DOCSLIB.ORG

Americathon (1979) Animal Behavior

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Americathon (1979) Animal Behavior , . ..t/ ~ Alligator II: The Mutation (1991) The Amazing Colossal Man (1957) Americathon (1979) Animal Behavior (1989) The Apple (1980) The Astounding She-Monster (1958) Astro-Zombies (1967) Atom Age Uampire (1961) Attack of the Crab Monsters (1957) -Attack of the 50 ft Woman (1958) Attack of the Giant Leeches (1959) Attack of the Mayan Mummy (1963) Attack of the Puppet People (1958) Basket Case II (1990) Bat People (197~) "Battle in Outer Space (1960) The Beast of Yucca Flats (1961) The Bees (1978) '··Beginning of the End (1957) Be Lugosi Meets a Brooklyn Gorilla (1952) Black Zoo (1963) The B~ de Master (198~) Blood of Ghastly Horror (1972) Bog (198~) • The 3rain That Wouldn't Die (1963) Bug (1975) ~ Cape Canaveral Monsters (1960) The Car (1977) Castle of Evil (1966) Cat Girl (1957) Cat Women of the Moon (195~) .eChamber of Horror (1966) The Chilling (1989) ···City Limits (1985) The Claw Monsters (1955) The Cosmic Man (1959) The Cosmic Monster (1958) Cosmos: War of the Planets (1977) The Crater Lake Monster (1977) The Crawling Eye (1958) The Crawling Hand (1963) Creation of the Humanoids (1962) Creature From the Haunted Sea (1961) Creature of Destruction (1968) Creature of the Walking Dead (1965) .ICreatures the World Forgot (1971) The Creature Wasn't Nice (1981) The Creeping Terror (196~) The Creeping Unknown (1956) The Curse of Bigfoot (1972) Curse of the Faceless Man (1958) ".-.... The Curse of the Fly (1965) Curse of the Stone Hand (1965) Curse of the Swamp Creature (1966) ~ Curucu, Beast of the Amazon (1956) Damnation Alley (1977) Daughter of Dr. Jekyll (1957) The Day Mars Invaded the Earth (1962) "The Day of the Triffids (1963) D-Day on Mars (19~5) The Deadly Bees (1967) Destination Inner Space (1966) Destination 60000 (1957) Devil Girl From Mars (195~) Devil's Bait (1959) Devil's Messenger(1961) The Disembodied (1957) The Doomsday Machine (1972) Dracula and Son (1979) Dracula vs. Frankenstein (1971) Dr. Goldfoot and the Bikini Machine (1966) Earthbound (1981) ~egah (1963) The Electronic Monster (1957) Eliminators (1986) Elvira, Mistress of the Dark (1988) ·.Empire of the Ants (1977) Enchanted Island (1958) Encino Man (1992) Endless Descent (1991) ~ Escape 2000 (1981) Eve (1968) The Evictors (1979) Fantastic Invasion of Planet Earth (1966) The Fatal Hour (19~0) Fearless Frank (1967) Fiend Without a Face (1958) ··-Fire Maidens of Outer Space (1955) The Flesh Eaters (196~) Flight to Mars (1951) Flight to Nowhere (19~6) the Flying Saucer (1950) Food of the Gods (1976) Food of the Gods II (1989) Four-Sided Triangle (1953) Frankenstein Island (1981) Frankenstein Meets the Space Monster (1965) Frankenstein-1970 (1958) Frankenstein's Daughter (1959) Frankenstein Unbound (1990) The Fury of the Wolf Man (1970) Ghidrah, the Three-Headed Monster (1965) Ghoulies (1985) The Giant Behemoth (1959) The Giant Claw (1957) ~ Giant From the Unknown (1958) ·The Giant Gila Monster (1959) The Giant of Metropolis (1962) ~ The Giant Spider Invasion (1975) Gigantis the Fire Monster (1959) 'Godzilla vs. Megalon (1976) The Golden Idol (195~) "Gold of the Amazon Women (1979) -The Green Slime (1969) Half Human (1955) -The Hand (1981) Hangar 18 (1980) ~ercules Against the Moon Men (196~) Horror House (19690 The Horror of Party Beach (196~) House of Evil (1971) House of Long Shadows (1983) The House on Skull Mountain (197~) The House that Screamed (1970) How to Make a Monster (1958) Hysterical (1983) I Eat Your Skin (196~) I, Monster (1972) The Incredible Petrified World (1958) ·The Incredible Shrinking Man (1957) ·The Incredible Shrinking Woman (1981) The Incredible Two-Headed Tr(n;~ant (1971) ,.Invaders From Mars (1953 or 1986 Invasion of the Animal People 1962) ~ Invasion of the Saucer Men (1957) "'Invisible Invaders (1959) The Invisible Kid (1988) Island Claws (1980) Island of the Lost (1967) It Came From Hollywood (1982) It Lives Again (1978) It's a Bikini World (1967) It! The Terror From Beyond Space (1958) I Was a Teenage Frankenstein (1957) I Was a Teenage Warewolf (1957) I Was a Teenage Zombie (1987) ~esse James Meets Frankenstein's Daughter (1966) Journey to the Center of the Earth (1959) Journey to the Center of Time (1967) Journey to the Seventh Planet (1961) Jungle Captive (19~5) Jungle Goddess (19~8) Jungle Moon Men (1955) Just Imagine (1930) Killer Ape (1953) Killer Klowns From Outer Space (1988) Killers From Space (195~) .-Kingdom of the Spiders (1977) King Kong Escapes (1968) ~ King Kong Lives (1986) King of the Zombies (19~1) Konga (1961) ~ Lady Frankenstein (1971) The Last Days of Planet Earth (197~) Mad Doctor of Blood Island (1969) The Mad Monster (19~2) Mama Dracula (1980) Mannequin (1987) The Man Who Turned to Stone (1957) Mars Needs Women (1968) Martians Go Home (1990) Message From Space (1978) Meteor (1979) Millennium (1989) Missile Monsters (1958) Missile to the Moon (1959) Mission Mars (1968) The Mole People (1956) Mom and Dad Save the World (1992) The Monster Club (1980) Monster From Green Hell (1957) Monster From the Ocean Floor (195~) Monster Island (1981) The Monster of Piedras Blancas (1958) Monster Zero (Godzilla vs. Monster Zero) (1966) Monstrosity (196~) Moon Zero Two (1970) Morons From Outer Space (1985) ~ ~Mothra (1962) The Mummy's Shroud (1967) Mutiny in Outer Space (1965) My Best Friend Is a Vampire (1988) ·My Stepmother Is an Alien (1988) The Navy vs. the Night Monsters (1966) Nemesis (1993) Night of Dark Shadows (1971) Night of Terror (1933) Night of the Blood Beast (1958) '#Night of the Lepus (1972) .'A Nymphoid Barbarian in Dinosaur Hell (7) One Dark Night (1983) Parasite (1982) Phantom From Space (1953) The Phantom Planet (1961) Pharaoh's Curse (1957) Pieces (1983) Plague (1978) Planets Against Us (1961) Plan 9 From Outer Space (1959) ~Prehistoric Women (1950) Prophesy (1979) Queen of Outer Space (1958) Ratboy (1986) ~ Ravegers (1979) Retik, the Moon Menace (1952) Return From the Past (1967) ~ The Return of Dracula (1958) The Return of the Swamp Thing (1989) Revenge of the Dead (1960)- Revenge of the Zombies (19~3) Revolt of the Zombies (1936) The Ripper (1985) Robot Monster (1953) Rockula (1990) , Rodan (1957) Santa Claus Conquers the Martians (196~) Satan's Satellites (1958) Scared to Death (19~7) The Shape of Things to Come (1979) Shock Treatment (1981) Sinister Invasion (1971) Slaughter of the Uampires (1961) Slaves of the Invisible Monster (1950) The Slime People (1962) Snake People (1970) Snow Demons (1965) Solarbabies (1986) Son of Dracula (197~) The Son of Dr. Jekyll (1951) Son of Godzilla (1967) Soylent Green (1973) Star Knight (1986) ~ Starship Invasions (1977) -Star Trek--The Motion Picture (1979) ,~he Swarm (1978) Target Earth (195~) .