The Representations of Transgender Persons in Vietnamese Online Media
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Alumni Profiles from Around the World
Volume 34, Number 1 Spring 2011 ALUMNI PROFILES FROM AROUND THE WORLD INSIDE: A conversation with Steve Case | Fifty years of Business Night Entrepreneurs compete for the top prize at The 2011 UH Business Plan Competition DEAN’S MESSAGE ALOHA, Welcome to the Spring 2011 issue of Kong venture capitalist Danny Lui and encourage you to become a part of this Shidler Business. It has been an action- philanthropist Bernard Osher. great group of business professionals and packed semester and we are very proud to Our alumni continue to be one of our learn more about the countless projects share all of our accomplishments with you greatest assets. Their contributions of time, that this organization has coordinated in the following pages. resources and knowledge have played a benefiting alumni, students and the business Most recently, the College received re- major role in the success of our students and community. accreditation from AACSB International, programs. For instance, this May countless It is truly a fun time to be a part of the the world’s leading accrediting institution alums volunteered to mentor students at Shidler ‘ohana. Thanks for sharing in our for business schools. This is the standard by Business Night’s 50th Anniversary event. success. As always, please keep in touch as which all business schools strive for and we In this issue, we explore the history of we welcome your comments and feedback. thank all of our stakeholders for helping us this popular gathering and the impact it to reach our goals. has had on students’ careers through the Sincerely, We hosted several fascinating guest decades. -
Broadcast and on Demand Bulletin Issue Number
Ofcom Broadcast and On Demand Bulletin Issue number 312 12 September 2016 1 Ofcom Broadcast and On Demand Bulletin 312 12 September 2016 Contents Introduction 3 Broadcast Standards cases In Breach I Spit on Your Grave Horror Channel, 28 March 2016, 22:45 5 Zing Jukebox Live Zing, 21 June 2016, 16:30 9 Desi Street TV99, 5 March 2016, 10:00 12 Not in Breach Love Island 30 June 2016, ITV2, 21:00 21 Broadcast Licence Conditions cases In Breach Retention and production of recordings Top Pop, 13 March 2016 27 Broadcast Fairness and Privacy cases Not Upheld Complaint by Ms G on behalf of her son (a minor) Channel 4 News, Channel 4, 6 January 2016 29 Complaint by Miss Lauren Reis The House of Hypochondriacs, Channel 4, 24 November 2015 43 Tables of cases Investigations Not in Breach 75 Complaints assessed, not investigated 76 Complaints outside of remit 85 Investigations List 87 2 Ofcom Broadcast and On Demand Bulletin 312 12 September 2016 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. Ofcom must include these standards in a code, codes or rules. These are listed below. The Broadcast and On Demand Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes and rules below, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply. -
Big Brother As Ritual Event
CORE Metadata, citation and similar papers at core.ac.uk Provided by LSE Research Online Nick Couldry Playing for celebrity: Big Brother as ritual event Article (Accepted version) (Refereed) Original citation: Couldry, Nick (2002) Playing for celebrity: Big Brother as ritual event. Television & new media, 3 (3), pp. 283-293. DOI: 10.1177/152747640200300304 © 2002 SAGE Publications Ltd This version available at: http://eprints.lse.ac.uk/17652/ Available in LSE Research Online: September 2013 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. PLAYING FOR CELEBRITY: BIG BROTHER AS RITUAL EVENT NICK COULDRY Although Big Brother in the UK is now two series old, with a third series planned for 2002, there is a special reason for concentrating, as I do here, on the first Big Brother series broadcast in the UK by Channel Four (July-September, 2000, hereafter ‘BBUK1’). -
KARELIA UNIVERSITY of APPLIED SCIENCES Degree Program in International Business
