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READING FOOD in BOYS LOVE MANGA a Gastronomic Study of Food and Male Homosexuality in the Manga Work of Yoshinaga Fumi
READING FOOD IN BOYS LOVE MANGA A Gastronomic Study of Food and Male Homosexuality in the Manga Work of Yoshinaga Fumi Xuan Bach Tran A dissertation submitted to AUT University in partial fulfilment of the requirements for the degree of Master of Gastronomy 2018 School of Hospitality and Tourism Primary Supervisor: Hamish Bremner Secondary Supervisor: Andrew Douglas TABLE OF CONTENTS LIST OF FIGURES ............................................................................................. iii ATTESTATION OF AUTHORSHIP ................................................................. iv ACKNOWLEDGEMENTS ................................................................................. v ABSTRACT ......................................................................................................... vi CHAPTER 1. INTRODUCTION ........................................................................ 1 I. Why Reading Food in Boys Love Manga? ............................................. 1 II. Food, Gender, Manga and Lives of The Ordinary................................... 3 III. Yoshinaga Fumi’s manga work as texts ................................................. 4 IV. Research Question ................................................................................. 5 V. Chapters Outlines................................................................................... 5 VI. A Note on Japanese Names, Terminology, and the Manga Way ............. 6 CHAPTER 2. LITERATURE REVIEW ........................................................... -
Script Variation in Japanese Comics
Language in Society 49, 357–378. doi:10.1017/S0047404519000794 Script variation as audience design: Imagining readership and community in Japanese yuri comics HANNAH E. DAHLBERG-DODD The Ohio State University, USA ABSTRACT Building on recent work supporting a sociolinguistic approach to orthograph- ic choice, this study engages with paratextual language use in yuri, a subgenre of Japanese shōjo manga ‘girls’ comics’ that centers on same-sex romantic and/or erotic relationships between female characters. The comic magazine Comic Yuri Hime has been the dominant, if not only, yuri-oriented published magazine in Japan since its inception in 2005. Though both written and consumed by a primarily female audience, the magazine has undergone nu- merous attempts to rebrand and refocus the target audience as a means to broaden the magazine’s readership. This change in target demographic is reflected in the stylistic representation of paratextual occurrences of the second-person pronoun anata, indicating the role of the textual landscape in reflecting, and reifying, an imagined target audience. (Script variation, manga, popular media, Japan, yuri manga) INTRODUCTION Building on recent work supporting a sociolinguistic approach to orthographic choice (e.g. Miyake 2007; Bender 2008; Sebba 2009, 2012; Jaffe 2012; Robertson 2017), this study analyzes the indexical potentialities of script variation in Japanese mass media discourse. The stylistic and visual resources that construct the speaking ‘voice’ are many, ranging from aural features such as voice quality (e.g. Teshigawara 2007; Redmond 2016) and structural ones like syntax and semantics (e.g. Sadanobu 2011) to more content-oriented ones like lexical variation (e.g. -
The Origins of the Magical Girl Genre Note: This First Chapter Is an Almost
