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Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers 1939-2000 (bulk 1970-2000) Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English Access Open for research Administrative Information Acquisition Purchases and gifts, 1991-2000 Processed by Katherine Mosley, 1993-2000 Repository: Harry Ransom Center, University of Texas at Austin Stoppard, Tom Manuscript Collection MS-4062 Biographical Sketch Playwright Tom Stoppard was born Tomas Straussler in Zlin, Czechoslovakia, on July 3, 1937. However, he lived in Czechoslovakia only until 1939, when his family moved to Singapore. Stoppard, his mother, and his older brother were evacuated to India shortly before the Japanese invasion of Singapore in 1941; his father, Eugene Straussler, remained behind and was killed. In 1946, Stoppard's mother, Martha, married British army officer Kenneth Stoppard and the family moved to England, eventually settling in Bristol. Stoppard left school at the age of seventeen and began working as a journalist, first with the Western Daily Press (1954-58) and then with the Bristol Evening World (1958-60). -
Edward Victor 9 September 1939 Bronx, New York City, New York, USA
See page 3 for additional obit from The Scotsman, Scotland's National Ed Victor Newspaper. June 12, 2017 (9 September 1939 – 7 June 2017) Born Edward Victor 9 September 1939 Bronx, New York City, New York, USA Died 7 June 2017 (aged 77) London, England, UK Nationality American Occupation Literary agent based in London for much of his career. Biography Victor was born on 9 September 1939, in Bronx, New York City, the son of Russian Jewish immigrant parents, who ran a photographic equipment store.[1][2] After graduating from Dartmouth College, Victor attended the University of Cambridge on a Marshall scholarship in 1961.[3] Publishing editor Victor married Michelene Samuels (now known as the writer Michelene Wandor) in 1963; the couple made their home in London and had two children. Victor worked for publishing house the Oborne Press, then part of Lord Beaverbrook's Express Newspapers group. He then worked on coffee table books for Weidenfeld & Nicolson. After approaching George Weidenfeld in the toilet, Victor was moved to general publishing, looking after the works of Saul Bellow and Vladimir Nabokov.[3] In 1970, his first marriage ended in divorce, and wanting a new challenge Victor co-founded countercultural newspaper Ink (May 1971 – February 1972)[4] with Oz founders Felix Dennis and Richard Neville. Conflict about what Ink should be led to its failure, and Victor returned to the United States to work for Knopf.[3] Literary agent Victor married his second wife, American lawyer Carol Ryan,[2] and after a year travelling they made their main home in London to be close to Victor's children.[5] Victor was one of the first former journalist/editors to make the move to be a publishing agent, when in the 1970s literary agents were not welcomed by British publishers. -
Iris Murdoch Review
The Iris Murdoch Review Published by the Iris Murdoch Research Centre, University of Chichester in association with Kingston University Press. Kingston University London, Penrhyn Road, Kingston upon Thames KT1 2EE © The Contributors, 2019 Cover design and typesetting by Megan Kilmister ISBN 978-1-909362-46-8 A record of this journal is available at the British Library. The Iris Murdoch Society University of Chichester, College Lane, Chichester, West Sussex PO19 6PE President: Anne Rowe Secretary: Miles Leeson Administrator: Heather Robbins The Iris Murdoch Review The Iris Murdoch Review (Kingston University Press) publishes articles on the life and work of Iris Murdoch and her milieu. The Review aims to represent the breadth and eclecticism of contemporary critical approaches to Murdoch, and particularly welcomes new perspectives and lines of enquiry. The views and opinions expressed in