KARELIA UNIVERSITY OF APPLIED SCIENCES Degree Program in International Business Thi Phuong Anh Dinh VIETNAM AS A POTENTIAL MARKET FOR COMPANY A- A VOCAL INSTITUTE FROM DENMARK Thesis August 2018 2 THESIS August 2018 Degree Program in International Business Tikkarinne 9 80220 JOENSUU FINLAND Tel. +35813 260 600 Author(s) DINH, THI PHUONG ANH Title VIETNAM AS A POTENTIAL MARKET FOR COMPANY A- A VOCAL INSTITUTE FROM DENMARK Commissioned by Case Company A Abstract This research aims to discover if Vietnam would be a potential market for the three-year course of Company A, by answering three research questions on market situations, market demands, and export strategy. The research first provides the firm with an overall picture of the Vietnamese music education market through secondary data, which is extracted from trustworthy and scholarly sources. The author then analyzes primary data obtained from interview-based qualitative research with an attempt to offer insight into customers’ demands on the three-year course. Recommendations are given regarding possible future actions for Company A, along with an export strategy proposal. As a result, the information from the research assists the case company with decisions related to market entry engagement in Vietnam. Language Pages 50 English Appendices 4 Pages of Appendices 4 Keywords Market research, Vietnamese Market, Education Export, Export Strategy 3 CONTENTS 1. INTRODUCTION .......................................................................................................... 4 1.1 Case -
Scholars Publishing Table of Contents
SUB Hamburg A/542119 Celebrity Colonialism: Fame, Power and Representation in Colonial and Postcolonial Cultures Edited by Robert Clarke CAMBRIDGE SCHOLARS PUBLISHING TABLE OF CONTENTS Acknowledgements ix The Idea of Celebrity Colonialism: An Introduction 1 Robert Clarke Part One: Celebrities and the Colonial Moment Missionaries and Celebrity within the Transatlantic World: The Ojibwa of Upper Canada, 1830-1860 15 Cecilia Morgan Colonial Celebrities in Popular Culture: Heroes of the British and French Empires, 1850-1914 37 Berny Sebe The Sacred Celebrity Body: Swami Vivekananda's American Tours 55 Julie F. Codell Sigmund's Asian Fan-Club? The Freud Franchise and Independence of Mind in India and Japan 73 Christopher Harding Part Two: Celebrity, Travel and Benevolence Dying for Our Sins: Christian Salvation Rhetoric in Celebrity Colonialism /. 91 Spring-Serenity Duvall Celebrity Culture and the Rise of Narcissistic Interventionism 107 Philip Hammond The White Woman's Burden: Media Framing of Celebrity Transnational Adoptions 123 Hilde Van den Bulck vi Table of Contents Our Man in India: William Dalrymple as Traveller and Public Intellectual 141 Rebecca Dorgelo Part Three: Celebrities and Subalternity Salman Rushdie: The Postcolonial Writer as Global Brand 159 Wenche Ommundsen Shah Rukh Khan: Bollywood Superstar and Icon of the Postcolonial Nation 173 Shakuntala Rao Resisting the Ethical Violence of Coercive Aboriginality: David Gulpilil 189 Felicity Collins Poppadoms, Princesses and Privilege: (Neo)Colonial Racism in the Celebrity Big Brother Household 209 Damien W. Riggs Kledi Kadiu: Italian National Cinema and Postcolonial Stardom 225 Derek Duncan Crocodile Tears: The Life and Death of Steve Irwin 239 Graham Huggan Part Four: Celebrities and Africa Celebrity Colonialism and Conservation in Africa 255 Dan Brockington and Katherine Scholfield Representing Africa? Photography, Celebrity and Vanity Fair 275 Carol Magee Mandela: Constructing Global Celebrity as a Political Tool 291 P. -
Adjudication of Ofcom Content Sanctions Committee
Ofcom Content Sanctions Committee Consideration of sanction against Channel Four Television Corporation in respect of its service Channel 4. 1 For Breaches of the Ofcom Broadcasting Code: • Rule 2.3 – Broadcasters must when applying generally accepted standards ensure that material which may cause offence is justified by the context; and • Rule 1.3 – Children must also be protected by appropriate scheduling from unsuitable material. On 15, 17, 18, 19 January 2007 Decision To direct Channel Four (and S4C) to broadcast a statement of Ofcom’s findings in a form determined by Ofcom immediately before the start of the broadcast of the first programme of the eighth series of Big Brother on Channel 4; immediately before the start of the broadcast of the first re- versioned programme of the eighth series of Big Brother on Channel 4; and immediately before the start of the broadcast of the programme in which the first eviction from the eighth series of Big Brother occurs on Channel 4. 1 This sanction also applies to Sianel Pedwar Cymru (“S4C”) which transmits Channel 4’s (Celebrity) Big Brother series on its service. 1 Contents Section Page 1 Summary 3 2 Background 6 3 Legal Framework 8 4 Issues raised with Channel Four and Channel Four’s Response 12 5 Ofcom’s Adjudication: Introduction 36 6 Not In Breach 42 7 Resolved 55 8 In Breach 57 9 Sanctions Decision 66 2 1 Summary 1.1 On the basis detailed in the Decision, under powers delegated from the Ofcom Board to Ofcom’s Content Sanctions Committee (“the Committee”), the Committee has decided to impose a statutory sanction on Channel Four (and S4C) in light of the serious nature of the failure by Channel Four to ensure compliance with Ofcom’s Broadcasting Code. -