The origins of the magical girl genre Note: this first chapter is an almost verbatim copy of the excellent introduction from the BESM: Sailor Moon Role-Playing Game and Resource Book by Mark C. MacKinnon et al. I took the liberty of changing a few names according to official translations and contemporary transliterations. It focuses on the traditional magical girls “for girls”, and ignores very very early works like Go Nagai's Cutie Honey, which essentially created a market more oriented towards the male audience; we shall deal with such things in the next chapter. Once upon a time, an American live-action sitcom called Bewitched, came to the Land of the Rising Sun... The magical girl genre has a rather long and important history in Japan. The magical girls of manga and Japanese animation (or anime) are a rather unique group of characters. They defy easy classification, and yet contain elements from many of the best loved fairy tales and children's stories throughout the world. Many countries have imported these stories for their children to enjoy (most notably France, Italy and Spain) but the traditional format of this particular genre of manga and anime still remains mostly unknown to much of the English-speaking world. The very first magical girl seen on television was created about fifty years ago. Mahoutsukai Sally (or “Sally the Witch”) began airing on Japanese television in 1966, in black and white. The first season of the show proved to be so popular that it was renewed for a second year, moving into the era of color television in 1967. -
Imagined Identity and Cross-Cultural Communication in Yuri!!! on ICE Tien-Yi Chao National Taiwan University
ISSN: 2519-1268 Issue 9 (Summer 2019), pp. 59-87 DOI: 10.6667/interface.9.2019.86 Russia/Russians on Ice: Imagined Identity and Cross-cultural Communication in Yuri!!! on ICE tien-yi chao National Taiwan University Abstract Yuri!!! on ICE (2016; 2017) is a Japanese TV anime featuring multinational figure skaters com- peting in the ISU Grand Prix of Figure Skating Series. The three protagonists, including two Russian skaters Victor Nikiforov, and Yuri Purisetsuki (Юрий Плисецкий), and one Japanese skater Yuri Katsuki (勝生勇利), engage in extensive cross-cultural discourses. This paper aims to explore the ways in which Russian cultures, life style, and people are ‘glocalised’ in the anime, not only for the Japanese audience but also for fans around the world. It is followed by a brief study of Russian fans’ response to YOI’s display of Russian memes and Taiwanese YOI fan books relating to Russia and Russians in YOI. My reading of the above materials suggests that the imagined Russian identity in both the official anime production and the fan works can be regarded as an intriguing case of cross-cultural communication and cultural hybridisation. Keywords: Yuri!!! on ICE, Japanese ACG (animation/anime, comics, games), anime, cross-cul- tural communication, cultural hybridisation © Tien-Yi Chao This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. http://interface.ntu.edu.tw/ 59 Russia/Russians on Ice: Imagined Identity and Cross-cultural Communication in Yuri!!! on ICE Yuri!!! on ICE (ユーリ!!! on ICE; hereinafter referred to as YOI)1 is a TV anime2 broadcast in Japan between 5 October and 21 December 2016, featuring male figure skaters of various nationalities. -
The Iafor Journal of Media, Communication & Film
the iafor journal of media, communication & film Volume 3 – Issue 1 – Spring 2016 Editor: James Rowlins ISSN: 2187-0667 The IAFOR Journal of Media, Communication & Film Volume 3 – Issue – I IAFOR Publications Executive Editor: Joseph Haldane The International Academic Forum IAFOR Journal of Media, Communication & Film Editor: James Rowlins, Singapore University of Technology and Design, Singapore Associate Editor: Celia Lam, University of Notre Dame Australia, Australia Assistant Editor: Anna Krivoruchko, Singapore University of Technology and Design, Singapore Advisory Editor: Jecheol Park, National University of Singapore, Singapore Published by The International Academic Forum (IAFOR), Japan Executive Editor: Joseph Haldane Editorial Assistance: Rachel Dyer IAFOR Publications. Sakae 1-16-26-201, Naka-ward, Aichi, Japan 460-0008 IAFOR Journal of Media, Communication & Film Volume 3 – Issue 1 – Spring 2016 IAFOR Publications © Copyright 2016 ISSN: 2187-0667 Online: JOMCF.iafor.org Cover photograph: Harajuku, James Rowlins IAFOR Journal of Media, Communication & Film Volume 3 – Issue 1 – Spring 2016 Edited by James Rowlins Table of Contents Notes on Contributors 1 Introduction 3 Editor, James Rowlins Interview with Martin Wood: A Filmmaker’s Journey into Research 5 