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BY KEVIN KELLY

EVEN IN THE QUIETEST MOMENTS Songwriting legend brings his signature voice and intimate show to Newfoundland shores.

s a co-founder of 1970’s English Hodgson left in 1983 rock supergroup Supertramp, after the album, Famous Last Words, ARoger Hodgson was responsible focusing on his family, his spirit, work- for writing some of the ing at his own pace. greatest rock and roll After releasing two solo songs from that era. albums, 1984’s In The From Eye of The Storm and to to 1987’s Hai Hai, Hodgson Take The Long Way was out of the spotlight , Home, Dreamer and mostly. He continued to School among others, release albums, but did- Supertramp sold over 60 n’t tour much to support million albums while them. Hodgson was with the But it didn’t mean his band. Two of those albums, Crime of songs were out of the spotlight, howev- The Century and , er. In May 2005, Hodgson was honored eventually sold over a million copies in by ASCAP (the American Society of Canada alone. Composers, Authors, and Publishers)

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“He has a very unique voice and I think he’ll go wherever he wants to go to.” — Hodgson on Idol

in recognition of his song Give A Little Bit being one of the most played songs in 2005, thanks to a recent hit cover version by the Goo Goo Dolls. Hodgson will take to the stage solo at Mile One Centre on Nov. 6 to bring his music to local fans. It’s his first cross- Canada tour in 23 years and he promises an intimate evening of music. He recently released a platinum-selling DVD, Take The Long Way Home: Live in which gives a little pre- view of what to expect. Whether playing keyboard, guitar, or piano, the songs are intimate in their performance, just his unique voice and at the most, one or two accompanying instruments. The songs are at has a very unique voice and I think he’ll go wherever he really their core element. wants to set his mind to.” The Herald recently had the chance to speak with Hodgson about songwriting, his career and working with the Canadian SONGWRITING 101 this season, including Newfound;and’s Craig Sharpe. Hodgson approaches songwriting in a unique way. He men- “You can see the feeling that is created when these songs tions to The Herald that it is very much a process. are stripped down to the way they sounded when I wrote “Each song is very different,” he states of his approach to them,” Hodgson states about people’s reaction to his live show. songwriting. “A song like Dreamer literally exploded out of me “There’s a certain magic that happens for people when they one day, lyrics and everything. It must have been the mood I hear them in that form. I love the intimacy of the solo shows.” was in. I grabbed the tape recorder and put it down, started He says he feels “right at home” on stage. arranging it, putting harmonies in. It was very quick.” “I’m having a whole new love affair with these songs again,” But despite that example, there is a usual formula to he says. “I’m finding that I love these songs more than ever. ” Hodgson’s songwriting. He says that even with the fact its been quite a number of “In general, when a song comes to me, it is a three to four years since these hits have been written, people still love week process,” he states. “I liken it to a brief love affair, and enjoy them. when a new melody just grabs a hold of me and goes “I’m just really how they’ve stood the test round and round in my head the whole time. It has of time so well,” Hodgson states. “For me, as the guy that consuming quality to it, like falling in love. “ who sings them, that’s even more amazing. I never After he left Supertramp in 1983, Hodgson get tired of them. When I get on stage, I want to admits it was a little difficult being out of the give it my best.” group dynamic. “I was 14 years with ,” he says of his A SHARPE VOICE old mates. “It was an incredible adventure and Recently, a whole new generation experienced learning experience. I learned a lot about myself, Hodgson’s music when he mentored on the pop- and human nature, and the highs and lows of ular TV show along with both adulation and criticism.” Dennis DeYoung, known for his work Having experienced the ups and downs of with Styx. Hodgson really liked men- fame, he’s reflective of his accomplish- toring to the young Idols. ments. “There’s a lot of pitfalls when it “I felt very much like a protec- comes to fame and success,” Hodgson tive, proud parent,” he states of says. “There’s not a handbook that working with the Idol contest- they give out, and you have to navi- ants. He says the Top 7 that he gate those waters yourself. Your worked with were a fabulous whole external world changes dra- group of individuals includ- matically.” ing a certain young One of his songs is called Time Newfoundlander, Sharpe. Waits For No One, and it’s a good “My heart went out to philosophy on Hodgson’s career him,” he says of the Upper and the changes in his life over the Island Cove native. “He may be years. However, the songs that Roger very, very young, but I know why Hodgson creates leaves an indelible he did so well. He has a voice with a lot mark on the listener and makes us all of character to it and I was so proud. He give a little bit more in our lives. Maybe that’s why fans connect to his sound so “I’m having a whole new well. Kevin Kelly is The Newfoundland Herald’s Senior love for these songs.” Editor. He can be reached by emailing kkelly@nfld- herald.com

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