Copyleft, -Right and the Case Law on Apis on Both Sides of the Atlantic 5
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Game's the Thing: Properties, Priorities and Perceptions in the Video Games Industries
The game's the thing: properties, priorities and perceptions in the video games industries Mac Sithigh, D. (2017). The game's the thing: properties, priorities and perceptions in the video games industries. In M. Richardson, & S. Ricketson (Eds.), Research Handbook on Intellectual Property in Media and Entertainment (pp. 344-366). Edward Elgar Publishing. https://doi.org/10.4337/9781784710798 Published in: Research Handbook on Intellectual Property in Media and Entertainment Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights Copyright 2017, the Author. This work is made available online in accordance with the publisher’s policies. Please refer to any applicable terms of use of the publisher. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:25. Sep. 2021 The Game’s the Thing: Property, Priorities and Perceptions in the Video Games Industries Daithí Mac Síthigh* Published in Richardson and Ricketson (eds), Research Handbook on Intellectual Property in Media and Entertainment (Edward Elgar 2017) I. -
Classification of Computer Software for Legal Protection: International Perspectivest
RAYMOND T. NIMMER* PATRICIA KRAUTHAUS** ARTICLES Classification of Computer Software for Legal Protection: International Perspectivest Computer and software technology are international industries in the full sense of the term. United States and foreign companies compete not only in U.S. markets, but also in the international marketplace. These are new industries created during an era in which all major areas of commerce have obviously international, rather than purely domestic frameworks. The technology industries are viewed as central to national economic development in many countries. However, the technology and products are internationally mobile. They entail an information base that can be recreated in many countries, and is not closely confined by local resources. International protection in this context is highly dependent on reciprocal and coordinated legal constraints. The computer industry deals in new and unique products that have no clear antecedents. Defining the character of international legal protection entails not merely defining a framework for protection of particular products, but also developing frameworks of international technology transfer, information flow, and the like. International patterns of legal protection and classification of computer software serve as a case study of legal policy adaptations to new technologies; undoubtedly, in this era of high technology many more such adaptations will be necessary. In this article, we review the developing patterns of international legal protection for software. This review documents a marked differentiation of technology protection themes. In technologically advanced countries, *Professor of Law, University of Houston, Houston, Texas. **Attorney at Law, Houston, Texas. tThe Editorial Reviewer for this article is Larry D. Johnson. 734 THE INTERNATIONAL LAWYER national decisions about software protection reflect an emerging consen- sus that supports copyright as the primary form of product and technology protection. -
Online Software Copyright Infringement and Criminal Enforcement
Online Software Copyright Infringement and Criminal Enforcement Submitted: May 14, 2005 Randy K. Baldwin American University Washington College of Law What are Warez and Who Trades Them? This paper will discuss infringement of software copyrights with a focus on criminal ‘warez trading‘ of copyrighted software on the Internet. Warez are infringing electronic, digital copies of copyrighted works whose copy protection measures have been removed.1 Warez are most often ‘cracked’ software programs whose digital rights management (DRM) and copy control measures have been circumvented. Once DRM controls have been disabled, warez are subsequently distributed and traded on the Internet, usually without any direct financial gain to the distributors and traders.2 Distribution of warez usually starts as small-scale deployments from password- protected