C NTENTASIA #Thejobsspace Pages 14, 15, 16
Bumper jobs issue C NTENTASIA #TheJobsSpace pages 14, 15, 16 www.contentasia.tv l https://www.facebook.com/contentasia?fref=ts facebook.com/contentasia l @contentasia l www.asiacontentwatch.com New Warner TV debuts on 15 March iZombie leads launch schedule Turner unveils the new version of regional entertainment channel Warner TV on 15 March, three days ahead of the express premiere in Asia of iZombie, the brain-eat- ing zombie show inspired by DC Comics. The new Warner TV debuts with a re- worked logo and the tagline “Get Into It”. The new schedule is divided into three clear pillars – drama, action and comedy. More on page 3 Hong Kong preps for Filmart 2015 800 exhibitors, 30 countries expected Digital entertainment companies are ex- pected to turn out in force for this year’s 19th annual Hong Kong Filmart, which runs from 23-26 March. Organisers said in the run up to the market that about 170 digital companies would participate. About 18% of these are from Hong Kong. The welcome mat is also being rolled More on page 16 Facing facts in China Docu bosses head for Asian Side of the Doc About 600 delegates are expected in the Chinese city of Xiamen for this year’s Asian Side of the Doc (ASD), including the event’s first delegation from Brazil and more indie producers than ever. This year’s event (17-20 March) takes place against sweeping changes in Chi- More on page 18 9-22 March 2015 page 1. C NTENTASIA 9-22 March 2015 Page 2. -
Number 40 - February 2012
The Babbler Number 40 - February 2012 Made in South Africa Consumed in Vietnam Photo: Jonathan C. Eames Number 40 - February 2012 CONTENTS Working together for birds and people • Comment 448 South African rhinos killed in 2011: A rhino lost every 20 BirdLife International in Indochina is a hours subregional programme of the BirdLife Secretariat operating in Cambodia, Laos, Myanmar and • Features The Future of the Mekong River Still Hangs in the Balance Vietnam. It currently has two offices in the region: Logging in the wild west Vietnam Programme Office • Regional News Cambodia opens controversial mega-dam Room 211-212, D1 building, Illegal South African rhino killings hit record high Van Phuc Diplomatic Compound; Brown and Northern Boobooks both occur in Thailand 298 Kim Ma street, Ba Dinh district, Hanoi, Vietnam Two new paper clip-sized frogs discovered in Vietnam P.O. Box 89 • Rarest of the rare Hoan Kiem softshell turtle (Rafetus swinhoei) 6 Dinh Le, Hanoi, Vietnam Tel: +84-4-3 514 8904 • Project Updates CEPF- Regional Implementation Team updates Securing the future for Gurney’s Pitta and its forest habitat Cambodia Programme Office #9, Street 29 Tonle Basac, • Reviews Wild Mekong Chamkarmon, Phnom Penh, Cambodia • Publications Impacts of warming on lowland forests Historical and current status of vultures in Myanmar P.O.Box: 2686 Greater Adjutant Leptoptilos dubius Tel/Fax: +855 23 993 631 • Photo spot • From the archives World Press Photo of the Year 2011 winner www.birdlifeindochina.org The Babbler 40 - February 2012 Comment 448 South African rhinos killed in 2011: A rhino lost every 20 hours am recently returned from a study tour to South Africa: the objective of which was to help Cambodian government and private sector representatives appreciate the opportunity presented by high-end I safari tourism and assess whether Cambodia could use a similar approach to ensure the long term conservation of its biodiversity-rich areas (as its protected areas system is failing). -
Playing for Celebrity: Big Brother As Ritual Event
Nick Couldry Playing for celebrity: Big Brother as ritual event Article (Accepted version) (Refereed) Original citation: Couldry, Nick (2002) Playing for celebrity: Big Brother as ritual event. Television & new media, 3 (3), pp. 283-293. DOI: 10.1177/152747640200300304 © 2002 SAGE Publications Ltd This version available at: http://eprints.lse.ac.uk/17652/ Available in LSE Research Online: September 2013 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. PLAYING FOR CELEBRITY: BIG BROTHER AS RITUAL EVENT NICK COULDRY Although Big Brother in the UK is now two series old, with a third series planned for 2002, there is a special reason for concentrating, as I do here, on the first Big Brother series broadcast in the UK by Channel Four (July-September, 2000, hereafter ‘BBUK1’). I want to think about Big Brother not as production or text, but as event stretched across multiple sites, an ‘instant condensation’ (Maffesoli, 1993: xv) of participation which was also an insistent representation of participation, in short, a media event. -