Questions by James Rowlins Theorizing Subjectivity and Community Through Film 15 Jakub Morawski Sinophone Queerness and Female Auteurship in Zero Chou’s Drifting Flowers 22 Zoran Lee Pecic On Using Machinima as “Found” in Animation Production 36 Jifeng Huang A Story in the Making: Storytelling in the Digital Marketing of 53 Independent Films Nico Meissner Film Festivals and Cinematic Events Bridging the Gap between the Individual 63 and the Community: Cinema and Social Function in Conflict Resolution Elisa Costa Villaverde Semiotic Approach to Media Language 77 Michael Ejstrup and Bjarne le Fevre Jakobsen Revitalising Indigenous Resistance and Dissent through Online Media 90 Elizabeth Burrows IAFOR Journal of Media, Communicaion & Film Volume 3 – Issue 1 – Spring 2016 Notes on Contributors Dr. -
An Examination of Superhero Tropes in My Hero Academia
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Master's Projects and Capstones Theses, Dissertations, Capstones and Projects Spring 5-29-2020 The World’s Greatest Hero: An Examination of Superhero Tropes in My Hero Academia Jerry Waller [email protected] Follow this and additional works at: https://repository.usfca.edu/capstone Part of the Comparative Literature Commons, Japanese Studies Commons, Modern Literature Commons, and the Visual Studies Commons Recommended Citation Waller, Jerry, "The World’s Greatest Hero: An Examination of Superhero Tropes in My Hero Academia" (2020). Master's Projects and Capstones. 1006. https://repository.usfca.edu/capstone/1006 This Project/Capstone is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Master's Projects and Capstones by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. The World’s Greatest Hero: An Examination of Superhero Tropes in My Hero Academia Jerry Waller APS 650: MAPS Capstone Seminar May 17, 2020 1 Abstract In this paper the author explores the cross-cultural transmission of genre archetypes in illustrated media. Specifically, the representation of the archetype of American superheroes as represented in the Japanese manga and anime series, My Hero Academia. Through examination of the extant corpus of manga chapters and anime episodes for the franchise, the author draws comparison between characters and situations in the manga series with examples from American comic books by Marvel Comics and DC Comics. -
9:30–10:40Am
THE RUHLMAN R C O N F E R E N C E 9:30–10:40am guage, and disability. With a focus on four Cross-cultural Research Literature and the Arts discourse variables—question-and-answer sequences, expletives (profanity), honorif- Construction of Gender: ics, and indirection—the study aims to Why There Are Indirect Speech Insight into Japan and Korea (panel) identify stereotypes associated with female Acts: A Response to Bertolet (panel) Science Center 396 vs. male speech and explores the role Pendleton West 117 of disability in their perpetuation. The Gender is a social construct expressed by Shan Shan Tam ’10, Philosophy and each individual in accordance with a social major questions addressed by this film- based linguistic analysis are as follows: Architecture, Kimberly Goyzueta ’11, standard. This panel examines native Cognitive and Linguistic Sciences, and 1) Are the disabled subject to the same portrayals of gender in creative outlets, Margaret Hall ’11, Psychology language-related gender stereotypes that and the use of language and other social ADVISOR: Mary Kate McGowan, Philosophy behavior, to examine the expression of characterize the speech of nondisabled Suppose a diner asks, “Can you pass the gender in modern Japan and Korea. men and women (e.g., women’s speech is “powerless” and/or “cooperative”)? and salt?” Although her utterance is literally a Real Men Wear Sequins: Performing 2) can physical disability, both in Oasis question (about the physical abilities of Gender on the Takarazuka Stage and more generally, in Korean society and the addressee), most would take it as a elsewhere, be a hyperbolized expression of request (that the addressee pass the salt). -
Manga Vision: Cultural and Communicative Perspectives / Editors: Sarah Pasfield-Neofitou, Cathy Sell; Queenie Chan, Manga Artist
