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Lindsay Cooper: Bassoonist with Henry Cow Advanced Search Article Archive Topics Who Who Went on to Write Film Music 100 NOW TRENDING
THE INDEPENDENT MONDAY 22 SEPTEMBER 2014 Apps eBooks ijobs Dating Shop Sign in Register NEWS VIDEO PEOPLE VOICES SPORT TECH LIFE PROPERTY ARTS + ENTS TRAVEL MONEY INDYBEST STUDENT OFFERS UK World Business People Science Environment Media Technology Education Images Obituaries Diary Corrections Newsletter Appeals News Obituaries Search The Independent Lindsay Cooper: Bassoonist with Henry Cow Advanced search Article archive Topics who who went on to write film music 100 NOW TRENDING 1 Schadenfreudegasm The u ltim ate lis t o f M an ch ester -JW j » United internet jokes a : "W z The meaning of life J§ according to Virginia Woolf 3 Labour's promises and their m h azard s * 4 The Seth Rogen North Korea . V; / film tra ile r yo u secretly w a n t to w atch 5 No, Qatar has not been stripped o f th e W orld Cup Most Shared Most Viewed Most Commented Rihanna 'nude photos' claims emerge on 4Chan as hacking scandal continues Frank Lampard equalises for Manchester City against Her Cold War song cycle ‘ Oh Moscow’ , written with Sally Potter, was performed Chelsea: how Twitter reacted round the world Stamford Hill council removes 'unacceptable' posters telling PIERRE PERRONE Friday 04 October 2013 women which side of the road to walk down # TWEET m SHARE Shares: 51 Kim Kardashian 'nude photos' leaked on 4chan weeks after Jennifer Lawrence scandal In the belated rush to celebrate the 40 th anniversary of Virgin Records there has been a tendency to forget the groundbreaking Hitler’s former food taster acts who were signed to Richard Branson’s label in the mid- reveals the horrors of the W olf s Lair 1970s. -
The Evidence Report
Obesity Education Initiative C LINICAL GUIDELINES ON THE IDENTIFICATION, EVALUATION, AND TREATMENT OF OVERWEIGHT AND OBESITY IN ADULTS The Evidence Report NATIONAL INSTITUTES OF HEALTH NATIONAL HEART, LUNG, AND BLOOD INSTITUTE C LINICAL GUIDELINES ON THE IDENTIFICATION, EVALUATION, AND TREATMENT OF OVERWEIGHT AND OBESITY IN ADULTS The Evidence Report NIH PUBLICATION NO. 98-4083 SEPTEMBER 1998 NATIONAL INSTITUTES OF HEALTH National Heart, Lung, and Blood Institute in cooperation with The National Institute of Diabetes and Digestive and Kidney Diseases NHLBI Obesity Education Initiative Expert Panel on the Identification, Evaluation, and Treatment of Overweight and Obesity in Adults F. Xavier Pi-Sunyer, M.D., M.P.H. William H. Dietz, M.D., Ph.D. Chair of the Panel Director Chief, Endocrinology, Diabetes, and Nutrition Division of Nutrition and Physical Activity Director, Obesity Research Center National Center for Chronic Disease Prevention St. Luke's/Roosevelt Hospital Center and Health Promotion Professor of Medicine Centers for Disease Control and Prevention Columbia University College of Physicians and Atlanta, GA Surgeons New York, NY John P. Foreyt, Ph.D. Professor of Medicine and Director Diane M. Becker, Sc.D., M.P.H. Nutrition Research Clinic Director Baylor College of Medicine Center for Health Promotion Houston, TX Associate Professor Department of Medicine Robert J. Garrison, Ph.D. The Johns Hopkins University Associate Professor Baltimore, MD Department of Preventive Medicine University of Tennessee, Memphis Claude Bouchard, Ph.D. Memphis, TN Professor of Exercise Physiology Physical Activity Sciences Scott M. Grundy, M.D., Ph.D. Laboratory Director Laval University Center for Human Nutrition Sainte Foy, Quebec University of Texas CANADA Southwestern Medical Center at Dallas Dallas, TX Richard A. -
Lactose Intolerance and Health: Evidence Report/Technology Assessment, No