~~eenagers From Outer Space (1959) Teenage Zombies (1958) ~een Wolf Too (1987) Tentacles (1977) Terror Beneath the Sea (1970) Terror in the Wax Museum (1973) The Terrornauts (1967) Terror of Mechagodzilla (1975) They Came From Beyond Space (1967) They Saved Hitler's Brain (1963) The Thirsty Dead (1975) Time Trackers (1989) Tourist Trap (1979) Track of the Moon Beast (1976) Transylvania 6-5000 (1985) ·qrog (1970) Troll (1986) 12 to the Moon (1960) Twilight People (1972) Twisted Brain (197~) The Twonky (1953) ~ Unknown Island (19~8) Ualley of the Dragons (1961) Ualley of the Zombies (19~6) Uampire Men of the Lost Planet (1970) Uaran, the Unbelievable (1962) Uiking Women and the Sea Serpent (1957) .·.Ui llage of the Giants (1965) Uoodoo Woman (1957) Uoyage to the Planet of Prehistoric Women (1968) Uoyage to the Prehistoric Planet (1965) The Uulture (1967) War Between the Planets (1965) War of the Collossal Beast (1958) "The War of the Gargantuas (1966) War of the Planets (1965) The Wasp Woman (1960) Way ... Way Out (1966) Werewolf in a Girl's Dormatory (1961) The Werewolf of Washington (1973) Where Time Began (1978) Wild, Wild Planet (1965) •••The Wi ld, Wi ld Wor ld of Batwoman (?) A Witch Without a Broom (1968) "Without Warning (1980) Wizards (1977) Woman Eater (1959) Woman in the Moon (1929) Women of the Prehistoric Planet (1966) X--The Man With X-Ray Eyes (1963) ~ X The Unknown (1956) Yor, The Hunter from the future (1983) Zapped! (1982) Zombie (1979) Zombies of Mora Tau (1957) Zontar, The Thing from Uenus (1968) • Or-.... < • °.
Load more

Recommended publications
  • Back Listeners: Locating Nostalgia, Domesticity and Shared Listening Practices in Contemporary Horror Podcasting
    Welcome back listeners: locating nostalgia, domesticity and shared listening practices in Contemporary horror podcasting. Danielle Hancock (BA, MA) The University of East Anglia School of American Media and Arts A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy January 2018 Contents Acknowledgements Page 2 Introduction: Why Podcasts, Why Horror, and Why Now? Pages 3-29 Section One: Remediating the Horror Podcast Pages 49-88 Case Study Part One Pages 89 -99 Section Two: The Evolution and Revival of the Audio-Horror Host. Pages 100-138 Case Study Part Two Pages 139-148 Section Three: From Imagination to Enactment: Digital Community and Collaboration in Horror Podcast Audience Cultures Pages 149-167 Case Study Part Three Pages 168-183 Section Four: Audience Presence, Collaboration and Community in Horror Podcast Theatre. Pages 184-201 Case Study Part Four Pages 202-217 Conclusion: Considering the Past and Future of Horror Podcasting Pages 218-225 Works Cited Pages 226-236 1 Acknowledgements With many thanks to Professors Richard Hand and Mark Jancovich, for their wisdom, patience and kindness in supervising this project, and to the University of East Anglia for their generous funding of this project. 2 Introduction: Why Podcasts, Why Horror, and Why Now? The origin of this thesis is, like many others before it, born from a sense of disjuncture between what I heard about something, and what I experienced of it. The ‘something’ in question is what is increasingly, and I believe somewhat erroneously, termed as ‘new audio culture’. By this I refer to all scholarly and popular talk and activity concerning iPods, MP3s, headphones, and podcasts: everything which we may understand as being tethered to an older history of audio-media, yet which is more often defined almost exclusively by its digital parameters.
