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Heritage Information Please contact us for more information about this place: [email protected] -OR- phone 07 3403 8888 St Mary's Retreat Key details Also known as The Fort Addresses At 199 Fort Road, Oxley, Queensland 4075 Type of place Residence (group), House Period Victorian 1860-1890 Style Queenslander Lot plan L7_SP172192; L8_SP172192 Date of Information — April 2003 Page 1 Key dates Local Heritage Place Since — 1 January 2004 Date of Information — April 2003 Construction Roof: Corrugated iron; Walls: Timber People/associations Henry William Coxen and family (Occupant) Criterion for listing (A) Historical; (E) Aesthetic; (H) Historical association This house was built in the early 1880s for Henry William Coxen, one of the pioneering graziers in south-east Queensland. He established Jondaryan station on the Darling Downs and was Chairman of the Sherwood Division in 1902. From 1955-1962, this large property of 12.4 hectares was acquired by the Provincial of the Congregation of the Passion in Australasia. It is now used as a retreat centre and home for the Passionist Fathers in Queensland. History In 1865, Henry Coxen purchased 24 acres and 1 rood of riverfront land at Oxley with William Sim for £59 15s. In 1866, Coxen became the sole owner of the land. Coxen added to his property at Oxley in 1870 when he purchased an adjoining 8 acres, and again in 1883 when he purchased another eight acres of riverfront land. Coxen moved with his wife and four children to Oxley in 1880 when he was 57 years old. He probably built this house in the early 1880s, as he was Chairman of the Yeerongpilly Divisional Board (similar to a shire council) in 1887. -
Parramatta's Archaeological Landscape
Parramatta’s archaeological landscape Mary Casey Settlement at Parramatta, the third British settlement in Australia after Sydney Cove and Norfolk Island, began with the remaking of the landscape from an Aboriginal place, to a military redoubt and agricultural settlement, and then a township. There has been limited analysis of the development of Parramatta’s landscape from an archaeological perspective and while there have been numerous excavations there has been little exploration of these sites within the context of this evolving landscape. This analysis is important as the beginnings and changes to Parramatta are complex. The layering of the archaeology presents a confusion of possible interpretations which need a firmer historical and landscape framework through which to interpret the findings of individual archaeological sites. It involves a review of the whole range of maps, plans and images, some previously unpublished and unanalysed, within the context of the remaking of Parramatta and its archaeological landscape. The maps and images are explored through the lense of government administration and its intentions and the need to grow crops successfully to sustain the purposes of British Imperialism in the Colony of New South Wales, with its associated needs for successful agriculture, convict accommodation and the eventual development of a free settlement occupied by emancipated convicts and settlers. Parramatta’s river terraces were covered by woodlands dominated by eucalypts, in particular grey box (Eucalyptus moluccana) and forest -
EORA Mapping Aboriginal Sydney 1770–1850 Exhibition Guide
Sponsored by It is customary for some Indigenous communities not to mention names or reproduce images associated with the recently deceased. Members of these communities are respectfully advised that a number of people mentioned in writing or depicted in images in the following pages have passed away. Users are warned that there may be words and descriptions that might be culturally sensitive and not normally used in certain public or community contexts. In some circumstances, terms and annotations of the period in which a text was written may be considered Many treasures from the State Library’s inappropriate today. Indigenous collections are now online for the first time at <www.atmitchell.com>. A note on the text The spelling of Aboriginal words in historical Made possible through a partnership with documents is inconsistent, depending on how they were heard, interpreted and recorded by Europeans. Original spelling has been retained in quoted texts, while names and placenames have been standardised, based on the most common contemporary usage. State Library of New South Wales Macquarie Street Sydney NSW 2000 Telephone (02) 9273 1414 Facsimile (02) 9273 1255 TTY (02) 9273 1541 Email [email protected] www.sl.nsw.gov.au www.atmitchell.com Exhibition opening hours: 9 am to 5 pm weekdays, 11 am to 5 pm weekends Eora: Mapping Aboriginal Sydney 1770–1850 was presented at the State Library of New South Wales from 5 June to 13 August 2006. Curators: Keith Vincent Smith, Anthony (Ace) Bourke and, in the conceptual stages, by the late Michael -
