Number 46 – Summer 2010

newsletterAlumni institute of fine arts

Contents From the Director...... 3 New Faculty...... 5 Honors: Philippe de Montebello and Thomas Mathews . . . . . 6 We’re on Facebook...... 7 Alumni Voices Surrealism and a Parrot named Cacaloo...... 8 Eternal Returns...... 9 From Kalamazoo to Herstmonceux...... 9 Applied Art History . . . . . 10 In Memoriam Dietrich von Bothmer. . . . .11 James Wood...... 12 Gerrit Lansing ...... 12 Colin Eisler Symposium. . . . .13 Jonathan Alexander Retires. . . 13 Conferred PhDs ...... 13 Summer Stipends...... 14 Commencement 2010...... 15 Outside Fellowships...... 16 Faculty Updates...... 17 Alumni Updates...... 19 Alumni Donors...... 34

Published by the Alumni Association of the Institute of Fine Arts 1 Institute of Fine Arts Alumni Association

Officers: Board of Directors: Committees:

Acting President Term ending April 1, 2011 Finance Committee: Valerie Hillings Gertje Utley Sabine Rewald Lisa Rotmil gutley@rcn .com sabine .rewald@metmuseum .org Suzanne Stratton-Pruitt Marie Tanner Phyllis Tuchman Treasurer marietanner@aol .com Lisa Rotmil Contributors: Marc Cincone lisarotmil@aol .com Term ending April 1, 2012 Suzanne Deal Booth Marcia Early Brocklebank Secretary Alicia Lubowski-Jahn Vivian Ebersman Cora Michael Alicia1155@aol .com Tom Freudenheim Cora .Michael@metmuseum .org Gertje Utley Jasper Gaunt Kathleen Heins gutley@rcn .com Keith Kelly Ex-Officio Shelley Rice Past Presidents Patricia Rubin Mary Tavener Holmes Phyllis Tuchman, Editor Connie Lowenthal History of the IFA Ida e . Rubin Julie Shean, Chair Suzanne Stratton-Pruitt Lisa Banner Helen Evans Lorraine Karafel Christopher Noey Rebecca Rushfield Phyllis Tuchman Alison West

Grants Charles Little, Chair Sabine Rewald Miriam Basilio

Walter S. Cook Lecture Beth Holman, Chair Yvonne Elet Susan Galassi Pepe Karmel Carol Krinsky Kathy Schwab Anita Moskowitz

CAA Reunion Mary Tavener Holmes

Nominating Committee Robert Lubar, Chair

2 From the Director Patricia Rubin

promotes the rigorous critical, technical and executive committees of the Connoisseurs historical understanding of works of art and Circle (chaired by Stephen Beckwith) and that offers unparalleled opportunities for close the Alumni Association (chaired by Gerrit study of those works and for thinking about Lansing) – the two groups that represent our them in diverse and exciting ways . In the course most loyal supporters, whose generosity and of the day I also met with the executive of involvement is key to helping the IFA advance the Graduate Student Association to plan our its aims . One of my first lessons about the IFA regular meetings and with the members of the was the remarkable extent and influence of the faculty Futures Committee . The first meeting Institute’s network of graduates . As I met you, helped me to gain insight into student concerns the alumni, at almost every turn – in and interests, which I regularly reported to the New York, in Los Angeles, in Chicago, in faculty throughout the year . The second focused London and in Florence, it became very clear on the implementation of the new M .a . and that it was important for me, for the IFA and Ph .D . for the world to know more about you . To that end, as you know, we are working on updating As an endowment-based institution, the IFA and upgrading our alumni data so that we will felt the shock of the economic crisis with great be able to be in touch with you and boast about It is with great sadness that I open this letter . Under the superb stewardship of Michele you more often and more effectively . With the with news of Gerrit Lansing’s death on July 27 . Marcincola, the Institute’s Interim Director, support of Anne Ehrenkranz (IFA, ‘83) and Gerrit (PhD ’99) was the President of our IFA the IFA faced the challenges constructively and her husband Joel, the participation of Cathy Alumni Association and a long-time member of creatively . In the case of our degrees, it was Brawer (IFA, ‘66), and the assistance of student the Connoisseurs Circle Executive Committee . decided to restructure the program to create a interns Katie Josephson and Ross Finocchio we Gerrit was also the long-serving President two-year self-funded M .a . designed for students are rapidly enhancing our database . We thank and Chairman of Independent Curators who have a developed interest in the visual arts, those of you who have answered the request for International (iCI), an organization dedicated and who wish to undertake advanced study information about your achievements to promoting creative and innovative ways without making a commitment to a multi- and activities and urge all of you to tell us about of exhibiting, curating, and contextualizing year doctoral program . The Ph D. . will now yourselves . contemporary art . Gerrit’s profound enthusiasm be an entry level degree, funded for up to six for the arts, his thoughtful manner and quiet years . The new structure is intended in part to In November I made my first presentation to dignity were generously put to the service of the stabilize the IFA’s financial planning, but more the IFA’s Board . It was one of many occasions Institute and he will be greatly missed . importantly it will allow for a better focus on during those first months when I was able student progression through the degrees and on to express my gratitude for the extraordinary Even though I do not share the honor of being specific research needs . As part of the concern warmth of the IFA’s welcome . I was also able an IFA alumna, I can now proudly claim to for mentoring students, the position of Director to express my admiration for the Institute’s have graduated from being an Institute novice of Masters Studies was established, and we are pre-eminence in its constituent fields of art to a second year student of its culture and all grateful to Rob Lubar for accepting this role . history, and conservation, while community . And what a rich and exciting insisting that we must not be complacent and first year it has been! And how quickly it has October’s highlight was the appointment of that we must engage in a rigorous review of gone! It is my pleasure to recollect some of Robert Slifkin as Assistant Professor in Modern the IFA’s place in the contemporary world of the highlights of the year, from orientation to and Contemporary Art . His arrival adds to advanced research and graduate teaching in art graduation . the IFA’s remarkable strengths in Modern and history, archaeology, and conservation . I also Contemporary Art . The 2009-2010 academic noted that we had begun to focus on issues On my first day at school, which was year had particular intensity in that field, with of strategic planning which would help us to September 1, I started with breakfast at the two Kirk Varnedoe Visiting Professors – define that place and to secure it through the Conservation Center to meet the new students Professor Alex Potts from the University of necessary fundraising . The IFA is fortunate in there and ended by giving my welcoming Michigan in the autumn and Professor David its Board, and blessed by the energy, dedication, remarks to the entire incoming student body Joselit from in the spring . In and gracious good humor of its chair, Judy (before, of course, adjourning for the traditional the coming year we look forward to welcoming Steinhardt . pizza party) . Though I felt far less oriented Professor Wu Hung from the University of than the new students – who had already Chicago in spring 2011, when he will teach and Celebrations in December included being able toured the building – it was easy to speak with lecture on contemporary Chinese art . to applaud Barry Flood’s fascinating inaugural respect of the history of the IFA and of its deep October was also important as the month lecture, All that Glitters: Image and Ornament commitment to teaching and to research that when I attended my first meetings of the in Early Islam, which was the first of three in

continued 3 From the Director Continued

the academic year . In the spring we were able to the weather broke just in time for me to get smoothly and with great congeniality . This year toast Alexander Nagel and Clemente Marconi, to Chicago to meet some of you at the alumni Anooradha Siddiqi represented the IFA, with a this outstanding series of professorial lectures reunion at Caa . For your calendars: remember lecture on “Stateless Architecture .” demonstrates the intellectual variety and that the 2011 annual meeting of the College dynamism of the IFA’s faculty . The Christmas Art Association is in New York, February 9-12 . May arrived with unexpected speed . As I took party brought the autumn academic season to The alumni reception will be at the Institute the podium to congratulate our graduates, it end with traditional good cheer . on February 10 at 6:00, which is a special day seemed only yesterday that I was greeting new for the IFA, because that afternoon Jonathan students . It was a great honor to be able to In January, with the new year, we embarked Brown will be the honoree of the 2011 shake hands with our 32 new MAs and 17 new on the great adventure of our new admissions Distinguished Scholar Session, from 2:30 to PhDs, well aware of the exceptional work they processes, with dedicated M .a . and Ph .D . 5:00 at the New York Hilton . There will be a had done and impressed by the range of their admissions committees . We received 160 series of papers inspired by Jonathan’s multiple research interests, from pre-history to post- applications for the M .a ., and I am pleased to interests and scholarly achievements . I look modern and beyond . report that we have fifty-two students in the forward to meeting you here . incoming class . There were 239 applications Though school ended, so to speak, work for the Ph .D . We had seven places to offer and In March we received the exciting news that continues for all of the IFA community – as have an entering group that is diverse in origin the Andrew w . Mellon Foundation awarded students and faculty pursue research projects and academic interests . We have reserved five us $1,523, 000 for a three- to four-year project or take on summer tasks . The building staff funded places for currently registered students . to examine the state of advanced research in sees to necessary renovations, the Finance At present we have scholarship funding for art history, archaeology and conservation . This Office closes the budget year, the Development twelve doctoral students . Our goal is to secure will involve working groups, conferences, and Office is forwarding our preparations for a funding for fifteen entering doctoral students . consultations, and will include the appointment major fundraising campaign, and the Academic The Conservation Center had the rewarding, of postdoctoral fellows and visiting professors . Office, Library, Visual Resources and Computer if complex task, of making a selection of seven Above all it confirms the IFA’s ability to take Services get ready for the start of the coming students for the incoming class out of 41, on leadership in those fields and its aim to be a academic year . And, of course, the Alumni which is the Center’s fiftieth anniversary force in their future . Association has been very busy putting together class . The Center will be holding two days of the Newsletter . Special thanks are owed to celebration on October 15 and 16, with visits, April is the month of the annual symposium the Newsletter’s editor, Phyllis Tuchman, as is discussion panels, and parties and looks forward co-organized and co-hosted by the IFA and The heartfelt gratitude to the Alumni Association to welcoming back many of its graduates . Frick Collection . The IFA student coordinators and to you, the IFA alumni, for your dedication Amy Raffel and Kate Holohan did a superb and generosity in supporting the Institute . In February we were snowbound, but luckily job, with the day at the Institute running

2010 Alumni Directory: Respond by October 15th!

We need your assistance in updating the IFA directory will be accessible only to IFA alumni Alumni Directory and our records . Please go via a password-protected page on our website . to www .ifa .nyu .edu by October 15th, 2010, We hope it will help alumni stay in touch with to complete the Alumni Survey . To date, we friends and professional colleagues . We greatly have heard from more than 600 of you! The appreciate your help!

4 New Faculty

Philippe de Montebello Hsueh-man Shen Fiske Kimball Professor in the History and Culture of Museums Assistant Professor of Fine Arts

Began teaching fall 2009 Begins teaching at IFA fall 2010 MA: Institute of Fine Arts PhD: Most recent position: Most recent position: Lecturer, Director, The Metropolitan University of Edinburgh and Museum of Art Senior Curator of Chinese Art, Other appointments: Scholar in residence, Prado Museum; Special National Museums of Scotland Advisor for the visual arts, NYU Abu Dhabi Selected publications: Gilded Splendor: Treasures of China’s Liao Empire Sample courses: The Multiple Lives of the Work of Art, The History and (907-1125) (New York: Asia Society, 2006), “Funerary and religious Meaning of Museums, Issues of Cultural Property practices in medieval China” in Academia Sinica Series of New Chinese History (Taipei: Academia Sinica, 2008) Sample courses: China Unearthed, Art in China at the End of the First Alexander Nagel Millennium, Adorning the Three Jewels of Buddhism Professor of Fine Arts

Began teaching at IFA fall 2009 Robert Slifkin PhD: Assistant Professor of Fine Arts Most recent position: Associate Professor and Canada Research Begins teaching at IFA fall 2010 Chair, University of Toronto; PhD: Yale University Andrew Mellon Professor at the National Gallery’s Center for Advanced Most recent position: Assistant Study in the Visual Art, 2004 – 2006 Professor of Art and Humanities, Selected publications: Anachronic Renaissance (Zone Books, 2010), Reed College Michelangelo and the Reform of Art (Cambridge University Press, 2000) Selected publications: Out of Time: Philip Guston’s Return to Figuration Sample courses: Renaissance Art in Question, The Exhibition Industry, Art and the Crisis in the Humanities (forthcoming), Stairs: An Architectural Before and After Modernity Source Book, with Michael Lewis (New York: w .w . Norton & Co ., forthcoming 2010), “Butterfly Money: JamesW histler as the Invisible Man” in James McNeill Whistler in Context: Essays from the Whistler Symposium, University of Glasgow, 2003 (Washington: Smithsonian Institution, 2008) Sample courses: Photography and Facticity, Contemporary Art and the Plight of Publicity, Simulation, Repetition, Appropriation

The Walter W.S. Cook Lecture Symposium on Medieval and The Annual IFA Alumni Reunion Thursday, October 7th at 6:00 pm Renaissance Architecture in Thursday, February 10th at 6pm (during CAA) Presented by Gary Radke (PhD ’80) Honor of Marvin Trachtenberg “As will please the ladies”: Planning Choirs, Saturday, November 6th beginning at 10am Conservation Center

T he D ate Kitchens, and Latrines in Fifteenth-Century 50th Anniversary Celebration Venetian Convents October 15-16, 2010

Save Save For more details, go to www.ifa.nyu.edu

5 Philippe de Montebello Awarded a 2009 National Humanities Medal

In February 2010, Philippe de Montebello was awarded a National Humanities Medal for his vision in bringing great art to an international public and his leadership in revitalizing the Metropolitan Museum of Art, and for fostering arts appreciation among people of all ages .

Philippe de Montebello with President Obama

Festschrift in Honor of Professor Thomas Mathews (PhD ’70)

In November 2009, Professor Thomas Mathews was presented with a copy of the Festschrift, Anathemata Eortika: Studies in Honor of Thomas F. Mathews. (Mainz, Philipp von Zabern) .

Left to right: Veronica Kalas, Örgü Dalgiç, Sarah Brooks, Edmund Ryder, Helen C. Evans, Joseph D. Alchermes, Thelma K. Thomas, Jennifer L. Ball, and Rima E. Smine. Photograph by Craig Feder.

6 We’re on Facebook!!

by Phyllis Tuchman (IFA ’73)

The IFA’s wonderful website now provides access to two spectacular Facebook pages . One is chockablock with the latest news of what’s going on at the Duke mansion at 1 East 78th Street . You’ll learn about lectures being given and faculty appointments and recent awards and grants to members of the IFA community . The other page is reserved for us — alumni far and wide .

For those of a certain age, Facebook probably sounds like the anti-Taurgo . Our younger colleagues, though, must be thinking, “It’s about time .” And they’re right . You won’t believe what an astonishing resource this is . Way better than Taurgos!

You’ll find more detailed news about our colleagues and friends than the listings in the newsletter . Accompanied by photographs and text, these are more upfront and personal . Consider, say, Susan Taylor . Last spring, she was named director of the New Orleans Museum of Art . The Alum Facebook linked to the Times- Picayune article about her new position . Or, when the Nelson-Atkins Museum in Kansas City opened new Egyptian galleries last May, the alumni page posted a piece from a KC website about Robert Cohon and his latest installation . There also were entries about: Kathaerine Schwab’s research drawings of Parthenon sculptures now on permanent display in the new Acropolis Museum in Athens; an announcement of a lecture Timothy Rub, Have you noticed we haven’t included in this Saturday, November 6, 2010 . director and CEO of the Philadelphia Museum Newsletter a recap of the two Kirk Varnedoe of Art was soon to deliver; and advance notice lecture series given this past academic year by To access the website, go to: ifa .nYu .edu . of a symposium devoted to Art, Music, and Alex Potts and by David Joselit? You can see Or Google Institute of Fine Arts, New York Spectacle in the Age of Rubens that Anna Knap and hear them for yourself on both the IFA University . From the IFA’s home page, use the organized at the Harvard Art Museum . website and Facebook . Tap the arrow above the alumni tab on the blue bar to get to Facebook . Videos of lectures at the IFA and elsewhere photographs of the two professors, and listen to You also can join Facebook . If the alumni office as well as articles you may have published or their talks and watch their PowerPoint images has your e-mail, which allows them to remind posted can be accessed from the Facebook page . in the comfort of your own home or office . you of last minute events and invitations, From our newsletter, we know the titles of your you can access Facebook directly from their recent articles and reviews . Now we can read At Facebook, you’ll also find important Save correspondence . However you get there, you’ll them from links you submit directly to the the Date notices . These days, there’s one for find yourself in nirvana . alumni office . lectures in honor of Marvin Trachtenberg on

7 Surrealism and a Parrot named Cacaloo Alumni Voices by Suzanne Deal Booth (IFA ’84) and space artist , and became his assistant on the first skyspace that he created In the fall of 1980, I moved to New York to at P .s .1 in Queens . Susan Barnes was another study art history and art conservation at the one of Mrs . D’s protégées who had been at the Institute of Fine Arts . I lived a few blocks IFA prior to 1980, studying Flemish art in the away from the IFA, on East 73rd Street, in the PhD program under the tutelage of Professor 5-story townhouse of Dominique de Menil, the Haverkamp Begemann . French-born, Houston-based arts patron and advocate for humanitarian causes . My memory My two graduate thesis advisors were Professor of her is quite clear . With her slight frame Kirk Varnedoe for research on the early works and greyish-blonde hair pulled back, she was of Georgia O’Keeffe and the great American discreet, simple, elegant and intense . There was landscape tradition, and Professor Harry Bober absolutely nothing frivolous about her . She was The author in front of the de Menils’ for a technical study of Late Medieval metal 60 years my senior . , “No. 10,” 1957. ware . At the conservation center, I benefited from Professor Larry Majewski’s encouragement My small studio opened onto a Max Ernst While I was an undergraduate at Rice and became interested in the conservation of sculpture garden . However, because I had University, Mrs .D hired me as a part-time contemporary art . When Walter Hopps was in access to the rest of her home, I felt a part student assistant in her home office in Houston . New York, we would spend hours discussing my of the household of Mrs . D—my nickname When I became interested in pursuing thesis topics and this influenced the direction for Dominique—and Jacqueline, her French art conservation as a career, she was very my research took . In turn, this prompted housekeeper, and a surprisingly garrulous, encouraging . As a result, after graduation, an wonderful discussions and further research with French-speaking parrot named Cacaloo . internship at the Kimbell Art Museum, and my Professor Varnedoe . These encounters were There was a Victor Brauner painting above being accepted to the IFA, Mrs . D insisted that indirectly made possible by my connection my bed and a bright yellow Mark Rothko I live at her home in New York . with Mrs . D . and through her graciousness, painting in the dining room . It was an eclectic generosity, and vision . environment, as Mrs . D collected unusual New York was intoxicating - from stimulating objects . She particularly loved the Surrealists . IFA classes, research and writing, to spending At times she left items on my bed that I found valuable moments with Mrs . D . Through when I returned home from class . They would her I met art historians, writers, and curators . always be useful things that Mrs . D had noticed Dominique Bozo, then Director of the Centre I needed: supplies, blankets, art books . One Pompidou, was often a visitor as was Walter cold day, a white furry coat, which at first Hopps, Director of the Menil Collection . At glance looked like an abominable snowman, times I would help her move works of art around was lying on the bed . Another time a used the house . She would explain why certain pieces electric/correcting typewriter—what heaven worked better with others, pointing out how - the most sophisticated office tool of that they played off each other in complementary era—was on my work desk . My mentor – Mrs . ways . “Dynamic relationships exist between D – gracefully, and without asking, made sure works of art, even in the empty spaces between that I had everything I needed for my studies . them”, she would say . Mrs . D provided me with a stress-free, subsidized two-year experience, but more than this, we shared many special moments, when Mrs . D imparted her insights about the power of art and objects, whether it was a sublime Cycladic vase, an exquisite The author in the conservation studios at Renaissance panel or a Jasper Johns painting . , Paris 1983. Photos by S. D. Booth I was not the only one to travel this path with Dominique de Menil, though I may have Dominique de Menil’s personal legacy is an been one of the last . I got to know some of the amazing one, as her legions of colleagues, others, including Fred Hughes, a fellow Texan . admirers, students, and protégés will attest . But Fred was then Andy Warhol’s business manager for me the importance of our relationship went who basically ran the Factory and was a primary beyond having a mentor who believed in me . Walter Hopps, Suzanne Deal Booth force behind the founding of “Interview” It was about being part of the special landscape and Dominique de Menil. Magazine . Also through Mrs . D, I met the light she inhabited .

8 Eternal Returns Alumni Voices

By Shelley Rice (MA ’75) downtown . I have helped to shape coherent of the IFA’s in-house offerings, and ask CAS photo programs in both the Department of faculty for guidance and support . But there is In 1975, I finished my Master’s Degree and Photography and Imaging (TSOA) and the no way for them to shape these balkanized bits left the Institute of Fine Arts in order to pursue Art History Department (CAS) . In fact, NYU of information into a coherent and dynamic a degree in the history of photography at offers a plethora of courses in this by now PhD program without a well-connected and Princeton University with Peter Bunnell . My burgeoning field: in the art history and the flexible mentor within the Institute – and/ desire to study photography made the change of photography departments, in the Media and or someone specializing in photography schools imperative, since there was no specialist Communications program in Steinhardt, in the downtown who could be given the authority in this then obscure field teaching at the ifa . Journalism and Anthropology departments, and to advise students, read theses and supervise Exactly 30 years later, my TA in the downtown in the Gallatin School, among others . Well- special curriculum needs . This is a case where NYU Art History Department, Karen known scholars like Deb Willis, Ulrich Baer, stronger lines of affiliation between the Institute Hellmann, left the Institute after her M .a . for Fred Ritchin and Nicholas Mirzoeff are active and faculty from other departments could the same reason . This time, Karen transferred to members of the downtown faculty, and share go a long way toward turning a very retro the Graduate Center of the City University of students, colloquia, and research projects with disadvantage into a major advantage – one New York, which had an excellent photo history each other (and younger faculty also active in that might have a big impact on the teaching program developed by the scholar Geoffrey the field) often . It is fair to say that any student of modern and contemporary art throughout Batchen . After stints at the Brooklyn Museum wishing to study photographic history and the university, and make the IFA a draw (not and the Getty, Karen has now completed her theory would have a hard time finding a school a drag) for students interested in photography, degree . with more available talent and resources than media and imaging . . What’s wrong with this picture? Why is Author’s Note: This essay was written early in history repeating itself? Photography has come Unfortunately, the Iron Curtain separating 2010, and in the past academic term there have a long way in the art world since 1975, but uptown from downtown makes it hard for IFA been serious efforts to better integrate photographic its marginal status within the Institute has students to take advantage of these intellectual history into the IFA curriculum – and to more remained essentially unchanged (that is, until riches . Often information about classes on closely align the opportunities of the uptown and recent changes: see note below). Washington Square Park is not made available downtown campuses. The hiring of Professor at the Institute; sometimes relevant courses are Slifkin, the scheduling of more cross-listed courses From my point of view, the irony is that I came offered for undergraduate credit only, making between the IFA and CAS, and the hosting of a back to New York University on a mission it difficult for well-known professors to meet or major conference on photographic archives in the a long time ago . Since 1982, I have been mentor uptown graduate students . I have found spring of 2011: these are steps in the direction of a teaching the history, theory and contemporary that interested pupils often take the plunge (and change that can ultimately enrich the teaching of practice of photography to undergraduates the subway) downtown to audit classes outside modern art history throughout the University.