the Iris Murdoch Review are those of the individual authors and do not necessarily reflect the position of the editors, production team or Kingston University Press. Lead Editor Miles Leeson, [email protected] Editors Frances White, [email protected] Pamela Osborn, [email protected] Assistant Editor Lucy Oulton, [email protected] Editorial Board Maria Antonaccio, Bucknell University, USA Lucy Bolton, Queen Mary, University of London Cheryl Bove, Metropolitan State University of Denver, USA Avril Horner, Kingston University, London Bran Nicol, University of Surrey Priscilla Martin, University of Oxford Advisor Anne Rowe, University of -
Editor's Letter
1 Editor’s Letter Fellow newsletter team member Andrew Klaber recently gave me a tour of the Mor- gan Library in New York, which features three impressive Gutenberg Bibles in its collection. The timing of the tour was fortuitous as we were just finalizing plans for an issue focusing on Marshalls in the book publishing industry. While electronic media and digital ‘on-demand’ printing provide just about anyone with access to publish- ing technology, the art of publishing books remains a rare skill. In this issue, Diana Coogle and Wallace Kaufman offer a fascinating glimpse into two of the industry’s Nicholas Hartman legendary figures—Jonathan Galassi and Ed Victor. Managing Editor The newsletter team always welcomes your feedback and content ideas. Please get in (Pennsylvania State, B.S. 2003; Darwin College, Cambridge, Ph.D. 2008) Nicholas touch with us at [email protected]. is a director at the New York City office of Nicholas T. Hartman, Managing Editor CKM Advisors and lives in Westchester. Diana Coogle Profiles Co-editor Contributors (Vanderbilt, B.A. 1966; Newnham College, Cam- bridge, M.A. 1968; University of Oregon, Ph.D., Ushma Savla Neill,Neill 2012) After writing a dissertation on Old English Deputy Editor poetry, Diana is again teaching English at Rogue (Northwestern, B.S. 1996, M.S. 1996, Ph.D. 1999; Community College in Grants Pass, OR. She lives Sherfield Postdoctoral Fellow, Imperial College 1999) and writes in a little house in the Siskiyou Moun- After 11 years as a professional editor of biomedical tains of southern Oregon. research journals, Ushma is now the Director of the Office of the President of Memorial Sloan-Kettering Wallace Vickers Kaufman Cancer Center. -
From Orientalism to Cultural Capital Capital Cultural Cultural to to Orientalism Orientalism from From
From Orientalism to Cultural Capital From Orientalism to Cultural Capital From Orientalism to Cultural Capital presents a fascinating account of the wave of Russophilia that pervaded British literary culture in The Myth of Russia in British Literature of the 1920s the early twentieth century. The authors bring a new approach to the study of this period, exploring the literary phenomenon through two theoretical models from the social sciences: Orientalism and the notion of ‘cultural capital’ associated with Pierre Bourdieu. Examining the responses of leading literary practitioners who had a significant impact on the institutional transmission of Russian culture, they reassess the mechanics of cultural dialogism, mediation and exchange, casting new light on British perceptions of modernism as a transcultural artistic movement and the ways in which the literary interaction with the myth of Russia shaped and intensified these cultural views. Olga Soboleva teaches Comparative Literature at the London School of Economics and Political Science. Her research interests are in nineteenth- and twentieth-century Russian and European culture. • Her recent publications include The Only Hope of the World: George Bernard Shaw and Russia (2012), The Silver Mask: Soboleva and Wrenn Harlequinade in the Symbolist Poetry of Blok and Belyi (2008) and articles on Tolstoy, Dostoevsky, Nabokov, Chekhov, Boris Akunin and Victor Pelevin. Angus Wrenn has taught Comparative Literature at the London School of Economics and Political Science since 1997. His most recent publications include The Only Hope of the World: George Bernard Shaw and Russia (2012), Henry James and the Second Empire (2009) and articles on the reception of Ford Madox Ford and Henry James in Europe. -