file transfer protocol (FTP) servers and encrypted and/or password-protected web sites run by warez groups. Warez are then traded on the Internet among broader groups via direct peer-to-peer (P2P) connections, and encrypted emails with warez attachments. Trading and downloading of warez is coordinated via closed, invite-only Internet Relay Chat (IRC) channels, Pretty Good Privacy (PGP) encrypted email, Instant Messaging (IM), private chat rooms, direct connect P2P networks, and messages posted to Usenet groups under pseudonyms.3 Servers and sites hosting warez and communications means used by warez traders are designed to avoid detection and identification by law enforcement.4 File and directory names are intentionally 1 Goldman, Eric, A Road to No Warez: The No Electronic Theft Act and Criminal Copyright Infringement. 82 Or. L. Rev. 369, 370-371 (2003). [hereinafter Road to No Warez], available at http://ssrn.com/abstract=520122 (last visited May 9, 2005) (on file with author) (Defines warez and warez trading. -
Pirating in Lacuna
Beijing Law Review, 2019, 10, 829-838 http://www.scirp.org/journal/blr ISSN Online: 2159-4635 ISSN Print: 2159-4627 Pirating in Lacuna D. S. Madhumitha B.com LLB (Hons), Tamil Nadu National Law University, Tiruchirapalli., India How to cite this paper: Madhumitha, D. S. Abstract (2019). Pirating in Lacuna. Beijing Law Review, 10, 829-838. With development of industries and a welcome to the era of globalization https://doi.org/10.4236/blr.2019.104045 along with information technology, many software companies came into be- ing. Tech and tech experts made it easier to pirate the software of the pro- Received: May 31, 2019 Accepted: August 17, 2019 ducers. Problems to the customer as well as to the content owner are present. Published: August 20, 2019 One of major lacunas is the Judiciary being indecisive with the adamant growth of digital world as to the punishment and the reduction of crime, no Copyright © 2019 by author(s) and separate laws by the legislators to protect the software piracy as a distinct Scientific Research Publishing Inc. This work is licensed under the Creative crime. Lack of enforcement mechanism by the executive and administrative Commons Attribution International bodies leads to the increase of piracy in software. License (CC BY 4.0). http://creativecommons.org/licenses/by/4.0/ Keywords Open Access Software, Law, Piracy, Judiciary, Punishment 1. Introduction Software piracy is a theft by both direct and indirect means such as use of soft- ware, copying or distribution of software by illegal means. It is such profitable business that causes heavy losses for the publishers of the software, the result is the inflation in price for the consumer. -
Paolo Guarda Faculty of Law – University of Trento 1 Image Courtesy of Jscreationzs at Freedigitalphotos.Net
University of Trento Crash Course Copyright software protection: proprietary vs. open source licenses May 8, 2018 Paolo Guarda Faculty of Law – University of Trento 1 Image courtesy of jscreationzs at FreeDigitalPhotos.net CC_CopyrightSoftware_Guarda_18 2 Overview of intellectual property Legal right What for? How? Application and Patents New inventions examination Original creative or artistic Copyright Exists automatically forms Distinctive identification of Use and/or Trade marks products or services registration Registered designs External appearance Registration* Valuable information not known Reasonable efforts to Trade secrets to the public keep secret From EPO, Patent teaching kit CC_CopyrightSoftware_Guarda_18 3 Some IP found in a mobile Trade marks: • Made by "Nokia" phone • Product "N95" • Software "Symbian", "Java" Patents: • Data-processing methods • Semiconductor circuits © Nokia • Chemical compounds • … Trade secrets: ? Copyrights: • Software code Designs (some of them registered): • Instruction manual • Form of overall phone • Ringtone • Arrangement of buttons in oval shape • … • Three-dimensional wave form of buttons • … From EPO, Patent teaching kit CC_CopyrightSoftware_Guarda_18 4 IPRs Rationale § The Statute of Anne (1710): “An act for the encouragement of learning, by vesting the copies of printed books in the authors or purchasers of such copies, during the times therein mentioned” § U.S. CONST. art. I, Sec. 8, cl. 8 “The Congress shall have Power . To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries” CC_CopyrightSoftware_Guard 5 a_18 Copyright CC_CopyrightSoftware_Guarda_18 6 Psychological pressure CC_CopyrightSoftware_Guarda_18 7 CC_CopyrightSoftware_Guarda_18 8 A recent law § Unlike the property on material things (which dates back to the dawn of time, which means the earliest forms of human legal organization). -
