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JIUAN JIUAN CHEN Art Conservation Department, SUNY Buffalo State Email: [email protected] 1300 Elmwood Avenue, Buffalo, NY 14222, USA Tel: 716-878-5034

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JIUAN JIUAN CHEN Art Conservation Department, SUNY Buffalo State Email: Chenj@Buffalostate.Edu 1300 Elmwood Avenue, Buffalo, NY 14222, USA Tel: 716-878-5034 JIUAN JIUAN CHEN Art Conservation Department, SUNY Buffalo State email: [email protected] 1300 Elmwood Avenue, Buffalo, NY 14222, USA tel: 716-878-5034 ACADEMIC DEGREES AND CERTIFICATION M.A. and C.A.S, SUNY Buffalo State, September 2001, in Art Conservation M.A., University of Massachusetts at Amherst, Amherst, February 1995, in Art History B.A., National Taiwan Normal University, May 1991, in English Junior College Diploma, National Pingtung Teachers College, Taiwan, May 1986, in Education and Arts PROFESSIONAL EXPERIENCE Assistant Professor, Conservation Imaging, Technical Examination and Documentation, SUNY Buffalo State, Art Conservation Department, July 2012 - present Senior Conservator, Paul Messier LLC, Boston, MA, Sept. 2007 - July 2012 Guest lecturer in Technical Examination and Documentation, SUNY Buffalo State, Art Conservation Department, Spring Semester 2010 Conservator and Assistant Director for Conservation Education, the Advanced Residency Program in Photograph Conservation, George Eastman House, Rochester, NY, Sept. 2003 - Aug. 2007 Andrew W. Mellon Fellow, the Advanced Residency Program in Photograph Conservation, George Eastman House, Rochester, NY, Sept. 2001 - Aug. 2003 Senior Preservation Technician, Northeast Document Conservation Center/F. L. Olmsted National Historic Site, Springfield, MA, Jan. 1997 - July 1998 Preservation Technician, Northeast Document Conservation Center/F. L. Olmsted National Historic Site, Springfield, MA, Jan. - Dec. 1996 Elementary School Teacher, Yong Ping Elementary School, Taipei, Taiwan, Sept. 1986 – May 1992 CURRENT PROFESSIONAL AND ACADEMIC ASSOCIATION MEMBERSHIPS Professional Associate, American Institute for Conservation of Historic and Artistic Work (AIC), since 2007 (a member since 1995) o Member of Photographic Materials and Electronic Media specialty groups within AIC SCHOLARLY WORK/CREATIVE ACTIVITIES Conservation Imaging and Documentation: Neutral/Non-Interference Background for UV-VIS-IR Imaging, a 2013-2014 Buffalo State College Provost’s Incentive Grant, awarded June 2013 UV Database, custom designed database for on-going data collecting of materials that fluoresce under ultraviolet radiation, February 2013 Fluorescent Color Calibrator for Calibrating RGB Pixel Values, a US patent, with Paul Messier, as a reference/target for ultraviolet radiation induced visible fluorescence photography, December 23, 2010 A Photographic Reference Plate for Conservation Documentation, co-authored with Dan Kushel and Luisa Casella, 1st edition July 2001, latest edition 2008 o This design is now produced into AIC PhD Targets, offered through AIC online store. Photodocumentation of Light Sensitive Photographs, Technical Note, George Eastman House, 2006 2 Taking the Negative Image of a Daguerreotype, Technical Note, George Eastman House, 2003 Photodocumenting Photographs: A Sample Book, Specialization Research Project, Art Conservation Department, SUNY Buffalo State, 2001 Photograph Conservation: “Characterization of a Surface Tarnish Found on Daguerreotypes Revealed under Shorwave Ultraviolet Radiation”, co-authered with Aaron Shugar and Krista Lough, Materials Research Society Symposium Proceedings, vol. 1656, 2014 “Recommendations for Conservation of Photographic Materials”, Kaoshiung Musuem of Fine Arts bi-monthly periodical, Kaoshiung, Taiwan, published in October 2013. “Treatment Challenges in Photograph Conservation” Retrospect and Prospect: Post-Prints Conservation of Cultural Relics Academic Seminar, National Taiwan Museum, 2012 “Preservation System for Housing Bare Plate Daguerreotypes”, co-authored with Mark Beeman, Topics in Photographic Preservation Vol. 14, 2011 “Surface characterization and monitoring of surface changes after conservation treatments of silver gelatin photographic papers using confocal microscopy”, co-authored with Patrick Ravines and Christian M. Wicherm Scanning Vol. 33, Issue 3, 2010 “A Remoistenable Adhesive Paper for Binding Daguerreotype Plate Packages”, The Daguerreian Annual 2009/2010 “Reversible Mounting Techniques for the Display of Large-Format Contemporary Photograph”, co- authored with Rosina Herrera, Ralph Wiegandt, Patrick Ravines, Sylvie Pénichon and Marsha Sirven Topics in Photographic Preservation Vol. 12, 2007 “Development of a Consolidation Technique for Silver Gelatin Photographs: The Conservation of Water and Mold Damaged Photographs at the Buchenwald Memorial”, co-authored with Ina Jochumsen, Regina Schneller, Andrea Pataki, Gerhard Banik, Rundbrief Fotografie Vol. 14, No. 3/N.F. 55, 2007 “Développement d’une