From Kalamazoo to Herstmonceux Alumni Voices

by Marcia Early Brocklebank (IFA ’63) Brown who said the National Gallery did its intern was unforgettable; one had access to all own publicity! the stores with one’s own key which you left The Institute of Fine Arts kick started my I had the good luck to work with Philippe de behind at the end of the day . We ceaselessly career from the moment Prof . Colin Eisler Montebello in the IFA museum internship catalogued the paintings; attribution, title, suggested working for Annemarie Pope at the program at the Met in the Department of dimensions, provenance and references became Smithsonian Institution Travelling Exhibition European Paintings under the tutelage of the a litany . Service in summer 1962 . I had left Smith with legendary curator and charmer, Ted Rousseau . a major in art history under Henry Russell- One day when Philippe, Ted and I were One day Mr . Rousseau said you should apply Hichtcock and I was enrolled in the museum descending the steep front steps of the Met, for the Finley Fellowship from the National studies course at the ifa . My IFA training Ted said to Philippe, what do you carry to Gallery, you will get it . With a lot of help from had been so good that with utter confidence work every day in that black brief case (we were him, I made an application and had a terrifying I moved to Washington organized the first students after all) . He opened it and out fell the interview at the Gallery with John Walker exhibition of Old Master Drawings from remains of his sandwich lunch . and two Trustees . They showed me a late l8th Chatsworth, edited the catalogue, wrote the century miniature of a woman and asked who press release and got into trouble with Carter The experience of working in the Met as an painted it . I had absolutely no idea and looking

continued 9 Applied Art History Alumni Voices by Vivian Ebersman (IFA ’66) 3) marketing; and 4) sales development . information, or confirmation is central to a good outcome . At the institute, I wrote my master’s these on a All of these areas draw on my knowledge of 19th Century French collector of early Italian art history and the art market as well as a The appraisal courses I took at NYU-SCPS art with Colin Eisler and afterwards worked working familiarity with the players in the before starting this job enable me to spot on Ridolfo Ghirlandajo with Craig Smyth . art world, past and present . Such players an appraisal that is not accurate and to ask After I completed my Orals, I became an represent museums, scholars, dealers, collectors, appropriate questions . Valuations are central adjunct instructor, first at Fordham University appraisers, conservators, critics, writers, and to running the business: they determine the and then at Lehman College . I left teaching other communities . amount of premium and the payout for a claim . to work in the developing field of new media, Overvaluations are as common and as useless as joining North American Phillip Corporation What I do is evaluate risks in concert with under-valuations . as a Manager of Program Development for underwriters and claims managers . In insurance videodiscs . During these years I produced terms, underwriters are the people who One of the highlights of the past few years several interactive videodiscs, notably Vincent receive requests for insurance from insurance involved my participation in the creation and van Gogh: a Portrait in Two Parts, the first of brokers . Underwriters look at the associated development of the Ad Reinhardt Conservation its kind . From Phillips, I moved to sales and physical conditions of a risk . They also keep Project partnership with the Guggenheim management at 3M, working on videodiscs and the broker relationship alive and well . Where and Conservation CD Roms . When the group moved to another is the risk located? What protection is there Centers . What started out as the donation of an company founded by 3M, the division was from fire? Earthquake? Hurricane? What is unsalvageable black on black late painting for folded . I was out of work . the security protocol? I look over the same research purposes turned into an unprecedented risk to understand the contents and the exploration of an experimental treatment For the past twelve years I have been Director valuations . I try to spot anomalies that might method, applied directly to a damaged, but still of Art Expertise at AXA Art Insurance suggest possible fraud or careless collection historically significant, painting . Corporation, a specialty underwriting company . management . I am the one to decline the AXA Art only insures fine art and collectibles . endless requests to insure the newly discovered Next week I will speak to my granddaughter’s Although the American company has less than Raphael, Guercino, Michelangelo, Caravaggio fourth grade class about Leonardo . They cannot 40 employees, we are part of a larger global (a perennial favorite) by culling through understand why anyone thinks the Mona group with offices in Europe, the UK and Asia . the wax stamped papers of authenticity and Lisa is beautiful . Art history can lead one in My job is structured around four main business supposed scholarship . Knowing which of unexpected directions . needs: 1) Expertise; 2) ; my former colleagues to call for answers,

From Kalamazoo to Herstmonceux Continued back I think it was a bit of a trick . Well could Britain . Like Gustav Waagen, I travelled Met, often with the help of the owners private it be Goya, they asked? I said firmly yes, and everywhere in England, Wales and Scotland, archives and illustrating them with my tiny got the grant . However, I see it wasn’t in the from one stately home to the next, never staying Minox camera . When Christies and Sotheby’s exhibition of Goya’s portraits at the National in a hotel and unable to believe my luck . My heard about this goldmine, they pounced, Gallery in 2002! The prize offered 2 1/2 years letters about the eccentricity of my generous keen to borrow or buy the list from me at any of travel, open doors to all academic institutions hosts would make a book in itself . I had never price . Of course the National Gallery said no . and libraries and fully paid expenses plus best been to England, though I had spent my Junior I should have submitted it for a PhD, but by of all, a welcome at I Tatti with lunch . The idea year abroad in Florence, studied under the great then I was married and living in a 70 room was to return to the Gallery after the fellowship Roberto Longhi, was fluent inI talian and knew Tudor stately home in Suffolk to which and become a curator; they made it clear that my way around Europe, thanks to Professors Pevsner had devoted a page and a half, never having given this grant to a woman, I had Krautheimer, Lotz and Offner . England was describing it as ‘one of the loveliest houses of better toe the line . waking from wartime austerity in the sixties and its date in England’ (Henry VII)…four centred swinging London was the place to be . arches, blank tracery in the spandrels, stepped My thesis was to make a mid 20th century I finished the four volume list of privately brick gables, moulded friezes, plaster quoins, census of 14th, l5th and l6th century Italian owned Italian Renaissance paintings, carefully double hammer beams et al . It was a long way paintings still in private collections in Great cataloguing each one as I had done at the from my childhood in Kalamazoo and my MA

10 In Memoriam: Dietrich von Bothmer

by Jasper Gaunt (IFA ’02) These resources alone were unsurpassed, the physical contact with the pottery electrifying . Future generations will count fortunate those But this paled in comparison with the lucky enough to have studied archaeology at the discussions that he initiated between long Institute of Fine Arts during the last forty years . puffs on one unfiltered Camel cigarette after Dietrich von Bothmer, though relatively seldom another . From these scraps students were taught a visitor to Duke House during these years, was to recognize the clues that would enable basic a commanding, volcanic presence . His seminars questions to be answered . What was the shape? on Greek vase-painting stood apart, both in The date? The subject? And most important their setting and, far more importantly, for of all, who was the painter? Thus we were led their use of original works of art . Classes were without formality so suddenly, so deeply, into conducted at his office inT he Metropolitan Greek art . Museum of Art . There, his professional life was laid out: rows of filing cabinets that housed his Dietrich’s extraordinary sensitivity in incomparable photographic archive of Greek composed paintings, started in Berlin in Erich recognizing style and hence artistic vases; shelves of ring-binders with manuscript Heckel’s studio . Most telling, however, were individuality, and the precision this required, notes on antiquities taken in museums, private notes from his wife, Joyce . It is to her as much were matchless . His sovereign, undisputed collections and dealers’ galleries around the as to Dietrich that all his students are indebted: command of his field was long recognized world; yards of boxes filled with off-prints; a she provided the outer orbit within which alone in Europe, particularly at Oxford (he was working library . Large desks were strewn with his work could move . an honorary Fellow at Wadham) and in new books, pot shards newly glued in bowls Paris, where was elected to the Académie of sand, current research projects, mounted His seminars were modeled on his exposure to Française . More recently, he was awarded photographs and private correspondence, much the teaching at Oxford of his legendary mentor, honorary doctorates at the University of Trier, of it splendidly outspoken . Here too were Sir John Beazley . His method of teaching was, and, belatedly, at Emory . He was strikingly glimpses of his private life: photographs of his he insisted, that of Socratic interrogation . Some handsome, with unforgettable blue eyes family, an abiding presence in his conversation: found traces of enhanced techniques, but what and the most beautiful hands . His memory cards and pictures drawn by Bernard and Maria he relished above all was the cut and thrust of often seemed prodigious, but it was not as children, and of a dynasty of Yorkshire brisk conversation . Students would sit around the mechanical memory of a prodigy, but terriers towards all of whom he felt touchingly the table as mounted photographs and actual ruminative: the memory of a humanist, and the sentimental . Here were some of his own finely antiquities were passed around in small trays . essence of this truly great teacher .

Alumni Voices

thesis on Craftsman prairie houses! known in America? We will pay ’. The effect Foundation, the American arm of the British is electrifying . This works best with small National Trust . Recently, my husband and I After my children went to school, I again museums which have neither the time nor have done the English thing and handed over worked for Dr Pope, becoming the UK money to get their material better known and the ancestral home to our eldest son and moved representative of the Washington based in some cases, even catalogued . And for the to a dower house on the place . It is a small International Exhibitions Foundation . We private collector, I offer a route to recognition Georgian mill on the river Brett in the heart led the way with distinguished travelling art and scholarship . Once, after spending years of Constable country . The miller, one Abram exhibitions combined with scholarly catalogues trying to see an important, learned Anglo- Constable, was the painter’s generous protector destined to live on long after the exhibition . Persian collector, I finally succeeded and at and younger brother . I guess one could say Now I represent its successor, Art Services the first meeting he simply said, you can have my very surroundings combine painting and International, as a kind of scout . We are still everything and gave me a kiss to boot . architecture, like my life . I owe a great debt of best known for our exhibitions of Old Master gratitude to NYu . drawings, l8th and l9th century painting Architecture is still my first love and I am and Chinese porcelain . I walk into a British on the Architectural Advisory Committee museum Director’s office and say, ‘OK, what of the World Monuments Fund Britain and part of your collection do you want better a former Board member of the Royal Oak

11 In Memoriam: James N. Wood

by Tom Freudenheim (IFA ’66) of 1998, following the much-publicized dispute over a Nazi-era looted painting – the first such Editor’s Note: James Nowell Wood (IFA ‘66) settlement for an American museum . Although passed away in June, 2010. He was a member the legal fees nearly bankrupted the litigating of the Institute’s Board of Trustees from since family, their spokesman later referred to the 2006 .That same year, Mr. Wood was appointed settlement as “an agreement made in heaven .” President and CEO of the J. Paul Getty Trust. Prior to that, he served as Director and President I was confounded by Jim’s being willingness of the Art Institute of Chicago for twenty five to take on the presidency of the J . Paul Getty years. He also spent five years as Director of the Trust in 2006; after all, his purchase of a kayak St. Louis Art Museum. In addition to serving on had been made public, as a signal of how he the Boards of the Sterling and Francine Clark Art was going to spend his retirement at his Rhode Institute, the Harvard University Art Museums, Island home . But for the Getty it proved a and the Museum of the Rhode Island School of clever choice of a respected and seasoned Design, Wood was also president of the Board of leader at an especially critical moment in the the Pulitzer Foundation for the Arts. Getty’s history . While he surely had plans in the works that were yet to materialize, Jim was Jim Wood and I (and our wives) were long Institute had become the most visitor-friendly already making a difference throughout the acquainted with one another – probably since and genuinely interesting museum in America . complex Getty organization, nimbly handling student days at the IFA, although when you There wasn’t a field covered by the museum that a challenge we never thought would afflict the know someone for so long, it’s often difficult to didn’t benefit from Jim’s astute sensibility, and it Getty: diminished endowment resources . remember just how you met . What sticks in my really showed . Labeling was radically improved mind most vividly is that I was excited when and made both more accessible and more And yet, when I think of Jim Wood the person Jim was at the Albright-Knox Art Gallery, since interesting, which changed the way in which (not just the art historian, museum director, having a friend at my hometown museum gave one understood the extraordinary collections . colleague), something else entirely comes to me a sense of confidence in what was going on That collections focus was very much Jim’s mind: he was a gentleman . That’s such a strange there . Despite the museum’s deserved reputation strong suit, and he often spoke publicly word to describe someone these days . But for its superb collections of world-class works, about its central importance in an age when Jim exuded gentlemanliness, good manners, Jim was engaged with the local art scene and blockbuster attention tended to be the defining courtliness without pretense – all with that was one of the first museum people to recognize criterion of a museum director’s tenure . Sure, lovely New England accent, quiet manner and the work of Buffalo photographer, Milton the Midwest is friendlier than New York, so one wry smile . He may have been a significant Rogovin, whose reputation subsequently soared . always feels more welcomed in museums there . member of the so-called Williams Mafia, having I visited once while Jim was at the St . Louis Art But under Jim’s direction this was combined studied at Williams College, but no one ever Museum, where he also made an indelible mark with a kind of intelligent slant that spoke of was less a mafioso! He wasn’t mimicking the not only on its collections but even publishing deep respect for museum visitors, not just model of the previous generation of museum a book about the museum’s Hardy, Holzman, friendliness, and emphasized the critical role directors, known for a style that was often seen Pfeiffer architectural additions to its famous that the Art Institute’s own holdings played in as haughty . Jim Wood created his own unique original Cass Gilbert building . the community he served . It’s also important style, and the memory of that special persona to note that the recent, much celebrated, will remain with those of us who respected him But for me Jim’s directorial prowess really came Renzo Piano expansion of the Art Institute was and called him a friend and colleague . All of us into its own at the Art Institute of Chicago, begun under Jim’s leadership . He is often cited IFA’ers share in the deep sense of grief over Jim’s which he led for over a quarter century . I in leading his museum in what was later on untimely passing, and send condolences to his loved sending him fan mail about how the Art referred to as the “split the baby” compromise wife, Emese and their two daughters .

Gerrit Lansing In Memoriam: Gerrit Lansing and his wife Suydam Rosengarten This past July, the IFA community was deeply Association, and as a longtime member on the Lansing. saddened to hear the news of Gerrit Lansing’s Connoisseur’s Circle Executive Committee . passing . A dear friend and alumnus (PhD ’99), Gerrit was an important presence at the We extend our deepest sympathies to his wife Institute, serving as the President of the Alumni Suydam, and his family .

12 A Symposium in Honor Jonathan Alexander of Colin Eisler Retires

In March 2010, the Institute hosted a symposium entitled Tout art In May 2010, the IFA community gathered to celebrate the career of s’apprend par art . The symposium honored the fiftieth year of Professor Professor Jonathan Alexander . Colin Eisler’s career at the Institute of Fine Arts .

Jonathan Alexander raises a glass at his retirement party.

Left to right: Jai A. Imbrey, George A. Wanklyn, Ian Wardropper, Roger S. Wieck, Gregory Hedberg, Yassana Croizat-Glazer, Joshua Glazer, Anne Poulet, Bannon McHenry, Colin Eisler, Jonathan Brown, Naomi Miller, Suzanne Boorsch

Doctors of Philosophy conferred in 2009-2010

Julianna Bark Alicia Lubowski Tricia Paik “Jean-Etienne Liotard: The Genevan Years “The Picture of Nature: Alexander von “Ellsworth Kelly: The New York Years, (1757 – 1789)” Humboldt and the Tropical American 1954 - 1969” Sponsor: Mariët Westermann Landscape” Sponsor: Robert Lubar Jamieson Donati Sponsor: Edward Sullivan Marcelle Polednik “Towards an Agora: The Spatial and Archi- Emanuele Lugli “History in the Making: Sigmar Polke and tectural Development of Greek Commercial “Pietre di paragone: The Production of Spatial Photography” and Civic Space in the Peloponnese II” Order in the Twelfth-Century Lombard City” Sponsor: Robert Lubar Sponsor: Clemente Marconi Sponsor: Marvin Trachtenberg Margaret Samu Lindsey Harris Michelle Marlar “The Female Nude in Nineteenth-Century “Picturing the ‘Primitive’ : Photography, “The Osiris Temple at Abydos: An Russian Art: A Study in Assimilation and Architecture, and the Construction of Italian Archaeological Investigation of the Archi- Resistance” Modernism, 1911 – 1936” tecture and Decorative Elements of Two Sponsor: Linda Nochlin Sponsor: Jean-Louis Cohen Temples” Eve Straussman-Pflanzer Anne Hrychuk Sponsor: David O’Connor “Felsine Pittrici: The Women Artist of Early “From Fornix to Arcus: The Origins, Abigail McEwen Modern Bologna” Development and Imperial Transformation “The Practice and Politics of Cuban Sponsor: Linda Nochlin of the Freestanding Roman Arch Abstraction, c . 1952-1963” Lori Waxman (196 BCE to 54 CE)” Sponsor: Edward Sullivan “A Few Steps towards a Revolution of Sponsor: Katherine Welch Elizabeth Nogrady Everyday Life: Walking with the Surrealists, Lorraine Karafel “Abraham Bloemaert (1566 – 1651) the the Situationist International, and Fluxus” “Raphael’s all’antica Tapestries for Pope ‘Netherlandish Academy’ and Artistic Sponsor: Thomas Crow Leo X: Art, Culture, and Politics in Early Collaboration in seventeenth-century Karen Zieve Sixteen-Century Rome” Utrecht” “Painting between the Lines: Eugène Sponsor: Colin Eisler Sponsor: Mariët Westermann Delacroix, Orientalism, and other Histories” Sponsor: Linda Nochlin 13 IFA ALUMNI ASSOCIATION: 2009 Summer Stipends

by Keith Kelly pages; to discern at least three distinct artists’ calligraphy and seal-script seal impressions . I hands where only two had been recognized by was introduced to the history of scripts and Contributions to the IFA Alumni Association scholars; and to compose a list of diagnostics how to use reference books and did substantial help support the Walter s . Cook lecture, the for describing the different artists’ styles . I research on locating primary sources in the CAA reunions, fellowships, and the Newsletter, also continued to record the text included in Yen-ching Library at Harvard . I started to but a portion of alumni funding in tandem this copy of the manuscript, including several learn about Chinese scroll paintings and the with the Rosenwald and Altman funds also important variants to the poems . During the rules of the design of the seals . I became assists the current generation of students . evenings, I drafted my findings, which served acquainted with how to reconstruct a pre- During 2009, the generosity of alumni allowed as the basis for a dissertation chapter that I was modern collection through the collector’s use of us to support stipends for travel and research then writing .” seals, cataloguing and remounting practices . I grants to the tune of $10,900 . The students practiced reading cursive calligraphy of various used the grants for dissertation research, to functions, including private letters, inscriptions polish their language skills, and for other special and colophons on scroll paintings and stylized projects . The Alumni Grants Committee “I had a one-on-one words in writings and images . I also became comprised of Charles Little, Elizabeth Parker, familiar with the formulas of the texts and the Sabine Rewald, and Miriam Basilio work in tutorial with Professor ways of writing them in calligraphy, as well as conjunction with the Institute’s Fellowship the protocols of dating, using titles, and naming Committee . They selected eight grantees all of Qianshen Bai concerned the recipients and the writer himself . All of whom graciously proferred their thanks . this was extremely helpful because the literati with deciphering cursive painters themselves are great calligraphers . calligraphy and seal-script Both the skills of deciphering seal-script seal Andrea Bell, a dissertation level doctoral impressions and reading cursive calligraphy candidate, “French Artists in Rome: An seal impressions.” helps me with not only studying the artistic Examination of Eighteenth-Century Drawing values in their in their own right, but also Albums,” working with Thomas Crow . – Lihong Liu with authenticating the paintings associated “During the summer, on the suggestion of with them . Louis Marchesano of the Getty Research Institute, I travelled to Paris and Rennes to Jessica Pace, a first year Conservation student gather information critical to formulating my Ross Finocchio, a dissertation level doctoral specializing in the preservation and treatment dissertation topic . Of particular importance candidate, “Henry Clay Frick: the Collector” of archaeological materials . “I traveled to the was the opportunity to visit the Musée des working with Jonathan Brown . “At the archives Yermonisos Island archaeological expedition in beaux-arts de Rennes where a great number of of the Getty Research Institute in Los Angeles, Cyprus where I interned on my first excavation . albums made by Jean German Drouais, mostly I examined the account books of Arthur Tooth I learned the techniques of surveying and unpublished, are located . In the absence of and Sons, a gallery with branches in Paris, field walking, the principles of stratigraphic reproductions of these albums, I could not London, and New York, from which Frick excavation and the proper usage of the level frame my dissertation topic . I was also able bought a number of important works between and laser theodolite . I became better versed to speak with curators in Rennes and visit 1895 and 1900 . These include Frick’s first at differentiating pottery from the Byzantine, other archives in Paris . While in France, I Rembrandt (later reattributed to a follower), Late Hellenistic and Chalcolithic periods . substantially improved my French ”. his first example by J .M .w . Turner and two Our biggest find of the season was a very major canvasses from the French portraitist large fragmented pythos; and one of the most Michael Chagnon, a dissertation level doctoral and history painter, Dagnon-Bouveret . Frick’s exciting and challenging parts of my experience candidate, “Pictures from a Shrine City: communications with the gallery are archived in was juggling the logistics of finding proper Illustrated Manuscript Production in Mashhad, the Frick Family Papers, but the internal records space and tools for the assembly of a vessel 1620-1660,” working with Priscilla Soucek . of this firm provided much deeper insight on almost as large as myself .” “In July, I spent ten days at the Chester Beatty their dealings with Frick and other prominent Library in Dublin examining a manuscript American collectors of the same period .” Maggie Popkin, a dissertation level doctoral central to my dissertation, Pers . Ms . 299, an candidate, “The Triumphal Route in illustrated Divan (collected poems) of the 14th Lihong Liu, a dissertation level doctoral Republican and Imperial Rome: Architecture, century poet Hafiz . This work is of particular candidate, “A Known World: The Pictorial Experience, and Roman Identities,” working importance for me as it contains approximately Construction of Place in the Art of Shen Zhou, with Katherine Welch . “I was able to spend 500 illustrations attributed to two of four Wen Zhengming, and Lu Zhi,” working with four and a half weeks working at the American artists thought to have worked in Mashhad . Jonathan Hay . “At , I had a excavations, conducted by the IFA, at the During this trip I was able to locate a previously one-on-one tutorial with Professor Qianshen Sanctuary of the Great Gods on Samothrace . unrecorded signature on one of the illustrated Bai concerned with deciphering cursive Another student and I were responsible

14 Commencement 2010

In May 2010, the Institute’s Commencement Ceremony took place at the James B . Duke House . We were proud to confer 17 Doctors of Philosophy and 32 Masters of the Arts . Congratulations to our graduates!