DRAGEN V3.2 EULA and Readme
Software Copyright Notice Software: DRAGEN v3.2 © Illumina, Inc. 2018 This Software is licensed for use under an End User Software License Agreement: ILLUMINA END-USER SOFTWARE LICENSE AGREEMENT IMPORTANT-READ CAREFULLY. THIS IS A LICENSE AGREEMENT THAT YOU ARE REQUIRED TO ACCEPT BEFORE INSTALLING AND USING ILLUMINA, INC. SOFTWARE. CAREFULLY READ ALL THE TERMS AND CONDITIONS OF THIS LICENSE AGREEMENT BEFORE PROCEEDING WITH THE DOWNLOADING AND/OR INSTALLATION OF THIS SOFTWARE. YOU ARE NOT PERMITTED TO DOWNLOAD AND/OR INSTALL THIS SOFTWARE UNTIL YOU HAVE AGREED TO BE BOUND BY ALL OF THE TERMS AND CONDITIONS OF THIS LICENSE AGREEMENT. BY DOWNLOADING, INSTALLING, OR OTHERWISE ACCESING OR USING THE SOFTWARE, YOU ACKNOWLEDGE THAT YOU HAVE REVIEWED AND ACCEPTED THIS LICENSE AGREEMENT, AND AGREE TO BE BOUND BY THE TERMS OF THIS LICENSE AGREEMENT. YOU ALSO REPRESENT AND WARRANT THAT YOU ARE DULY AUTHORIZED TO ACCEPT THE TERMS AND CONDITIONS OF THIS LICENSE AGREEMENT ON BEHALF OF YOUR EMPLOYER. This End User License Agreement (“Agreement”) is made and entered into by and between Illumina, Inc., a Delaware corporation, having offices at 5200 Illumina Way, San Diego, CA 92122 (“Illumina”) and you as the end-user of the Software (hereinafter, “Licensee” or “you”). All computer programs identified above, software, firmware, and associated media, printed materials and online and electronic documentation, including any updates or upgrades thereof (collectively, “Software”) provided to Licensee are for use solely by Licensee and the provisions herein shall apply with respect to such Software. By using the Software, you indicate your acceptance of these terms and conditions, at which point this Agreement will become a legally binding agreement between you and Illumina. -
Sega Enterprises LTD. V. Accolade, Inc.: What's So Fair About Reverse Engineering?
Loyola of Los Angeles Entertainment Law Review Volume 14 Number 3 Article 3 3-1-1994 Sega Enterprises LTD. v. Accolade, Inc.: What's so Fair about Reverse Engineering? David C. MacCulloch Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation David C. MacCulloch, Sega Enterprises LTD. v. Accolade, Inc.: What's so Fair about Reverse Engineering?, 14 Loy. L.A. Ent. L. Rev. 465 (1994). Available at: https://digitalcommons.lmu.edu/elr/vol14/iss3/3 This Notes and Comments is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. NOTES SEGA ENTERPRISES LTD. v. ACCOLADE, INC.: WHAT'S SO FAIR ABOUT REVERSE ENGINEERING? I. INTRODUCTION You are the president of a major corporation that develops and distributes computer video game cartridges and the consoles on which the games can be played. Your company has maintained a majority of the market share by remaining at the forefront of the game cartridges field. Your company's ability to be the first to incorporate all the latest enhance- ments is due to the efforts of one man-your chief designer of game concepts. If he were to leave, your company's position as number one in the industry would be jeopardized. One day, your chief designer demands that if he is not made an executive vice-president and equity shareholder in the company he will resign and take with him a new concept he has been privately developing at home that will take video game technology to the next level. -
Software Reverse Engineering and Copyright: Past, Present and Future, 31 J