VISION CULTURAL AND COMMUNICATIVE PERSPECTIVES WITH MANGA ARTIST QUEENIE CHAN EDITED BY SARAH PASFIELD-NEOFITOU AND CATHY SELL MANGA VISION MANGA VISION Cultural and Communicative Perspectives EDITED BY SARAH PASFIELD-NEOFITOU AND CATHY SELL WITH MANGA ARTIST QUEENIE CHAN © Copyright 2016 Copyright of this collection in its entirety is held by Sarah Pasfield-Neofitou and Cathy Sell. Copyright of manga artwork is held by Queenie Chan, unless another artist is explicitly stated as its creator in which case it is held by that artist. Copyright of the individual chapters is held by the respective author(s). All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/mv-9781925377064.html Series: Cultural Studies Design: Les Thomas Cover image: Queenie Chan National Library of Australia Cataloguing-in-Publication entry: Title: Manga vision: cultural and communicative perspectives / editors: Sarah Pasfield-Neofitou, Cathy Sell; Queenie Chan, manga artist. ISBN: 9781925377064 (paperback) 9781925377071 (epdf) 9781925377361 (epub) Subjects: Comic books, strips, etc.--Social aspects--Japan. Comic books, strips, etc.--Social aspects. Comic books, strips, etc., in art. Comic books, strips, etc., in education. -
Spring 2020 Seven Seas
SPRING 2020 SEVEN SEAS This edition of the catalogue was printed on November 12, 2019. To view updates, please see the Spring 2020 Raincoast eCatalogue or visit www.raincoast.com 20S Macm Seven Seas Adachi and Shimamura (Light Novel) Vol. 1 by Hitoma Iruma, illustrated by Non Seven Seas • On Sale: Jun 2/20 • 5 x 7.12 • 320 pages 9781645055358 • $16.99 • pb • Comics & Graphic Novels / Manga / Gay & Lesbian • Adachi and Shimamura (Light Novel) The yuri light novels about a sweet romance between high school girls - soon to be an anime series! Adachi and Shimamura, two young women who attend the same high school, are inseparable friends. Whether playing table tennis, chatting about favorite TV shows, or just relaxing together, they're happy to share their days. When Adachi's friendship turns into romantic attraction, the relationship begins to change, one day at a time. This beloved yuri series has been charming audiences in Japan for years, and now, for the (...) Syrup (Yuri Anthology) by Milk Morinaga, Kodama Naoko and Yoshimurakana Seven Seas • On Sale: Jun 9/20 • 5.88 x 8.25 • 180 pages 9781645055334 • $16.99 • pb • Comics & Graphic Novels / Manga / Gay & Lesbian A beautiful new yuri manga anthology about adult women in love by some of the hottest names in the industry! Beyond the tales of high school girls in the first bloom of love, stories of grown women yearn to be told. The Syrup collection focuses on women navigating love for other women amidst the ups and downs of a working life. Featuring short manga stories by a star-studded line-up - including Milk Morinaga ( Girl Friends ), Kodama Naoko ( I Married My Best Friend to Shut (...) Adachi and Shimamura (Light Novel) Vol. -
Reviving Classical Figures in Japanese Comics
Back To The Future: Classical Figures In Comics 287 Chapter 13 Back to the Future: Classical Figures in Comics Back to the Future: Reviving Classical Figures in Japanese Comics Carla Scilabra The aim of this chapter* is to investigate how Classical heritage1 is perceived and depicted in Japanese comic production. Manga series represent a particu- lar type of comic production which first appeared immediately after the Sec- ond World War and then grew – in a fairly progressive process – until it had reached almost every corner of the world.2 Nowadays, the manga phenome- non can be considered a central form of Japanese pop-culture expression, both in terms of the value system, themes, and worldview that it represents, and in the way in which it is widely diffused among different demographics. Simulta- neously, manga can also be seen as a global trend, thanks to the favor it has gained in different countries throughout the years.3 In order to analyze this process, this study will consider elements from the Greco-Roman historical and cultural heritage that appear in these comics and how they are represented, before focusing on a more intricate question that, although it might seem thorny, could lead to a more complete understanding * This article uses the Hepburn Romanization system for the transliteration of Japanese names and words. Japanese authors’ and characters’ names are indicated with the given name fol- lowed by the family name. 1 In this work the terms ‘Classic’ and ‘Classical heritage’ will refer exclusively to the ancient Greek and Roman cultural heritage, including under this definition both the myths and the history that concern these cultures. -