Promiscuous Provenance, Anna Glynn
Colonial Hybrid Reimagined from Raper – Gum-plant, & kangooroo of New-Holland 1789, 2017 Ink, watercolour and pencil on Arches paper 66 x 51 cm FOREWORD Anna Glynn has been a firm supporter of the Anna’s work has been described variously as ‘a Shoalhaven Regional Gallery since it opened in 2004. romantic and beautiful style’ (Zhang Tiejun, General Her exhibitions and commissions have always been Manager, Harmony Art and Culture, 2012), ‘derived well received and her increasing profile as an from a physical and mental excursion into the Australian artist of note has been a source of pride Australian landscape and its myths’ (Arthur Boyd, for many in the community. 1997) and ‘a pure and innovative realm through which When invited to view some of Anna’s new works people can understand nature and life’ (Wang Wuji, and asked to offer comment on the direction she was 2012). In Promiscuous Provenance, Anna has drawn on exploring in her pen and ink pieces, I was delighted to her wide ranging art practise and brought her sense of PROMISCUOUS PROVENANCE view two works that clearly referenced Australian humour and delicate touch to works that are colonial works. These pieces stood out both in the challenging, engaging and intellectually rigorous. detail and beauty of the work, but also for the care It is important that in modern Australia we stop at 4 that had been taken in the research and observation regular intervals and review our history. That we find 5 of the oddities of colonial interpretations of different ways to shine a light on the difficult and ugly Australian animals. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
Course Number and Title: CAS AH 374 Australian Art and Architecture
Course Number and Title: CAS AH 374 Australian Art and Architecture Instructor/s Name/s: Peter Barnes Course Dates: Spring Semester, Fall Semester Office Location: BU Sydney Programs, Australia, a division of BU Study Abroad Course Time: Two sessions per week in accordance with class schedule: one session of 4 + hours and one session of 2 hours in a 7-8 week teaching half of a semester. Location: Classrooms, BU Sydney Academic Centre, Sydney, Australia, and multiple out-of-classroom field trips as scheduled, one of which is a 12 hour day long field trip outside the city to Canberra, Australia’s national capital and home to National Art Galleries, and Museums. Course Credits: 4 BU credits plus 2 BU Hub units Contact Information: [email protected] Office Hours: 15 minutes prior to and following course delivery or by appointment. TA/TF/Learning Assistant information, if relevant: 0 Principal Lecturers: Peter Barnes Guest Lecturers: Vary in accordance with available artists. One example is: Tom Carment, a working artist Question-driven Course Description: *How have European art traditions influenced the art practice of Australia’s indigenous peoples and how in turn has Aboriginal culture impacting the art of non-indigenous Australians? *The 18th century voyages to the southern ocean placed artists in a prominent role as practitioners of the new science of observation and experimentation promoted by the Royal Society. How does this differ from the idealist aesthetics of the Royal academy and what impact did this have on art in Australia during -
Lennon Heritage Places in Queensland Heritage
Lennon Heritage places in Queensland Heritage Places in Queensland Jane Lennon For millennia people have left their mark on the land - scarred trees, handprints, rock art, shell middens. This urge to leave a sign of passing, of occupation, is strong in most cultures. These often accidental marks are today's heritage, the physical legacy of previous generations. From the historical date of some events and records of what happened on that date in a specific place, we can construct an account of its history. By examining the evidence left at the place as well as this record of history, we can determine its cultural significance to people today; that is, we create its heritage. A timeline of European events of historical significance to Queensland by century is presented in Appendix 1. The exploration of Terra Australis by mariners is the preoccupation of the first two centuries, until John Oxiey's survey in 1823. The convict era commenced in 1824 and ran until 1840, when free settlement brought an extensive if tenuous occupation to the southeast of today's Queensland and wider pastoral exploration began. After 30 years of European settlement, Brisbane was perceived as a 'sleepy hollow' and in 1854 there were complaints of dilapidated government buildings and services, but brick houses were being erected in North Quay and immigrants were establishing a thriving village in Fortitude Valley.^ By 1859 there were about 28,000 Queenslanders of European origin, half located in the country north to Rockhampton and half divided between Brisbane, Ipswich and smaller provincial towns. Following separation from New South Wales, the new colony set about establishing its mark in land surveys, marking out freehold, roads, railways and other utilitarian reserves. -