Patricia Rubin with IFA graduates Tricia Paik, Anne Hrychuk, IFA graduate Tricia Paik Alicia Lubowski

2009 Summer Stipends Continued

for writing about the history, archaeology, and human rights will address aesthetic issues important recent scholarship on South Asian architecture, and significance of the monuments embedded in Article 25 of the Universal culture and urbanism . I also established a for a grant proposal to the European Union Declaration of Human Rights, which declares relationship with a private collection titled Art, on behalf of the site . This research proved the human right to adequate housing . I also Resources, Teaching, whose holdings include invaluable for my knowledge of Hellenistic plan to address innovations in architecture and rare materials on the subjects of my study . architecture . I was also able to work with urbanism occasioned by mass flight and the Its founder, noted art historian Annapurna two architects on site and with a visiting use of art/architecture by refugees and states Garimella, offered enormously valuable digital cartographer to familiarize myself with in exile for identity creation . Additionally, I assistance .” technologies such as Rhine (three-dimensional visited two institutions in Bangalore, India, digital modeling), GigaPan photography (which to develop a case study from the nearby Elizabeth Williams, a dissertation level creates very high-resolution digital images of region of Kushal Nagara, one of the primary doctoral candidate, “Private Jewelry, Public panoramic views), and various map-making resettlement locations of Tibetan refugees, and Bodies: Women and Adornment in the Eastern software such as Arc Map . This experience a major center for the production of an art and Mediterranean (6th-10th c . C .e),” working provides me with a strong base (as well as good architecture associate with Tibetan exile . In with Finbarr Barry Flood and Thelma Thomas . colleagues to whom I can turn for advice in Bangalore, I established contact with the Centre “I took a course at the Nederlands Instituut the future) in the technologies I hope to use for the Study of Culture and Society, an avant- voor Academische Studies in Damascus, to map the triumphal route in Rome for my garde academic institution that has sponsored organized by the faculty of Leiden University . dissertation ”. The program focused on religious interactions in Syria, a topic central to my studies in the art Anooradha Siddiqi, a dissertation level of medieval eastern Mediterranean . The course doctoral candidate, “The United Nations “This research proved united an international group of specialists with Refugee Agency and the Architecture of the students who came to Damascus to examine Camp,” working with Jean-Louis Cohen . invaluable for my knowledge firsthand the communal spirit of religious life in “I scoped out material for my dissertation, the middle ages . We discovered that the sharing developing secondary research around the broad of Hellenistic architecture.” of sacred space and practices was not only a topic of architecture as it pertains to refugees medieval phenomenon, but rather one which and the concept of statelessness . My work on – Maggie Popkin continues to shape Syrian religious experiences the historical intersections of architecture in the present day .”

15 IFA students who have won outside fellowships for 2009-2010

Here is a selectin of prestigious fellowships garnered by IFA students, Congratulations to all!

The The Metropolitan Museum of Art The Warhol Foundation Fellowship Erik Gustafson, Samuel H . Kress Foundation Jennifer Babcock, Hagop Kevorkian Fellowship Lori Waxman Pre-Doctoral Prize Esther Bell, Theodore Rousseau Fellowship Lauren Kinnee, Frank Brown/Samuel H . Kress Keely Heuer, The Dietrich von Bothmer Whitney Museum of Art Foundation/Helen M . Woodruff Fellowship Fellowship Liam Considine, Helena Rubinstien Fellow for of the Archaeological Institute of America Yumiko Kamada, Jane and Morgan Whitney Critical Studies Pre-Doctoral Rome Prize Fellowship Kathryn Moore, Samuel H . Kress Foundation Lorraine Karafel, Sylvan C . Coleman and The American Research Center in Sofia Pre-Doctoral Rome Prize Pamela Coleman Memorial Fund Fellowship Jeremy Ott, Graduate Fellowship Abigail Kornfeld, Chester Dale Fellowship The American School of Classical Studies in Abby McEwen, J . Clawson Mills Fellowship The Dutch Institute in Florence Athens Nicole Myers, Theodore Rousseau Fellowship Lauren Jacobi, Research Fellowship Lauren Kinnee, The Solow Dissertation Judith Noorman, Theodore Rousseau Research Fellowship Fellowship The Indianapolis Museum of Art Patrick Salland, William Kelly Simpson Rebecca Long, Allen Whitehill Clowes Andrew W. Mellon/American Council of Summer Internship Fellowship Learned Societies Sasha Suda, Andrew w . Mellon Fellowship Lauren Jacobi, Dissertation Completion Derek Weiler, Chester Dale Fellowship Lim Pen-Yuan Foundation Fellowship Yulin Lee The Denver Art Museum Morgan Library and Museum Michael Brown, Mayer Curatorial Fellowship Elizabeth Nogrady, Moore Curatorial Memorial Foundation for Jewish Culture Fellowship Fellowship Fulbright Scholarship Abigail Kornfeld Pinar Gokpinar The Grace Johnstone, Summer Intern Museum of Fine Arts, Houston The Guggenheim Fellowship Liam Considine, Summer Intern Lindsay Harris, Joan and Stanford Alexander Amy Raffel, Curatorial Internship Award Vassar College Sarah Montross, Louise Hart Van Loon The New-York Historical Society Fellowship Jason Vrooman, Curatorial Internship

The Walter W.S. Cook Lecture Symposium on Medieval and The Annual IFA Alumni Reunion Thursday, October 7th at 6:00 pm Renaissance Architecture in Thursday, February 10th at 6pm (during CAA) Presented by Gary Radke (PhD ’80) Honor of Marvin Trachtenberg “As will please the ladies”: Planning Choirs, Saturday, November 6th beginning at 10am Conservation Center

T he D ate Kitchens, and Latrines in Fifteenth-Century 50th Anniversary Celebration Venetian Convents October 15-16, 2010

Save Save For more details, go to www.ifa.nyu.edu

16 Faculty Updates

Jonathan Alexander 2009; “La recherche architecturale et le tournant Borrowings: Soviet Americanisms 1945-1970,” Publications: “Two English Fifteenth-Century de 1980,” in Dominique Amouroux, dir ., Le livre colloque Cold War Culture, Victoria & Albert Manuscripts in the Biblioteca Estense with de l’École nationale supérieure d’architecture de Museum, Londres, 2008; “Grenoble 1974: illuminations attributable to the ‘Caesar Master’,” Nantes, Gollion, inFolio, 2009; “De la fondation Eurocommunism Meets Urbanism,” colloque in Tributes to Kathleen L. Scott. English Medieval à l’invention urbaine,” L’Axe majeur. Cergy- “Rethinking Theory, Space, and Production: Henri Manuscripts: Readers, Makers and Illuminators, ed . Pontoise, Paris, Beaux-Arts éditions, 2009; “Paris Lefebvre Today,” Delft University of Technology, Marlene .Villalobos Hennessy, London: Harvey Seen by Hegemann: Classicism, Reform, and 2008; Membre du comité scientifique du colloque Miller Publishers, 2009; 1997 book on the Bad Taste,” in Charles C . Bohl et Jean-François Solid States: Changing Time for Concrete, The Second Towneley Lectionary, illuminated by Giulio Clovio, Lejeune, dir ., Sitte, Hegemann and the Metropolis. Columbia Conference on Architecture, Engineering, translated into Italian and published by Cosimo Modern Civic Art and International Exchanges, and Materials, Columbia University, New York, Panini, Modena, 2008, as Il Lezionario Farnese: Londres, New York, Routledge, 2009; “Ecochard 2008, et modération du panel “The Scale of Towneley lectionary : manoscritto 91, New York, Michel, Laprade Albert, Le Corbusier, Perret Practice: Global Practice/Global Client;” “Los The New York Public Library, Astor, Lenox e Tilden Auguste, Prost Henri,” in François Pouillon, dir ., Angeles, Capital of Lautner’s Americas,” keynote Foundations: commentario; “Italian Renaissance Dictionnaire des orientalistes de langue française, address, Against Reason: John Lautner and Postwar Illumination,” Yale University Press (forthcoming) . Paris, Institut d’étude de l’Islam et des sociétés Architecture, Hammer Museum, Getty Research Lectures: “Drawings in the Medieval Manuscript,” du monde musulman, Karthala, 2008; “Paris Institute, Los Angeles, 2008; Organisation du Metropolitan Museum New York, 2009; importe: urbanisme made in Germany,” in Thierry séminaire London/Paris-Paris/Londres, Institut “Kunstgeschichte ohne Namen: Problems of Baudouin, François Laisney, Annie Térade, dir ., national d’histoire de l’art, Paris, 2008 et Attribution in Book Illumination in Venice and Paris, Alchimies d’une métropole, Paris, Editions intervention “Le ‘Grand Paris’ et l’exemple de Padua,” Renaissance Manuscript Illumination in Recherches, 2008; “Metropolis in the Mirror: Londres;” Participation à la table ronde “La colline Venice and the Veneto, Renaissance Society of Planning Regional New York and Paris,” in Donald de Ronchamp est-elle sacrée,” Cité de l’architecture America, Venice, 2010 . Albrecht, dir ., Paris/New York. Design, Fashion, et du patrimoine, 2008; “L’CEuvre complète de Culture 1925-1940, New York, The Monacelli Le Corbusier et Pierre Jeanneret, document ou Jonathan Brown Press, 2008; “John Lautner’s Luxuriant Tectonics,” fiction?”, colloque “Le livre et l’architecte,” École Exhibitions: co-curator with Lisa Banner (IFA in Nicholas Olsberg, dir ., Between Earth and nationale supérieure d’architecture de Paris- alum) and Susan Grace Galassi (IFA alum), The Heaven: The Architecture of John Lautner, Los Belleville, Institut national d’histoire de l’art, Spanish Manner: Drawings from Ribera to Goya, Angeles, Hammer Museum, New York, Rizzoli, 2008; Participation à la table ronde conclusive du The Frick Collection, 2010; Curator, La pintura de 2008; “Moments suspendus: le voyage aérien colloque “Return Emigrations: Architectural los Reinos, Museo del Prado/Palacio Real, Madrid, et les métaphores volantes,” in Marc Bédarida, Cross-Currents in Post-War Germany and 2010-2011 . Claude Prelorenzo, dir ., Le Corbusier, moments America,” Columbia University, New York, 2008 . Publications: “A Restored Velazquez, A Velazquez biographiques, Paris, Éditions de la Villette, 2008; Lectures: “Beyond Modernism in African Restored,” in Velazquez Rediscovered, Metropolitan Lectures and Presentations at Conferences: Cities,” Rusty Bernstein Memorial Lecture, Museum of Art, 2009; “Floating in Space” (drawing Conferences: Répondant, “L’architecture du School of Architecture and Planning, University by Goya), Art News, 2010 . palais de justice: une rétrospective franco- of the Witwatersrand, Johannesburg, 2009; “ Le Awards and Honors: Elected Honorary américaine, 1992-2002,” Université de Paris I, Corbusier’s Toward an Architecture, ”New York Member, Phi Beta Kappa, Alpha Chapter of New Harvard University, Institut national d’histoire University, Abu Dhabi Institute, Abu Dhabi, Hampshire (Dartmouth College); Essays in Honor de l’art, 2009; “Du futurisme au néo-réalisme: 2009; “Marianne, Germania and Eupalinos: of JB, 2010, Institute of Fine Arts . les architectes modernes devant l’Italie,” colloque Architecture in the French/German Relationship,” “Dalla percezione alla restituzione: l’Italia degli Getty Research Institute, Los Angeles, 2009; “The Jean-Louis Cohen artisti e degli architetti stranieri nel XX secolo,” Boundary as Threshold,” cycle de conférences Mailing Address: 1 East 78th Street, New York, Académie de France, Rome, 2009; “Front to Rear: “Fuzzy Boundaries,” Department of Architecture NY 10075 Architecture and Planning During World War I,” and Urban Design, University of California, Los Email address: jlc2@nyu .edu conception et direction du colloque, Institute of Angeles, 2009; “New York e gli architetti europei: Publications: Books: France ou Allemagne? Un livre Fine Arts, New York University, Centre canadien dal modello al campo giochi,” Master di storia inécrit de Le Corbusier, Paris, Éditions de la Maison d’architecture, université de Princeton, New York, dell’architettura, Università di Roma Tre, 2009; des sciences de l’homme, 2009; en allemand: 2009; Intervention à la table ronde Paris/New York: “Le Corbusier: latest news from the front, ” Frankreich oder Deutschland? Ein ungeschriebenes “Expositions, Worlds Fairs and the International Maison française, American Institute of Architects, Buch von Le Corbusier, Berlin, Munich, Deutscher Exchange of Ideas in the Early 20th Century,” New York, 2009; “Le Corbusier: the lyricism of Kunstverlag, 2010 . New York, Paris, Citadelles & Maison française, New York University, 2009; architecture in the machine age,” Barbican Centre, Mazenod, 2008; “The Man with a Hundred Faces”, Intervention au colloque “Le ragioni del Museo . Londres, 2009; “Architecture between front and introduction à Le Corbusier, Le Grand, Londres, Temi, pratiche e attori,” Comitato nazionale per il rear: designing World War II,” Taubman College New York, Phaidon, 2008; trad . de Le Corbusier, centenario della fondazione della Società Olivetti, of Architecture and Urban Planning, University of Vers une architecture, éd . de 1924; “Unser Kunde Ministero per i beni e le attività culturali, Ivrea, Michigan, Ann Arbor, 2009; “Toward the greater is unser Herr: Le Corbusier trifft Bat’a,” in 2008; “Infiniment neuve, infiniment fraiche, Paris : planning the region since 1920,” Berlage Winfried Nerdinger, dir ., Zlín; Modellstadt der l’architecture de Los Angeles vue d’Europe,” Institute, Rotterdam, 2009; “Writing a History Moderne, Berlin, Jovis Verlag, 2009; “La vallée de colloque “Pour une poétique du détour, rencontre of 20th Century Architecture: Questions and la Bièvre, visite avec Alexandre Chemetoff,” in autour d’André Corboz,” Institut national d’histoire Methods,” séminaire, Northwestern University, Alexandre Chemetoff, Visites, Paris, Archibooks, de l’art, Paris, 2008; Participation à la table ronde Evanston, Ill ., 2008; Exposé à l’occasion de 2009; “Le Corbusier y el segundo impulso de “‘Das Berliner Schloss?’ Between Construction, l’inauguration de l’exposition In der Wüste lo moderno en Francia,” in Juan Calatrava, dir ., Deconstruction and Reconstruction,” Deutsches der Moderne, koloniale Planung und danach, Doblando el Ángulo recto. 7 ensayos en torno a Le Haus et Center for European and Mediterranean Haus der Kulturen der Welt, Berlin, 2008; Corbusier, Madrid, Ediciones Arte y Estética, Studies, New York University, 2008; “Hypocrite “Architektur in Uniform: entwerfen und bauen

17 Faculty Updates Continued für den Zweiten Weltkrieg,” Fakultät Architektur, Finbarr Barry Flood Alexander Nagel Institut für Baugeschichte, Architekturtheorie Publications: Books, 2009: Objects of Translation: MA 1996, PhD 2004 und Denkmalpflege,T echnische Universität Material Culture and Medieval ‘Hindu-Muslim’ Email address: Dresden, Dresde, 2008; “Writing a History of 20th Encounter (Princeton, Princeton University an43@nyu .edu Century Architecture: Questions and Methods,” Press); Objects of Translation: Material Culture Publications: Books: Simpson Center for the Humanities, University of and Medieval ‘Hindu-Muslim’ Encounter (Delhi, Anachronic Renaissance Washington, Seattle, 2008; “Architettura dal 1980, Permanent Black) . Articles and Essays, 2009: (Co-author Christopher Wood), dal Postmoderno all’Ipermoderno,” Università “Masons and Mobility: Indic Elements in Twelfth- New York: Zone Books, 2010; Roma Tre, Rome, 2008; “L’architecture de New century Afghan Stone-carving,” in Anna Filigenzi Subject as Aporia in Early Modern Art York: délire et dollar,” Maison de l’architecture & Roberta Giunta, eds ., Fifty Years of Research in (Co-edited with Lorenzo Pericolo), Aldershot, des pays de Loire, Nantes, 2008; “Los Angeles: the Heart of Eurasia, Istituto Italiano per l’Africa Ashgate Press, 2010 . l’automobile, plus long chemin entre le tramway et l’Oriente, Rome, 2009; “La communauté Lectures and Presentations at Conferences: et le metro,” Club ville et aménagement, 2008; imaginaire,” Qantara, 73; “An Ambiguous “Report on Some Discoveries of 1492,” invited “Encore une? Écrire une histoire de l’architecture Aesthetic: Crusader Spolia in Ayyubid Jerusalem,” lecture, Center for Medieval and Renaissance du XXe siècle,” Maison de l’architecture Rhône- in Sylvia Auld & Robert Hillenbrand, eds ., Ayyubid Studies, UCLA, 2010; “What does a portrait Alpes, Villeurbanne, 2008; “Scholarship or Politics? Jerusalem, World of Islam Festival Trust, London; want?” invited lecture, Cabinet Space, New Architectural History and the Risks of Autonomy,” “Islamic Identities and Islamic Art: Inscribing York; 2009; “Towards a typology of gibberish,” Keynote address à la rencontre annuelle de la the Qur’an in Twelfth-Century Afghanistan,” in invited lecture, Department of the History of Society of Architectural Historians, Cincinnati, Elizabeth Cropper, ed ., Dialogues in Art History, Art, University of Pennsylvania; 2009; “Non- 2008; “ Paris and the French State: Representation from Mesopotamian to Modern: Readings for a New site-specificity: Robert Smithson and the Holy and Control, ” Max Weber lecture series, “Power Century (Studies in the History of Art Series) Land,” College Art Association Conference; Los and Architecture: The Construction of Capitals,” National Gallery of Art (Washington, D .C .) . Angeles, 2009 . Conferences (organized or chaired): Deutsches Haus et Center for European and Review Articles, 2009: “Review of Oleg Grabar, 2010, Professor Nagel will be running a working Mediterranean Studies, New York University, The Dome of the Rock” (Cambridge, Mass ., 2006), group entitled “The Reformation in a Global 2008; “Le Corbusier’s Toward an Architecture: Journal of Palestine Studies, 38/4 . Context” at the Institut National de l’Histoire de From the Bildungsroman to the Manifesto,” Los Invited Lectures and Papers: 2010: “All that l’Art in Paris . Participants include Finbarr Barry Angeles, Getty Research Institute, 2008; School of Glitters: Ornamentation, Animation, and Islam’s Flood, Alessandro Russo, and Olivier Christin . Architecture, University of Miami, 2008; “Regards ‘Image Problem’,” Elizabeth and Todd Warnock Projects: Books: The Controversy of Renaissance Art croisés sur les stratégies de développement urbain Lecture, Art History Department, Northwestern (forthcoming, Chicago University Press); Medieval à Paris et à Berlin au 20e siècle,” introduction à University . “All that Glitters: Image and Ornament Modern (under contract, Thames and Hudson) . la Journée de formation à destination des élus in Early Islam,” Institute for Advanced Study & parisiens “Paris-Berlin, villes durables? Echanges Department of Art and Archaeology, Princeton David O’Connor et réflexions autour des initiatives berlinoises et University . “All that Glitters: Image and Ornament Publication: parisiennes,” 2008 . in Early Islam,” Aga Khan Program for Islamic Abydos: Egypt’s First Pharaohs Conferences: (organized or chaired): Organization Architecture, Department of the History of Art and the Cult of Osiris, of the symposium “Front to Rear: Architecture and Architecture, Harvard University . “Between Thames & Hudson, 2009 . and Planning During World War I,” Institute of Hair Extensions and Tattoos: The Status of the Fine Arts, New York University, Centre canadien Image in Islam,” presented in the series Fusions d’architecture, université de Princeton, New York, in the History of Art, Department of Art History, 2009; Conduite scientifique de la rencontre “Paris University of Delaware . “Rethinking the Real: Métropoles en miroir; L’Ile de France comme Islamic Theology as a Source for Image Theory,” région métropolitaine,” Institut d’études avancées, History of Art Department, Johns Hopkins Marvin Trachtenberg Paris, 2008 . University, Baltimore, 2009: “From King of the Publication: Honors and Awards: Getty Visiting Scholar, Getty Mountains to the Second Alexander: Going Global Building-in-time from Research Institute, Los Angeles, California, Spring in Medieval Afghanistan,” Wilkinson Lecture, Giotto to Alberti and 2009 . Metropolitan Museum of Art, New York . Modern Oblivion, Projects: Exhibition: Architecture in Uniform; Conference Panels and Workshops: 2009: Yale University Press, 2010 . Designing and Building for World War Two, Discussant for “Middle Eastern Art in Translation: Centre Canadien d’Architecture, Montréal et A Conversation with Critics, Artists and Curators,” Nederlands Architectuurinstitut, Rotterdam, 2011 a panel discussion at the Hagop Kevorkian Center, (curator); Exhibition: Interférences à travers le Rhin, New York University l’architecture entre France et Allemagne, Musée d’art moderne et contemporain, Strasburg, 2012 (curator Jonathan Hay: with Hartmut Frank) . Publications: Sensuous Surfaces: The Decorative Object in Early Modern China, Reaktion Books: Philippe de Montebello 2009; “Luo Ping: The Encounter with the Interior Awards and Honors: Received the 2009 National Beyond .” In Eccentric Visions: the Worlds of Luo Humanities Medal awarded by President Barack Ping, edited by Kim Karlsson . Zurich, Museum Obama . Rietberg, 2009 .