What's on Kettering
WHAT’S ON Spring /Summer 2020 KETTERING WWW.LIGHTHOUSETHEATRE.CO.UK WELCOME! ... to our Spring 2020 brochure packed full of fantastic entertainment for you to enjoy! There’s something for everyone, to suit all ages and tastes – live music, comedy, ballet, dance, drama and much more can be found in these pages, and don’t forget to check in on the theatre website for regular updates to our programme. We look forward to seeing you at the Lighthouse in 2020! 10% OFF WITH LEISURE PASS! Kettering Borough Council’s Leisure Pass scheme is free to join and offers discounts in the cost of services across the borough, including 10% off Lighthouse shows. For information visit www.kettering.gov.uk BOOKING Online: www.lighthousetheatre.co.uk Box Office: 01536 414141 For terms and conditions see page 8. AT-A-GLANCE A diary listing of shows can be found on pages 36/37. MASQUE THEATRE The Masque Theatre at the Latimer Arts College in Barton Seagrave has a great selection of shows on offer. Visit www.masquekettering.co.uk for regular updates December 2019 The information in this brochure was correct at the time of going to print, but may be subject to change. Supported by 1 FREE PARKING FOR 600 CARS EASY TO REACH The theatre is centrally located in the heart of England near J8 of the A14, and benefits from an excellent transport network. Kettering train station is a short walk or taxi ride away. The Lighthouse Theatre Kettering Conference Centre Thurston Drive • Kettering • NN15 6PB GPS ref: 52.39N 0.74W BECOME A FRIEND .. -
Global Digital Cultures: Perspectives from South Asia
Revised Pages Global Digital Cultures Revised Pages Revised Pages Global Digital Cultures Perspectives from South Asia ASWIN PUNATHAMBEKAR AND SRIRAM MOHAN, EDITORS UNIVERSITY OF MICHIGAN PRESS • ANN ARBOR Revised Pages Copyright © 2019 by Aswin Punathambekar and Sriram Mohan All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America Printed on acid- free paper First published June 2019 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication data has been applied for. ISBN: 978- 0- 472- 13140- 2 (Hardcover : alk paper) ISBN: 978- 0- 472- 12531- 9 (ebook) Revised Pages Acknowledgments The idea for this book emerged from conversations that took place among some of the authors at a conference on “Digital South Asia” at the Univer- sity of Michigan’s Center for South Asian Studies. At the conference, there was a collective recognition of the unfolding impact of digitalization on various aspects of social, cultural, and political life in South Asia. We had a keen sense of how much things had changed in the South Asian mediascape since the introduction of cable and satellite television in the late 1980s and early 1990s. We were also aware of the growing interest in media studies within South Asian studies, and hoped that the conference would resonate with scholars from various disciplines across the humanities and social sci- ences. -
TCPDF Example
Beat: Music A TWENTY-TWO YEAR OLD MAN FROM HANOVER BECAME THE LATEST WINNER OF VIETNAM IDOL TRONG HIEU WAS TRAVELLING FOR HOLIDAYS PARIS - HANOVER - HANOI, 04.08.2015, 10:45 Time USPA NEWS - TRONG HIEU coming from Hanover was planning only to spend holidays in country where his parents grew up. However, he was about to make a name for himself as South-East Asian country's favorite "hot boy from GERMANY". TRONG HIEU was born in GERMANY where his parents emigrated from VIETNAM in 1991. Before leaving for VIETNAM, a friend of his told him that over there where held auditions for VIETNAM IDOL. Convinced about the idea, TRONG HIEU applied and after passing all the auditions, he became very quickly a favorite in the competition earning a nickname and the adoration of thousands of fans. Inundated with support, TRONG HIEU rounded off his time on the show with a rendition of Mark Ronson's "Uptown Funk". He earned seventy-one per cent of the votes, storming to victory ahead of competitor BICH NGOC. He resumed his victory with the high-level of presomption that his German's background helped a lot, Asian people loving EUROPE very much. He added also that his vietnamese was far from being perfect and his image was attractive because bringing something different and foreigner as being also with vietnamese origins. His success made him popular and recognizable. He is often spotted in the street and people either wave at him or ask for photos. However, he doesn't plan to stay in VIETNAM, just to travel back and forth between the 2 Article online: https://www.uspa24.com/bericht-4729/a-twenty-two-year-old-man-from-hanover-became-the-latest-winner-of-vietnam-idol.html Editorial office and responsibility: V.i.S.d.P.