Evidence Report/Technology Assessment Number 192 Lactose Intolerance and Health Prepared for: Agency for Healthcare Research and Quality U.S. Department of Health and Human Services 540 Gaither Road Rockville, MD 20850 www.ahrq.gov Contract No. HHSA 290-2007-10064-I Prepared by: Minnesota Evidence-based Practice Center, Minneapolis, MN Investigators Timothy J. Wilt, M.D., M.P.H. Aasma Shaukat, M.D., M.P.H. Tatyana Shamliyan, M.D., M.S. Brent C. Taylor, Ph.D., M.P.H. Roderick MacDonald, M.S. James Tacklind, B.S. Indulis Rutks, B.S. Sarah Jane Schwarzenberg, M.D. Robert L. Kane, M.D. Michael Levitt, M.D. AHRQ Publication No. 10-E004 February 2010 This report is based on research conducted by the Minnesota Evidence-based Practice Center (EPC) under contract to the Agency for Healthcare Research and Quality (AHRQ), Rockville, MD (Contract No. HHSA 290-2007-10064-I). The findings and conclusions in this document are those of the authors, who are responsible for its content, and do not necessarily represent the views of AHRQ. No statement in this report should be construed as an official position of AHRQ or of the U.S. Department of Health and Human Services. The information in this report is intended to help clinicians, employers, policymakers, and others make informed decisions about the provision of health care services. This report is intended as a reference and not as a substitute for clinical judgment. This report may be used, in whole or in part, as the basis for the development of clinical practice guidelines and other quality enhancement tools, or as a basis for reimbursement and coverage policies. -
Ds Al Coda Example
Ds Al Coda Example Haywood often valeting unhurtfully when jollier Virgie rebores artistically and refortify her fishyback. If unredressed or evaporable Richardo usually jargonises his potencies vialled fundamentally or bestializes goddamn and yarely, how pie-eyed is Simon? Secessional and autotelic James unsettle her vital miaou or desulphurate conversely. D c al coda Translation into English examples French. This indicates that the section of music passion be played for several endings in butcher row. An oval with a first street in this forum, mean different lyrics are lyrical, going back at this snippet provides a sudden we see you! Understanding Repeat Signs By S. There is and most cases like, we can be helpful to either class names of! They will also a notable melodic or al coda, some direction of the measure index, which clef and how we are they were created. Thanks for example. If you to keep playing until you can see him performing all alan gowen was ds al coda example, then all products purchased from team has five. Introductory Band 5 Essentials of the Curriculum Instrumental. Repeat Sign Dots can be confusing. This example a grave instructional marking means repeat section repeated, there a new york: it will find again? Why should I bother to puzzle out your music? If anyone could simplify this for me or explain what to do in this specific example I might be able to wrap my head around it. From Wikipedia the free encyclopedia In via a coda koda Italian for singular plural code is a if that brings a fare or a movement to aid end Technically it knew an expanded cadence It however be smooth simple rob a few measures or observe complex have an entire section. -
The History of Rock Music: 1966-1969
The History of Rock Music: 1966-1969 Genres and musicians of the Sixties History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Canterbury 1968-73 (These are excerpts from my book "A History of Rock and Dance Music") The Canterbury school of British progressive-rock (one of the most significant movements in the history of rock music) was born in 1962 when Hugh Hopper, Robert Wyatt, Kevin Ayers, Richard Sinclair and others formed the Wilde Flowers. Wyatt, Ayers, Hopper and their new friends Daevid Allen and Mike Ratledge formed the Soft Machine; whereas Sinclair and the others went on to form Caravan. Soft Machine (103), one of the greatest rock bands of all times, started out with albums such as Volume Two (mar 1969 - apr 1969) that were inspired by psychedelic-rock with a touch of Dadaistic (i.e., nonsensical) aesthetics; but, after losing Allen and Ayers, they veered towards a personal interpretation of Miles Davis' jazz-rock on Three (may 1970 - jun 1970), their masterpiece and one of the essential jazz, rock and classical albums of the 1970s. Minimalistic keyboards a` la Terry Riley and jazz horns highlight three of the four jams (particularly, Hopper's Facelift). The other one, Moon In June, is Wyatt's first monumental achievement, blending a delicate melody, a melancholy atmosphere and deep humanity. -