18 Alumni Updates

Editors note: This year, we organized alumni discourse between the original artist and the viewer” Patricia Eichenbaum Karetzky updates by field of interest rather than in Art: Conservation and Authenticities, material, Asian Art MA, PhD 1979 alphabetically by last name. We hope this new concept, context, edited by Erma Hermens and Mailing Address: 150 East 69th St # 10N, NY, NY format will allow readers to discover alumni Tina Fiske, 2009, Archetype books; Report author 10021 achievements within their own fields with (rapporteur) for the Salzburg Global Seminar on Email Address: Karetzky@bard .edu relative ease. “Connecting To The World’s Collections: Making Website: Karetzky .com The Case For The Conservation And Preservation Latest Position: o . Munsterberg Chair of Asian Conservation ...... 19 Of Our Cultural Heritage,” 2009, posted online . Art, Bard College; Assoc . Prof ., Lehman College Publications: Articles, Medieval Chinese Art: Asian Art...... 19 Serena Urry “Images of the Immortal in Ancient Chinese Conservation, Art,” The Proceedings of International Conference Islamic Art...... 20 Certificate in of Taoism on Mt. Tiantai and Zhejiang, Zhejiang Conservation, 1989 Ancient Art Publ ., 2008; “Empress Wu, Maitreya Ancient Near Eastern, Greek & Roman Art. . 21 Mailing Address: and Xuanzang,” New Delhi Conference on Xuanzang 276 East Palmer St ., and the Silk Road, New Delhi: National Museum, Early Christian to Medieval Art...... 21 Detroit, MI 48202 Delhi: Indira Gandhi National Center for the Arts, Email Address: 2008; “The Evolution of the Image of Xian in the Renaissance to 18th Century Art ...... 23 urrys@hotmail .com Han,“Daoist Art History, Xi’an Art Academy of Publications: “Technical Evidence for the Art, 2008; “The East West Transmission of the 19th Century, Modern & Contemporary Art. 28 Construction of the Predella of Sassetta’s Borgo San Wine Ewer,” Kristi, New Delhi, 2008; Articles, Sepolcro Altarpiece in the Panels of the Passion of Contemporary Chinese Art: “New Works, New Christ in the Detroit Institute of Arts” Directions in the Art of Yang Jinsong,” Yishu, v .7, Conservation Sassetta: The Borgo San Sepolcro Altarpiece, ed . 2008; “Xu Yong: Photographer of the Vanishing Machtelt Israëls, Villa I Tatti, The Harvard Past and the Emerging Future of China,” Yishu v . Victoria Jenssen University Center for Italian Renaissance Studies, 7, 2008;“Conroy Sanderson: Two Heads are Better MA 1975, Conservation Certificate 1976 Florence, and Primavera Press, Leiden, 2009 . than One,” Yishu v .8, 2009; “Cui Guotai, “Rust Mailing Address: 1668 Whiteside Road, Lectures: “Technical Examination and Treatment Never Sleeps”, Yishu v . 8, 2009 . Cleveland, Nova Scotia B0E 1J0 Canada of Three Panels of a predella by Sassetta” American Papers Presented At Meetings: “Regional Style Email Address: victoriajenssen@gmail .com Institute for Conservation, 38th annual meeting, and The Role of Scriptures in the Evolution Latest Position: Freelance Art History Milwaukee, WI, 2010 . of Buddhist Art During the Medieval Period,” Project: Researching and writing The Art of Carol Chinese Buddhist Art: New Dimensions and Janeway: ceramics and paintings. Joanne Klaar Walker Perspectives, University of Sydney, Australia, 2008; Always looking for Janeway tiles, many of which IFA/Conservation Center, “Tang Buddhist Metropolitan Style,” T’ang Studies: were sold at Georg Jensen Inc ., 1940’s . 2005 The Next Twenty-five Years, University of Albany, Email Address: SUNY, 2009; “The Evolution of the Image of the Will Shank jklaar22@hotmail .com Divine in Daoist Art,” Fifth International Daoist Conservation, MA 1981, Latest Position: Studies Conference, Mt Wudang Hubei, 2009; Conservation Certificate, 1982 William r . Leisher Memorial “Contemporary Christian Art,” Sixth International Mailing Address: Calle Ample 17-19, Principal 2, Fellow in the Research and Conference of Asian Studies 6, Daejon, Korea, 08002 Barcelona, Spain Treatment of Modern 2009 . Email Address: willshank@earthlink .net Paintings, National Gallery of Art Projects: Curatorial: 2009 Xun Dao Searching Awards: Conservation Advocacy Award, 2010, Publications: “Textural Techniques in Diego for the Spiritual in Chinese Contemporary Art, from the American Institute for the Conservation Rivera’s Cubist Paintings in Diego Rivera, The Frederieke Taylor Gallery, NYC . of Artistic and Historic Works for his role as Cubist Portraits 1913-1917, exhibition catalogue, co-founder and co-chir of Rescue Public Murals, Dallas, Meadows Museum, SMU, 2009 . Diana P. Rowan an Initiative of Heritage Preservation in Buddhist Sculpture, PhD 1997 Washington, D .C . Mailing Address: 1140 Fifth Avenue, New York, Asian Art NY 10128 Joyce Hill Stoner Email Address: dprowan@nyc .rr .com MA, 1970; certificate in Rosina Buckland Latest Position: Contractual Lecture, The conservation in 1973 (PhD Japanese art history, Metropolitan Museum of Art in Art History, UD, 1995) PhD 2008 Publication: Contributor to the catalogue [3 of Current Position: Edward f . Email Address: rosina . 22 entries], Treasures Rediscovered: Chinese Stone and Elizabeth Goodman buckland@gmail .com Sculpture from the Sackler Collection at Columbia Rosenberg Professor of Latest Position: University (Columbia University in the City of Material Culture, Senior Curator (Japan), New York, Miriam and Ira D . Wallach Art Gallery, University of Delaware Dept of World Cultures, 2008) Lecture: “Degrees of Authenticity,” University of National Museum of Scotland Delaware, 2009 . Publications: Shunga: Erotic Art in Japan, British Publications: “Delivered keynote address, Museum Press, autumn 2010 . conference at the University of Glasgow, and published as: “Degrees of authenticity in the

19 Alumni Updates Continued Asian Art continued

Hannah Sigur “Painting as Performance,” Essay for the catalogue Historians of Islamic Art Association . Japanese Art History, of exhibition of works by Reza Derakhshani, Leila Publications: “The Writing on the Wall: Reading ABD 1994 Taghinia-Milani Heller Gallery, New York, 2009; the Decoration of the Alhambra,” Muqarnas, 26, Mailing Address: Isfahan and its Palaces: Statecraft, Shi‘ism and the 2009; “A Poem is a Robe and a Castle: Inscribing 1821 San Ramon Avenue, Architecture of Conviviality in Early Modern Iran Verses on Textiles and Architecture in the Berkeley, CA 94707 Edinburgh: University of Edinburgh Press, 2008 . Alhambra,” 11th Biennial Symposium of the Textile Email Address: Awards: Middle East Studies Association, Society of America, Proceedings, Honolulu, Hawai`i, hannah .sigur@gmail .com Houshang Pourshariati Iranian Studies Book 2009; “Designs Always Polychromed or Gilded: Website: www .linkedin .com, Award for 2009 best book on an Iranian subject The Aesthetics of Color in the Alhambra,” And www .academia .edu Isfahan and its Palaces: Statecraft, Shi‘ism and the Diverse are Their Hues: Color in Islamic Art and Latest Position: Adjunct Lecturer, Art Architecture of Conviviality in Early Modern Iran Culture, Proceedings of the 3rd Biennial Hamad bin Department, San Francisco State University Edinburgh: University of Edinburgh Press, 2008; Khalifa Symposium on Islamic Art, Cordoba, Spain, 2003-current; Adjunct lecturer, Art History, Tom and Patricia Kennedy Residential Fellowship, forthcoming, New Haven: Yale University Press, University of California, Davis 2003-current . School of Art and Art History, University of South 2010; Entries for the catalog of Islamic Art at the Publications: The Influence of Japanese Art on Florida, Tampa, Florida, 2011 . Metropolitan Museum of Art, forthcoming, 2011 . Design (Gibbs Smith, 2008) . Lectures and Presentations at Conferences: Lectures and Presentations at Conferences: Current Project: Writing a chapter on the World’s 2010: “Domestic Architecture and Social History “Designs Always Polychromed or Gilded: The Columbian Exposition of 1893 for the newest of Cosmopolitanism in the Middle East: Cairo, Aesthetics of Color in the Alhambra,” “And Diverse edition of Events that Changed America in the 19th Isfahan and Aleppo (17th-18th c),” at the Supreme are Their Hues: Color in Islamic Art and Culture,” Century, by John Findling (ABC-Clio/Greenwood Council of Antiquities, Cairo, Egypt; “Signs of Proceedings of the 3rd Biennial Hamad bin Khalifa Press), forthcoming later this year or early 2011, Architectural Personhood in 15th-century Persianate Symposium on Islamic Art, Cordoba, Spain, 2009 . and with Dr . Findling will present at the PCA/ACA World,” in two-part panel entitled “The Visibility Projects: Monograph in progress on the Alhambra; annual meeting in St . Louis at the end of March . of the Architect across Cultures,” at the Renaissance essay on the Royal Chapel in the Cathedral of Lectures: “From Japanese to Japonesque Society of America Annual Conference, Venice, Córdoba, Spain . to Modern: Wallpaper Design 1876-1915” Italy; “Where is the Modern in Post-Modern?’ Smithsonian-Corcoran MA Program in the and other problems in contemporary arts from Tom Freudenheim Decorative Arts, 2010; “A Pure Invention” the Middle East,” American University in Beirut, Islamic Art, MA 1966 Victorian Society of America Newport Summer Beirut, Lebanon; 2009: “Sacred Sites of Kingship: Mailing Address: 1200 Fifth Avenue, Apt . 5B; School, 2009; “Japanese and Japonesque in a Rethinking the Architectural Plan of Safavid New York, New York 10128 Collection .” Utah Museum of Art, 2009; “Japan Isfahan,” British Museum, London, UK; “Anxious Email Address: Tom@Freudenheim .com at the International Expositions: ‘Art’ and Politics Historiographies of ‘Islamic’ Art,” organizer of Projects: President, Board, American Federation in the Gilded Age” Popular Culture Association/ workshop and lecture, Getty Research Institute, of Arts and serves on several other boards; Fellow, American Culture Association Annual Meeting, Los Angeles; “Of Architecture and Kingship; from Goodenough College, London; Wall Street Journal New Orleans, LA, 2009; Various book-related the Achaemenids to the Pahlavis,” panel co-chair art critic, columnist presentations, 2008-2009: Fine Arts Museums and co-organizer, College Art Association: Curator: The Museum Journal of San Francisco, Asian Art Museum of San Los Angeles, CA Francisco, Mechanics Institute, San Francisco; Current Projects: Co-edited book and chapter Aysin Yoltar-Yildirim Maymont House, Richmond Virginia; San Diego contribution, Persian kingship and architecture: Islamic Art, MA 1994, PhD 2002 Society of Appraisers; The George Washington Strategies of power in Iran from the Achaemenids Mailing Address: 12 Robinson Street, Apt . 21, University, Washington, DC; Savannah College to the Pahlavis (accepted for publication by i . B . Cambridge, MA 02138 of Art & Design; Berkeley Architectural Heritage Tauris, scheduled 2012); On the Architectural Email Address: ayoltar@yahoo .com Association . Mnemonics of the Metropole in the Middle East Latest Position: Independent Scholar book-length, trans-regional study of domestic Publications: Ottoman Decorative Arts, Ankara architecture and decoration focusing on mercantile 2009; “Seljuk Carpets and Julius Islamic Art networks and cosmopolitan communities in 17th Harry Löytved-Hardegg: A and early 18th centuries Aleppo, Damascus, Cairo German consul in Konya in the Sussan Babaie and Isfahan; Series of essays on contemporary early 20th century .” Thirteenth Islamic, PhD 1994 art from the Middle East concerning new global International Congress of Turkish Mailing Address: 3000 Hunting Valley Drive, Ann marketability, missing modernisms and the Art (Proceedings), Eds . G . Dávid Arbor, MI 48104 problems of history with a focus on Iran but also and i . Gerelyes, Hungarian Email Address: sbabaie@mac .com thinking about Egypt, Syria and Lebanon . First National Museum, Budapest . Last & New Positions: Getty Visiting Scholar, installment accepted for publication by the Getty Honors and Awards: Barakat Getty Research Institute, 2008-2009; Fulbright Research Journal. Trust Grant for a combined Regional Scholar, Egypt and Syria, 2009-2010; art history and conservation project (with IFA Allianz Visiting Professor, History of the Arts, Olga Bush conservation alumnus P . Hepworth) . University of Munich, 2010-2011 Islamic Art and Architecture, PhD 2006 Projects: Endowment deeds of Ottoman royal Publications: “The Safavid Empire of Persia: ‘The Mailing Address: 151 College Ave . Apt . 2, women at the Ankara Vakiflar Museum . Padshah of the Inhabited Quarter of the Globe,’ in Poughkeepsie, NY 12603 The Great Empires of Asia, edited by Jim Masselos Email Address: olbush@vassar .edu (Thames and Hudson, 2010); “Visual Vestiges of New Position: Adjunct Assistant Professor of Travel: Persian Windows on European Weaknesses,” Islamic Art and Architecture, Department of Journal of Early Modern History 13 (2009); Art, Vassar College; 2010-13 Newsletter Editor,

20 Ancient Near Eastern, Greek & Beth Cohen Athens, Benaki Museum, 2009 . Roman Art Greek and Roman Art, MA 1970, PhD 1977 Lectures and Presentations at Conferences: Mailing Address: 425 E 86th St ., Apt . 4C, New “Creative Intentions, Truth, and Archaeology,” Zainab Bahrani York, NY 10028-6491 Symposium on The Creative Photograph in Ancient Near Eastern Art, Latest Position: Museum Review Editor, The Archaeology exhibition, at the Benaki Museum PhD 1989 American Journal of Archaeology, 2007-2010 (2008) and at Fairfield University 2007; “Looking Mailing Address: Department Publications: “New Light on a Master Bronze Past the Myths in the Parthenon Metopes,” of Art History, Columbia from Etruria: Exhibition review of The Chimaera Parthenon Sculpture, Parthenon Project Japan 2007- University, 826 Schermerhorn of Arezzo at the Getty Villa of the J . Paul Getty 2009, Tsukuba University, Tsukuba-City, Japan, Hall, 1190 Amsterdam Avenue, Museum,” American Journal of Archaeology 114, 2008 . New York, NY 10027 forthcoming, 2010 at www .ajaonline .org; Articles Conferences: Organizer, Symposium on “The Email Address: in the Encyclopedia of Ancient Greece and Rome, Creative Photograph in Archaeology,” in zb2101@columbia .edu Oxford University Press, 2009: “Ancient Painting;” conjunction with an exhibition of the same name, Latest Position: Edith Porada Professor of Art “Vase Painters .”; “Antiquities Belonging to the at Fairfield University, 2007 . History and Archaeology, Columbia University, City of Paris: The Reinstallation of Greek and Exhibitions: Parthenon East and North Metope New York Roman Antiquities in the Petit Palais, Musée des drawings (scans of 26 drawings), permanent Publications: Rituals of War: the body and violence Beaux-Arts de la Ville de Paris,” American Journal of installation, Parthenon Gallery, Acropolis Museum, in Mesopotamia . New York Zone Books, 2008 . Archaeology 112, 2008; “Museum Reviews Editorial since June 2009, http://tinyurl .com/yb87m4w; “An Honors and Awards: 2009, Awarded The Statement,” American Journal of Archaeology 112, Archaeologist’s Eye: Photographs and Parthenon American Historical Association’s James Henry 2008; “The Colors of Clay: Combining Special Drawings of Katherine Schwab,” Lukacs Gallery, Breasted Book Prize for her latest book, Rituals of Techniques on Athenian Vases,” in Kenneth Fairfield University, Fairfield, CT, 2009 . War; elected to the Slade Professorship in the Fine Lapatin ed ., Papers on Special Techniques in Athenian http://blog .fairfield .edu/cas/?p=169 . Arts, Oxford, 2010-2011 . Vases, Los Angeles, The J . Paul Getty Museum, Projects: “Caryatid Hairstyling Project” and DVD, 2008; Art consultant for Sarah B . Pomeroy, Stanley project director, 2009 . Beryl Barr-Sharrar M . Burstein, Walter Donlan and Jennifer Tolbert http://www .fairfield .edu/caryatid Greek and Roman, Roberts, Ancient Greece: A Political, Social, and MA 1972, PhD 1980 Cultural History, 2nd ed ., Oxford University Press, Mailing Address: New York and Oxford, 2008 . Early Christian to Medieval Art 311 East 72nd Street, Lectures: “Jewelry and the Construction of New York, NY 10021 Female Identity in Athenian Art,” International Jennifer Ball Email Address: Colloquium: Pratiques politiques et culturelles du Early Christian and Byzantine Art, 1994-2001 bbsharrar@aol .com / vêtement: s’habiller et se déshabiller en Grèce et à Mailing Address: 552 Riverside Drive #3K NY, bbs5@nyu .edu Rome, Institut national d’ histoire de l’art (INHA), NY 10027 Latest Position: Paris, 2009 . Email Address: jball@brooklyn .cuny .edu Adjunct Professor of Fine Arts, Institute of Fine Latest Position: Associate Professor Brooklyn Arts Eugene Dwyer College and the Graduate Center, CUNY Recent Publications: Articles: “A Plakettenvase Roman Art, MA 1967 Publications: “The Missing Link: Filling the Gap from Ancient Messene,” in KEPMATIA: Essays in Publications: Pompeii’s Living in the Evolution of Medieval Domestic Looms,” in Honor of Ioannis Touratsoglou . Athens, 2009; “A Statues: Ancient Roman Lives Anayemata Evrtika: Early Christian, Byzantine and Classical Greek Bronze Situla with Figurative Relief Stolen from Death. Armenian Studies in Honor of Thomas F. Mathews in the Museum of Fine Arts, Boston” (with Richard Ann Arbor: University of (Mainz: Philipp von Zabern GmBH, 2009) . Newman) in Materials and Manufacturing Processes, Michigan Press, 2010; 24, London 2009; Encyclopedia Entry: “The “Pompeii versus Herculaneum,” Ena Heller Derveni Krater,” Oxford Encyclopedia of Ancient in Carol Mattusch (Ed .), Medieval/Renaissance, MA 1991, PhD 1997 Greece and Rome,” 2010 . Rediscovering the Ancient World Mailing Address: 64 Linwood Road, New Lectures: “New Observations on the Derveni on the Bay of Naples, Pompeii and the Roman Rochelle, NY 10804 Krater and its Macedonian Context,” Alexander Villa: Art and Culture around the Bay of Naples, Email Address: eheller@mobia .org Onassis Cultural Center, (co- Washington, National Gallery of Art, 2008 –2009, Latest Position: Director, Museum of Biblical Art sponsored by the Archaeological Institute of forthcoming . (MOBIA) America), 2008; The J . Paul Getty Museum, Los Publications: Perspectives on Medieval Art: Learning Angeles, 2008; The American School of Classical Katherine Schwab through Looking, contributing editor, Giles Ltd . & Studies at Athens, 2008, and the Archaeological Ancient Greek Art, PhD 1988 MOBIA, 2010; “Sibling Rivalry: Martha and Mary Museum of Thessaloniki, 2008 . Mailing Address: 153 Hunyadi Avenue, Fairfield, of Bethany,” in From the Margins II: Women of the Projects: Invited paper on the marble maenad CT 06824 New Testament and their Afterlives, eds . Christopher in Dresden for the International Conference on Email Address: kaschwab@fairfield .edu C . Rowland and Christine e . Joynes, Sheffield Skopas of Paros, Paros (Greece), 2010; a book Publications: Chap . 7: “New Evidence in Phoenix Press, 2009; Tobi Kahn: Sacred Spaces of the on Hellenistic luxury metalwork: gold, silver and Parthenon East Metope 14,” Structure, Image, 21st Century, contributing editor, exhibition catalog, bronze; a book on Greek bronze vessels, Archaic to Ornament: Architectural Sculpture of the Greek Giles Ltd & MOBIA, 2009; “Bibles, Midrashim, late Hellenistic; an introductory guide to Greek art World, ed . r . von den Hoff and P . Schultz, David and Medieval Tales: The Artistic Journey of in bronze . Brown Books/Oxbow Books, 2009; “Creative Potiphar’s Wife,” in From the Margins I: Women of Intentions, Truth and Archaeology,” The Creative the Hebrew Bible and their Afterlives , eds . Peter s . Photograph in Archaeology, ed . C . Antoniades, Hawkins and Lesleigh Cushing-Stahlberg, Sheffield