What Is the Difference Between Influence and Power? Ia N C in O T S E N 2010 Was a Seminal Year for Those Who Influence the Lives and Argue
THE 10 0 MOST INFLUENTIAL MEN 2 011 Sway of life (from top): David Beckham, David Cameron, Nick Jones, Douglas Booth and Sir Nicholas Serota h • george osbo urnis rne • id f dav av ing • gus o’donnell id & d hard • ro ca n es mark th be m h m and • omps rt er jo ja ilib on • pe on n r • d m ro st o e • e ber on • lt rb n t • an e a y ch c d r b ll o o y si l e te li e ew • n co • on l e m u e i l d y l r l d v l s e • e i e o m y • c r n r n t r o o • • e r t r j r h a l • e t i r u h c p o h o e e m e r c e l r t n v i y i n t n e r t b h m u s u p y u o • r n c • r s l n n t d i l o e • o v e s • r c l • r h e l i r c e u o n h • l c s a w b r i a n e r a i i s n l c d t a l g e r d r i r c e a a f a s n m i m • m i n v h r v o i g e n a • s e d d g e • e • u • v b r e i m e e i • l a c d n i h s r a v l i a e l a h r i r d t i p z d n a w h e a n w e y i x o c l a j • e i n l p l i • m l r a g a a n p r • c t o • e e l s t e s h a • n n e e h h m k w • t o u j n w s r f e i s a r d m i f m e o r o o u u c o n l d h d b i b c m • u • o n g h a w o n t c u a o e s l s g k l e e h n a l n h i s l n • b • e a a o j y u n r n a i d r m • a n k i t c e n a e i s c s i • c n l n m k i u a • a j u i a i o g t p n r n s n i • d d e i r s o u h k h • c n t c i h m n c d a m a y n • s t n a v t l p h r k s a u c e m e i w a u n i p m d • t l ’ a h n r n • a i d i c s • s o o n a g a n a r • • g l y a r r c i a c m r h a h a e h o r a d • r m b c a a r n d i i c n v g a d • i i c n k i c m l o e d g • g t • h p g e i t r e r w N W TIO ITH what is the difference between influence and power? IA N C IN O T S E N 2010 was a seminal year for those who influence the lives and argue. -
Introduction to Bibliography
INTRODUCTION TO BIBLIOGRAPHY Seminar Syllabus G. THOMAS TANSELLE ! Syllabus for English/Comparative Literature G4010 Columbia University ! Charlottesville B O O K A R T S P R E S S University of Virginia 2002 This page is from a document available in full at http://www.rarebookschool.org/tanselle/ Nineteenth revision, 2002 Copyright © 2002 by G. Thomas Tanselle Copies of this syllabus are available for $25 postpaid from: Book Arts Press Box 400103, University of Virginia Charlottesville, VA 22904-4103 Telephone 434-924-8851 C Fax 434-924-8824 Email <[email protected]> C Website <www.rarebookschool.org> Copies of a companion booklet, Introduction to Scholarly Editing: Seminar Syllabus, are available for $20 from the same address. This page is from a document available in full at http://www.rarebookschool.org/tanselle/ CONTENTS Preface • 10 Part 1. The Scope and History of Bibliography and Allied Fields • 13-100 Part 2. Bibliographical Reference Works and Journals • 101-25 Part 3. Printing and Publishing History • 127-66 Part 4. Descriptive Bibliography • 167-80 Part 5. Paper • 181-93 Part 6. Typography, Ink, and Book Design • 195-224 Part 7. Illustration • 225-36 Part 8. Binding • 237-53 Part 9. Analytical Bibliography • 255-365 Subject Index • 367-70 A more detailed outline of the contents is provided on the next six pages. This page is from a document available in full at http://www.rarebookschool.org/tanselle/ 4 Tanselle: Introduction to Bibliography (2002) OUTLINE OF CONTENTS 1. The Scope and History of Bibliography and Allied Fields A. Selected Basic Readings (pages 13-14) B. -
The Myth of Russia in British Literature of the 1920S
