................................7 Carla Bley .......................................................................................8 George Coleman............................................................................9 Charles Lloyd ...............................................................................10 Joe Segal ......................................................................................11 NEA Jazz Masters, 1982–2015..............................................12 NEA Jazz Masters Awards Ceremony ...................................14 Pianist Jason Moran and guitarist Bill Frisell perform 2014 NEA Jazz Master Keith Jarrett’s “Memories of Tomorrow” at the 2014 awards concert. Photo by Michael G. Stewart The NEA is committed to preserving the legacy of jazz not just for this ”generation, but for future generations as well. ” IV NEA Jazz Masters 2015 IT IS MY PLEASURE to introduce the 2015 class of NEA Jazz Masters. The NEA Jazz Masters awards—the nation’s highest recognition of jazz in America—are given to those who have reached the pinnacle of their art: musicians
    [Show full text]
  • How to Play in a Band with 2 Chordal Instruments
    FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • 2012 Ecotrust Annual Report “Civilization Needs a New Operating System
    reSilieNCe + trANSForMAtioN 2012 Ecotrust Annual Report “Civilization needs a new operating system. YOU ARE THE PROGRAMMERS and we need it within a few decades.” PAUL HAWKEN, University of Portland Commencement Address, 2009 Resilience and Transformation: our theory oF ChANge Food, water, energy, shelter—these are the basic things we need to live well. the systems that provide them are as specific to the places where we live as they are vulnerable to global patterns and pressures. in an age of superstorms, financial meltdowns, and giant pipelines cutting through some of the last, best places on earth, it is clear we need a new approach— a new operating system for the 21st century. At ecotrust, we believe that approach is found in resilience—the capacity to influence and adapt to change. in everything we do, we work to create systemic responses to systemic challenges—a culture of resilience. A culture that adapts to the ever-changing world around us, inspiring innovation, seeking diversity, and sharing ideas and resources equitably. Building this culture begins at home—in the forests and coasts, cities and communities, mountains and rivers of Salmon Nation. it is a culture that operates at multiple scales from the individual to the community to the regional to the global. ecotrust’s programs strive to foster resilience from the ground up in the systems most significant to our wellbeing—food and farms, fisheries, forests, and urban ecosystems. And our approach is designed around what we see as three powerful pathways for change: knowledge, technology, and capital. PHoTos—top: ice floes north of the Arctic Circle; bottom: snow at Joseph Creek, oregon.
    [Show full text]
  • Robert Glasper's In
    ’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • Morgan Wallen's 'Dangerous' Spends Fourth Week at No. 1 on Billboard
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; ENTERTAINMENTBrett Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 8, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Morgan Wallen’s ‘Dangerous’ Spends Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupFourth Nashville), debuts at No. Week1 on Billboard’s lion at audience No. impressions, 1 upon 16%). Billboard Top Country• Olivia AlbumsRodrigo’s chart dated April 18. In its first week (ending April 9), it earned‘Drivers 46,000 License’ equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingLeads to Hot Nielsen 100 for Music/MRC 4th Data. 200 Albumsand total Country Airplay ChartNo. 1 as “Catch” (Big Machine Label Group) ascends SouthsideWeek, The marks Weeknd Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart &and CJ fourth Hit Top top 10 10. It follows freshman LP BY KEITH CAULFIELD Young’s first of six chart entries, “Sleep With- Montevallo• Super ,Bowl which Synch arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Report: Sony/ATV Morgan Wallen’s Dangerous: The Double Album holds demand streams of the album’s songs), album sales Montevallo has earned 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved Walking on Air at No.
    [Show full text]