21 Alumni Updates Continued Early Christian to Medieval Art continued

Phoenix Press, 2009; “From the Trenches of the University of Illinois C . H . Krinsky, London, 2007 . Museum of Biblical Art” in Re-Enchantment, eds . Publications: Review of De la ‘Cité de Dieu’ au Projects: Co-Editor, Studies in Iconography, James Elkins and David Morgan, Routledge, 2009 . ‘Palais du Pape’: Les résidences pontificales dans la 2009- ; Member, International Advisory Lectures: “Patronage: Why Giving to the Arts seconde moitié du XIIIe siècle (1254–1304) by Committee, 2012 “Royal” exhibition, British Matters,” at the IAM Conference, New York, 2009; Pierre-Yves Le Pogam, Speculum 84, 2009; “The Library, 2009- ; Member, Visiting Committee, Honors and Awards: 2010 American Academy of Baptistery of Parma,” in Katherine l . Jansen, Department of Manuscripts, Pierpont Morgan Religion award in Religion and the Arts . Joanna Drell, and Frances Andrews, eds ,. Medieval Library and Museum, 2009-; Forthcoming Italy: Texts in Translation Philadelphia: University of publication: collected essays on the illuminated Vivian Mann Pennsylvania Press, 2009 . manuscripts of the Bohun family and monograph Western Medieval Art, PhD, 1977 Lectures and Presentations at Conferences: on the Psalter and Hours of Humphrey de Bohun, Mailing Address: Graduate School, Jewish “The Italian Baptistery after the Year 1000: Myths, London, British Library MS Egerton 3277, Theological Seminary, 3080 Broadway, New York, Misconceptions, and New Perspectives,” annual London, British Library, forthcoming, 2012 . New York 10027 meeting of the Society of Architectural Historians, Email Address: vimann@jtsa .edu Chicago, 2010; “Saint Peter’s Venetian Square,” Kathryn A. Smith Position: Director, Masters Program in Jewish Art Innenraum und Außenraum: Wie formt der Platz die Medieval, MA 1989, PhD 1996 Publications: review, Katrin Kogman-Appel, Stadt?, Kunsthistorisches Institut, Florence, Italy, Mailing Address: New York University, Illuminated Haggadot from Medieval Spain . 2008 . Conference sessions organized and chaired: Department of Art History, Silver Center 303, 100 Biblical Imagery and the Passover Holiday, “Buildings through Time: the Afterlives of Medieval Washington Square East, New York, NY 10003- Speculum, 83, 2008; entry, “East European Buildings,” Society of Architectural Historians, 6688 Ceremonial Art,” The YIVO Encyclopedia of Pasadena, 2009 . Email Address: kathryn .smith@nyu .edu Jews in Eastern Europe, ed . Gershon D . Hundert, Honors and Awards: University of Illinois, Website: http://as .nyu .edu/object/KathrynSmith . New Haven, 2008; Author and Editor: Uneasy Campus Research Board, Humanities Released html (NYU Faculty Profile, Arts & Science); Communion: Jews, Christians and Altarpieces in Time, Fall 2008 (declined); University of Illinois, http://arthistory .as .nyu .edu/object/KathrynSmith . Medieval Spain (London: 2010), exhibition curated List of Teachers Ranked as Excellent, 2007-2009; html (Department of Art History) . for MOBIA, New York; entries, “Art” and “Carpets,” Getty Foundation Non-Residential Postdoctoral Latest Position: Associate Professor, Department Encyclopedia of the Jews in the Islamic World, ed. Fellowship in Art History, 2008-2009; Hewlett of Art History, NYU Norman Stillman (Leiden: Brill, 2010); entry, “East Research Travel Grant, Summer 2010; Villa I Tatti Publications: “Book, Body and the Construction European Ceremonial Art,” The YIVO Encyclopedia Fellowship, Harvard Center for Italian Renaissance of the Self in the Taymouth Hours,” in Negotiating of Jews in Eastern Europe, ed . Gershon D . Hundert, Studies, 2010-2011 . Community and Difference in Medieval Europe: New Haven, 2009 . Projects: The Italian Piazza Transformed: Parma’s Gender, Power, Patronage, and the Authority of Lectures: “Jewish Art and Visual Culture: A City Center in the Communal Age . Book manuscript Religion in Latin Christendom, ed . by Katherine Century of Academic Achievement,” under contract with Pennsylvania State University Allen Smith and Scott Wells Leiden, Brill, 2009; Jewish Art in Context: The Role and Meaning of Press; Research in progress, new book project: “Chivalric Narratives and Devotional Experience Artifacts and Visual Images, Tel Aviv University, Sanctified in Water, Sealed in Stone: The Italian in the Taymouth Hours,” in Negotiating Sacred 2008; “Imagining the Temple in Late Medieval Baptistery from 1000 to 1500 . and Secular in Medieval Art: Christianity, Islam, Spanish Altarpieces,” The Temple of Jerusalem: and Buddhism, ed . by Alicia Walker and Amanda From Moses to the Messiah, Yeshiva University, Lucy Freeman Sandler Luyster Aldhershot, Hants ., UK and Burlington, 2008; “A New View of Spanish Haggadot Romanesque and Gothic Art, PhD 1964 VT, Ashgate, 2009; review, A Companion to Illustrations: their Meaning and Art Historical Mailing Address: 60 East 8th St . Apt . 19E, New Medieval Art: Romanesque and Gothic in Northern Context,” Conference on Jewish Art, Bar-Ilan York, NY 10003 Europe, ed . by Conrad Rudolph, caa.reviews, University, 2008;“Fatimid Manuscripts in Hebrew Email Address: lucy .sandler@nyu .edu 2008, http://www .caareviews .org/reviews/1188; and Arabic,” Spaces & Visions: Historians of Latest Position: Helen Gould Sheppard Professor excerpted in The Art History Newsletter as “Whither Islamic Art Association, 2008; “Two Become One: of Art History, emerita, New York University Medieval Art History?” November 24, 2008 . the Uses and Significance of Double Cups in the Publications: Books: Studies in Manuscript http://arthistorynewsletter .com/blog/; review, High Middle Ages,” Treasured Possession: Jews Illumination, 1200-1400, London, 2008; Lucy Freeman Sandler, Studies in Manuscript and Christian in a Medieval City, Metropolitan The Psalter of Robert de Lisle, Commentary on the Illumination, 1200-1400, in Manuscripta 54 (2010; Museum of Art, 2008; “Italian’ Jewish Marriage Facsimile Edition, Stuttgart, 2009; Articles: “The forthcoming . Rings from Central Europe,” Association of Jewish Weingarten ‘Lectionarium matutinale’ in St . Lectures: “The Giffards of South Newington and Studies,2008; “Unknown Jewish Artists of the Petersburg and New York,” in Romanesque Art and their Artistic and Religious Patronage,” South Middle Ages,” Symposium: American Sephardi Thought in the Twelfth Century, University Park, Newington Festival and Symposium 2010, Church Federation, 2009 . PA, 2008; “The Last Bohun Hours and Psalter,” of St . Peter ad Vincula, South Newington, UK, Honor: Elected Fellow of the American Academy of in Tributes to Kathleen L. Scott, English Medieval 2010; “The Monk Who Crucified Himself,” Jewish Research Manuscripts: Readers, Makers and Illuminators, Liminal Spaces: A Symposium in Honor of edited by M . Hennessy, Turnhout, 2009; “Gone Pamela Sheingorn, Index of Christian Art, Areli Marina Fishing: Angling in the Fitzwilliam Bohun Psalter,” Princeton University, 2009; “Songs of the Self: The Romanesque Art, Gothic Art, Italian Art 1300- in Signs and Symbols, Proceedings of the 2006 Illustration of the Psalms in the Taymouth Hours 1500, PhD 2004 Harlaxton Symposium, edited by J . Cherry and and the Construction of the Royal Female Self in Mailing Address: 404 s . Willis Avenue, a . Payne, Harlaxton Medieval Studies, XVIII, Late Medieval England,” J . Paul Getty Museum, Champaign, IL 61821 Donington, 2009 . Los Angeles CA, 2009; “A Book Fit for a Princess,” Email Address: amarina@illinois .edu Honors and Awards: Recipient of Festschrift: Museum of Biblical Art, New York NY, 2008; “The Latest Position: Assistant Professor, History and Tributes to Lucy Freeman Sandler, Studies in Taymouth Hours: Stories and the Construction of Preservation Program, School of Architecture, Illuminated Manuscripts, edited by K . a . Smith and the Royal Female Self in Late Medieval England,”

22 Bryn Mawr College, 2008;“City Artists, Courtly Renaissance to 18th Century Art 151, 2009 . Art: Shaping the Taymouth Hours in Early Lectures: “Bernardo Strozzi: A Tale of Two Fourteenth-Century England,”2008 Fellows Michaël J. Amy Cities,” Art in the Stacks Lecture Series, The New Colloquia, The Metropolitan Museum of Art, New Renaissance, MA 1989, PhD 1997 York Public Library, 2010; “Il Prete Genovese: York NY, 2008; “Motion and Emotion: The Art of Mailing Address: College of Imaging Arts & Bernardo Strozzi in Venice,” The Spring Fellows Liturgical Procession and Medieval Devotion,” The Sciences, Rochester Institute of Technology, 73 Colloquium, The Metropolitan Museum of Art, Cloisters Museum of the Metropolitan Museum of Lomb Memorial Drive, Rochester, NY 14623 2010; “Meisterstiche as Masterpieces: The Prints of Art, 2008 . Email Address: Michael_Amy35@hotmail .com Albrecht Dürer, Lucas van Leyden, and Hendrick Conferences and Panels: Book Launch for Website: www .michaelamy .com Goltzius at the Mead,” The Mead Art Museum, Negotiating Community and Difference in Medieval Latest Position: Associate Professor of the History Amherst College, 2009; “The Case of Strozzi’s Europe: Gender, Power, Patronage and the Authority of Art, College of Imaging Arts & Sciences, Secularization,” Renaissance Society of America of Religion in Latin Christendom, ed . by Katherine Rochester Institute of Technology Annual Conference, Los Angeles, 2009 . Allen Smith and Scott Wells Leiden, Brill, 2009, Publications: Rachel Baum and Michaël Amy, Honors and Awards: 2011 The Gladys Krieble co-sponsored by The Humanities Initiative and Hiroshi Senju, Milan, Skira, 2009; “Daguerreotypes Delmas Foundation Grant for Independent the Medieval Renaissance Center, NYU, 2010 . by Southworth & Hawes convey mid-19th-century Research in Venice; 2009-2010 Sylvan C . Coleman Presenter; Practical Knowledge, MARC Spring America through its luminaries and ordinary and Pamela Coleman Memorial Fellowship, The Conference, New York University, 2009 . Session citizens,” (2006) reprinted in The of Metropolitan Museum of Art . chair; Remembering the Crusades: Myth, Image, and Photography. Photography: History, Theory and Projects: Currently working on a book, Bernardo Identity, 28th Annual Conference of the Center for Criticism. Introductory Readings, Johan Swinnen and Strozzi: Between Sacred and Profane in Early Medieval Studies, Fordham University, New York, Luc Deneulin editors, Brussels, Seventeenth-Century Genoa and Venice . 2008 . Session chair, “The Commemorative Image .” Academic and Scientific Honors and Awards: Humanities Initiative, New Publishers, 2010; “The Call of Ronni Baer York University, award for team-taught course (with the Wild,” in Jan Fabre, Chapters 17th-century Dutch art, Fiona Griffiths, Department of History), “Women I-XVIII, Waxes & Bronzes, Paris, MA Oct 1981, and the Book: Scribes, Artists, and Readers from Guy Pieters Gallery, 2010 (also PhD May 1990 Late Antiquity through the Fourteenth Century” published, by this publisher, in Mailing Address: (awarded 2009-10; to be taught Fall 2010); Golden French and Dutch); Museum of Fine Arts, Dozen Award for Excellence in Undergraduate “Testing the Limits,” in Folkert 465 Huntington Avenue, Teaching, College of Arts and Science, New York de Jong, Circle of Trust, Selected Boston, MA 02115 University, 2009 . Works 2001-2009, Amsterdam and Groningen, Email Address: Projects: Book in-progress: The Taymouth Hours: Black Cat Publishing and Groninger Museum, rbaer@mfa .org Stories and the Construction of the Self in Late 2009, pp .84-88 (exhibition catalogue, Groninger Website: www .mfa .org Medieval England, The British Library Studies Museum, 2009 – 2010); Robert Sagerman, Latest Position: William and Ann Elfers Senior in Medieval Culture London, The British Library Torino, Ermanno Tedeschi Gallery, 2009; “Seizing Curator of European Painting, Museum of Fine Publications and Toronto, University of Toronto the Chaos of Life: A Conversation with Peter Arts, Boston Press; Edited volume in-progress: with Joyce Buggenhout,” in Sculpture, 28, 2009, reprinted Publications: (with Sarah Schroth) El Greco Coleman and Markus Cruse, The Social Life of in Dutch by the Museum Dhondt-Dhaenens in to Velázquez: Art during the Reign of Philip III, Illumination: Manuscripts, Images, and Communities Deurle, Belgium: “De chaos van het leven vatten: Museum of Fine Arts, Boston, 2008 . in the Late Middle Ages, Medieval Texts and Cultures een gesprek met Peter Buggenhout,” in Museum Lectures: “Meléndez and the Still Life Tradition,” of Northern Europe Turnhout, Brepols; Several Doordacht 8, 2009 . Museum of Fine Arts, Boston, 2010; “Luis articles in-progress on medieval manuscript Lectures: “Making Sense of Chaos,” Visual Arts Meléndez: More than Meets the Eye,” Devens illumination and the roles of images in late Department, , Brunswick, lecture, Museum of Fine Arts, Boston, 2010; medieval religion . Maine, 2009; Thoughts on Robert Sagerman’s “Behind the Scenes: The Making of El Greco to exhibition of paintings: “On and On: Inquiries into Velázquez,” Art Institute of Chicago, 2009 and Martin Werner Indeterminacy,” Margaret Thatcher Projects, New Boca Raton Museum of Art, Boca Raton, 2008 . Medieval Art, PhD 1967 York, 2009 . Honors and Awards: Encomienda de la Orden de Email Address: mwerner@temple .edu Isabel la Católica (Knight-Commander of the Order Latest Position: Emeritus Professor, Temple Andaleeb Badiee Banta of Isabella the Catholic) awarded by King Juan University Renaissance and Baroque European art, MA 1999, Carlos I of Spain, 2008 . 337 Gerard Ave ., Elkins Park, Pa . 10927 PhD 2007 Projects: Currently preparing an exhibition of Latest Project: Lecture, “The Binding of the Mailing Address: 3415 74th Street, Apt 2F, Western still lifes from the MFA collections for Stonyhurst Gospel of St John and St John,” Jackson Heights, NY 11372 travel to Asia in 2011 and an international loan Conference on Insular and Anglo-Saxon Art and Email Address: andaleebbanta@gmail .com exhibition focused on the depiction of the various Thought in the Early Medieval Period sponsored Latest Position: Assistant Curator of Old Master classes in 17th-century Dutch painting . by the Index of Christian Art, Princeton University, Prints, National Gallery of Art, Tuesday, 2010, to be published in the next volume Publications: “A Commission Gone Awry: William Barcham of The Index of Christian Art, Occasional Papers . Bernardo Strozzi’s Frescoes in the Palazzo Italian Baroque Art, PhD 1974 Lomellino, Genoa” in Spain, Europe, and the Mailing Address: 218 Harrison Avenue, Highland Americas: Essays in Honor of Jonathan Brown, ed . Park, NJ 08904 s . Schroth, forthcoming; “Trials and tribulations: Email Address: williambarcham@gmail .com new documentary evidence for Bernardo Strozzi in Latest Position: Professor, History of Art, Fashion Genoa, ca . 1626-1630,” The Burlington Magazine, Institute of Technology, SUNY

23 Alumni Updates Continued Renaissance to 18th Century Art continued

Publications: “Private Images for Public Spaces: Royal Sèvres ‘Déjeuner Chinois Réticulé’: An Religious Art in Eighteenth-Century Venice,” in important New Acquisition at the Detroit Institute Vicki Goldberg Venice in the Age of Canaletto, exh . cat ., Sarasota FL of Arts,” French Porcelain Society Journal, Volume Renaissance, MA 1966 and Memphis TN, 2009-2010, Munich, London IV, for the French Porcelain Society Symposium in Mailing Address: 217 Thorndike St ., apt . 108, and New York, 2009; “Rosalba Carriera e Anton honor of Tamara Preaud, held 2009, forthcoming Cambridge, MA 02141 Maria Zanetti tra Venezia e Parigi nella prima metà publication for 2010-2011 . Email Address: vickigoldberg@gmail .com del secolo XVIII,” in Rosalba Carriera 1673-1757, Honors and Awards: “Cavaliere dell’Ordine Publications: Book introductions, 2008: Paul Verona, 2009; “Bernardino da Feltre, the Monte di della Stella della Solidarietà Italiana,” awarded an Fusco, Robert Kennedy: Funeral Train, Aperture; Pietà and the Man of Sorrows: Activist, Microcredt Italian knighthood by the President of the Italian Jian Jiang (published in China); Ernesto Bazan, and Logo,” co-authored with C . Puglisi, artibus et government for over 25 years of work with Italian Bazan Photos; Doubleness: Photography of Chang historiae 57, 2008 . art and culture and contributions to the City of Chien-Chi, National Museum of Singapore; Jeffrey Lectures: Universidad de los Andes, Bogota, Detroit; “Mentor of the Year – 2008:” awarded by Aaronson, Borderland, Zurich, Galerie Kashya Colombia: “The Franciscans and the Man of the University of Michigan – Dearborn Provost and Hidebrand; Joyce Tenneson: A Life in Photography Sorrows: Its Probable Propagators, Its Prominent Vice Chancellor for role in mentoring and advising 1968-2008, Little Brown; 2009: At the Still Point, Patrons;” 2009: Convegno, Bologna, Italy: “La undergraduate curatorial interns . Cinubia; Tenneson and Cameron, Portland Museum Trasformazione del Christo passo in un emblema Projects: Continued research on Pietro Torrigiani of Art; Nick Brandt, A Shadow Falls, Abrams; urbano a Padova nel Quattrocento,” 2009: and Italian sculptors in Renaissance England; Jungjin Lee, Wind, Aperture . Renaissance Society of America, Los Angeles CA: Italian maiolica and porcelain; European “Remembering Cardinal Federico in the Cornaro Renaissance to Modern Sculpture, Kunstkammer Gregory Hedberg Chapel,” 2009; Franciscan Art History Conference, works of art, French 18th century decorative arts, Renaissance MA 1973, PhD 1980 Denver CO: “The Franciscans and the Man of and European Art Ceramics 1870-1920 . Lectures: “New Insights into Degas’ Creative Sorrows: Its Probable Propagators, Its Prominent Process in Sculpture,” Institute of Fine Arts Patrons,” 2008; 43rd International congress on Wayne Franits symposium on French Art in honor of Professor Medieval Studies, Kalamazoo MI: “The King’s Seventeenth and Colin Eisler, 2010 . Body and the Man of Sorrows: The Coronation Eighteenth-Century Art, Publications: “Degas’ The Little Dancer, Aged Book of Charles V of France,” 2008 . PhD 1987 Fourteen, The Unknown First Version,” in The Projects: co-curator, exhibition, Passion in Venice, Mailing Address: Department Complete Sculptures of Edgar Degas, Herakleidon Museum of Biblical Art, 2011 . of Art and Music Histories; Museum, Athens, 2009 . Syracuse University; Alan Phipps Darr Suite 308 Bowne Hall; Richard Hennessy Renaissance and Baroque, MA 1975, PhD 1980 Syracuse, NY 13244-1200 Italian Renaissance art, 1963-65 Mailing Address: Detroit Institute of Arts, 5200 Email Address: wefranit@syr .edu Mailing Address: 1845 First Avenue, New York, Woodward Ave ., Detroit MI 48202 Website: http://finearts .syr .edu/franitsbio .htm New York 10028 Latest Position: Head of the European Paintings, Latest Position: Professor of Art History, Syracuse Website: www .richardhennessy .org Sculpture and Decorative Arts Department and University Latest Position: Painter Walter B . Ford II Family Curator of European Publications: “La muse dans tous ses états/ The Exhibitions: Solo show, Carrie Haddad Gallery, Sculpture & Decorative Arts, Detroit Institute of Muse in All Her Finery,” in 10000 Annes de beauté/ Hudson, New York Arts 10000 Years of Beauty, Paris, Editions Babylone, Lectures: “You Can’t Break the Rules if You’re Not Publications: Accepted for publication: 2009; “Laboratorium Utrecht . Baburen, Honthorst in the Game,” New York Studio School, 2007 “Donatello, Desiderio and Geri da Settignano, und Terbrugghen im künstlerischen Austausch,” in Publications: “Nicolas Poussin’s Self-Portraits,” and Sculpture in Pietra Serena for a Boni Palace exhib . cat . Caravaggio in Holland: Musik und Genre The Siennese Shredder, 2009; “A Conversation and Elsewhere in Florence: A Reassessment,” bei Caravaggio und den Utrechter Caravaggisten, with Carter Ratcliff,” The Siennese Shredder, 2008 The Proceedings of the International Conference on Frankfurt, Staedel Museum, 2009; Dutch (posted on website) . Desiderio da Settignano, conference held Villa I Seventeenth-Century Genre Painting: Its Stylistic and Awards: Pollock-Krasner Foundation grant, 2008 . Tatti and Kunsthistorisches Institute, Florence, Thematic Evolution, London/New Haven, Yale 2007, forthcoming 2010; “Virtuoso Carving: Three University Press, paperback ed ., 2008 . Isabelle Hyman Eighteenth-Century British Portrait Sculptures by Lectures: “Conference Respondent,” City Limits: Renaissance (mainly architecture), MA 1966, PhD Le Marchand, Roubiliac, and Chaffers,” Bulletin Urban Identity, Specialisation and Autonomy in 1968 of the Detroit Institute of Arts, v . 83, Number 1/ Seventeenth-Century Dutch Art, 2009, Dublin . Mailing Address: 1125 Park Avenue, Apt . 10B, 4, 2009; “Pietro Torrigiani and His Sculpture in Honors and Awards: National Endowment for the New York, n Y. . 10128 Henrician England: Sources and Influences,” in Humanities Summer Stipend 2010 . Email Address: Isabelle .Hyman@nyu .edu Henrici-Medici: Artistic Links between the Early Projects: Monograph on the 17th century Dutch Latest Position: Professor, Department of Art Tudor Courts and Medicean Florence; Villa I Tatti, painter, Dirck van Baburen; Book-length study History, New York University . Currently Professor Florence, and the Paul Mellon Centre, London, on prostitution in 17th century Dutch art; Emerita conference held 2007, Yale University Press, Forthcoming essay, “Gabriel Metsu and the Art Lectures: Society of Architectural Historians, forthcoming 2011; “The Return of the Prodigal of Luxury,” for an international exhibition on Annual Meeting, Cincinnati, 2008, “Modernist Son by Antonio Montauti” (“El Regresso del hijo that artist, opening in Dublin, 2010; essay on Enlightenment in the Suburbs: Marcel Breuer — prodigo”) in Brillos en Bronce: colecciones de Reyes, genre painting in 17th-century Europe for the His Schools, Factories, Libraries and Churches;” Exh . Cat . Palacio Real, Madrid, 2009-2010, cat . forthcoming book, A Companion to Renaissance and Georgia Tech College of Architecture, Atlanta, No 87; “Discoveries: A Courtly Seventeenth- Baroque Art, to be published by Wiley-Blackwell Georgia, 2008, “The Importance of Marcel Breuer Century Amber and Ivory Casket,” The Magazine Publishers; forthcoming book on Vermeer with at Mid-Century;” Villa I Tatti, Florence: Harvard Antiques, Vol . CLXXVI, 2009; “A 19th century Phaidon Press Limited . University Center for Italian Renaissance Studies,

24 2009, Conference: Bernard Berenson at Fifty . Lectures: “Reforming the Florentine Badia: Art earlier, aired 2009; 2008: “Time and its perception “Bernard Berenson and Archer Huntington . . .the and Observance in a Renaissance Monastery,” in the Renaissance,” Chapman Chancellor man we most wanted to meet .” (To be published in The British Institute of Florence, 2009; “An Ideal Interdisciplinary Breakfast; “Renaissance Florence,” the forthcoming Proceedings of the Conference .); Circle of Friends: Federico da Montefeltro’s Cycle Chapman’s Alumni Circle; “Renaissance Art at the Interview by Jonathan Lerner in Metropolis of Famous Men at Urbino,” Renaissance Society of Uffizi,” Louisiana State University study Abroad Magazine, 2009, regarding Marcel Breuer’s Central America Annual Meeting, Chicago, 2008 . Program, Florence; “Flower and Fruit Symbolism Library Building in Atlanta . Honors/Awards: Rush H . Kress Fellow, Villa I in Renaissance Images of the Virgin and Child,” the Projects: After concentrating on Italian Renaissance Tatti, The Harvard University Center For Italian John Hopkins Odyssey Lecture Series; “Renaissance architecture, my main field of interest at the Renaissance Studies, 2008-2009; Samuel H . Kress Culture in 15th century Italy,” Board of Trustees, IFA, I have branched out into twentieth century Foundation, Publication Grant, 2008 . Chapman University . architecture, particularly the work of Marcel Breuer Projects: Currently working on “Magic and mid-century modernism . Liliana Leopardi Masculinity: Imaging Learned Masculinity in Italian Renaissance, PhD 2007 Venetian Visual Culture .” Robert G. La France Mailing Address: 6135 Rayann Ct ., Riverside, CA Italian Renaissance Art, 92504 Jay Levenson PhD 2002 Email Address: ll348@nyu .edu Renaissance, MA 1973 Website: Latest Position: Assistant Professor, Chapman PhD 1978 www .robertglafrance .com University Mailing Address: Latest Position: Curator of Publications: “Necessarium ad Condecentium sui Museum of Modern Art, Pre-Modern Art, Krannert Art Status:” New Criteria for Assessing the Ornato in 11 West 53rd St ., Museum, University of Illinois Crivelli’s Paintings,” in New Studies on Old Masters: New York, NY 10019 at Urbana-Champaign Essays in Renaissance Art in Honor of Colin Eisler, Email Address: Publications: Bachiacca: University of Toronto Press, 2010; “Semiotics and jay_levenson@moma .org Artist of the Medici Court, Florence, Olschki, 2008 . Pedagogy: Teaching Visual Thinking to Studio, Latest Position: Director, Honors and Awards: Hanna Kiel Fellow 2009- Graphic Design and Art History Students” in the International Program 10, The Harvard University Center for Italian International Journal of the Arts in Society, V .4, Renaissance Studies, Villa I Tatti, Settignano 2009; “Bibliography of Italian Language Studies Deborah Lipton (Florence), Italy . on Early Modern Women,” Early Modern Women: Italian Renaissance, MA1969 (Columbia), PhD Current Project: Preparing a monograph on the An Interdisciplinary Journal, v . IV, 2009; “La 1974 (IFA) artist Timoteo Viti and the art of Urbino in the 16th Madonna della Passione,” in Castelvecchio Museum Mailing address: 200 East 36th Street, 14D, New century . Catalogue, Verona, 2009 . York, New York 10016 Conference Papers: “Carlo Crivelli: Vernacular or Email address: deborah .newyork@gmail .com Marilyn Aronberg Lavin Hybrid Visual Language?” College Art Association, Latest position: Major Gifts Officer,T he Cooper Italian Renaissance Art, PhD 1973 Chicago, IL, 2010; “Semiotics and Pedagogy: Union for the Advancement of Science and Art Mailing Address: 56 Maxwell Lane, Princeton, NJ Teaching Visual Thinking to Studio Graphic 08540 Design and Art History Students,” International Elizabeth Helman Minchilli Email Address: mlavin@ias .edu Conference on the Arts in Society, Venice, 2009; Renaissance MA Feb 1986 Website: http://projects .ias .edu/pierotruecross “Ornament, Ritual and Performativity in Carlo Mailing Address: Via Baccina 59, Latest Position: Independent scholar Crivelli’s Paintings,” International Medieval 00184 Rome Italy Publications: In 2005 a colloquium was held Conference, University of Michigan, Kalamazoo, Websites: www .elizabethminchilli .com; at the IFA to celebrate my 80th birthday . Papers 2009; “Fetishism and the Neoplatonic Gaze in the www .1bookpress .com published in: Medieval Renaissance Baroque: A Cat’s Hypnerotomachia Poliphili – Renaissance Society Contributes to over forty publications, including Cradle in Honor of Marilyn Aronberg Lavin . Eds . of America, Los Angeles, 2009; “Come le immagini Architectural Digest, Town & Country, New York Jack Freiberg and David a . Levine, Italica Press, scolpite nelle pietre si dica havere effetto: Imagining Times, Food & Wine, etc . Topics include art, Studies in Art and History, 2009 . Three of the Masculinity Through The Magical Power of Images design, architecture, travel and food . Author of fifteen friends and colleagues who present tributes on Carved Gems,” College Arts Association, Dallas, six books, including most recent, Italian Rustic and essays to Lavin have degrees from the Institute: 2008 . (Artisan, 2009) . Just launched custom publishing Nicola Courtright [IFA], Amherst College; Jack Lectures: 2009: “Renaissance Courtly Culture,” company, One Book Press . Chair, Friends of the Freiberg [IFA], University of Florida; Debra Pincus Lecture delivered to Town and Gown; “Art and American Academy in Rome . [IFA], Washington, DC . Love in Renaissance Culture,” Lecture delivered to Chapman Parent’s Day; “Islamic and Greek Priscilla Elkow Muller Anne Leader Art,” a series of lectures delivered during a trip Hispanic Art 16th-20th centuries, Italian Renaissance, MA 1995, PhD 2000 organized by Chapman University to Turkey and MA 1959, PhD 1963 Mailing Address: 820 w . Marietta St . NW, Apt . Greece – Trustees and Donors Circle; “Hagia Mailing address: The Hispanic Society of America, 1463, Atlanta, GA 30318 Sophia: Icons and Iconoclasm,” delivered to 613 West 155 Street, New York NY 10021 Email Address: annecleader@gmail .com the Donors and Trustees, Chapman University; Email Address: pribob@earthlink .net Latest Position: Professor, Savannah College of Art “Schliemann and the Discovery of Troy: between Latest position: Curator Emerita of the Museum, and Design, Atlanta myth and fact,” delivered to the Board of The Hispanic Society of America Publications: “Mazzoni and Begarelli . Modena .” Trustees, Chapman University: “Fetishism in the Publications: 2008-2009: “Letters,” Master The Burlington Magazine 151, 2009); “Fra Hypnerotomachia Poliphili,” Television Interview Drawings, XLVI-1, 2008; “Sobre la supervivencia Angelico . Florence and Rome .” The Burlington for cable show “Dialogue with Doti and Dodge” de los preciados dibujos de Antonio del Castillo y Magazine 151, 2009 on Chapman’s University cable channel, filmed Saavedra,” in Benito Navarrete Prieto and Fuensanta

25 Alumni Updates Continued Renaissance to 18th Century Art continued

García de la Torre, Antonio del Castillo [1616- Email Address: cpuglisi@rci .rutgers .edu Daniel Savoy 1668], Dibujos, Catálogo razonado, exh . cat ., Latest Position: Professor and Chairperson, Italian Renaissance Art and Architecture, PhD Santander (Fundación Marcelino Botín); “Visiones Department of Art History, Rutgers, The State 2008 sobre la joyería española,” in Jesús Rivas Carmona, University Mailing Address: 340 East 93rd Street, #25D, coord ., Estudios de platería, San Eloy 2009, Publications: “Bernardino da Feltre, the Monte di New York, NY 10128 Murcia, Universidad de Murcia, 2009 . Pietà and the Man of Sorrows: Activist, Microcredt E-mail Address: daniel .savoy@manhattan .edu Lectures: 2008-2009: “Visiones sobre la joyería and Logo,” co-authored with w . Barcham, artibus Latest Position: Assistant Professor of Art History, española,” Curso de Orfebrería San Eloy 2008, et historiae 57, 2008 . Manhattan College, Riverdale, NY Universidad de Murcia, 2008 . Lectures: CAA, Chicago, Convener and Chair, Publications: “Venice from the Water: Navigating Honors and Awards: XII Distinció Honorífica, “Caravaggio at 400 at Beyond,” 2010; Chicago, Architecture and Myth in a Renaissance City” Associació Cultural Centelles i Riusech, Oliva, Art Institute, Old Master’s Society, “Pictures of (under final contract with Yale University Press, 2007 . Astounding Naturalism’: Caravaggio and His London); “Le iscrizioni sulla facciata di San Contemporaries in Chicago,” 2009: Universidad Michele in Isola,” Arte Veneta 65, 2008 . Jonathan Nelson de los Andes, Bogota, Colombia, “From Object Next Lecture: “The Floating Palaces of Renaissance Italian Renaissance, MA, 1986, PhD, 1992 of Desire to Object of Devotion: St John the Venice,” A Symposium on Medieval and Mailing address: via Matteotti, 42, Fiesole (FI) Baptist in Caravaggio’s Art,” 2009; Renaissance Renaissance Architecture in Honor of Marvin Italy 50014 Society of America, Los Angeles, CA, “Caravaggio’s Trachtenberg, IFA, 2010 Email Address: jknelson@syr .fi .it Soliloquies and Narrative Modes in Early Baroque Latest position: Chair, Art History Department, Rome,” 2009; Washington, DC, Symposium, Sarah Schroth Syracuse University in Florence Caravaggio and the Knights Of Malta: a 400-Year Art in Italy, France and Spain Publications: Robert Mapplethorpe: Perfection in Perspective, “Maltese Export/Florentine Import: from 16th-18th centuries; Form, ed . Franca Falletti-Jonathan K . Nelson, Caravaggio’s Sleeping Cupid,” 2008; Kalamazoo, primarily Spanish Baroque art . exhibition catalogue, Galleria dell’Accademia, MI, 43rd International Congress on Medieval PhD 1990 Florence, New York, teNeues, 2009; Plautilla Nelli Studies, “Fifteenth-Century Sacrament Tabernacles Mailing address: (1524-1588): The Painter-Prioress of Renaissance on Veneto Back Roads,” 2008 . Nasher Museum of Art at Florence, ed . Jonathan K . Nelson, Florence, Projects: Co-curator of exhibition at the Museum Duke University, Syracuse University Press, 2008; The Patron’s Payoff: of Biblical Art, Passion in Venice, 2011 . 2001 Campus Dr ., Conspicuous Commissions in Renaissance Italy, Durham, n C,. 27705 co-authored with Richard J . Zeckhauser, Princeton, Lisa Rafanelli Email Address: sarah .schroth@duke .edu Princeton University Press, 2008; “Botticelli Italian Renaissance, PhD 2004 Website: www .nasher .duke .edu and Filippino,” in Virtù d’amore. Pittura nuziale Latest Position: Tenured Associate Professor, Latest position: Nancy Hanks Senior Curator, nel Quattrocento fiorentino, ed . Daniela Parenti, 2009 . Chairperson, Department of Art History, Nasher Museum of Art at Duke University exhibition catalogue, Florence, 2010, Florence, Manhattanville College, 2009 . Publications: Editor, Art in Spain and the Hispanic Giunti, 2010, in press; “The Battle of the Female Recent Publications: “Thematizing Vision in the World: Essays in Honor of Jonathan Brown, Paul Nudes: Leonardo vs . Michelangelo (and Titian),” in Renaissance: The Noli Me Tangere as a Metaphor Holberton Publishing, London, 2010; El Greco L’arte erotica del Rinascimento, (acts of conference, for Art Making,” Chapter 10, Sense and the Senses to Velázquez: Art during the Reign of Philip III, Tokyo, 2008), ed . Michiaki Koshikawa, Tokyo, in Early Modern Art and Cultural Practice, a . Museum of Fine Arts, Boston, 2008 (with Ronni National Museum of Western Art; “‘Botticelli’ Sanger and s . Kulbrandstad Walken, eds ., Ashgate Baer; see Baer for image of catalogue cover); or ‘Filippino’? How to Define Authorship in a (forthcoming 2010); “Sense and Sensibilities: A “Looking at Art: Apocalypse When?” Art News, Renaissance Workshop,” in Sandro Botticelli and Feminist Reading of Titian’s Noli Me Tangere (1509- 2008 . Herbert Horne: New Research, ed . Rab Hatfield, 1515),” Critica d’Arte 35/36 (2009) . Recent lectures: “Matching Text and Image Florence, Syracuse University Press, 2009; “The Recent Conferences: Session chair and organizer, in Archival Research,” keynote address for 4th New Sacristy Sculptures: Sixteenth-Century “Consuming the Renaissance in Popular biannual conference of the Early Modern Image Historiography And Reception,” in San Lorenzo. Culture,” College Art Association 97th Annual and Text Society, Hilton Head, s .C ., 2010; “Picasso Architecture, Liturgy, and Art in a Florentine Conference, Chicago, 2010; “Michelangelo’s Noli and the Allure of Language,” Nasher Museum of Religious Community, ed . Robert w . Gaston - Me Tangere for Vittoria Colonna as a Signifier of Art, 2009; “The Historical and Religious Context Louis a . Waldman, Florence, Villa I Tatti, (in the Changing Status of Women in Renaissance in 17th Century Spain,” Nasher Museum, 2008; preparation) . Italy,” International Conference: Noli Me Tangere “Patronage and Style at the Court of Philip III,” Lectures: “Michelangelo’s Night in the in Interdisciplinary Perspective (Katholieke Nasher Museum of Art at Duke University, 2008 Cinquecento,” Renaissance Society of America Universiteit, Leuven, 2009) Honors and Awards: Encomienda de la Orden Annual Meeting, Villa I Tatti sponsored session, de Isabel la Católica (Knight-Commander of the 2010; “Quality Control for Commissions: The Annie Sarabia Order of Isabella the Catholic) awarded by King Potential for Rejection or Replacement,” presented Northern Renaissance, MA 1988 Juan Carlos I of Spain, 2008; Duke University with Richard Zeckhauser, Renaissance Society of Email Address: Presidential Meritorious Award, 2008 . America Annual Meeting, Chicago, 2008 . asarabia@firstcitycapitalmanagement .com Projects: Currently teaching an undergraduate Projects: Filippino Lippi, Botticelli, Michelangelo, Latest Position: Chief Compliance Officer, First course at Duke and acting as coordinating curator Dissatisfied Patrons and Quality Control City Capital Management, Inc . 136 Habersham for the exhibition, Vorticists: Rebel Artists in London St ., Savannah, Ga . 31401 and New York 1914-1918, co-organized by the Catherine Puglisi Website: firstcitycapitalmanagement .com Nasher, Peggy Guggenheim Collection and Tate Italian Baroque Art, PhD 1983 Britain . Mailing Address: 218 Harrison Avenue, Highland Park, NJ 08904

26 Sheila Schwartz Kalisz: Centrum Józefologiczne; “Joseph as Lectures: “The First Wives Club: Remembering Renaissance, PhD 1975 Mary’s Champion: The Distinctive Connection Serial Spouses in the Middle Ages,” Plenary talk, Mailing Address: 75 East End Ave . #4K, New between the ‘Madonna del Giglio,’ ‘Compagnia Conference on Gender, Time and Memory in the York, NY 10028 di San Giuseppe,’ and Church of San Giuseppe in Middle Ages, Swansea University, UK, 2011; “The Email Address: sschwartz10@nyc .rr .com Florence,” in “Taking to the Streets: The Theatre Sexuality of the Medieval Comb,” Conference on Latest Position: Executive Director, The Saul of Public Piety,” College Art Association meetings, Medieval Sexuality, UCLA Center for Medieval Steinberg Foundation Los Angeles, 2009 . and Renaissance Studies, 2009; “In and Out Website: www .saulsteinbergfoundation .org Projects: 2006-09 Member, Comitato Scientifico: of the Marital Bed: Picturing Marital Sex from “Giovanni Bellini,” Rome, Scuderie del Quirinale, the Arnolfinis to Elizabeth Vernon, Countess of Lauren Soth 2008-2009; Organizer of 6 sessions on Giovanni Southampton,” University of New Mexico 2010, Italian Renaissance, MA 1962, PhD 1970 Bellini, Renaissance Society of America annual University of Houston 2009, Trinity University Mailing Address: 210 Union St, Northfield, MN meeting, Venice, 2010; “St . Joseph in Early 2008;“Complicating Medieval Anti-Semitism: 55057 Cinquecento Emilia: A Little-known Panel by Christian Images that Condemn Violence against Email Address: lsoth@carleton .edu Girolamo Mazzola Bedoli and New ‘Readings’ of Jews,” Crossing Borders: Visualizing Jewish/ Latest Position: Retired from Carleton College . Two Drawings by Parmigianino,” in Sessions in Christian and Jewish/Muslim Relations in Honor of Colin Eisler, IFA, 2010 . Medieval and Early Modern Times . Rice University, Marie Tanner 2010; “Looking for Love in the Window in Renaissance, PhD 1976 Diane Wolfthal Northern European Art,” Renaissance Society Email Address: Northern Renaissance, of America Conference, 2010; “The Sexuality of marietanner@yahoo .com PhD 1983 the Medieval Comb” Session to honor Pamela Publications: Jerusalem on Mailing Address: Sheingorn, International Congress on Medieval the Hill: Rome and the Vision 5427 Carew St ., Studies, Kalamazoo, 2010; “Ill-Fated Pregnancies: of St. Peter’s in the Renaissance . Houston, TX 77096 Representing Infanticide in Renaissance Europe,” Turnhout: Harvey Miller, Email Address: Renaissance Society of America conference, 2009; 2009 . dianewolfthal@yahoo .com “The Rhetoric of Peace in Italian Renaissance Website: http://arthistory . Imagery,” The Rhetoric of Peace Conference, Carolyn C. Wilson rice .edu/content .aspx?id=402 Center for Religion and Conflict, Arizona State Italian and Northern Renaissance, Latest Position: David and Caroline Minter Chair University, 2008; “Sin or Sensuous Pleasure? MA 1970, PhD 1977 in the Humanities, Professor of Art History, and Real and Imagined Spaces in a Full-Page Nude Mailing Address: 2222 Goldsmith St ., Houston, Chair, Department of Art History, Rice University for a Book of Hours,” International Congress on TX 77030-1119 Publications: In Press: In and Out of the Marital Medieval Studies, Kalamazoo, 2008; “Pennies Email Address: carolyncwilson@alum .wellesley .edu Bed: Seeing Sex in Renaissance Art, Yale University from Heaven: Men, Money, and Morality in Latest Position: Visiting Faculty, University of Press, forthcoming June 2010; Money, Morality, Northern Renaissance Art,” College Art Association Houston, July 2009 (Architecture in Venice) and Culture in Late Medieval and Early Modern conference, 2008; “Some Repercussions of Publications: “Lorenzo Lotto and the Pictorial Europe, co-edited with Juliann Vitullo (Ashgate, Technical Studies: Politics and Status in Rogier Crafting of St . Joseph as a Figure of Cult,” forthcoming 2010) . Also co-authored, “Trading van der Weyden’s Diptych of Philippe de Croÿ,” “Lorenzo Lotto . Per una geografia dell’anima .” Values: Negotiating Masculinity in Early Modern Renaissance Society of America conference, 2008 . Atti del Convegno di Studi, Casa Editrice Giunti, Europe,” with Juliann Vitullo; founding co- Conference And Symposium Organizer: Crossing Florence, 2009; “Giovanni editor, Early Modern Women: An Interdisciplinary Borders: Visualizing Jewish/Christian and Jewish/ Bellini e il dipinto d’altare . Journal; series editor [with Madeline Caviness, Muslim Relations in Medieval and Early Modern Solennità dell’intento, Eva Frojmovic (Managing Editor), and Catherine Times, Rice University (international conference), ‘pièta’ necessaria e devozione Harding], Visualizing the Middle Ages Leiden, 2010; The Rhetoric of Peace, Project on Peace assoluta: la Natività e la Brill; “La Donna alla finestra: Desiderio sessuale Studies, Center for Religion and Conflict, Arizona Trasfigurazione,”Giovanni lecito e illecito nell’Italia rinacimentale,” in Sesso State University, 2008 . Bellini, exhibition catalogue, nel Rinascimento: pratica, perversione, punizione Honors and Awards: Samuel H . Kress Foundation, Rome, Scuderie del Florence, Casa Editrice Le Lettere, 2009; “Yiddish Art in Europe in Context Grant, 2007-2009, 2006 Quirinale, 2008- 2009, Book Illustration,” in The Cambridge Dictionary of (travel grant); 2009 Mentor Stipend, Focus Europe Cinisello Balsamo, Milan, Jewish History, Religion, and Culture, ed . Judith r . Award, Rice University . 2008; “Giovanni Bellini: Segnender Christus,” Baskin (Cambridge UP) . In Progress: New Studies no . 9, in Anne Auber ed ., Gemälde und Skulpturen, on Old Masters: Essays in Renaissance Art in Honor of Eric Zafran exhibition catalogue, Galerie Hans, Hamburg, Colin Eisler, co-edited with John Garton, accepted Renaissance, MA 1969, PhD 1973 2008; Five entries in Edward J . Olszewski, A Corpus for publication by the Centre for Reformation and Mailing Address: Wadsworth Atheneum, 600 of Drawings in Midwestern Collections: Sixteenth- Renaissance Studies at the University of Toronto; Main St ., Hartford, CT 06103 Century Italian Drawings, 2 vols, Turnhout, 2008: “Religious Devotion, Aristocratic Status, and Email Address: nos . 36-38 (Bassano family, attributed), no . 159 Crusading Fervor in Rogier van der Weyden’s eric .zafran@wadsworthatheneum .org (Cesare Franchi, il Pollino), no . 244 (Bartolomeo Diptych of Philippe de Croÿ”; Corpus of Fifteenth- Latest Position: Susan Morse Hilles Curator of Passarotti) . Century Painting in the Southern Netherlands European Art, Wadsworth Atheneum, Hartford Presentations: “Sanctus Joseph Nutritor Domini: A and the Principality of Liège: Early Netherlandish Exhibitions: Rembrandt’s People, 2009-2010; Triptych Attributed to Jan Gossaert Considered as Paintings in Los Angeles, co-authored with Catherine Reunited Masterpieces: From Adam and Eve to George Evidence of Early Hapsburg Embrace of St . Joseph’s Metzger . Brussels, Centre d’étude de la peinture du and Martha, 2010 . Cult,” Święty Józef - Patron na nasze czasy . quinzième siècle dans les Pays-Bas méridionaux et X Międzynarodowego Kongresu Józefologicznego, la principauté de Liège .