    [Show full text]
  • Irish Gothic Fiction
    THE ‘If the Gothic emerges in the shadows cast by modernity and its pasts, Ireland proved EME an unhappy haunting ground for the new genre. In this incisive study, Jarlath Killeen shows how the struggle of the Anglican establishment between competing myths of civility and barbarism in eighteenth-century Ireland defined itself repeatedly in terms R The Emergence of of the excesses of Gothic form.’ GENCE Luke Gibbons, National University of Ireland (Maynooth), author of Gaelic Gothic ‘A work of passion and precision which explains why and how Ireland has been not only a background site but also a major imaginative source of Gothic writing. IRISH GOTHIC Jarlath Killeen moves well beyond narrowly political readings of Irish Gothic by OF IRISH GOTHIC using the form as a way of narrating the history of the Anglican faith in Ireland. He reintroduces many forgotten old books into the debate, thereby making some of the more familiar texts seem suddenly strange and definitely troubling. With FICTION his characteristic blend of intellectual audacity and scholarly rigour, he reminds us that each text from previous centuries was written at the mercy of its immediate moment as a crucial intervention in a developing debate – and by this brilliant HIST ORY, O RIGI NS,THE ORIES historicising of the material he indicates a way forward for Gothic amidst the ruins of post-Tiger Ireland.’ Declan Kiberd, University of Notre Dame Provides a new account of the emergence of Irish Gothic fiction in the mid-eighteenth century FI This new study provides a robustly theorised and thoroughly historicised account of CTI the beginnings of Irish Gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland.
    [Show full text]
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
    [Show full text]
  • An Overview of Legal Protection for Fictional Characters: Balancing Public and Private Interests Amanda Schreyer
    Cybaris® Volume 6 | Issue 1 Article 3 2015 An Overview of Legal Protection for Fictional Characters: Balancing Public and Private Interests Amanda Schreyer Follow this and additional works at: http://open.mitchellhamline.edu/cybaris Part of the Intellectual Property Law Commons Recommended Citation Schreyer, Amanda (2015) "An Overview of Legal Protection for Fictional Characters: Balancing Public and Private Interests," Cybaris®: Vol. 6: Iss. 1, Article 3. Available at: http://open.mitchellhamline.edu/cybaris/vol6/iss1/3 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Schreyer: An Overview of Legal Protection for Fictional Characters: Balanci Published by Mitchell Hamline Open Access, 2015 1 Cybaris®, Vol. 6, Iss. 1 [2015], Art. 3 AN OVERVIEW OF LEGAL PROTECTION FOR FICTIONAL CHARACTERS: BALANCING PUBLIC AND PRIVATE INTERESTS † AMANDA SCHREYER I. Fictional Characters and the Law .............................................. 52! II. Legal Basis for Protecting Characters ...................................... 53! III. Copyright Protection of Characters ........................................ 57! A. Literary Characters Versus Visual Characters ............... 60! B. Component Parts of Characters Can Be Separately Copyrightable ................................................................
    [Show full text]
  • Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman.
    [Show full text]
  • 2256 Inventory 4.Pdf
    The Robert Bloch Collection, Acc. ~2256-89-0]-27 Page 11 Box ~ (continueo) Periooicals (continueol: F~ntastic Adyentutes: Vol. 5 (No.8), Allg. 194]: "You Can't Kio Lefty Feep", pp.148-166; "Fairy Tale" under the name Tarleton Fiske, pp.184-202; biographical note on Tarleton Fiske, p.203. Vol. 5 (No.9), Oct. 194]: "A Horse On Lefty Feep", pp. 86-101; "Mystery Of The Creeping Underwear" under the name Tarleton FIske, pp.132-146. Vol. 6 (No.1), Feb. 1944; "Lefty Feep's ~l:abian Nightmare", pp.178-192. Vol. 6 (No. 2), ~pr. 1944: "Lefty Feep Does Time", pp. 156-1'15. Vol. 7 (No.2), Apr. IH5: "Lefty Feep Gets Henpeckeo", 1'1'.116-131. Vol. 6 (No.3), July 1946: "Tree's A Cro"d", pp.74-90. Vol. 9 (No. 51, sept. 1947: "The Mad Scientist", pp. 108-124. Vol. 12 (No.3), Mar. 1950: "Girl From Mars", pp.28-33. Vol. 12 (No.7), July 1950: "End Of YOUl: Rope", 1'p.l10- 124. Vol. 12 (No. S), Aug. 1950: "The Devil With Youl", pp. 8-68. Vol. 13 (No.7), July 1951: "The Dead Don't Die", pp. 8-54; biogl;aphical note, pp.2, 129-130. Fantastic Monsters Of The F11ms, Vol. 1 (No.1), 1962: "Black Lotus", p.10-21, 62. Fantastic Uniyel;se: Vol. 1 (No.6), May 1954: "The Goddess Of Wisdom", pp. 117-128. Vol. 4 (No, 6), Jan. 1956: "You Got To Have Brains", pp .112-120. Vol. 5 (No.6), July 1956: "Founoing Fathel:s", pp.34- Vol.
