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Paul Kletzki ?Nachtstück Bei Territet (1904) Öl Auf Leinwand, 97 ×131 Cm 2
Koproduktion MusiquesProduktion Suisses Musiquesmit dem Polskie Suisses Radio Aufnahmen TonstudioNOSPR Konzerthalle, AMOS AG, in Kattowitz diversen (Polen) Lokalitäten 21.–23.1–3 Juni7 201618. Sept. (Kletzki) 2014, und Singsaal des 1./2. SeptemberSekundarschulhauses 2016 (Marek) Uettligen 4–6 8 18./19. Sept. 2012, Tonmeister Mühlemattsaal Trimbach Beata Jankowska-Burzyn´ska 9 26. Sept. 2014, Heimaufnahme Abmischung10–14 6. und Juni Mastering 2013, Lötschbergsaal Spiez WojciechMusikregisseur Marzec TheoExekutivproduzent Fuog TonmeisterClaudio Danuser ?GeraldEinführungstext Hahnefeld, Tonstudio Regio ChrisExekutivproduzent Walton ÜbersetzungenClaudio Danuser MichelleÜbersetzungen Bulloch – Musitext (Französisch) MichelleChris Walton Buloch (Englisch) (Französisch) ChrisCoverbild Walton (Englisch) AlexandreCoverbild Perrier (1862–1936) Paul Kletzki ?Nachtstück bei Territet (1904) Öl auf Leinwand, 97 ×131 cm 2. Sinfonie Gestaltungskonzept Paul Kletzki Gestaltungskonzeptcomvex gmbh, www.comvex.biz xx comvex gmbh, www.comvex.biz Czesław Marek Satz und Litho Satzenglerwortundbild, und Litho Zürich englerwortundbild, Zürich Sinfonia Hersteller AdonHersteller Production AG, Neuenhof Adon Production AG, Neuenhof MGB CD 6282 MGB CD 6289 Ein Projekt des MGB_6289_Booklet_Paul_Kletzki.indd 4-5 28.10.16 10:01 tice to conduct on a tour of the Orchestre de la Suisse Romande, which marked the begin - ning of his international conducting career. Since then, Thomas has been invited to con - duct many orchestras, including the Deutsches Sinfonieorchester Berlin, Vienna Symphony, Bamberg Symphony, Salzburg Gesangstext in Kletzki 2. Sinfonie Mozarteum Orchestra, Houston Symphony, (Text in Klammer nicht vertont) Tokyo Symphony Orchestra, Scottish Cham- ber Orchestra, Bergen Philharmonic Orches - Schlafe, schlafe, o Welt! tra, the Orchestre National du Capitole de Leise nahet die Nacht, alles Sehnen ist still Toulouse, Basle Symphony Orchestra, Phil- und erfüllet die Zeit. hamonia Prague, Polish National Radio Or- chestra and the Israel Sinfonietta. -
Rezension Für: Paul Kletzki
Rezension für: Paul Kletzki Paul Kletzki conducts Brahms, Schubert & Beethoven Johannes Brahms | Franz Schubert | Ludwig van Beethoven CD aud 95.642 www.pizzicato.lu 05/06/2016 (Remy Franck - 2016.06.05) Spontanes Dirigat von Paul Kletzki Der Schweizer Dirigent Paul Kletzki (1900-1973), ehemaliger Chefdirigent in Liverpool, Dallas, Bern und beim ‘Orchestre de la Suisse Romande’, dirigiert auf einer CD der Reihe ‘Lucerne Festival Historic Performances’ von Audite das ‘Swiss Festival Orchestra’. Da erklingt zunächst mit schlankem Klang, kontrastreich zwischen betonter Grübelei und drängender Aufbruchsstimmung die Vierte Symphonie von Johannes Brahms und danach eine hoch dramatische, groß-symphonisch angelegte ‘Unvollendete’ von Franz Schubert. Ebenfalls bemerkenswert ist die sehr expressive Ouvertüre ‘Leonore 3’ von Ludwig van Beethoven. Die Brahms- und Schubert –Symphonien gibt es auf anderen Labels in Studioeinspielungen, die kurz vor dem hier verwendeten, spontaneren, freieren Livemitschnitt entstanden (Audite 95.642). Stereoplay 07|2016 (Attila Csampai - 2016.07.01) Brahms unter Strom Es ist eine der spannendsten und zwingendsten Aufführungen der Vierten von Brahms, die ich je gehört habe, noch geballter und stringenter als die berühmten Referenzen von Klemperer und Toscanini. Vor allem in den beiden Ecksätzen kombiniert Kletzki strukturelle Dichte und emotionales Feuer zu gebündelten Energieschüben, die das späte Opus fast als Fanal jugendlicher Leidenschaft und so gar nicht als abgeklärtes Alterswerk erscheinen lassen. Full review text restrained for copyright reasons. page 1 / 5 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de www.concertonet.com 05/15/2016 (Simon Corley - 2016.05.15) Chefs oubliés: Paul Kletzki et Antonio Pedrotti Chefs oubliés: Paul Kletzki et Antonio Pedrotti Full review text restrained for copyright reasons. -
BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973) -
570452 Bk Karlowicz EU
572190 bk Kletzki 31/12/09 20:28 Page 5 Joseph Banowetz Russian Philharmonic Orchestra Paul GRAMMY® nominated American pianist Joseph Banowetz The Russian Philharmonic Orchestra is firmly rooted in Russia’s rich musical traditions, and has achieved an has been heard as recitalist and orchestral soloist on five impressive and outstanding musical quality by drawing its musicians from the highest ranks of Russia’s most KLETZKI continents, with performances with such orchestras as the St famous orchestras such as the Moscow Radio Symphony Orchestra, the Russian National Orchestra and the State Petersburg Philharmonic, the Moscow State Symphony, the Symphony Orchestra. The Russian Philharmonic Orchestra was originally formed as a recording ensemble and has Prague and Bratislava Radio Orchestras, the Budapest gone on to receive high acclaim also for its concert performances. In addition to regular recordings for leading Symphony, the Barcelona Concert Society Orchestra, the international companies, the orchestra has also undertaken tours to Turkey, Austria, Germany, China, Taiwan, Piano Concerto New Zealand Symphony (on a twelve-concert national Finland and elsewhere. Dmitry Yablonsky was appointed Music Advisor to the orchestra in 2003. In 2006 the tour), the Beijing National Philharmonic, the Shanghai orchestra won a Gramophone Prize for their recording of Shostakovich on Deutsche Grammophon. Symphony, the Hong Kong Philharmonic, and the Seoul Three Preludes • Three Piano Pieces • Fantasie Philharmonic. In December 2007 Banowetz’s recording of Balakirev’s works received two official GRAMMY® Thomas Sanderling nominations. His recordings have been given wide critical Joseph Banowetz, Piano acclaim, including Fanfare (U.S.) describing Banowetz as Thomas Sanderling grew up in St Petersburg, where his “a giant among keyboard artists of our time”. -
Paul Kletzki Swiss Festival Orchestra Lucerne Festival • Vol
PRESS INFO 40 years Paul Kletzki Swiss Festival Orchestra Lucerne Festival • Vol. IX MASTERst RELEASE 1ORIGINAL TAPES HD-DOWNLOADS ‹ available at audite.de ‹ Brahms: Symphony No. 4 Schubert: Symphony No. 7 Unfinished Beethoven: Leonore Ouverture No. 3 live recording: Lucerne, Kunsthaus, 7 September 1946 Previously unreleased A rediscovery of a conductor who nowadays is considered an insider’s tip: having fled fascism and Stalinism, Paul Kletzki arrived in Switzerland in 1939 and advanced to become one of the leading conductors after the Second World War. This Lucerne live recording shows Kletzki at the height of his art: exciting interpretations, characterised by expressiveness and a stupendous sense of musical architecture. audite Musikproduktion Ludger Böckenhoff • Tel.: +49-5231-870320 • Fax: +49-5231-870321 • [email protected] • www.audite.de PRESS INFO PAUL KLETZTKI A rediscovery of a master: a leading podium star during his lifetime, Paul Kletzki, born Paweł Klecki in the Polish city of Łódź on 21 March 1900, nowadays is considered an insider’s tip among connoisseurs. Volume 9 in the LUCERNE FESTIVAL Historic Performances series presents a live recording from the summer of 1946 as a first release. It shows Kletzki at the height of his art: on the podium of the Swiss Festival Orchestra he realises exciting interpretations of Brahms’ Fourth Symphony, Schubert’s Unfinished and Beethoven’s Leonore Overture No 3 – expres sive and with a stupendous sense of musical architecture. Paul Kletzki fled as many as three totalitarian regimes – initially Nazi Germany, where he had established himself as a composer and conductor since the 1920s, and where Wilhelm Furtwäng- ler had championed him; later on, Stalin’s Soviet Union; and finally fascist Italy – before settling in Switzerland in 1939. -
Guild Gmbh Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - E-Mail: [email protected] CD-No