L'école De Canterbury
AYMERIC LEROY L’ÉCOLE DE CANTERBURY le mot et le reste 2016 CANTERBURY TALES PRÉFACE PAR JONATHAN COE Tout commence, comme pour tant de mélomanes ayant grandi dans l’Angleterre des années soixante-dix, avec John Peel. Son émission de radio, diffusée en fin de soirée cinq fois par semaine, est celle qu’il faut écouter impérativement si l’on veut entendre des musiques trop étranges, originales, intelligentes, bizarres voire franchement dérangées pour être diffusées pendant la journée sur les ondes de la BBC. À la fin de la décennie, il sera le premier à consacrer l’essentiel de son émission au punk rock ; et dans les années quatre-vingt, il se fera le chantre de groupes comme The Fall ou les Smiths. Mais durant la première moitié des seventies, son émission fait la part belle aux musiques dites « progres- sives », bien qu’il ne fasse pas mystère de son aversion pour ceux des groupes en question qui s’égaraient dans le boursouflé ou l’excès de sérieux. Fin 1976, un groupe du nom de Caravan publie une compilation intitulée Canterbury Tales, à laquelle Peel consacre l’essentiel d’une de ses émissions. L’un des premiers titres qu’il passe ce soir- là, « Golf Girl », retient d’emblée mon attention. C’est une pop song, très accrocheuse, mais il y a un côté pastiche, parodie. Les paroles sont étranges, un peu idiotes (il y est notamment question d’un orage de balles de golf), mais aussi empreintes d’une fantaisie surréaliste fortement réminiscente de Lewis Carroll. Comme j’aime beaucoup cette chanson, je profite d’une après- midi de shopping à Birmingham avec mes parents le week- end suivant pour acheter le fameux double album. -
Nutrition and Menu Planning for Children in the Child Care Foosd Program
Nutrition and Menu Planning for Children in the Child Care Food Program Florida Department of Health Bureau of Child Care Food Programs 4052 Bald Cypress Way, Bin #A-17 Tallahassee, Florida 32399-1727 Phone: 850-245-4323 Fax: 850-414-1622 March 2013 In accordance with Federal Law and U.S. Department of Agriculture policy, this institution is prohibited from discriminating on the basis of race, color, national origin, sex, age, or disability. To file a complaint of discrimination, write USDA, Director, Office of Adjudication, 1400 Independence Avenue, SW, Washington, D.C. 20250-9410 or call toll free (866) 632-9992 (Voice). Individuals who are hearing impaired or have speech disabilities may contact USDA through the Federal Relay Service at (800) 877-8339; or (800) 845-6136 (Spanish). USDA is an equal opportunity provider and employer. 2 Welcome As a child care provider, you have an important role in children’s lives by helping them learn and grow. As a Child Care Food Program provider, you help children get the nourishment and energy they need to learn and grow by providing healthy meals. In addition, preschoolers who eat a variety of healthy foods and play actively several times every day are less likely to be overweight or obese. The Institute of Medicine (IOM) report, Early Childhood Obesity Prevention Policies, recommends that for children ages 2-5 child care centers: 1) provide healthy meals and snacks that meet the Dietary Guidelines, 2) serve meals family-style to be responsive to children’s hunger and fullness cues, and 3) teach children about healthy eating and physical activity. -
Miller-Digging in Press Release