27 Alumni Updates Continued

19th Century, Modern and co-taught Spring 2009 with Edward J . Sullivan at Oberlin College, 87 North Main St ., Oberlin, OH Contemporary Art the ifa . 44074 Email Address: Andria .Derstine@oberlin .edu Patrick Amsellem Mary Weaver Chapin Latest Position: Curator of collections and curator Modern and contemporary art and architecture, Modern Art, 1750–present, of European & American art MA 2000, PhD 2007 MA 1995, PhD 2002 Publications: “Recent Research on Jean-Marc Mailing Address: 315 Seventh Avenue 19A, New Mailing Address: Nattier’s Portrait of a Woman as a Vestal Virgin,” York, NY 10001 Milwaukee Art Museum, Bulletin of the Detroit Institute of Arts, v . 83, 2009 Email Address: patrick .amsellem@nyu .edu 700 n . Art Museum Drive, Lectures: “Aux Barricades! French Protest Posters Latest Position: Associate Curator of Photography, Milwaukee, WI 53202 from May ’68,” Cleveland, Case Western Reserve Brooklyn Museum Email Address: Univ ., 2008; “Side by Side: Oberlin’s Masterworks Publications: Jesper Just: Romantic Delusions, mary .chapin@mam .org at the Met,” Metropolitan Museum of Art, 2010 Brooklyn Museum of Art, 2008; “Spiders and Website: www .mam .org Exhibitions: co-curator, Side by Side: Oberlin’s Cells: Louise Bourgeois’ Experiential Architecture,” Latest Position: Associate Curator of Prints & Masterworks at the Met, Metropolitan Museum Louise Bourgeois. Maman, ed . Marika Wachtmeister, Drawings of Art, 2010 and The Phillips Collection, 2010- Stockholm: Atlantis, 2007; “A Real and Imagined Publications: Mary Weaver Chapin . The Prints 2011; co-curator, AMAM Paintings, Sculptures Winter,” Photo-Eye, 2007 . of Warrington Colescott: A Catalogue Raisonné, and Miniatures at the Cleveland Museum of Art, Lectures and Presentations at Conferences: 1948-2008 . The University of Wisconsin Press and 2009-2011; Out of Line: 20th Century Drawings “Experimental Commemoration: Site-specificity, the Milwaukee Art Museum, 2010; Annette Dixon, from the AMAM, Allen Memorial Art Museum, Interactivity, and Monumentality,” Flower Tower: Mary Weaver Chapin, Jill Devonyer, Richard Oberlin College, 2009; Aux Barricades! French Symposium on Locational Identity, Stavanger, Kendall, and Florence Valdès-Forain . The Dancer: Protest Posters from May ’68, Allen Memorial Art Norway, 2007; “Spiders and Cells: Louise Degas, Forain, and Toulouse-Lautrec . Portland Art Museum, Oberlin College, 2008; Andy Warhol: Bourgeois’ Experiential Architecture,” Louise Museum, 2008 . Prints, Paintings, and Photographs, Allen Memorial Bourgeois, Maman, The Wanås Foundation, Wanås, Lectures: “A Night on the Town with Toulouse- Art Museum, Oberlin College, 2008 . Sweden, 2007 . Lautrec,” Kimbell Art Museum, 2008; “Dancing Exhibitions: Extended Family, 2009-2010, with Toulouse-Lautrec,” Portland Art Museum, Carol Eliel Brooklyn Museum (co-curator); Jesper Just: 2008 . Modern, MA 1979, PhD 1985 Romantic Delusions, 2008-2009, Brooklyn Projects: Curating exhibition Catesby, Audubon, Mailing Address: Los Angeles County Museum Museum; 21: Selections of Contemporary Art from and the Discovery of a New World: Prints of the Flora of Art, 5905 Wilshire Boulevard, Los Angeles, CA the Brooklyn Museum, 2008-2009, (co-curator); and Fauna of America, Milwaukee Art Museum, 90036 Goodbye Coney Island?, 2007, Brooklyn Museum . 2008–09; preparing catalogue raisonné of the prints Email Address: celiel@lacma .org of Warrington Colescott, accompanied by a major Latest position: Curator of Modern Art, LACMA Miriam Basilio retrospective, 2010; upcoming exhibition, Prints of Publications: Cubes and Anarchy: Geometry in Modern, MA PhD 1995 Sam Francis; French and German poster design; and David Smith, with additional contributions by E-Mail Address: Miriam .Basilio@nyu .edu an exhibition of German graphics commemorating Anne M . Wagner, Christopher Bedford, and Latest Position: Assistant Prof . of Art History and the commencement of World War i . Alex Potts, Los Angeles County Museum of Museum Studies, NYU Art, forthcoming 2011; “Dynamism and Quiet Honors and Awards: NYU Goddard Junior Janie Cohen Whispers: Conversations with Mark Bradford,” in Faculty Fellowship for fall 2010 . Modern, MA 1985 Wexner Center for the Arts, Mark Bradford: You’re Projects: currently completing first book,Visual Latest Position: Nobody (‘Til Somebody Kills You), New Haven and Propaganda, Exhibitions, and the Spanish Civil Director, Robert Hull London, Yale University Press, 2010; “The Simplest War and writing second, The Evolving Torpedo: Fleming Museum yet Most Complex of Realities: The Paintings of Displaying Latin American Art at The Museum of University of Vermont, Roy Thurston,” essay in Roy Thurston, Zurich, Modern Art, 1945-2004 . 61 Colchester Ave ., 2008 . Forthcoming Articles: “Picasso’s Sueño y Mentira Burlington VT 05405 Lectures: “Ferus Gallery,” panel discussion de Franco: A Response to Franco’s Propaganda” Email Address: participant, in conjunction with Art Los Angeles in Picasso, Viñetas de batalla Barcelona, Museu Janie .Cohen@uvm .edu Contemporary (art fair), Los Angeles, 2010; “Ed Picasso, forthcoming; “The Duque of Alba’s Palace Website: www .flemingmuseum .org Ruscha, John Baldessari and the West Coast Art in Madrid, 1936,” (short entry) Robert Capa’s Publications: Architectural Improvisation: A History Scene of the 1960s,” panel discussion participant, Mexican Suitcase New York, International Center of Vermont’s Design/Build Movement 1964-1977. Royal Academy of Arts, London, 2009; “Henri of Photography, forthcoming . Janie Cohen ed . Lebanon, New Hampshire: Matisse: Armchair Artist or Subtle Subversive?” Selected Conference Panels and Lectures: University Press of New England, 2008 . Templeton Distinguished Lecture, University of “Cultures for Display: Practices of Exhibiting Lectures: “Rembrandt’s Hand in Picasso’s Late Southern California, Los Angeles, 2009; Co-chair, Non-Western and Latin American Contemporary Work,” Print Associates Symposium, Museum of of CAA session, “Cubes and Anarchy: David Smith, Art,” CAA, Los Angeles, 2009, panel co-chair Modern Art, 2010 . Geometry, and Mid-Century Sculpture,” CAA with Dr . Francesca Dal Lago; Participant, panel Exhibition Projects: Picture Yourself: The annual meeting, 2009 . discussion with photographer Milagros de la Torre, Photobooth in America, 1926 – 2010 . 2010, Robert Projects: recent exhibition organized for LACMA: International Center of Photography, programming Hull Fleming Museum, University of Vermont . Alfonso Ossorio, 2009; SoCal: Southern California for ICP’s Triennial exhibition, “Dress Codes,” Art of the 1960s and 70s from LACMA’s Collection, King Juan Carlos I of Spain Center, NYU, 2009; Andria Derstine 2007-8 . Collecting and Display as Art History: The Case of Art of the 19th Century, MA, 1996, PhD 2004 Latin America a joint Museum Studies/IFA course, Mailing Address: Allen Memorial Art Museum,

28 Michele Greet exhibition catalogue, ICI, 2008 Making of a Museum, Gallery One, Emirates Modern Latin American Lectures and Symposia: “Neo-Dada: A Synthetic Palace Abu Dhabi, 2009-2010; Curator, Picturing and European Art, History,” keynote speaker at “Dada South?” America: Photorealism in the 1970s and 1980s, PhD 2004 symposium, Iziko South African National Gallery, Deutsche Guggenheim, Berlin, 2009; Assistant Mailing address: Cape Town, South Africa, 2010; “Project 35,” Curator, Louise Bourgeois, Solomon r . Guggenheim Assistant Professor of Serialworks, Cape Town, South Africa, 2010; Museum, New York, 2008 . Art History, Department “Curatorial Practice: Then and Now,” lecture at Juries: 2009, Juror, Kandinsky Prize of History and Art Chhatrapati Shivaji Maharaj Sastu Sangrahalaya (Contemporary Russian art prize; one of 7 History, MS 3G1, 4400 (ex-Prince of Wales Museum), Mumbai, and at members of international jury); 2008, Juror, University Dr ., George Mason University, School of the Arts & Aesthetics, Jawaharlal Nehru Kandinsky Prize (Contemporary Russian art prize; Fairfax, VA 22030 University, New Delhi, 2010; “Probing the Human one of 6 members of international jury) . Email Address: mgreet@gmu .edu Condition,” lecture at Hilliard University Art Academic: Guest lecturer, Topics in Museum Publications: Journal articles and essays; “From Museum, Lafayette, Louisiana, 2009; guest-taught Studies: Curating as Collaboration, Program in Indigenism to Surrealism: Camilo Egas in New arts administration class at New York University, Museum Studies, NYU, 2010; Guest lecturer, York, 1927-1946 .” Nexus: New York, 1900-1945: 2009; “Slightly Unbalanced,” lecture and exhibition Exhibitions: Curating and Displaying Global Art, Encounters In The Modern Metropolis . Ex . Cat . New tour at Chicago Cultural Center, 2008 . Organized Department of Art History, NYU, 2009; Member Haven and London: Yale University Press and El and chaired panel discussion, “Exhibitions as of doctoral thesis committee, Octavian Esanu, Museo del Barrio, 2009; Art and Globalization, Modes of Thinking,” College Art Association 2008 Duke University, “Transition in Post-Soviet Art: Penn State University Press, forthcoming 2010 . The conference, Dallas . ‘Collective Actions’ Before, During, and After book is a transcript of discussions among panelists Projects in Progress: In Deed: Certificates of (1976-2008),” 2009 . and fellows at the Stone Summer Theory Institute, Authenticity in Art, exhibition co-curating with School of the Art Institute of Chicago . Cornelia Lauf; curating exhibition of Indian Patricia Hills Lectures and Presentations at Conferences: painting from the Abby Weed Grey and Jehangir Modern, PhD 1973 “Surrealism and the Americas” Conference, Nicholson collections, scheduled, New York and Mailing Address: Rice University, Houston, TX, upcoming 2010; Mumbai, 2012; teaching curatorial practice short Art History Department, Paper: “César Moro’s Transnational Surrealism;” course fall 2010 at Mohile Parikh Center, Mumbai . Boston University, Georgetown University, Washington, DC, 2010; 725 Commonwealth Ave ., “Indigenism as a Modernist Strategy in Andean Valerie Hillings Room 302, Art;” Osher Lifelong Learning Institute, George Modern art, MA 1995, PhD 2002 Boston, Mass . 02215 Mason University, 2010; “Mexican Muralism,” Mailing Address: 200 Riverside Blvd, #15-M, New Email Address: Museo’s Simposio, Nexus New York, El Museo York, NY 10069 pathills@bu .edu del Barrio, New York, 2010 . Panel: “Camilo Email Address: vhillings@guggenheim .org Publications: Painting Harlem Modern: Egas and New York: A Conversation” (with Anna Latest Position: Associate Curator of Collection The Art of Jacob Lawrence, University of California Indych-Lopez), American University, 2009; “Fall and Exhibitions, Abu Dhabi Project, Solomon r . Press, 2010 . Art Colloquia: Beyond the Binary: Race-ing Guggenheim Foundation Art,” “Devouring Surrealism: Tarsila do Amaral’s Publications: “Picturing Reality: Photorealism Leslie Jones Revision of European Primitivism;” “Oswaldo in Europe, 1971–74,” in Picturing America: Modern, MA 1994, Guayasamín and the Art of Indigenism,” Museum Photorealism in the 1970s, exhibition catalogue, PhD 2003 of Latin American Art, Long Beach, CA, 2009 . New York, Solomon r . Guggenheim Foundation, Mailing Address: Honors and Awards: Post-Doctoral Research 2009 (English & German); “Pure Possibilities 5104 Cimarron Lane, Fellowship at the Center for the Study of Modern for a New Beginning: Zero (1957–1966) and the Culver City, CA 90230 Art, The Phillips Collection, Washington, DC, Geography of Collaboration” in ZERO in New Email Address: 2008-2009; Getty Foundation publication grant York, New York, Sperone Westwater Gallery, 2008 . ljones@lacma .org for Penn State University Press’s series “Refiguring Lectures: “Curators in Conversation: The Making Latest Position: Associate Modernism: Arts, Literatures and Sciences,” 2008 . of an Exhibition,” talk with Susan Davidson in Curator, Prints and Drawings, Projects: Manuscript in progress: Transatlantic conjunction with the exhibition The Guggenheim: Los Angeles County Museum of Art Encounters: Latin American Artists in Paris between The Making of a Museum, Gallery One, Emirates Publications: Contemporary Projects 12: Robin the Wars. Palace Abu Dhabi, 2010; “Border Crossings: Rhode . Exhibition brochure, Los Angeles County Russian Art in the Twenty-First Century,” lecture Museum of Art, 2010; “Art Lesson: A Narrative Susan Hapgood in conjunction with the exhibition Russian Chronology of John Baldessari’s Life and Work,” Modern, MA 1985 Dreams…, Bass Museum of Art, Miami, Florida, John Baldessari: Pure Beauty . Exhibition catalogue, Mailing Address: 326 West 22nd Street, Apt . 1R, 2009; “Exhibiting Russian Art at the Guggenheim Los Angeles County Museum of Art, 2009; “David New York, NY 10011 Museum, session of The Sources of Russian Visual Shrigely,” review, Art on Paper, 2009; “Jockum Email Address: hapgood@nyc .rr .com Cultures, 1860-1935: Study and Teaching, National Nordström,” review, Art on Paper, 2008 . Current Positions: Director of Exhibitions, Endowment for the Humanities Summer Institute, Lectures: “Pastel Notions: Ed Ruscha’s word pastels Independent Curators International (ICI), New New York Public Library, 2008; “Curating with from the 1960s and 70s,” lecture delivered at York; Senior Fellow, Vera List Center for Art and Frank Lloyd Wright and Frank Gehry: The Case CAA conference, Los Angeles, 2009; Session chair, Politics, The New School, New York of RUSSIA!” (Panel: Disalienation? The Ways of “Surrealist Drawing, 1915-1950” . CAA, Dallas, New position: Senior Advisor, ICI, and Invading an All-Too-Well Designed Space), Alien? 2008 . independent curator based in Mumbai . Museum in (over)determined space, Muzeum Projects: Co-curated the major travelling Publications: forthcoming reviews, Art in America, Sztuki, Lodz, Poland, 2008 . retrospective exhibition John Baldessari: Pure Beauty, April and May 2010 issues; Slightly Unbalanced Exhibitions: Co-Curator, The Guggenheim: The and Contemporary Projects 12: Robin Rhode at the

29 Alumni Updates Continued 19th Century, Modern and Contemporary Art continued

Los Angeles County Museum of Art . Have also Museum .” Panel presentation, annual conference Center for the Visual and Performing Arts, organized several permanent collection installations of the Association of Art Museum Curators Ardmore, Oklahoma, 2009 . for LACMA: Abstract Expressionist Drawings, 2008; 2009, Museum of Modern Art, New York, 2009; Photographs Acquired /Exhibited: The State Surrealist Drawings, 2008; Lee Mullican: Early “Jules Olitski (1922-2007) and Post Painterly Russian Museum in Saint Petersburg, Russia Drawings and Sculpture, 2009; Salvador Dalí and Abstraction .” Lecture, Weatherspoon Art Museum, (acquired 2009): Hélène de Beauvoir, Harold Les chants de Maldoror, 2009; Pop Prints, 2009 . Greensboro, n .C ., 2009; “Tadeusz Kantor: Art Stevenson, Charles Henri Ford; Oklahoma State Art For 2012, exhibition devoted to Surrealist drawing . and Theater .” Panelist, international conference, Collection, Oklahoma State Capitol, Oklahoma The Art and Theater of Tadeusz Kantor, Martin e . City, Oklahoma (exhibited 2007 – 2009): Harold Jongwoo Jeremy Kim Segal Theater and Center, Graduate Center, City Stevenson; The Melton Art Reference Library Modern, PhD 2007 University of New York, Graduate Center, 2009; (acquired 2009): Hélène de Beauvoir, Harold Mailing Address: 85 Harbour Close, New Haven, “The Ethics and Aesthetics of Representation .” The Stevenson. CT 06519 Holocaust, Art and Taboo: Transatlantic Exchanges Email Address: jongwoo .kim@nyu .edu on the Ethics and Aesthetics of Representation, Barbara Larson Latest Position: Assistant Professor of European University of Hamburg, Hamburg, Germany, Modern European Art, Modern Art, University of Louisville 2008 . PhD, 1996 Publications: Painted Men in Britain, 1868- Awards and Honors: National Jewish Book Mailing Address: 1925: Royal Academicians and Masculinities (under Award, Visual Arts, 2010 (Norman Kleeblatt, ed . 4328 Grandpointe Place, contract with Ashgate) . Action/Abstraction 2008); Nominee and Finalist Pensacola, FL 32514 Lectures: Presenting, “Social Realism and for the Sir Banister Fletcher Award (London) Email Address: blarson@uwf .edu Homoerotic Desire: Henry Scott Tuke” at the 2009 (Norman l . Kleeblatt, ed . Action/Abstraction Latest Position: Associate conference, British Queer History, McGill 2008); “Outstanding Exhibition (Eastern Time Professor of Art History, University, Montreal, 2010 . Zone)” Association of Art Museum Curators, University of West Florida Honors and Awards: The Historians of British Art 2008 (“Action/Abstraction”); “Best Thematic Publications: lead editor of The Art of Evolution: Publication Grant (for Painted Men in Britain) . Museum Show in New York 2008”– International Darwin, Darwinisms, and Visual Culture, University Projects: “Masculinity in Portraiture: Whistler, Association of Art Critics (AICA) 2008 (“Action/ Press of New England, 2009; “Sexual Selection and Degas, and Sickert” and “Francis Bacon and the Abstraction”) . the Jealous Male in Fin-de-Siecle Art,” in The Art Queer Sublime .” Projects: Board member, AICA (International of Evolution (above); “Mapping the Body and the Association of Art Critics, u .s . section), 2009-; Brain: Rodin and Localization Theory,” Revue d’art Norman L. Kleeblatt Member of the Advisory Committee, Vera List canadienne, 2009; “Ornithology and Allegory in Conservation, Modern, Center for Art & Politics, The New School, New the Work of Walton Ford,” exhibition essay, Walton MA 1975, Certificate in York, 2005- . Ford, National Academy of Sciences, Washington, Conservation, 1975 D .C ., 2009; “Through Stained Glass: Abstraction Mailing Address: Victor Koshkin-Youritzin and Embodiment in Early Twentieth-Century The Jewish Museum, Modern Art and Museology, Avant-Garde Circles,” in Habitus in Habitat, Jan 1109 Fifth Avenue, MA 1967, Certificate in Soeffner ed ., Prestel Verlag, 2010 . New York, NY 10128 Museum Training, 1969 Papers, Presentations and Conferences: Panelist Email Address: (jointly issued by the IFA for virtual symposium “Evolution and Visual nkleeblatt@thejm .org and MMA) Culture,” sponsored by the National Academy of Website: http://www .thejewishmuseum .org/ Mailing Address: School of Sciences and Johns Hopkins, 2010; Discussant, Latest Position: Susan and Elihu Rose Chief Art and Art History, “Endless Forms: Charles Darwin, Natural Science Curator, The Jewish Museum 520 Parrington Oval, and the Visual Arts,” Darwin symposium at Publications: “Theaters of Memory: Art and room 202, University of Oklahoma, Cambridge, 2009; Conference co-organizer, “The the Holocaust .” In Sophia Komor and Susanne Norman, OK 73019 Art of Evolution: Darwin, Darwinisms and Visual Rohr, eds . The Holocaust, Art, and Taboo: Email Address: vky@ou .edu Culture,” 2009, Courtauld Institute of Art; Session Transatlantic Exchanges on the Ethics and Aesthetics Website: http://art .ou .edu/people/youritzin-v .html chair, “Art and Science in the Nineteenth Century,” of Representation, Heidelberg: Winter Verlag, Latest Position: David Ross Boyd Professor, for Association of Historians of Nineteenth- forthcoming 2010; “Moral : Norman l . History of Art, University of Oklahoma Century Art, CAA, Dallas, 2008; “Through Kleeblatt on the Art of Artur Zmijewski .” Artforum Lectures: “From Turner to Cézanne,” Oklahoma Stained Glass: Abstraction and Embodiment in v .47, 2009; “Introduction: Action, Abstraction, City Museum of Art, Oklahoma City, Oklahoma, the Early Twentieth Century,” for session “Vision, Reaction” and “Greenberg, Rosenberg, and Postwar 2009; “Forgeries and Exercises in Art Criticism,” Space, and Ideology,” CAA, 2010; “The Jealous American Art,” In Norman l . Kleeblatt, ed . Action/ Mabee-Gerrer Museum of Art, Shawnee, Male in Fin-de-Siecle Art,” Lafayette College, 2009; Abstraction: Pollock, De Kooning, and American Art, Oklahoma, 2009; “How To Judge Art,” JRB “Communities of Reverence and Revelation in 1940-1976, New York and New Haven: Jewish Art at The Elms, Oklahoma City, Oklahoma, Early Avant-Garde Circles,” Zentrum fur Literatur- Museum and Yale University Press, 2008 . 2009;“Degas,” Charles B . Goddard Center for the und Kulturforschung, Berlin, 2008; “Darwin, Exhibitions curated: “Theaters of Memory: Art Visual and Performing Arts, Ardmore, Oklahoma, Burke, and the Sublime” for “The Art of Evolution” and the Holocaust ”. Jewish Museum, New York, 2009; “Cézanne,” Charles B . Goddard Center (see Courtauld, above); “Munch and Darwin,” for 2009; “Action/ Abstraction: Pollock, De Kooning, for the Visual and Performing Arts, Ardmore, “Kultur der Evolution,” Zentrum fur Literatur- und and American Art, 1940-1976,” Jewish Museum, Oklahoma, 2009; “Art Criticism, Investing, and the Kulturforschung, Berlin, 2008 New York, 2008 . Traveled to Saint Louis Art Art Market,” Price College of Business, University Museum, Mo . 2008-2009; Albright-Knox Art of Oklahoma, Norman, Oklahoma, 2009 . Gallery, Buffalo, n .Y . 2009 . Honors and Awards: Sole Guest of Honor: Lectures: “Exhibitions Planning: The Jewish Annual Patrons’ Dinner, Charles B . Goddard