Guild GmbH Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Composer/Track Artists GHCD 2201 Parsifal Act 2 Richard Wagner The Metropolitan Opera 1938 - Flagstad, Melchior, Gabor, Leinsdorf GHCD 2202 Toscanini - Concert 14.10.1939 FRANZ SCHUBERT (1797-1828) Symphony No.8 in B minor, "Unfinished", D.759 NBC Symphony, Arturo Toscanini RICHARD STRAUSS (1864-1949) Don Juan - Tone Poem after Lenau, op. 20 FRANZ JOSEPH HAYDN (1732-1809) Symphony Concertante in B flat Major, op. 84 JOHANN SEBASTIAN BACH (1685-1750) Passacaglia and Fugue in C minor (Orchestrated by O. Respighi) GHCD Le Nozze di Figaro Mozart The Metropolitan Opera - Breisach with Pinza, Sayão, Baccaloni, Steber, Novotna 2203/4/5 GHCD 2206 Boris Godounov, Selections Moussorgsky Royal Opera, Covent Garden 1928 - Chaliapin, Bada, Borgioli GHCD Siegfried Richard Wagner The Metropolitan Opera 1937 - Melchior, Schorr, Thorborg, Flagstad, Habich, 2207/8/9 Laufkoetter, Bodanzky GHCD 2210 Mahler: Symphony No.2 Gustav Mahler - Symphony No.2 in C Minor „The Resurrection“ Concertgebouw Orchestra, Otto Klemperer - Conductor, Kathleen Ferrier, Jo Vincent, Amsterdam Toonkunstchoir - 1951 GHCD Toscanini - Concert 1938 & RALPH VAUGHAN WILLIAMS (1872-1958) Fantasia on a Theme by Thomas Tallis NBC Symphony, Arturo Toscanini 2211/12 1942 JOHANNES BRAHMS (1833-1897) Symphony No. 3 in F Major, op. 90 GUISEPPE MARTUCCI (1856-1909) Notturno, Novelletta; PETER IILYICH TCHAIKOVSKY (1840- 1893) Romeo and Juliet -
Concerts with the London Philharmonic Orchestra for Seasons 1946-47 to 2006-07 Last Updated April 2007
Artistic Director NEVILLE CREED President SIR ROGER NORRINGTON Patron HRH PRINCESS ALEXANDRA Concerts with the London Philharmonic Orchestra For Seasons 1946-47 To 2006-07 Last updated April 2007 From 1946-47 until April 1951, unless stated otherwise, all concerts were given in the Royal Albert Hall. From May 1951 onwards, unless stated otherwise, all concerts were given in The Royal Festival Hall. 1946-47 May 15 Victor De Sabata, The London Philharmonic Orchestra (First Appearance), Isobel Baillie, Eugenia Zareska, Parry Jones, Harold Williams, Beethoven: Symphony 8 ; Symphony 9 (Choral) May 29 Karl Rankl, Members Of The London Philharmonic Orchestra, Kirsten Flagstad, Joan Cross, Norman Walker Wagner: The Valkyrie Act 3 - Complete; Funeral March And Closing Scene - Gotterdammerung 1947-48 October 12 (Royal Opera House) Ernest Ansermet, The London Philharmonic Orchestra, Clara Haskil Haydn: Symphony 92 (Oxford); Mozart: Piano Concerto 9; Vaughan Williams: Fantasia On A Theme Of Thomas Tallis; Stravinsky: Symphony Of Psalms November 13 Bruno Walter, The London Philharmonic Orchestra, Isobel Baillie, Kathleen Ferrier, Heddle Nash, William Parsons Bruckner: Te Deum; Beethoven: Symphony 9 (Choral) December 11 Frederic Jackson, The London Philharmonic Orchestra, Ceinwen Rowlands, Mary Jarred, Henry Wendon, William Parsons, Handel: Messiah Jackson Conducted Messiah Annually From 1947 To 1964. His Other Performances Have Been Omitted. February 5 Sir Adrian Boult, The London Philharmonic Orchestra, Joan Hammond, Mary Chafer, Eugenia Zareska, -
Ett Porträtt Av Orchestre De La Suisse Romande
Ett porträtt av Orchestre de la Suisse Romande Orchestre de la Suisse Romande – One Century of Music Pentatone PTC5186791 [5 CD] Orchestre de la Suisse Romande bildades 1918 där syftet var att ge den fransktalande populationen i Schweiz en orkester som motpol till den dominerande tysktalande delen av landet. Den legendariske dirigenten Ernest Ansermet var grundaren av orkestern och hans kamp för att få orkestern att överleva både politiskt motstånd men även 1930-talets ekonomiska depression gjorde att han hade alla odds emot sig. På sikt lyckades orkestern att bli så etablerad som tanken var och orkestern fungerar väl än idag. I en ny box från Pentatone på 5 cd får vi höra musik framförd av orkesterns samtliga chefdirigenter. Ansermet var chef nästan 50 år mellan åren 1918–1967 och därefter har orkestern letts av följande dirigenter under betydligt kortare perioder: Paul Kletzki, Wolfgang Sawallisch, Horst Stein, Armin