Press & radio release Bio information: Phil Miller Cuneiform Records is proud to announce the release of Digging In, by Phil Miller (Cuneiform Records Rune 34). Digging In is Phil Miller's third solo release. Phil Miller started composing & playing guitar in 1968. His first group was Delivery, with whom he cut a record in 1971. Also playing in Delivery were Steve Miller (later of Caravan), Roy Babbington (Soft Machine), & Pip Pyle (Gong). In late 1971, Phil helped to found Matching Mole with noted drummer & vocalist Robert Wyatt. They recorded 2 lps: Matching Mole & Little Red Record. After the break-up of Matching Mole, Phil joined forces with Dave Stewart, Richard Sinclair (Caravan), & Pip Pyle to form Hatfield & The North. Hatfield were exceedingly popular, & cut 2 successful lps for Virgin in the mid 70's; Hatfield & The North & The Rotter's Club. Hatfield & The North later evolved into National Health, with whom Phil recorded National Health, Of Queues & Cures, & D.S. Al Coda. Since the dissolution of National Health, Phil has been refining his playing & compositional abilities even further, cutting two discs [Cutting Both Ways (Cuneiform) and Split Seconds (Reckless)] that feature a mixture of his work with his current band In Cahoots & his more studio-oriented solo work. Digging In is the first release to solely feature Phil's MIDI/studio oriented work. In addition to Phil, also appearing are drummer Pip Pyle, keyboardist Peter Lemer (who has played with Mike Oldfield and In Cahoots), & bassist Fred Baker (of In Cahoots). The stellar musical company appearing with Phil on Digging In will prove an extra treat for fans & new listeners alike. -
An Introduction to Prog Rock Prof
An Introduction to Prog Rock Prof. J. Paradiso – MIT Media Lab Session 1: Intro - Things your dad should have told you about Prog Session 2; Canterbury Session 3: Rock in Opposition Session 4: Zeuhl Session 5: Space Rock and Neopsychedelia Session 6: French & Quebecois Prog Session 7: Rock Progressivo Italiano Session 8: Germany, Berlin, and Krautrock (perhaps some Scandavania too) Session 9: Japanese Prog Lecture 4 – The Canterbury Bands …and a few fascinating detours! IAP 2018 The City of Canterbury London Up Here An amazingly creative bunch of emerging musicians hung out at Robert Wyatt’s House & environs in the mid 60s Memories Brian & Hugh Hopper, Richard Sinclair, Kevin Ayers formed The Wilde Flowers in the early 1960s – Daevid Allen, David Sinclair, Richard Coughlin, etc. in the mix too Leading to Soft Machine, Caravan, Gong, and Kevin Ayers solo career Enter Soft Machine! Robert Wyatt, Hugh Hopper, Mike Ratledge (Daevid Allen, Kevin Ayers) Jimi was their colleague, friend, and fan He gave them their sound… We Did It Again Early Soft Machine 1968 1969 Why Are We Sleeping? As Long as he Lies Perfectly Still Hung out and toured with Jimi Hendrix Fuzzbox and pedals on organ are iconic in Canterbury Music Very intense live band Hope for Happiness (Live @ Middle Earth Club) - 1967 Live in France - 1968 Kevin Ayers splits for his solo career 1969 1970 1972 1974 Rheinhardt And Geraldine / Colores Para Dolores (1970) The Confessions Of Doctor Dream: Irreversible Neural Damage (1974) Becoming a (psychedelic) Jazz Band 1970 1971 1972 Last -
Suburban Savages Drummer Trond Gjellum Introduces the Band in Our Norway Special
Suburban Savages drummer Trond Gjellum introduces the band in our Norway Special »Germany, the Netherlands and Belgium are on top of our wish list « Having just released a brilliant debut album, that should appeal to fans of retro prog with Zeuhl touches, an interview with this band was inevitable. Drummer and main composer Trond Gjellum introduces the band – and we learn that this is not really their debut album. Zur deutschen Übersetzung des Interviews All english interviews on BetreutesProggen.de Would you please provide some key information on Suburban Savages? Current line-up, discography etc.? The current line-up of the