UIC Law Review Volume 31 Issue 1 Article 1 Fall 1997 Legal Aspects - Software Reverse Engineering and Copyright: Past, Present and Future, 31 J. Marshall L. Rev. 1 (1997) Brian C. Behrens Reuven R. Levary Follow this and additional works at: https://repository.law.uic.edu/lawreview Part of the Computer Law Commons, Intellectual Property Law Commons, Legislation Commons, and the Science and Technology Law Commons Recommended Citation Brian C. Behrens & Reuven R. Levary, Legal Aspects - Software Reverse Engineering and Copyright: Past, Present and Future, 31 J. Marshall L. Rev. 1 (1997) https://repository.law.uic.edu/lawreview/vol31/iss1/1 This Article is brought to you for free and open access by UIC Law Open Access Repository. It has been accepted for inclusion in UIC Law Review by an authorized administrator of UIC Law Open Access Repository. For more information, please contact [email protected]. ARTICLES LEGAL ASPECTS - SOFTWARE REVERSE ENGINEERING AND COPYRIGHT: PAST, PRESENT AND FUTURE BRIAN C. BEHRENS*& REUVEN R. LEVARY** With technological advances in the field of computers, the le- gal world is discovering that the laws that apply to this field must advance as well. Copyright laws that currently govern the devel- opment of computer software are still quite ambiguous, with diffi- culties in their application and debates over the scope of the law. In light of conflicting case law, it is troublesome for an attorney to give clients advice on whether certain software development tech- niques violate copyright laws or carry other legal consequences. What is certain is that the courts are deciding more and more computer software cases.' As a result, future law regarding copy- right infringement in this area is still subject to change. -
Fifty Years of Open Source Movement: an Analysis Through the Prism of Copyright Law
FIFTY YEARS OF OPEN SOURCE MOVEMENT: AN ANALYSIS THROUGH THE PRISM OF COPYRIGHT LAW V.K. Unni* I. INTRODUCTION The evolution of the software industry is a case study in itself. This evolution has multiple phases and one such important phase, termed open source, deals with the manner in which software technology is held, developed, and distributed.1 Over the years, open source software has played a leading role in promoting the Internet infrastructure and thus programs utilizing open source software, such as Linux, Apache, and BIND, are very often used as tools to run various Internet and business applications.2 The origins of open source software can be traced back to 1964–65 when Bell Labs joined hands with the Massachusetts Institute of Technology (MIT) and General Electric (GE) to work on the development of MULTICS for creating a dynamic, modular computer system capable of supporting hundreds of users.3 During the early stages of development, open source software had a very slow beginning primarily because of some preconceived notions surrounding it. Firstly, open source software was perceived as a product of academics and hobbyist programmers.4 Secondly, it was thought to be technically inferior to proprietary software.5 However, with the passage of time, the technical issues got relegated to the backside and issues pertaining to copyright, licensing, warranty, etc., began to be debated across the globe.6 * Professor—Public Policy and Management, Indian Institute of Management Calcutta; Thomas Edison Innovation Fellow (2016–17), Center for the Protection of Intellectual Property, George Mason University School of Law. 1. -
About This Particular Macintosh 12.04
ATPM 12.04 / April 2006 Volume 12, Number 4 About This Particular Macintosh: About the personal computing experience.™ ATPM 12.04 1 Cover Cover Art Copyright © 2006 Vineet Raj Kapoor. We need new cover art each month. Write to us! The ATPM Staff Publisher/Editor-in-Chief Michael Tsai Managing Editor Christopher Turner Associate Editor/Reviews Paul Fatula Copy Editors Chris Lawson Ellyn Ritterskamp Brooke Smith Vacant Web Editor Lee Bennett Webmaster Michael Tsai Beta Testers The Staff Contributing Editors Eric Blair David Blumenstein Tom Bridge Matthew Glidden Ted Goranson Andrew Kator Robert Paul Leitao Wes Meltzer David Ozab Sylvester Roque Charles Ross Evan Trent How To Vacant Interviews Vacant Opinion Vacant Reviews Vacant Artwork & Design Layout and Design Michael Tsai Web Design Simon Griffee Cartoonist Matt Johnson Blue Apple Icon De- Mark Robinson signs ATPM 12.04 2 Cover Other Art RD Novo Graphics Director Vacant Emeritus RD Novo, Robert Madill, Belinda Wagner, Jamal Ghandour, Edward Goss, Tom Iovino, Daniel Chvatik, Grant Osborne, Gregory Tetrault, Raena Armitage, Johann Campbell. Contributors