Bibliography Alekseev, M. P., ‘Shekspir i russkoe gosudarstvo XVI–XVII vv.’, in Shekspir i russkaia kul’tura, ed. M. P. Alekseev (Moscow and Leningrad: Akademia nauk, 1965), pp. 784–805. Alston, Charlotte, Russia’s Greatest Enemy?: Harold Williams and the Russian Revolu- tions (New York: Tauris, 2007). Amfiteatrov, Aleksandr V., ‘Gorestnye zamety’,Novaia russkaia zhizn’ (Gel’singfors) 221 (27 September 1921), p. 222 (28 September 1921). Anderson, M. S., British Discovery of Russia, 1553–1815 (London: St. Martin’s Press, 1958). Archer, William, ‘The Theatre’,World , 11 April 1905, p. 622. Aristotle, ‘Nicomachean Ethics’, in Complete Works of Aristotle, ed. Jonathan Barnes (Princeton, NJ: Princeton University Press, 1995), II, pp. 729–867. ‘Arkay’, The Tatler, 7 April 1920. Arnold, Matthew, ‘Count Leo Tolstoi’, Fortnightly Review 42 (1887), pp. 783–99. Ashton, Rosemary, Victorian Bloomsbury (New Haven, CT: Yale University Press, 2012). Asquith, Cynthia, Portrait of Barrie (London: James Barrie, 1955). Atheling, William [Ezra Pound], ‘At the Ballet’, New Age, 16 October 1919, p. 412. Baring, Maurice, Landmarks in Russian Literature (London: Methuen and Co, 1910). The Mainsprings of Russia (London: Thomas Nelson and Sons, 1914). Maurice Baring: Restored Selections from His Work, ed. Paul Horgan (London: William Heinemann, 1970). Russian Essays and Stories (London: Methuen & Co, 1908). The Russian People (London: Methuen and Co, 1911). Barrie, J. M., Letters of J. M. Barrie, ed. Viola Meynell (London: Peter Davies, 1942). ‘The Truth of the Russian Dancers’, in A. J. Pischl and Selma Jeanne Cohen, eds, Dance Perspectives 14 (1962), pp. 12–30. Bassinsky, Pavel, Strasti po Maksimu: deviat’ dnei posle smerti (Moscow: Astrel’, 2011). -
Frankfurt Book Fair 2015
Frankfurt Book Fair 2015 The Robbins Office, Inc. For further information on all clients and titles in this catalogue, please contact: SALLY RILEY France, Germany, Holland, Italy, and Scandinavia. Email: [email protected] NISHTA HURRY Bulgaria, Croatia, Czech Republic, Estonia, Hungary, Israel, Latvia, Lithuania, Poland, Romania, Slovenia, Serbia, Slovakia, Turkey and all Indian territories. Email: [email protected] ANNA WATKINS Brazil, China, Greece, Japan, Korea, Portugal, Russia, Spain and all Asian territories and all Arabic territories. Email: [email protected] Literary Agents Centre Tables 17A, 18A, 17B and 18B Film and Television Rights For information please contact: Lesley Thorne for dramatic rights [email protected] Leah Middleton for factual/ documentary and stage rights [email protected] Aitken Alexander Associates Ltd. 18-21 Cavaye Place London SW10 9PT Telephone (020) 7373 8672 www.aitkenalexander.co.uk @AitkenAlexander FICTION A Country Road, A Tree by Jo Baker From the best-selling author of Longbourn, a stunning new novel that follows an unnamed writer – Samuel Beckett – whose life and extraordinary literary gift are permanently shaped in the forge of war. When war breaks out in Europe in 1939, a young, unknown writer journeys from his home in neutral Ireland to conflict-ridden Paris and is drawn into the mael- strom. With him we experience the hardships yet stubborn vibrancy at the heart of Europe during the Nazis’ rise to power; his friendships with James Joyce and other luminaries; his quietly passionate devotion to the Frenchwoman who will become his lifelong companion; his secret work for the French Resistance and narrow es- capes from the Gestapo; his flight from occupied Paris to the countryside; and the rubble of his life after liberation. -
POPULAR FICTION and PUBLISHING 1960S-1990S