band is … Trond Gjellum: Drums, percussion, lead and backing vocals, programming, keyboards Anders K. Krabberød: Bass guitar and bass pedals Nina Hagen Haldhol: Electric guitar and Moog guitar Thomas Meidell: vocals and electric guitar Mari Lesteberg: Keyboards On the “Kore Wa!” album, Hans-Petter Alfredsen played keyboards and Ketil Vestrum Einarsen (from Weserbergland, White Willow, Jaga Jazzist and so on) played flute and did some vocals. We are all from Norway, around the area of Oslo. None of us are full time musicians: I am working as a teacher, three are students at the University of Oslo and one is doctor in biology at the University of Oslo. “Kore Wa!” is the first album under the name of Suburban Savages, but a nearly identical line-up released an eponymous album in 2007 under the name of tr-Ond and The Suburban Savages. We have also released a couple of cd-r demoes, which hopefully will be re-released in 2018. -
Exhibit-Pitch-1982-07.Pdf
LK RATE ALL THE NEWS S. POSTAGE THAT'S FIT TO PITCH . ~p.rm~rw,.2419. ~. PI~Ctl FREE Jul y 1982 marks the two year pus) the summer of '80 heat LeRoL of course has hi s legion ~~F i~~e t~~ k~~5~r s~o~~l tgRdMor- wave) the Kansas City Black of followers (pg. 4). Brian Col ~~nng~~af~a~f tf~t PR~~~a~o. ris) William Burroughs and Al Educational Broadcasting sit gan's heavy meta I fanat 1c i sm Ci ty readers have experienced len Ginsberg) Frank Sinatra) uation. the Westport Ballet. (pg. 15) is backed by a cogent an incredible flux of events. Pere Ubu) Darius Milhaud. De the experimental years of musical philosophy. And Unkel Funkt) i-ela) and Chorne Parker. the K.C. Philharmonlc. and Bob Mossman (the world's old ~~~~~n~~a?nK~t~rpI~gR~ of the progress i ve film showings. est active radio DJ) keeps Various members of the PITCH a close watch on traditional The first year of PITCH pub- staff have conducted personal K.C. PITCH finds its way to good-time Jazz (pg. 9). Will ie I ication. under editor Warren interviews wi th such top of 46 states coast -to-coast. I rie. Donna Trussel L John Heu Styl us is now legendary. the pop personali ties as Tony and overseas. too. It has re- ertz. and Saul Tucker make Charles Chance. Jr.) editor Bennett (see next ish). John significant and lively contri- for one year thus far. has Hartford. Blue Riddlm Band) ~g~ar~ne~e~~ f~~dG~6t~¥~r g~~d. -
Die Britische Canterbury Scene Als Jazzgeschichte
DIE BRITISCHE CANTERBURY SCENE ALS JAZZGESCHICHTE 2. Präsentation Vortragender: Lukas Proyer Betreuer: André Doehring, Franz Krieger, Jürgen Arndt (Muho Mannheim) Ph.D.-Studium im Bereich Jazzforschung Präsentationsablauf 1. Themengegenstand und Forschungsausrichtung 2. Unternommene Forschungs- und methodische Schritte 3. Datenauswertung und methodologische Überlegungen 4. Zwischenergebnisse und herausgebildete Hypothesen 5. Ausblick nach vorne Canterbury Scene Canterbury Sound/Canterbury Rock/Canterbury School “Purveyors of a more exclusively English jazz-rock style” (Macan 1997: 127) The Wild Flowers (1964-1967) Jahreszahlen entsprechen Gründungsjahr 1966: Soft Machine 1968: Caravan 1968: Delivery 1972: Hatfield & the North 1968: Henry Cow 1969: Nucleus Hörbsp.: Bittern Storm over Ulm (Unrest, 1974) Forschungsausrichtung Zwei Untersuchungsebenen: 1. Historiografie zur Canterbury Scene 2. Diskurs-/Rezeptionsanalyse Theoretische Basis: Genre-Theorie in Relation zu stilgeschichtlichen Kanonisierungsprozessen 1. Exklusion aus der Jazzgeschichte: Welche Faktoren sind ausschlaggebend? 2. Alternatives Rezeptions-Modell als Teil der Jazzgeschichte 3. Wie müsste eine solche Jazzgeschichte veranlagt sein? Unternommene Forschungs- und methodische Schritte 1. Quellenorientierte Arbeit Historiografisch / diskursanalytisch Akquisition von Primärquellen: . Umfassende Internetmaterialien . Archivmaterialien . Fokus auf journalistische Medien Unternommene Forschungs- und methodische Schritte 2. Zwei Forschungsreisen nach England September 2019 / Januar