By Angie Manfredi
THE OFFICIAL JOURNAL OF THE YOUNG ADULT LIBRARY SERVICES ASSOCIATION A DIVISON OF THE AMERICAN LIBRARY ASSOCIATION young adult library library servicesservices VOLUME 7 | NUMBER 4 SUMMER 2009 ISSN 1541-4302 $12.50 INSIDE: BANNED BOOKS WEEK STINKY FISH AND TOSSED EGGS SYMPOSIUM PAPER PRESENTATIONS AND MORE! TM ISSUE! TEEN READ WEEK The official journal of The Young adulT librarY ServiceS aSSociaTion young adult library services VOLUME 7 | NUMBER 4 SUMMER 2009 ISSN 1541-4302 The View from ALA Special Supplement 4 Banned Books Week: Celebrating Your 25 The Young Adult Literature Symposium (and Your Teens!) Freedom to Read Paper Presentations By Ken Petrilli 26 Accept the Universal Freak Show By Angie Manfredi YALSA Perspectives 32 Are You There God? It’s Me, Manga 6 Help Shape YALSA’s Future Manga as an Extension of Young Adult By Paula Brehm-Heeger Literature 7 YALSA’s Baker & Taylor Conference Award By Lisa Goldstein and Molly Phelan By Geri Diorio and Christopher Shoemaker 39 Bullies, Gangs, and Books for Young 8 Fabulous Films for Young Adults Adults By Susan Wray By Stan Steiner and Ben Steiner 46 The Age of ______? Student Perspective Using Young Adult Literature to Make 9 YA Q&A Sense of the Contemporary World By Thomas Philion Expert Advice on Tough Teen Services Questions By Carlie Webber Plus: Best Practices 2 From the Editor 11 Project Morph RoseMary Honnold Bringing Fashion Rehab to Los Angeles Library Teens 3 From the President By Monique Delatte Sarah Cornish Debraski 13 Stinky Fish and Tossed Eggs 23 Professional Resources Science Programming on the Cheap 50 The YALSA Update By Brannigan Cheney and Sarah Lovato 16 Easing the Pain of the Classics 52 Guidelines for Authors By Katie Porteus 52 Index to Advertisers Hot Spot: Teen Read WeekTM 53 Index to Volume 7 19 Joining Forces with Teachers for an Unreal Teen Read Week By Jennifer Maede About This Cover 21 Break Through to the Other Side Read Beyond Reality @ your libraryÒ is the official Get Adult Services Staff to Buy Into Teen Read Week By Carla Land theme for Teen Read Week. -
Narratives of Sexuality in the Lives of Young Women Readers
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-7-2019 2:30 PM Narratives of Sexuality in the Lives of Young Women Readers Davin L. Helkenberg The University of Western Ontario Supervisor Paulette M. Rothbauer The University of Western Ontario Graduate Program in Library & Information Science A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Davin L. Helkenberg 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Children's and Young Adult Literature Commons, Education Commons, Gender and Sexuality Commons, and the Library and Information Science Commons Recommended Citation Helkenberg, Davin L., "Narratives of Sexuality in the Lives of Young Women Readers" (2019). Electronic Thesis and Dissertation Repository. 6284. https://ir.lib.uwo.ca/etd/6284 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract In recent years, research on adolescent sexuality in Young Adult (YA) Literature has included a discussion of its potential role in sex education. Based on the extensive yet problematic presentation of sexuality within these texts, it has gained both support and opposition. However, very few empirical studies have been done on how readers say YA Literature has informed their sexual lives. This thesis investigates how narratives of sexuality found within YA Literature may inform the sexual lives of young women readers by examining both readers’ experiences and YA texts.