Mark Stanley

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FROM: AMERICAN BALLET THEATRE 890 Broadway New York, New York l0003 (212) 477-3030 Kelly Ryan MARK STANLEY Mark Stanley, Resident Lighting Designer for New York City Ballet, has designed more than 200 premieres for their repertoire, including Paul McCartney’s Ocean’s Kingdom. He has worked with choreographers around the world including Alexei Ratmansky, Christopher Wheeldon, Justin Peck, Susan Stroman, William Forsythe, Benjamin Millepied, Kevin O’Day and Susan Marshall. His designs are in the repertoire of nearly every major ballet company in North America and Europe including The Royal Ballet, Paris Opera Ballet, Royal Danish Ballet, Het Nationale Ballet, Bolshoi Ballet, San Francisco Ballet, La Scala Ballet, Mariinsky Ballet, Norwegian National Opera & Ballet, Boston Ballet, Stuttgart Ballet, Miami City Ballet, Pilobolus, Alvin Ailey American Dance Theater and the Joffrey Ballet. Stanley previously served as Resident Lighting Designer for New York City Opera, lighting over 20 new productions for the resident and touring companies. Additional opera credits include Boston Lyric Opera, Wolf Trap Opera and Portland Opera, among others. His work for theater includes lighting design for The Kennedy Center, Long Wharf Theater, Goodspeed Opera House, Ordway Music Theater, Paper Mill Playhouse, Maurice Sendak’s Night Kitchen and off-Broadway. His designs for New York City Opera, George Balanchine’s The Nutcracker and others have been seen nationally on PBS, including “Live from Lincoln Center” and “Great Performances.” Stanley is currently Head of the Lighting Design Program at Boston University, School of Theatre and has conducted Master Classes at universities across the United States and in Europe. He is on the board of the Hemsley Lighting Programs and is the author of the Color of Light Workbook. -30- 2018/2019 .

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People Features Performances
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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. owner.Further reproductionFurther reproduction prohibited without prohibited permission. without permission. GLEN TETLEY: CONTRIBUTIONS TO THE DEVELOPMENT OF MODERN DANCE IN EUROPE 1962-1983 by Alyson R. Brokenshire submitted to the Faculty of the College of Arts and Sciences Of American University In Partial Fulfillment of The Requirements for the Degree Of Masters of Arts In Dance Dr.
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