30 Karen J. Leader Celedonio de Arce’s Nature Printing in 18th- Roald Nasgaard Nineteenth Century, MA 2002, PhD 2009 Century Spain,” conference “The Work of Art Modern, PhD 1973 Mailing Address: 320 Plaza Real P211, Boca Between Nature and Technology,” Statens Museum Mailing Address: Raton, FL 33432 for Kunst, Copenhagen, 2010 . 701-70 Montclair Ave . Email Address: karen .leader@nyu .edu Honors and Awards: 2009-2010 research grants Toronto, ON M5P 1P7 Latest Position: Assistant Professor of Art History, and fellowship from the Program for Cultural Email Address: Florida Atlantic University, Boca Raton, FL Cooperation between Spain’s Ministry of Culture rnasgaard@fsu .edu Publications: (Forthcoming)“Issues of Gender and u .s . Universities, and UGA’s Willson Center Website: in Courbet’s Studio,” in Mathilde Arnoux, for the Humanities and Arts . http://www .fsu .edu/~arh Dominique de Font-Réaulx, Laurence des Cars, Latest Position: Professor, Art History, Florida Stéphane Guégan et Scarlett Reliquett, eds ., Barbara Matilsky State University Courbet à neuf . Paris, Éditions de la Maison des Nineteenth and Twentieth Publications: “John Heward, diction et sciences de l’homme, 2010; “CAA Advocacy: The Century Art, PhD 1983 contradictions,” in John Heward, Un parcours/ Nexus of Art and Politics” in Susan Ball ed . CAA Email Address: Une collection (Musée national des beaux-arts de Centennial Project, Rutgers University Press, 2010; bcmatilsky@cob .org Québec, 2008), English text, included; “Paul-Émile “Connoisseuses and Cocottes: Women at the Salon Website: Borduas (1905–1960)” in Canadian Art in the in French Caricature,” in Temma Balducci and www .whatcommuseum .org, series The Thomson Canadian Collection at the Art Heather Belknap Jensen eds . Bourgeois Femininity www .vanishing-ice .org Gallery of Ontario, London: Skylet Publishing/ and Public Space in 19th-Century European Visual Latest Position: Curator of Art Gallery of Ontario, 2008; Catalogue entries Culture. 2011 . Art, Whatcom Museum, on Jackson Pollock, Willem de Kooning and Paul- Projects: “How to Look: Ad Reinhardt, PM, and 121 Prospect Street, Bellingham, WA 98225 Émile Borduas in Drawing Attention: Selected Works the ‘Art-Politics Syndrome ’”. Exhibitions: Curator of Art: Out of Bounds: Art on Paper from the Renaissance to Modernism, Art from the Collection of Driek and Michael Zirinsky, Gallery of Ontario, London and New York: Merrell, Leah Rosenblatt Lehmbeck 2009; Show of Hands: Northwest Women Artists 2008;The Automatiste Revolution: Montreal Modern, MA 2001, PhD 2007 1880-2010, 2010; In the process of organizing 1941-1960, Vancouver: Douglas & McIntyre, 2009), Mailing Address: 1233 n . Flores St . #301, an exhibition, Vanishing Ice: Alpine and Polar co-authored with Ray Ellenwood . West Hollywood, CA 90069 Landscapes in Art 1775-2010 . Lectures and Conversations: conversation with Email Address: leahevelyn@hotmail .com Montreal artist, Françoise Sullivan, Albright-Knox Latest Position: Assistant Curator at the Norton Marsha Morton Art Gallery, Buffalo, 2010; “Matière and the Simon Museum in Pasadena Modern (19th Century), Automatiste Revolution,” lecture, University of Publications: Introduction, “The Rise of PhD 1986 Saskatchewan, Saskatoon, SK, 2010; “ The Art Printmaking in Southern California in the E-mail Address: of John Heward,” lecture, Museum of Canadian 1960s,”exhibition catalogue, Norton Simon Mortonmarsha10@gmail .com Contemporary Art, Toronto, 2009; Conversation Museum, 2011-2012 (forthcoming) . Latest Position: Professor, with Montreal artist, John Heward, Museum of Lectures: “Outside of the Box: Portraiture after Department of Art and Design Canadian Contemporary Art, Toronto, 2009; “How Ingres,” Norton Simon Museum, 2010; “The Art History, Pratt Institute can you make an authentic gesture?” lecture, Tyler of War: American Posters from World War I and Recent Publications: School of Art, Temple University, Philadelphia, World War II”, Norton Simon Museum, 2008 . “Max Klinger and the Unheimlich Return of PA, 2009; “Conversation: Odili Donald Odita and Honors and Awards: Participant, a .w . Mellon the Biedermeier Past,” in Edvard Munch and the Roald Nasgaard,” Institute of Contemporary Art, Curatorial/Conservation Colloquy in Modern and Uncanny, curated by Michale Fuhr, exhibition University of Pennsylvania, Philadelphia, PA, 2008 . Contemporary Art at CASVA, “The Process of catalogue, Vienna: Leopold Museum, 2009-2010; Projects: The Automatiste Revolution: Montreal 1941- Painting: Manet in the 1860s,” National Gallery of “Nature and Soul: Austrian Responses to Ernst 1960. Varley Art Gallery, Unionville, ON, 2009- Art, 2009 . Haeckel’s Evolutionary Monism,” in Darwin: Art 2010, Albright-Knox Art Gallery, Buffalo, NY, 2010 . Exhibitions: All at the Norton Simon Museum, and the Search for Origins, curated by Pamela Kort, The Automatistes rated “Best Exhibition” in Canada Pasadena: Plants, Flowers, Fruits: Ellsworth Kelly Frankfurt: Schirn Kunsthalle, 2009; “From Monera in 2009 by Canadian Art Magazine, Dec . 2009 . Lithographs, 2010; Gaze: Portraiture after Ingres, to Man: Haeckel, Darwinismus, and Nineteenth- 2009–2010; Exceptionally Gifted: Recent Donations Century German Art,” in The Art of Evolution: Jason Rosenfeld to the Norton Simon Museum (2002–2008) [co- Darwin, Darwinisms and Visual Culture, ed . 19th Century, MA 1993, PhD 1999 curator], 2009; Matisse’s Amours: Illustrations of Barbara Larson and Fae Brauer, University Press of Email Address: jrosenfeld@mmm .edu Pierre de Ronsard’s Love Poems, 2009; The Art of New England, 2009 . Mailing Address: Distinguished Chair and War: American Posters from World War I and World Lectures: “In the Shadow of Biedermeier: Max Associate Professor of Art History; Marymount War II, 2008-2009 . Klinger and the Exposure of Privacy,” presented Manhattan College; 221 East 71st Street; New “An Audience of One: Assessing the Arts of York, NY 10021 Alisa Luxenberg Privacy,” CAA conference, Chicago, 2010; “Art’s Publications: “Stephen Hannock: Taking 19th-century Europe, PhD 1991 ‘Competition with Nature’: Darwin, Haeckel, and Landscape to the Next Level .” Fine Art Connoisseur Mailing address: University of Georgia, LDSOA, the Scientific Art History of Alois Riegl,” delivered 7, 2010; “Victorians Live: Turner in America .” 270 River Rd . Athens, GA 30602-7676 at the conference “The Art of Evolution: Charles Victorian Literature and Culture 38, 2010; Stephen Email Address: allux@uga .edu Darwin and Visual Cultures,” The Courtauld Hannock . With Martha Hoppin, Garrett White, Latest position: Recently promoted to Full Institute of Art, London, 2009 . introduction by Mark C . Taylor . Manchester, VT, Professor; starting July 2010, chair of the art history Hudson Hills Press, 2009; “Absent of Reference: area . New Languages of Nature in the Critical Responses Lectures: “Botanical Art, (Al)chemical Magic: to Pre-Raphaelite Landscapes,” In Writing the

31 Alumni Updates Continued 19th Century, Modern and Contemporary Art continued

Pre-Raphaelites: Text, Context, Subtext, edited Gail Stavitsky Projects: Board of Directors, United States by Tim Barringer and Michaela Giebelhausen, Modern, PhD 1990 section, International Association of Art Critics; art Aldershot, Ashgate Press, 2009; “John Everett Mailing Address: committee, LongHouse Reserve, East Hampton . Millais, English Pre-Raphaelite,” Numen Art Montclair Art Museum, Magazine (Spain) 8, 2008; Rosenfeld, Jason, 3 South Mountain Ave ., Anne Umland and Alison Smith . Millais . The Asahi Shimbun/ Montclair, NJ 07042 Modern, MA 1988, Bunkamura Museum of Art, Japanese ex . cat ., E-mail Address: PhD 1997 2008; Rosenfeld, Jason, and Alison Smith . John gstavitsky@ Mailing Address: Department Everett Millais . Van Gogh Museum, Amsterdam/ montclairartmuseum .org of Painting & Sculpture, Tate , London (ex . cat ., Dutch and English Website: www .montclairartmuseum .org The Museum of Modern Art, editions), 2008 . Exhibition: Cezanne and American Modernism, 11 West 53rd Street, Lectures: Why Victorian Art? Conference, Montclair Art Museum, Montclair, NJ, 2009-2010; NYC NY 10019 Department of Art History, CUNY Graduate The Baltimore Museum of Art, 2010; and the Email Address: Center, “Pre-Raphaelitism Now,”2009; Material Phoenix Art Museum 2010 . anne_umland@moma .org Culture Sessions: “Victorian Paintings in the Yale Latest Position: Curator, Department of Painting Center for British Art,” North American Victorian Nadia Tscherny and Sculpture, The Museum of Modern Art Studies Association Conference, New Haven, Modern Publications: Umland, Anne . “Frida Kahlo, Self- Connecticut, 2008 . Mailing Address: Portrait with Cropped Hair” and “Georgia O’Keeffe, Exhibitions curated: Pre-Raphaelites: Victorian 355 Godwin Ave ., Farmhouse Window and Door,” in Modern Women: Avant-Garde, Tate Britian, London, 2012– 2013; Ridgewood, NJ 07450 Women Artists at The Museum of Modern Art, National Gallery of Art, Washington, D .C ., 2013; Email Address: Connie Butler and Alexandra Schwartz, eds . New Pushkin Museum of Art, Moscow, 2013 (co- Ntscherny@gmail .com York, The Museum of Modern Art, 2010; Umland, curator with Alison Smith and Tim Barringer); Latest Position: Visiting Anne, ed . Joan Miró: Painting and Anti-Painting, John Everett Millais: A Retrospective, Tate Britain, professor University of 1927-1937, New York, The Museum of Modern London, England, 2007-2008; Van Gogh Museum, Wisconsin - Parkside 2009-10 Art, 2008; “Alberto Giacometti’s Moving and Mute Amsterdam, 2008; Kitakyushu Municipal Museum Publications: “Elizabeth Peyton - Beautiful Objects,” in A Fine Regard: Essays in Honor of Kirk of Art, Fukuoka, 2008; The Bunkamura Museum People,” Art in America, 2009 . Varnedoe, Patricia G . Berman and Gertje Utley eds . of Art, Tokyo, 2008 (co-curator with Alison Smith) . Lectures: “Portrait as Subject: A Contemporary London, Ashgate Publishing, Ltd, 2008; Umland, Honors and Awards: Named Distinguished Romance with the Genre,” CAA Annual Meeting, Anne and Adrian Sudhalter, eds . Dada in the Chair at Marymount Manhattan College 2009- Los Angeles, 2009 . Collection of The Museum of Modern Art . New York, 12; Rosenfeld, Jason, and Alison Smith . Millais, The Museum of Modern Art, 2008 . exhibition catalogue, London: Tate Publishing, Phyllis Tuchman Lectures: “Captured Encounters: Documenting 2007 . Short-listed for the William MB Berger Prize Modern, MA 1973, ABD 1983 the Surrealist Object,” VU Magazine, 1933, CAA, for British Art History 2008 Mailing Address: 340 East 80th St ., New York, Chicago, 2010 . New York 10075 Honors and Awards: Awarded Curatorial Prize by Jennifer Russell Email Address: phyllistuckman@gmail .com the Catalan Association of Art Critics, April 2009 Modern and Contemporary, MA 1974 Publications: “Becoming A Sculptor,” retrospective and AAMC Award for Excellence for Outstanding Latest Position: Associate Director of Exhibitions, exhibition catalogue, Richard Deacon: The Missing Exhibition on East Coast, May 2009 . Metropolitan Museum of Art Part, Musees de la Ville de Strasbourg, 2010; Projects: The Erotic Object: Surrealist Sculpture from “The New Landscape,” exhibition catalogue, the Collection. The Museum of Modern Art, New Eric Silver Emilie Brzezinski, New York, Kouros Gallery and York, NY, 2009-2010; Joan Miró: Painting and Modern Art, MA 1971, Certificate in Museum traveling to Chicago and Washington, D .C ., 2010; Anti-Painting, 1927-1937 . The Museum of Modern Training 1971 catalogue entries, Alexander Calder and George Art, New York, NY, 2008-2009 . Mailing Address: 345 East 81 Street Apt . 2L, New Segal for exhibition catalogue, Mary and Richard York, NY 10028 Gray Family Collection, Art Institute of Chicago, Reva Wolf Email Address: ericsilver125@aol .com 2010; Obit magazine (www .obit-mag .com) articles Modern Art, MA 1981, Latest Position: Director, Lillian Nassau LLC, 220 on, among others, Georges Seurat, Jacob Epstein, PhD 1987 East 57th Street, New York, NY 10022 (t: 212 Mark Rothko, the Bauhaus, Marc Chagall, Barbara Mailing Address: 759-6062) Hepworth, Frank Lloyd Wright, Eero Saarinen Art History Department, Website: lilliannassau .com as well as paintings by Munch and Manet, and State University of New York Exhibitions: 2006 Tiffany Glass Tiles and Mosaic obituaries of Louise Bourgeois, Charles Gwathemy, at New Paltz, 1 Hawk Drive, Treasures; 2007 Genius of Illumination: Louis C . Irving Penn, and Thomas Hoving, 2009-2010 . New Paltz, NY 12561 Tiffany and His Lamps; 2008 Tiffany Favrile Glass Reviews, New York Observer on, among others, Email Address: and the Quest of Beauty . Mark di Suvero, Edward Kienholz, Alexander wolfr@newpaltz .edu Projects: For the past 14 years, appeared regularly Calder, and Alberto Giacometti . Latest Position: Professor of Art History, SUNY in each season of the PBS program Antiques Lectures: “Courbet’s ‘Wrestlers’ and ‘The Two New Paltz Roadshow, as a specialist in American and Bathers,’” New York Studio School, 2009; From Publications: Entries on eight drawings by Goya, European Sculpture and metalwork . It is the most Revolution to Civil War, Compassion & Choices and a biography of Goya, in The Spanish Manner: popular show in the history of public television, symposium, National Press Club, Washington, Drawings from Ribera to Goya, exhibition catalogue, with a weekly audience of 10 million viewers . D .C ., 2009; When Sculpture Came Off Its New York, The Frick Collection, in association Pedestal, sculpture symposium, Musees de la Ville with Scala Publishers, forthcoming 2010; “Goya’s de Strasbourg, 2010 . ‘Red Boy’: The Making of a Celebrity,” in Art in

32 Spain and the Hispanic World: Essays in Honor of Alice S. Zimet Jonathan Brown, ed . Sarah Schroth . London: Paul Modern, MA 1971-74 Holberton Publishing, 2010; “John Bull, Liberty, Mailing Address: 40 East 88th St (7A), NY, NY and Wit: How England became Caricature,” 10128 in The Efflorescence of Caricature, 1715-1838, Email Address: alice@artsandbusinesspartners .com ed . Todd Porterfield . London, Ashgate, 2010; Website: www .artsandbusinesspartners .com Contribution to a compendium of descriptions of Latest Position: President, Arts + Business “the queer voice,” in The Queer Voice, ed . Ingrid Partners LLC Schaffner (exhibition catalogue) . Philadelphia, Lectures: Corporate Sponsorship Today: What Institute of Contemporary Art (ICA), University of Works? What Doesn’t? ArtsMemphis (Memphis, Pennsylvania, 2010; “The Shape of Time: Of Stars TN); Americans for the Arts / National Arts and Rainbows,” Art Journal 68, Winter 2009; also Marketing Project Conference (Providence RI); delivered as a lecture at a session on Kubler’s book Adjunct Professor, Steinhardt School of Education that I organized and chaired at the 2008 annual (Graduate Program, Arts Administration) College Art Association conference; Spring 2010 . Catalogue entries on David Smith’s Table Torso Honors and Awards: Board member of the newly (1942) and on r . B . Kitaj’s In Our Time (1969), formed Magnum Photos Foundation (one of only in The at Brandeis . New York, two non-photographers) . Abrams, 2009; “Mess and Message: Ted Berrigan’s Projects: After 20 years as Director of Worldwide Poetics of Appropriation .” Intervalles (published Cultural Affairs, The Chase Manhattan Bank, I by the Centre Interdisciplinaire de Poétique founded Arts + Business Partners to consult on Appliquée, Université de Liège, Belgium), nos . issues of corporate sponsorship, working with 4-5, Fall 2008-Winter 2009, (http://cipa .ulg .ac .be/ nonprofits and business . As an expert in the field, I intervalles4/contentsinter4 .php); “The Scholar and additionally offer sponsorship ‘bootcamp’ training the Fan .” In What Is Research in the Visual Arts? across the United States and abroad . Obsession, Archive, Encounter, edited by Michael Ann Holly and Marquard Smith . Williamstown, Mass: Sterling and Francine Clark Art Institute; distributed by Yale University Press, 2008 . Lectures: Ted Berrigan’s “Poetics of Appropriation” in the program “Writing in the Dark,” Amie and Tony James Gallery, City University of New York Graduate Center, 2009; Participant in the panel, “Education Matters in the Museum: A Panel Discussion with Distinguished Alumni at the Rose,” Rose Art Museum, Brandeis University, 2009 . Honors and Awards: Appointed member, Services to Artists Committee (SAC), College Art Association (three-year term ending in 2009); activities included the following programming for the CAA annual conference ARTspace: co-organizer, Media Lounge, Los Angeles, 2009; organizer and chair of the panel “Then and Now: What George Kubler’s Book, The Shape of Time, Means Today,” Dallas, February 2008 . Projects: Catalogue editor and introduction, and co-curator, Andy Warhol: Public and Private in 151 Photographs . New Paltz, NY: Dorsky Museum; distributed by SUNY Press, 2010 . Co-organizer, symposium, “The Hispanic World of Jonathan Brown,” in honor of Jonathan Brown, Carroll and Milton Petrie Professor of Fine Arts, Institute of Fine Arts, New York University, 2008 .

33 Alumni donors

The Institute of Fine Arts would like to express its gratitude to all of its alumni who made generous contributions this past year . We are proud to have so many devoted alumni who choose to invest in the future of the Institute . Listed below are alumni who made gifts of $100 or more between 6/2009 and 6/2010 . Thank you!

$30,000 + Rachel l . Danzing Leslie Davidson Bruning Anita f . Moskowitz Brawer Marianne V . Elrick-Manley Gabriella B . Canfield Priscilla Elkow Muller Alexandra Munroe Elizabeth B . Estabrook Andrea Y . Chevalier Maya B . Muratov Shelley Fletcher Wanda M . Corn Rachel a . Mustalish $20,000 to $29,999 James H . Frantz Dario a . Covi Jonathan Nelson Suzanne Deal Booth Mildred l . Glimcher Yassana Croizat-Glazer and Won Y . Ng Anne Bick Ehrenkranz Emilie e .s . Gordenker Joshua Glazer Andrea Spaulding Norris John J . Herrmann, Jr . Alan Phipps Darr Luisa J . Orto $5,000 to $19,999 Joel a . Herschman Emily M . Darrow Barbara J . Parker Katherine f . Brush Judith s . Herschman Ellen n . Davis Elizabeth C . Parker Gerrit l . Lansing * Isabelle Hyman Layla s . Diba Harry s . Parker, III Myron Laskin, Jr . Anna D . Kartsonis Eugene J . Dwyer Suzanne Meek Pelzel Mariët Westermann Norman l . Kleeblatt Carol s . Eliel Sylvie Penichon Anonymous (2) Richard s . Lanier Jennifer Eskin Elizabeth a . Pergam Ruthann r . Lehrer Helen C . Evans Paul n . Perrot $1,000 to $4,999 Jay a . Levenson Christine M . Faltermeier Barbara e . Pollard Irving l . Finkelstein Roger w . Lipsey Suzanne P . Fredericks William l . Pressly Patricia e . Karetzky Alison D . Lonshein Leslie and Tom Freudenheim Catherine r . Puglisi Dorothy and Terrence Mahon Susan D . Marcus Laura M . Gadbery Lisa M . Rafanelli Anna McCann Bannon McHenry Kathryn Calley Galitz Valrae Reynolds Anne Litle Poulet Mary Elizabeth Mitchell Jorge a . Garcia-Tuduri Francis l . Richardson Anne n . Rorimer Anne and James Morganstern Jasper Gaunt Allen Rosenbaum Deborah Rothschild Christopher a . Noey e . Adina Gordon Jason Marshall Rosenfeld Lisa a . Rotmil Mary Oey Lois r . Granato Edmund Campion Ryder Christine M . Singer Jo Anne C . Olian Steven r . Haas Daniel Arthur Savoy Joan Troccoli Adela Oppenheim Pamela B . Hatchfield Julie a . Shean Dale G . Zaklad Janice Carlson Oresman Gregory s . Hedberg Suzanna B . Simor Beatrice C . Rehl Sharon r . Herson Kathryn a . Smith $500 to $999 Jennifer Russell Julia P . Herzberg Paul Stanwick John D . Bandiera Lucy Freeman Sandler Ann M . Heywood Mary Stofflet Ruth Bowman Sheila Schwartz Laura J . Hoptman Elizabeth Rosen Stone Emily f . Braun Kent John Severson Anne Hoene Hoy Joyce Hill Stoner Philippe de Montebello Marjorie n . Shelley Harriet Irgang Suzanne l . Stratton-Pruitt Margaret Holben Ellis Kaoru Shino Harada Michael Jacoff James w . Sykes Jr . Kathleen M . Heins Sharon Dunlap Smith Charles J . Katz Carol f . Tabler Kathryn Moore Heleniak Priscilla Parsons Soucek Desiree G . Koslin Marie C . Tanner Meg Licht Jack Soultanian, Jr . Linda Konheim Kramer Janet D . Thorpe Beatrix Medinger Harriet K . Stratis Carol Herselle Krinsky Deborah Lee Trupin Cynthia Wolk Nachmani Thelma K . Thomas Lisa B . Kurzner-Bloomenkranz Phyllis r . Tuchman Robert s . Nelson Marcia r . Toledano Charlotte Daudon Lacaze Rebecca Joslyn Tucker Joan H . Pachner Marvin l . Trachtenberg Marsa Laird Emily Trevor Van Vleck Benjamin a . Rifkin Paula J . Volent Sarah B . Landau Julie a . Van Voorhis a . Kate Sheerin Walter M . Widrig a . Floyd Lattin Joyce Geary Volk Claire Svetlik-Mann Anonymous Marilyn a . Lavin Patricia a . Waddy Steven a . Weintraub Ursula Lee Adriaan Eise Waiboer Reva June Wolf $100 to $199 Dene a . Leopold Stefanie Walker James s . Ackerman Ralph e . Lieberman Alison e . West $200 to $499 Lynne D . Ambrosini Deborah Lipton Irene CioffiW hitfield Susan Anderson Susan and Richard Arms Charles t . Little Marina D . Whitman Konstanze Bachmann Nancy e . Ash Linda s . Lourie Roberta May-Hwa Wue Marcia e . Brocklebank William Lee Barcham Christa C . Mayer-Thurman Eric M . Zafran Thomas a . Buser Susan Johnston Barnes Leatrice Mendelsohn Alice M . Zrebiec Carol and Patrick Cardon Robert a . Baron Jerry D . Meyer Shelley e . Zuraw Karen f . Christian Kathryn w . Bonomi Nancy t . Minty Stephen r . Zwirn Yeon Shim Chung Mary K . Brantl Mary B . Moore Lynda a . Zycherman 34 *deceased INSTITUTE OF FINE ARTS – NYU

Annual Giving Campaign For Alumni Alumni giving has always played a vital role in supporting many areas of the Institute . With a contribution of $50 or more, you secure a year of IFA Alumni Association membership, and enjoy access to the IFA library, continued invitations to IFA events, and the annual Alumni Newsletter . Thank you in advance for your support and for staying involved with your alma mater .

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Amount of Gift: $100 $250 $500 $1,000 $5,000 Other $______With a gift of $50 or more you can enjoy daytime library privileges at the IFA. Alumni who donate $100 or more are recognized in the Alumni Newsletter.

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*deceased 35 The Alumni Association 1 East 78th Street, New York, NY 10075