    [Show full text]
  • Best Picture of the Yeari Best. Rice of the Ear
    SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex­ perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz­ ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history.
    [Show full text]
  • An Examination of Jerry Goldsmith's
    THE FORBIDDEN ZONE, ESCAPING EARTH AND TONALITY: AN EXAMINATION OF JERRY GOLDSMITH’S TWELVE-TONE SCORE FOR PLANET OF THE APES VINCENT GASSI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MAY 2019 © VINCENT GASSI, 2019 ii ABSTRACT Jerry GoldsMith’s twelve-tone score for Planet of the Apes (1968) stands apart in Hollywood’s long history of tonal scores. His extensive use of tone rows and permutations throughout the entire score helped to create the diegetic world so integral to the success of the filM. GoldsMith’s formative years prior to 1967–his training and day to day experience of writing Music for draMatic situations—were critical factors in preparing hiM to meet this challenge. A review of the research on music and eMotion, together with an analysis of GoldsMith’s methods, shows how, in 1967, he was able to create an expressive twelve-tone score which supported the narrative of the filM. The score for Planet of the Apes Marks a pivotal moment in an industry with a long-standing bias toward modernist music. iii For Mary and Bruno Gassi. The gift of music you passed on was a game-changer. iv ACKNOWLEDGEMENTS Heartfelt thanks and much love go to my aMazing wife Alison and our awesome children, Daniela, Vince Jr., and Shira, without whose unending patience and encourageMent I could do nothing. I aM ever grateful to my brother Carmen Gassi, not only for introducing me to the music of Jerry GoldsMith, but also for our ongoing conversations over the years about filM music, composers, and composition in general; I’ve learned so much.
    [Show full text]
  • KING KONG IS BACK! E D I T E D B Y David Brin with Leah Wilson
    Other Titles in the Smart Pop Series Taking the Red Pill Science, Philosophy and Religion in The Matrix Seven Seasons of Buffy Science Fiction and Fantasy Writers Discuss Their Favorite Television Show Five Seasons of Angel Science Fiction and Fantasy Writers Discuss Their Favorite Vampire What Would Sipowicz Do? Race, Rights and Redemption in NYPD Blue Stepping through the Stargate Science, Archaeology and the Military in Stargate SG-1 The Anthology at the End of the Universe Leading Science Fiction Authors on Douglas Adams’ Hitchhiker’s Guide to the Galaxy Finding Serenity Anti-heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly The War of the Worlds Fresh Perspectives on the H. G. Wells Classic Alias Assumed Sex, Lies and SD-6 Navigating the Golden Compass Religion, Science and Dæmonology in Philip Pullman’s His Dark Materials Farscape Forever! Sex, Drugs and Killer Muppets Flirting with Pride and Prejudice Fresh Perspectives on the Original Chick-Lit Masterpiece Revisiting Narnia Fantasy, Myth and Religion in C. S. Lewis’ Chronicles Totally Charmed Demons, Whitelighters and the Power of Three An Unauthorized Look at One Humongous Ape KING KONG IS BACK! E D I T E D B Y David Brin WITH Leah Wilson BENBELLA BOOKS • Dallas, Texas This publication has not been prepared, approved or licensed by any entity that created or produced the well-known movie King Kong. “Over the River and a World Away” © 2005 “King Kong Behind the Scenes” © 2005 by Nick Mamatas by David Gerrold “The Big Ape on the Small Screen” © 2005 “Of Gorillas and Gods” © 2005 by Paul Levinson by Charlie W.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • CED Videodisc