POPULAR FICTION AND PUBLISHING 1960s-1990s by MOIRA C. ROBINSON A thesis submitted to The University of Birmingham for the degree of M. LITT. Department of English The University of Birmingham September 2001 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The popular fiction publishing trade is thriving at the end of the twentieth century and so is its ability to create bestsellers, but the average author remains poor. In seven chapters this thesis will outline the processes and agencies that have driven the trade forward and established the conditions for the creation of bestsellers. Chapter 1 provides an overview of the changes in the book trade between 1960 and 2000. Chapter 2 looks at the rise of literary agents, the huge increase in their numbers, and how they have transformed the modem publishing world. Chapter 3 is a survey of the literary prize and awards scene. The follovdng four chapters look in detail at four very different bestsellers: the unexpurgated Lady Chatterley's Lover by D H Lawrence (1960), The Thorn Birds by Colleen McCullough (1977), The Satanic Verses by Salman Rushdie (1988), and The Horse Whisperer by Nicholas Evans (1995), to assess how they have contributed to the revisions in the publishing trade. -
William M. Adler
B LOOMSBURY Bloomsbury Press Walker & Co. Bloomsbury Fall 2012 September – December For the most up-to-date Edelweiss catalog information, visit http://edelweiss.abovethetreeline.com CONTENTS BLOOMSBURY PRESS Unaccountable Marty Makary, M.D. 2 Hidden Harmonies (pb) Robert Kaplan and Ellen Kaplan 4 El Narco (pb) Ioan Grillo 5 Volcker William L. Silber 6 .BLOOMSBURYPRESS.COM What’s the Economy Good For, Anyway? (pb) John de Graaf and David K. Batker 8 America Aflame (pb) David Goldfield 9 Fever Season Jeannette Keith 10 WWW The Watchers Stephen Alford 11 BLOOMSBURY PRESS BACklisT HIGHligHTS 12 WALKER The Wild Duck Chase Martin J. Smith 13 Theodore Roosevelt in the Badlands (pb) Roger L. Di Silvestro 14 Leningrad (pb) Anna Reid 15 Mirror Earth Michael D. Lemonick 16 Spectrums David Blatner 17 A More Perfect Heaven (pb) Dava Sobel 18 The Sugar Barons (pb) Matthew Parker 20 The Damnation of John Donellan Elizabeth Cooke 21 Leonardo and The Last Supper Ross King 22 The Miracle of Trees Olavi Huikari 24 ALKERBOOKS.COM Grammar Rachel Grenon 24 W . walker BACklisT HIGHligHTS 25 WWW BLOOMSBURY Salvage the Bones (pb) Jesmyn Ward 26 Welcome to Your Child’s Brain (pb) Sandra Aamondt, Ph.D. and Sam Wang, Ph.D. 28 The Shadow Scholar Ed Dante 29 The Odyssey Seymour Chwast 30 The Most Memorable Games in Patriots History Jim Baker and Bernard M. Corbett 32 Just Plain Dick Kevin Mattson 33 Wilderness Lance Weller 34 Midnight in Austenland (pb) Shannon Hale 36 Painter of Silence Georgina Harding 37 Rabid Pamela Redmond Satran 38 Raising Wrecker (pb) Summer Wood 40 The Man Who Never Died (pb) William M. -
Remarks on 1968, Richard Neville and His Book Play Power Jim Anderson [email protected]
Counterculture Studies Volume 2 | Issue 1 Article 13 2019 Remarks on 1968, Richard Neville and his book Play Power Jim Anderson [email protected] Follow this and additional works at: https://ro.uow.edu.au/ccs Recommended Citation Anderson, Jim, Remarks on 1968, Richard Neville and his book Play Power, Counterculture Studies, 2(1), 2019, 30-42. doi:10.14453/ ccs.v2.i1.13 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Remarks on 1968, Richard Neville and his book Play Power Abstract An account by OZ editor, journalist and artist Jim Anderson on his role in the production of Richard Neville's Play Power (1970) and events around 1968. Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 License. This journal article is available in Counterculture Studies: https://ro.uow.edu.au/ccs/vol2/iss1/13 Remarks on 1968, Richard Neville and his book Play Power 1 Jim Anderson NOTE: ‘THIS COPY of PLAY POWER DOES NOT CONTAIN THE UNDERGROUND ALMANAC POSTER GAME HEADOPOLY AS A PROHIBITION NOTICE HAS BEEN IMPOSED ON IT by the Commonwealth of Australia Department of Customs and Excise. MARCH 26 1970 1 The title of Richard Neville’s book Play Power was a variation on flower power, a popular phrase at the time. Richard Neville, Play Power, Jonathan Cape, London, 1970, 300p. Counterculture Studies 2(1) 2019 30 Looking Back to ‘68 I have never been a certified student of the Sixties.