Catalogue 54
CATALOGUE 54 Andrew Isles Natural History Books CATALOGUE 54 Andrew Isles Natural History Books Established 1981 ANDREW ISLES NATURAL HISTORY BOOKS Rear 115 Greville Street Prahran 3181, Australia Phone: [61] (0)3 9510 5750 Fax: [61] (0)3 9529 1256 Email: [email protected] Postal address: PO Box 2305 Prahran 3181, Australia www.AndrewIsles.com This catalogue is intended to show a selection of our antiquarian titles. We hold substantial numbers of new, secondhand and antiquarian natural history books in most fields. For more images and information for these and other titles please visit our website. Prices are subject to change without notice. WE BUY BOOKS. We are always interested in purchasing single books through to large collections. PAYMENT. We accept Mastercard, Visa, American Express, direct deposit and cheques in Australian dollars, US dollars and Pounds Sterling. FREIGHT. Postage is extra at cost. Further information is on our website. Front cover [37520] Elliot, Daniel Giraud. A Monograph of the Phasianidae, or family of the pheasants. New York: D. Appleton and Company, 1870-1872. Inside cover [6078] Fayrer, J. The Thanatophidia of India; being a description of the venomous snakes of the Indian Peninsula with an account of the influence of their poison on life and a series of experiments. London: J. and A. Churchill, 1872. Back cover [14658] Sweet, Robert. Flora Australasica; or a selection of handsome or curious plants, natives of New Holland, and the South Sea Islands. London: James Ridgway, 1827-1838. 2 ANDREW ISLES THE FIRST SNAKE BOOK [36425] Abbatius, Baldus Angelius. De admirabili Viperae natura et de mirificis ejusdem facultatibus. -
ANPS Data Report No 6
DARLING DOWNS Natural Features and Pastoral Runs 1827 to 1859 ANPS DATA REPORT No. 6 2017 DARLING DOWNS Natural Features and Pastoral Runs 1827 to 1859 Dale Lehner ANPS DATA REPORT No. 6 2017 ANPS Data Reports ISSN 2206-186X (Online) General Editor: David Blair Also in this series: ANPS Data Report 1 Joshua Nash: ‘Norfolk Island’ ANPS Data Report 2 Joshua Nash: ‘Dudley Peninsula’ ANPS Data Report 3 Hornsby Shire Historical Society: ‘Hornsby Shire 1886-1906’ (in preparation) ANPS Data Report 4 Lesley Brooker: ‘Placenames of Western Australia from 19th Century Exploration ANPS Data Report 5 David Blair: ‘Ocean Beach Names: Newcastle-Sydney-Wollongong’ Fences on the Darling Downs, Queensland (photo: DavidMarch, Wikimedia Commons) Published for the Australian National Placenames Survey This online edition: September 2019 [first published 2017, from research data of 2002] Australian National Placenames Survey © 2019 Published by Placenames Australia (Inc.) PO Box 5160 South Turramurra NSW 2074 CONTENTS 1.0 AN ANALYSIS OF DARLING DOWNS PLACENAMES 1827 – 1859 ............... 1 1.1 Sample one: Pastoral run names, 1843 – 1859 ............................................................. 1 1.1.1 Summary table of sample one ................................................................................. 2 1.2 Sample two: Names for natural features, 1837-1859 ................................................. 4 1.2.1 Summary tables of sample two ............................................................................... 4 1.3 Comments on the -
AH374 Australian Art and Architecture
AH374 Australian Art and Architecture The search for beauty, meaning and freedom in a harsh climate Boston University Sydney Centre Spring Semester 2015 Course Co-ordinator Peter Barnes [email protected] 0407 883 332 Course Description The course provides an introduction to the history of art and architectural practice in Australia. Australia is home to the world’s oldest continuing art tradition (indigenous Australian art) and one of the youngest national art traditions (encompassing Colonial art, modern art and the art of today). This rich and diverse history is full of fascinating characters and hard won aesthetic achievements. The lecture series is structured to introduce a number of key artists and their work, to