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Bibliography Bibliography Abramiuk, M.A. The Foundations of Cognitive Archaeology. Cambridge & London: The MIT Press, 2012. Abbott, Evelyn, and E.D. Mansfield. Primer of Greek Grammar. Newbury Port, MA: Focus Classical Reprints, 2000 [1893]. Ahl, Frederick. “The Art of Safe Criticism in Greece and Rome.” American Journal of Philology 105 (1984): 174–208. Ahl, Frederick. Metaformations: Soundplay and Wordplay in Ovid and Other Classical Poets. Ithaca and London: Cornell University Press, 1985. Ahl, Frederick. “Making Poets Serve the Established Order: Censoring Meaning in Sophocles, Virgil, and W.S. Gilbert.” Partial Answers 10/2 (2011): 271–301. Alexander, Michelle. The New Jim Crow. New York: The New Press, 2010. Alexanderson, Bengt. “Darius in the Persians.” Eranos 65 (1967): 1–11. Alexiou, Margaret. The Ritual Lament in Greek Tradition. Cambridge: Cambridge Uni- versity Press, 1974. Alfaro, Luis. “Electricidad: A Chicano Take on the Tragedy of Electra.” American Theatre 23/2 (February 2006): 63, 66–85. Alley, Henry M. “A Rediscovered Eulogy: Virginia. Woolf’s ‘Miss Janet Case: Classical Scholar and Teacher.’” Twentieth Century Literature 28/3 (1982): 290–301. Allison, John. Review of Carl Orff: Prometheus (Roland Hermann, Colette Lorand, Fritz Uhl; Bavarian Rundfunks Symphony Orchestra and Women’s Chorus, Rafael Kubelík, cond.; live recording, Munich, 1975), Orfeo C526992I (1999). http://www.classical-music.com/review/orff-2. Andreas, Sr., James R. “Signifyin’ on The Tempest in Mama Day.” In Shakespeare and Appropriation, (eds.) Christy Desmet and Robert Sawyer. London: Routledge, 1999. Aristophanes. Lysistrata, The Women’s Festival and Frogs, (ed.) and trans. Michael Ewans. Norman: Oklahoma University Press, 2011. Armstrong, Richard H. “Classical Translations of the Classics: The Dynamics of Liter- ary Tradition in Retranslating Epic Poetry.” In Translation and the Classic: Identity as Change in the History of Culture, (eds.) Alexandra Lianeri and Vanda Zajko, 169–202. Oxford: Oxford University Press, 2008. Arnott, Peter, trans. Seven against Thebes and Prometheus Bound, Aeschylus. London: Macmillan; New York: St. Martin’s Press, 1968. Arnott, Peter D. Public and Performance in the Greek Theatre. London: Routledge, 1989. Arrowsmith, William. “On Translating Greek Drama: A Self-Interview.” The Bulletin of the Midwest Modern Language Association 14/1 (1981): 56–67. Artaud, Antonin. Artaud on Theatre, (eds.) C. Schumacher and B. Singleton. Chicago: I.R. Dee, 2001. <UN> 344 Bibliography Asheri, David, et al., A Commentary on Herodotus. Books I–IV. Oxford: Oxford Univer- sity Press, 2007. Atkinson, J. Brooks. “Theater Review: Mourning Becomes Electra.” New York Times. 27 October 1931: http://theater.nytimes.com/mem/theater/treview.html. Attis Theatre website: http://www.attistheatre.com, 2014. Auletta, Robert. The Persians of Aeschylus. Los Angeles: Sun & Moon Press, 1993. Aulus Gellius. The Attic Nights, (ed.), trans. John Rolfe. 3 vols. Cambridge: Harvard University Press, 1961. Auslander, Philip. “Postmodernism and Performance.” In The Cambridge Companion to Postmodernism, (ed.) Steven Connor, 97–115. Cambridge: Cambridge University Press, 2004. Bacon, Helen H. “The Sibyl in the Bottle.” The Virginia Quarterly Review 34 (1958): 262–276. Bacon, Helen H. “Socrates Crowned.” The Virginia Quarterly Review 35 (1959): 415–430. Bacon, Helen H. Barbarians in Greek Tragedy. New Haven: Yale University Press, 1961. Bacon, Helen H. “The Shield of Eteocles.” Arion 3/3 (1964): 27–38. Bacon, Helen H. “Woman’s Two Faces: Sophocles’ View of the Tragedy of Oedipus and his Family.” Science and Psychoanalysis 10 (1966): 10–27. Bacon, Helen H. “The Chorus in Greek Life and Drama.” Arion Third series (1994–1995): 6–24. Bacon, Helen H. “The Name of Eteocles.” Unpublished ms. The Helen H. Bacon Papers. Box 5, folder 38. Barnard College Archives, Barnard College, Barnard Library, n.d. Bakker, Egbert, Irene de Jong, and Hans van Wees, eds. Brill’s Companion to Herodotus. Leiden: Brill, 2002. Bakola, Emmanuela. Cratinus and the Art of Comedy. Oxford: Oxford University Press, 2010. Bardel, Ruth. “Spectral Traces: Ghosts in Tragic Fragments.” In Lost Dramas of Classi- cal Athens, (eds.) Fiona McHardy, James Robson, and David Harvey, 83–112. Exeter, University of Exeter Press, 2005. Barrett [Browning], Elizabeth. Preface to Prometheus Bound Translated from the Greek of Aeschylus and Miscellaneous Poems by the Translator. London: Valpy, 1833. Barrett [Browning], Elizabeth. Prometheus Bound (1833). In Prometheus Bound and Other Poems by Elizabeth Browning. London: Ward Look and Co., 1896. Barrett Browning, Elizabeth. Prometheus Bound, with the 1833 Preface. In Poems, vol. 1. London: Chapman & Hall; reprinted (1900). In The Complete Works of Elizabeth Bar- rett Browning, (eds.) Porter, Charlotte and Helen A. Clarke, vol. 4. New York: Thomas Y. Crowell, 1850. Barrett, W.S. Greek Lyric, Tragedy, and Textual criticism: Collected Papers. Oxford: Oxford University Press, 2007. <UN>.
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