    SUMMER 1984 SUPPLEMENT II -' WORLD'S GREATEST SELECTION OF THINGS TO SHOW DON'T LOSE YOUR CATALOG SUBSCRIPTION Because of increased printing costs we will no longer be able to mail catalogs to anyone who has not ordered from us in the last 15 months. SO, order from this catalog today and you will stay on our list. MIDSUMMER'S NIGHT CLOSING OUT! A JAZZY SUMMER SALE! SPECIAL! T. Marvin Hatley (videocassette) (videocassette) Music For laurel & Hardy BLACK AND TAN (1930) FLIGHTS AND FLYERS : (and Friends) 8 8 AMELIA EARHART' /ST. LOUIS BLUES (1929) A Blockhawk/Movietone compilation of Miss You can now own original studio recordings of BLACK AND TAN (1930) Earhart's exploits from about 1932 to that garbled background music created for the films of Laurel & message received at Howland Island. S~e her pilot an DUKE ELLINGTON autogiro, a tickertape parade in New York following her Hardy by the inimitable T. Marvin Hatley! This fine trans-Atlantic trip, receiving the National Geographic album contains memorable scores from WAY OUT D~ke Ellington's first screen appearance Award from President Hoover. Also arriving at Newark WEST, THEM THAR HILLS, SAPS AT SEA, SONS wos th is extraordinary and deeply moving after completing a cross country flig.ht in 17 hours and OF THE DESERT, A CHUMP AT OXFORD, film pr<,duced in the second year of sound some moments, and that ofter spending about 2½ hours BLOCKHEADS and BONNIE SCOTLAND. These on the ground for canopy repairs. Then on to Honolulu are not re-creations! They ore the original 1930s by Dudley Murphy.
    [Show full text]
  • List of Shows Master Collection
    Classic TV Shows 1950sTvShowOpenings\ AdventureStory\ AllInTheFamily\ AManCalledShenandoah\ AManCalledSloane\ Andromeda\ ATouchOfFrost\ BenCasey\ BeverlyHillbillies\ Bewitched\ Bickersons\ BigTown\ BigValley\ BingCrosbyShow\ BlackSaddle\ Blade\ Bonanza\ BorisKarloffsThriller\ BostonBlackie\ Branded\ BrideAndGroom\ BritishDetectiveMiniSeries\ BritishShows\ BroadcastHouse\ BroadwayOpenHouse\ BrokenArrow\ BuffaloBillJr\ BulldogDrummond\ BurkesLaw\ BurnsAndAllenShow\ ByPopularDemand\ CamelNewsCaravan\ CanadianTV\ CandidCamera\ Cannonball\ CaptainGallantOfTheForeignLegion\ CaptainMidnight\ captainVideo\ CaptainZ-Ro\ Car54WhereAreYou\ Cartoons\ Casablanca\ CaseyJones\ CavalcadeOfAmerica\ CavalcadeOfStars\ ChanceOfALifetime\ CheckMate\ ChesterfieldSoundOff\ ChesterfieldSupperClub\ Chopsticks\ ChroniclesOfNarnia\ CimmarronStrip\ CircusMixedNuts\ CiscoKid\ CityBeneathTheSea\ Climax\ Code3\ CokeTime\ ColgateSummerComedyHour\ ColonelMarchOfScotlandYard-British\ Combat\ Commercials50sAnd60s\ CoronationStreet\ Counterpoint\ Counterspy\ CourtOfLastResort\ CowboyG-Men\ CowboyInAfrica\ Crossroads\ DaddyO\ DadsArmy\ DangerMan-S1\ DangerManSeason2-3\ DangerousAssignment\ DanielBoone\ DarkShadows\ DateWithTheAngles\ DavyCrockett\ DeathValleyDays\ Decoy\ DemonWithAGlassHand\ DennisOKeefeShow\ DennisTheMenace\ DiagnosisUnknown\ DickTracy\ DickVanDykeShow\ DingDongSchool\ DobieGillis\ DorothyCollins\ DoYouTrustYourWife\ Dragnet\ DrHudsonsSecretJournal\ DrIQ\ DrSyn\ DuffysTavern\ DuPontCavalcadeTheater\ DupontTheater\ DustysTrail\ EdgarWallaceMysteries\ ElfegoBaca\
    [Show full text]