4.1.9 Alterations of Chord Extensions

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22 High-Yield Music Theory, Vol. 4: Jazz Theory Section 4.1.9 A LTERATIONS OF C HORD E XTENSIONS Unaltered An extension (ninth, eleventh, or thirteenth) is unaltered if it follows the extensions major scale built on the root of that chord. Extensions may be lowered or raised a half step by changing the accidental. Lowered extensions are Natural nine flatted, and raised extensions are sharped. So a natural ninth (or natural Flat nine nine) follows the major scale built on the chord root, a flatted ninth (or flat Sharp nine nine) means a lowered ninth, and a sharped ninth (or sharp nine) means a raised ninth. Remember: a ninth is the same as a second. §9 b9 #9 = minor 3rd w bw #w bw && & w w w w Natural eleven An eleventh is the same as a fourth. A natural eleventh (or natural eleven) Sharp eleven always means follow the major scale, and sharp eleventh (or sharp eleven) means raise the eleventh a half step, regardless of the accidentals used. §11 #11 = b5 &&bw w #w w Natural thirteen A thirteenth is the same as a sixth. A natural thirteenth (or natural Sharp thirteen thirteen) always means major sixth, and flat thirteenth (or flat thirteen) means lowered thirteenth, regardless of the accidentals used. §13 b13 = #5 w bw &&#w w w w Flat eleven Flat eleven and sharp thirteen are never used. A flat eleven is the same as a Sharp thirteen major third, and a sharp thirteen is the same as a minor seventh. b11 = major 3rd #13 = minor 7th #w bw & bw & w w w w Volume 4, Chapter 1: Jazz Theory Fundamentals 23 Spelling Depending on the root, unaltered (natural) extensions may actually use alterations naturals, flats, sharps, or even double flats or double sharps. In the example below, a natural ninth above D flat is actually E flat, because a D flat major scale uses E flat, not E natural. For extensions, flat means “the major scale version lowered a half step,” and sharp means “the major scale version raised a half step,” no matter what the actual accidentals are. §9 b9 #9 = minor 3rd bw ∫w nw bw && & bww bwbwb All the possible Because flat eleven and sharp thirteen are enharmonic with the major third alterations and minor seventh, only four altered extensions are possible: flat nine, sharp nine, sharp eleven, and flat thirteen. b9 #9 #11 b13 & #w bw b ww #ww w w .

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