technique de consolidation d’épreuves argentiques à la gélatine endommagées par l’eau et les moisissures”, co-authored with Ina Jochumsen, Regina Schneller, Andrea Pataki, and Gerhard Bani, Support / tracé revue de l’association pour la recherche scientifique sur les arts graphiques (ARSAG), Nr. 6, 2006 “Coating on the Photographs by Ansel Adams”, co-authored with Gary Albright, a paper in the book Coatings on Photographs, 2006 “Treatment of Wax Impregnated Paper Negatives”, co-authored with Kate Jennings and Gary Albright, a paper in the book Coatings on Photographs, 2006 “Management and Preservation Methods of Photographs for Archival Collections”, co-authored with Shu-tze Hou, published by the National Archives in Taiwan, 2004. “The Evaluation of Surface Change of Silver Gelatin Prints Under the Influence of Wetting/Drying/Flattening”, research paper for the fellowship at the Advanced Residency Program in Photograph Conservation, 2003 “Treatment Options for 19th Century Paper Negatives”, co-authored with Kate Jennings and Gary Albright, Topics in Photographic Preservation Vol. 10, 2003 “The Image Colors of Early Photographs: An Investigation of Photogenic Drawings and Leucotypes by William Henry Fox Talbot”, 2002 “The Investigation of Fibril Accretions on Daguerreotypes”, 2002 3 “The ‘Perfect’ Fill for the Magnificent Tintype” (Compensation of Loss on Tintypes), co-authored with Tom Edmondson, John McElhone, and Irene Brückle, Topics in Photographic Preservation Vol. 9, 2001 PROFESSIONAL PRESENTATIONS “Looking at Early Photographs in Taiwan and Their Preservation ”, a half day lecture and discussion with museum professionals at the Taipei Fine Art Museum in Taiwan, January 9, 2015 “Multispectral Imaging (MSI) with a Modified Monochrome DSLR Camera”, a poster presentation at the annual meeting of the American Institute for Conservation in May 2014, co-authored with Dan Kushel, Amanda Chau, Ellen Davis, Jena Hirschbein, Jennifer Johnson, Zach Long, Colleen O’Shea, Dawn Planas, Erica Schuler, Liz Sorokin, and Christina Taylor “Characterization of a Surface Tarnish Found on Daguerreotypes Under Shortwave Ultraviolet Radiation”, the annual meeting of the American Institute for Conservation in May 2014, co- authored with Krista Lough and Aaron N. Shugar “Development and Testing of a Reference Standard for Documenting Ultraviolet Induced Visible Fluorescence”, the annual meeting of the American Institute for Conservation in May 2014, co- authored with Jennifer McGlinchy and Paul Messier “Condition Documentation and Monitoring of an Exhibition of Daguerreotypes at the State Hermitage Museum”, the annual meeting of the American Institute for Conservation in May 2014, co-authored with Tatiana Sayatina and Paul Messier “Preservation of photographic Materials” and “Treatment Steps before Digitalization”, at National Museum of Taiwan Literature, symposium in Theory and Practice in Preservation and Digitalization of Paper and Photographic Materials, September 27 - 28, 2011 Andrew W. Mellon-funded Collaborative Workshop in Photograph Conservation o 19th Century Negatives, at George Eastman House, Rochester, NY, June 20 - 24, 2011: “Preservation and Treatment of paper negatives” o Conservation of Daguerreotypes, at the Weissman Preservation Center, Harvard University October 19 - 23, 2009: “Photodocumentation of Ultraviolet Radiation Induced Visible Fluorescence on Daguerreotypes” and “Overview of Chemical Treatment” Photographic Material Group Bi-Annual Winter Meeting o 2011, “Surface Matters: the Treatment Challenges to Retain Surface Characteristics of Silver Gelatin Photographs,” co-authored with Diane Tafilowski, Karina Beeman, and Paul Messier o 2007, “Reversible Mounting Techniques for the Display of large-Format Contemporary Photographs,” co-authored with Rosina Herrera, Patrick Ravines, Ralph Wiegandt, Sylvie Pénichon, and Marsha Sirven o 2005, “Coatings used on Photographs by Ansel Adams,” co-authored with Gary Albright o 2003, “Photodocumentation Tips: reference plates for small objects and taking the negative Image of a daguerreotype” o 2001, “The Perfect Fill for a Magnificent Tintype,” co-authored with Tom Edmondson, John McElhone, and Irene Brückle “The Art and Zen of Daguerreotype Maintenance” at the 21ST Daguerreian Society Annual Meeting in Philadelphia, November 11 - 15, 2009 “Treatment Challenge in Photograph Conservation” at the Retrospect and Prospect: Conservation- Restoration International Conference, October 7 - 8, 2009, organized by Tainan National University of the Arts and National Taiwan Museum, 4 Preserving Photograph Seminar, hosted by George Eastman House and Image Permanence Institute, Rochester, NY o 2007, “Handling, Housing, and Exhibiting Photographic Materials in a Digital World” o 2005 and 2006, “Handling, Housing, and Exhibiting Photographic Materials from a Photograph Conservator’s Point of View” o 2004, “Treatment Challenges in Photograph
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