place them in a historical context and to consider a range of themes (landscape, urbanism, abstraction, the noble savage, modernism, etc.) and issues (gender, power, freedom, identity, sexuality, autonomy, place etc.) prompted by the work. Course Format The course combines in-class lectures employing a variety of media with group discussions and a number of field trips. The aim is to provide students with a general understanding of a series of major achievements in Australian art and its social and geographic context. Students should also gain the skills and confidence to observe, describe and discuss works of art. Course Outline Week 1 Session 1 Introduction to Course Introduction to Topic a. Artists – The Port Jackson Painter, Joseph Lycett, Tommy McCrae, John Glover, Augustus Earle, Sydney Parkinson, Conrad Martens b. Readings – both readers are important short texts. It is compulsory to read them. They will be discussed in class and you will need to be prepared to contribute your thoughts and opinions. -
Investigation of Metallic Media in First Fleet Natural History Watercolours
Investigation of metallic media in First Fleet natural history watercolours Kate Hughes The 8th AICCM Book, Paper and Photographic Symposium Art Gallery of New South Wales 7-9 May 2014 ABSTRACT The use of metallic media had been observed in the State Library of New South Wales First Fleet era natural history watercolour collections. Ten drawings within SLNSW’s First Fleet collection were identified as containing metallic media. A further ten drawings possibly containing metallic media were identified in other cultural institutions collections. Portable X- ray fluorescence was used to identify the metallic media in drawings in the SLNSW’s and the National Library of Australia’s collections. Metallic areas were identifies as gold, brass or silver. Microscopic examination of the application methods used revealed gold and brass leaf were the most common materials and were applied in a layered technique. Watercolour was applied to the gold and brass leaf to create iridescent effects. This technique was documented in artist manuals of the time. The limited availability of artist materials in First Fleet era Australia would have dictated artists’ selection of metallic media. Keywords: First Fleet, Sydney Bird Painter, Gilding, Watercolour, Natural History, Gold INTRODUCTION The State Library of New South Wales holds a premier collection of natural history watercolours from the First Fleet era. The recent acquisition of the TAL & Dai-ichi Life Derby Collection of Natural History Watercolours in 2011 has brought these collections into focus and has provided a broader context for their investigation, particularly the use of metallic media. Ten watercolours were identified in the SLNSW’s collections and a possible ten more in other cultural institutions related collections. -
Phillip and the Eora Governing Race Relations in the Colony of New South Wales
Phillip and the Eora Governing race relations in the colony of New South Wales Grace Karskens In the Botanic Gardens stands a grand monument to Arthur Phillip, the first governor of New South Wales. Erected 1897 for the Queen Victoria's Diamond Jubilee, the elaborate fountain encapsulates late nineteenth century ideas about society and race. Phillip stands majestically at the top, while the Aboriginal people, depicted in bas relief panels, are right at the bottom. But this is not how Phillip acted towards Aboriginal people. In his own lifetime, he approached on the same ground, unarmed and open handed. He invited them into Sydney, built a house for them, shared meals with them at his own table.1 What was Governor Arthur Phillip's relationship with the Eora, and other Aboriginal people of the Sydney region?2 Historians and anthropologists have been exploring this question for some decades now. It is, of course, a loaded question. Phillip's policies, actions and responses have tended to be seen as a proxy for the Europeans in Australia as whole, just as his friend, the Wangal warrior Woolarawarre Bennelong, has for so long personified the fate of Aboriginal people since 1788.3 The relationship between Phillip and Bennelong has been read as representing not only settler-Aboriginal relations in those first four years but as the template for the following two centuries of cross-cultural relations. We are talking here about a grand narrative, driven in part by present-day moral conscience, and deep concerns about on-going issues of poverty, dysfunction and deprivation in many Aboriginal communities, about recognition of and restitution for past wrongs and about reconciliation between black and white Australians.