Eric Blair, Paul Fatula, Ted Goranson, Matthew Glidden, Matt Johnson, Miraz Jordan, Chris Lawson, Robert Paul Leitao, Wes Meltzer, Ellyn Ritterskamp, Sylvester Roque, Mark Tennent, Angus Wong, Macintosh users like you. Subscriptions Sign up for free subscriptions using the Web form. Where to Find ATPM Online and downloadable issues are available at the atpm Web Site. atpm is a product of atpm, Inc. © 1995-2006. All Rights Reserved. ISSN: 1093-2909. Production Tools Apache, AppleScript, BBEdit, Cocoa, Docutils, DropDMG, FileMaker Pro, Graphic- Converter, LATEX, Mesh, make, Mailman, Mojo Mail, MySQL, Perl, Photoshop Elements, PyObjC, Python, rsync, Snapz Pro X, ssh, Subversion, Super Get Info. -
Digital Copyright Law Exploring the Changing Interface Between
Digital Copyright Law Exploring the Changing Interface Between Copyright and Regulation in the Digital Environment Nicholas Friedrich Scharf PhD University of East Anglia UEA Law School July 2013 Word count: 98,020 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there-from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract This thesis seeks to address and clarify the changing interface between copyright law and other forms of regulation in the digital environment, in the context of recorded music. This is in order to explain the problems that rightsholders have had in tackling the issue of unauthorised copyright infringement facilitated by digital technologies. Copyright law is inextricably bound-up with technological developments, but the ‘convergence’ of content into a single digital form was perceived as problematic by rightsholders and was deemed to warrant increased regulation through law. However, the problem is that the reliance on copyright law in the digital environment ignores the other regulatory influences in operation. The use of copyright law in a ‘preventative’ sense also ignores the fact that other regulatory factors may positively encourage users to behave, and consume in ways that may not be directly governed by copyright. The issues digital technologies have posed for rightsholders in the music industry are not addressed, or even potentially addressable directly through law, because the regulatory picture is complex. The work of Lawrence Lessig, in relation to his regulatory ‘modalities’ can be applied in this context in order to identify and understand the other forms of regulation that exist in the digital environment, and which govern user behaviour and consumption. -
The Copyleft Movement: Creative Commons Licensing
Centre for the Study of Communication and Culture Volume 26 (2007) No. 3 IN THIS ISSUE The Copyleft Movement: Creative Commons Licensing Sharee L. Broussard, MS APR Spring Hill College AQUARTERLY REVIEW OF COMMUNICATION RESEARCH ISSN: 0144-4646 Communication Research Trends Table of Contents Volume 26 (2007) Number 3 http://cscc.scu.edu The Copyleft Movement:Creative Commons Licensing Published four times a year by the Centre for the Study of Communication and Culture (CSCC), sponsored by the 1. Introduction . 3 California Province of the Society of Jesus. 2. Copyright . 3 Copyright 2007. ISSN 0144-4646 3. Protection Activity . 6 4. DRM . 7 Editor: William E. Biernatzki, S.J. 5. Copyleft . 7 Managing Editor: Paul A. Soukup, S.J. 6. Creative Commons . 8 Editorial assistant: Yocupitzia Oseguera 7. Internet Practices Encouraging Creative Commons . 11 Subscription: 8. Pros and Cons . 12 Annual subscription (Vol. 26) US$50 9. Discussion and Conclusion . 13 Payment by check, MasterCard, Visa or US$ preferred. Editor’s Afterword . 14 For payments by MasterCard or Visa, send full account number, expiration date, name on account, and signature. References . 15 Checks and/or International Money Orders (drawn on Book Reviews . 17 USA banks; for non-USA banks, add $10 for handling) should be made payable to Communication Research Journal Report . 37 Trends and sent to the managing editor Paul A. Soukup, S.J. Communication Department In Memoriam Santa Clara University Michael Traber . 41 500 El Camino Real James Halloran . 43 Santa Clara, CA 95053 USA Transfer by wire: Contact the managing editor. Add $10 for handling. Address all correspondence to the managing editor at the address shown above.