Jordan, Fabio Luisi, Pinchas Steinberg, Marek Janowski, Neeme Järvi och Jonathan Nott (orkesterns nuvarande chefsdirigent). Många välkända maestror har därmed haft ansvaret för orkestern genom åren men ingen så länge som grundaren själv. Denna box innehåller 19 olika verk vilket visar på den mångsidighet som finns hos orkestern. Den första skivan ägnas åt fransk musik, den andra åt tyska tonsättare, nr. 3 fokuserar på verk från 1900-talet och nr. 4 innehåller rysk musik. Den sista, den femte, ägnas åt en historisk inspelning från januari 1943, där Ansermet dirigerar Gustave Dorets ”Les Armaillis”, en dramatisk legend för solister, kör och orkester. Det något daterade ljudet ger en viss begränsning för att få en helt rättvis bild av både verk och framförande. -
Freedom from Violence and Lies Essays on Russian Poetry and Music by Simon Karlinsky
Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky simon Karlinsky, early 1970s Photograph by Joseph Zimbrolt Ars Rossica Series Editor — David M. Bethea (University of Wisconsin-Madison) Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky edited by robert P. Hughes, Thomas a. Koster, richard Taruskin Boston 2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-158-6 On the cover: Heinrich Campendonk (1889–1957), Bayerische Landschaft mit Fuhrwerk (ca. 1918). Oil on panel. In Simon Karlinsky’s collection, 1946–2009. © 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. -
Durham Research Online
Durham Research Online Deposited in DRO: 08 February 2017 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Ivleva, Victoria (2016) 'Social life of the caftan in eighteenth-century Russia.', Clothing cultures., 3 (3). pp. 171-189. Further information on publisher's website: https://doi.org/10.1386/cc.3.3.1711 Publisher's copyright statement: Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk VICTORIA IVLEVA Durham University The Social Life Of the Caftan in Eighteenth-Century Russia ABSTRACT This article explores the ‘cultural biography’ of the caftan, a garment, which underwent significant changes as a part of Peter I’s urban clothing revolution. The article discusses the evolution of the caftan and changes in its functions and meanings, its historical, social and literary modes of circulation, and the semiotic value it acquired in the eighteenth-century clothing system, and more broadly, in eighteenth-century Russian culture. -
The Complete EMI Audio Tape Guide Audio Tape Guide
The Complete EMI Audio Tape Guide By David Winter Version of 23 FEBRUARY 2014 This list contains all known EMI (His Master’s Voice and Columbia) tapes released between 1952 and the early 1960s. Any new version will contain minor fixes or updates, or unreleased titles. If you wish to contribute, please email me at [email protected] with good quality pictures showing what should be updated or added. Thank you. Change log: - New format, hopefully for better reading. Tape catalog prefixes, tape types and misc details: EMI issued their "tape records" under two brands: His Master's Voice (HMV) and Columbia (COL). They were all recorded in 2 channel format, either in mono (twin sided) or stereo (Stereosonic, single sided). They are always 7-inch reels playing at 7.5ips (or 19 centimeters per second). Only a few recordings have been made available both in mono and stereo. However, many titles have been recorded in either format by different performers. Some titles were eventually imported in America by RCA when the company was licenced to produce the equivalent LPs. The table below shows the four catalog codes used for each type of tape and by each brand. Later 4-track stereo tapes and 2-track "Twin Packs" are not included in this list. This guide is based on EMI's catalog of 1958 and may be missing titles released shortly after. Mono Stereo CAT BTA CBT BTB COL CCT BTC CDT BTD HTA SAT HTB SBT HMV HTC SCT HTD SDT Other wordings: / between orchestra and conductor means "conducted by". -
Recording Master List.Xls
UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre