Video on Demand Online Streaming Services in Canada
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Audience Affect, Interactivity, and Genre in the Age of Streaming TV
. Volume 16, Issue 2 November 2019 Navigating the Nebula: Audience affect, interactivity, and genre in the age of streaming TV James M. Elrod, University of Michigan, USA Abstract: Streaming technologies continue to shift audience viewing practices. However, aside from addressing how these developments allow for more complex serialized streaming television, not much work has approached concerns of specific genres that fall under the field of digital streaming. How do emergent and encouraged modes of viewing across various SVOD platforms re-shape how audiences affectively experience and interact with genre and generic texts? What happens to collective audience discourses as the majority of viewers’ situated consumption of new serial content becomes increasingly accelerated, adaptable, and individualized? Given the range and diversity of genres and fandoms, which often intersect and overlap despite their current fragmentation across geographies, platforms, and lines of access, why might it be pertinent to reconfigure genre itself as a site or node of affective experience and interactive, collective production? Finally, as studies of streaming television advance within the industry and academia, how might we ponder on a genre-by- genre basis, fandoms’ potential need for time and space to collectively process and interact affectively with generic serial texts – in other words, to consider genres and generic texts themselves as key mediative sites between the contexts of production and those of fans’ interactivity and communal, affective pleasure? This article draws together threads of commentary from the industry, scholars, and culture writers about SVOD platforms, emergent viewing practices, speculative genres, and fandoms to argue for the centrality of genre in interventions into audience studies. -
Mediaconcentratie in Vlaanderen
MMediaconcentratieediaconcentratie iinn VVlaanderenlaanderen rapport 2009 VLAAMSE REGULATOR VOOR DE MEDIA Koning Albert II-laan 20,bus 21 1000 Brussel COLOFON Samenstelling, redactie en eindredactie: Stijn Bruyneel, Ingrid Kools en Francis Soulliaert Verantwoordelijke uitgever: Joris Sels, gedelegeerd bestuurder Koning Albert II-laan 20, bus 21 1000 Brussel Tel.: 02/553 45 04 Fax: 02/553 45 06 e-mail:[email protected] website: www.vlaamseregulatormedia.be Lay-out en druk: Digitale drukkerij Facilitair Management Vlaamse Overheid Depotnummer: D/2009/3241/429 Mediaconcentratie in Vlaanderen INHOUDSTAFEL Samenvatting ......................................................................................................................... 10 1 DE VLAAMSE MEDIASECTOR ............................................................................................... 13 1.1 RADIO ......................................................................................................................... 17 1.1.1 Contentleveranciers ........................................................................................................................ 17 1.1.2 Radio-omroeporganisaties ............................................................................................................. 18 1.1.2.1 Landelijke publieke radio-omroeporganisaties ........................................................ 18 1.1.2.2 Regionale publieke radio-omroeporganisaties ......................................................... 19 1.1.2.3 Wereldomroep .............................................................................................................. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Annex 4: Report from the States of the European Free Trade Association Participating in the European Economic Area
ANNEX 4: REPORT FROM THE STATES OF THE EUROPEAN FREE TRADE ASSOCIATION PARTICIPATING IN THE EUROPEAN ECONOMIC AREA 1. Application by the EFTA States participating in the EEA 1.1 Iceland European works The seven covered channels broadcast an average of 39.6% European works in 2007 and 42.2% in 2008. This represents a 2.6 percentage point increase over the reference period. For 2007 and 2008, of the total of seven covered channels, three channels achieved the majority proportion specified in Article 4 of the Directive (Omega Television, RUV and Syn - Vision TV), while four channels didn't meet this target (Sirkus, Skjár 1, Stöð 2 and Stöð 2 Bio). The compliance rate, in terms of numbers of channels, was 42.9%. European works made by independent producers The average proportion of European works by independent producers on all reported channels was 10.7% in 2007 and 12.6% in 2008, representing a 1.9 percentage points increase over the reference period. In 2007, of the total of seven identified channels, two channels exceeded the minimum proportion under Article 5 of the Directive, while three channels remained below the target. One channel was exempted (Syn - Vision TV) and no data was communicated for another one (Omega Television). The compliance rate, in terms of number of channels, was 33.3%. For 2008, of the total of seven covered channels, three exceeded the minimum proportion specified in Article 5 of the Directive, while two channels were below the target (Skjár 1 and Stöð 2 Bio). No data were communicated for two channels. -
Freelance Costume Designer, Wardrobe Stylist, Costumer, Etc
Freelance Costume Designer, Wardrobe Stylist, Costumer, etc. 646-641-3336 or 310-564-6384 [email protected] TWU Local 764 & USA Local 829 www.edenmiller.com www.cabiriastyle.com www.store.cabiriastyle.com Multidisciplinary freelance fashion & costume designer since 1989 FEATURE / TV WARDROBE SUPERVISOR SELECT ASSISTANT COSTUME DESIGN THE LOOMING TOWER Hulu Season 1 KISS ME KATE 2000 Tony Award ALPHA HOUSE Amazon TV Season 1 THOROUGHLY MODERN MILLIE 2002 Tony Award THE BOOK OF HENRY Focus Features DEADBEAT Hulu/ Lionsgate AGER / DISTRESSER / FABRIC PAINTER EVERY SECRET THING Hyde Park/ Likely Story BIG DADDY feature film THE HEBREW HAMMER Content Film BRYAN KOLLMAN Phantom/ Bway & tours THIS IS US NBC TV S1 LITTLE NICKY feature film UMPIRE (UNCLE DREW) NY Unit- Lionsgate STITCHER, FITTER, TAILOR, & REFURB FILM SET COSTUMER THE AGE OF INNOCENCE feature film THE BEAUTIFUL COUNTRY NY unit - feature film AMERICA’S GOT TALENT NBC TV Season 7 THE CHAPERONE key costumer - feature BARBARA MATERA’S LTD shop IF BEALE STREET COULD TALK key costumer-feature BULLETS OVER BROADWAY feature film MUDBOUND NY unit – feature film CARELLI COSTUMES shop OKJA NY unit- Netflix feature DOUBLE DARE Nickelodeon TV EYE CANDY MTV series Season 1 TV SET COSTUMER FIDDLER ON THE ROOF Broadway BLACKLIST: REDEMPTION NBC TV Season 1 LAST WEEK TONIGHT HBO series Season 3 THE BREAKS VH1 TV Season I MADONNA/ REBEL HEART tour BULL CBS TV S1 MARIAH CAREY XMAS TOUR tour THE CARRIE DIARIES (BG Supervisor) WB Pilot THE MARVELOUS MRS. MAISEL Amazon TV Season 1 CIVIL TNT Originals Pilot MIGHTY APHRODITE feature film CRASHING HBO TV S1 RADIO CITY ROCKETTES XMAS SHOW DAREDEVIL Netflix/ ABC TV S1 UNBREAKABLE KIMMY SCHMIDT Universal TV S1 THE DEFENDERS Netflix Original SI YOUNGER TV Land Season 3 THE DEUCE HBO TV THE GET DOWN Netflix Original SI EMBROIDERY, EMBELLISHMENT, ETC. -
Jaarverslag 2008 Telenet – De Kerncijfers
Dynamisch. Simpel. Shakes. Digitaal. JAARVERSLAG 2008 Telenet – de kerncijfers Vaste telefonieklanten Internetklanten x 1.000 x 1.000 187 235 286 364 455 548 629 301 413 528 624 735 883 985 2002 2003 2004 2005 2006 2007 2008 2002 2003 2004 2005 2006 2007 2008 iDTV-klanten Tripleplayklanten x 1.000 x 1.000 75 154 226 309 391 674 80 106 136 176 236 323 539 2003 2004 2005 2006 2007 2008* 2002 2003 2004 2005 2006 2007 2008* * inclusief 65.000 INDI-klanten * inclusief Interkabel-acquisitie Telenet Solutions Division Telenet Solutions Division Klantengroepen Productgroepen Andere Kleinhandel Openbare instellingen 7 % Capaciteit – 6 % Connectiviteit Andere huur van lijnen tussen 16 % 14 % bedrijfslocaties 34 % 37 % 19 % 21 % Internet 22 % 24 % Financiële instellingen Bedrijven Telefonie iDTV-penetratie Investeringen in miljoen euro 2008 71 %* 246 28 %* 23 % 2007 67 %* 209 14 % 2006 66 %* 206 * Percentage van investeringen besteed aan de aansluiting van nieuwe klanten op het netwerk en het 2006 2007 2008 vergemakkelijken van die installatie * Inclusief Interkabel-klanten Inkomsten Inkomsten per categorie, 2008 in miljoen euro Internet Analoge kabeltelevisie 24 % 34 % 11 % Digitale tv 10 % 21 % 307 502 681 738 814 932 1.019 Telenet 2002 2003 2004 2005 2006 2007 2008 Solutions Telefonie Telenet Solutions Division ARPU EBITDA (gemiddelde omzet per gebruiker) in miljoen euro in euro per maand 32,5 % Connectiviteit 29,4 % tussen 26,7 % bedrijfslocaties 83 230 299 337 367 443 506 2006 2007 2008 2002 2003 2004 2005 2006 2007 2008 Welcome to Telenet 28 14 3 Het woord van de CEO en de Voorzitter 7 14 Voorsprong op de markt 12 Een jaar lang innoveren 14 Vernieuwende partnerships voor verrassende producten 28 28 Blijvend competitief door innovatie 30 Investeringen in het netwerk creëren toegevoegde waarde 38 32 De klantenervaring verder verbeterd 38 Mensen op de eerste plaats 44 Bouwen aan een mooiere toekomst voor iedereen 2 Het woord van de CEO en de Voorzitter 3 Geachte lezer, Telenet mag om verschillende redenen met tevredenheid terugblikken op 2008. -
Sci-Fi Sisters with Attitude Television September 2013 1 LOVE TV? SO DO WE!
April 2021 Sky’s Intergalactic: Sci-fi sisters with attitude Television www.rts.org.uk September 2013 1 LOVE TV? SO DO WE! R o y a l T e l e v i s i o n S o c i e t y b u r s a r i e s o f f e r f i n a n c i a l s u p p o r t a n d m e n t o r i n g t o p e o p l e s t u d y i n g : TTEELLEEVVIISSIIOONN PPRROODDUUCCTTIIOONN JJOOUURRNNAALLIISSMM EENNGGIINNEEEERRIINNGG CCOOMMPPUUTTEERR SSCCIIEENNCCEE PPHHYYSSIICCSS MMAATTHHSS F i r s t y e a r a n d s o o n - t o - b e s t u d e n t s s t u d y i n g r e l e v a n t u n d e r g r a d u a t e a n d H N D c o u r s e s a t L e v e l 5 o r 6 a r e e n c o u r a g e d t o a p p l y . F i n d o u t m o r e a t r t s . o r g . u k / b u r s a r i e s # R T S B u r s a r i e s Journal of The Royal Television Society April 2021 l Volume 58/4 From the CEO It’s been all systems winners were “an incredibly diverse” Finally, I am delighted to announce go this past month selection. -
DIGITAL ORIGINAL SERIES Global Demand Report
DIGITAL ORIGINAL SERIES Global Demand Report Trends in 2016 Copyright © 2017 Parrot Analytics. All rights reserved. Digital Original Series — Global Demand Report | Trends in 2016 Executive Summary } This year saw the release of several new, popular digital } The release of popular titles such as The Grand Tour originals. Three first-season titles — Stranger Things, and The Man in the High Castle caused demand Marvel’s Luke Cage, and Gilmore Girls: A Year in the for Amazon Video to grow by over six times in some Life — had the highest peak demand in 2016 in seven markets, such as the UK, Sweden, and Japan, in Q4 of out of the ten markets. All three ranked within the 2016, illustrating the importance of hit titles for SVOD top ten titles by peak demand in nine out of the ten platforms. markets. } Drama series had the most total demand over the } As a percentage of all demand for digital original series year in these markets, indicating both the number and this year, Netflix had the highest share in Brazil and popularity of titles in this genre. third-highest share in Mexico, suggesting that the other platforms have yet to appeal to Latin American } However, some markets had preferences for other markets. genres. Science fiction was especially popular in Brazil, while France, Mexico, and Sweden had strong } Non-Netflix platforms had the highest share in Japan, demand for comedy-dramas. where Hulu and Amazon Video (as well as Netflix) have been available since 2015. Digital Original Series with Highest Peak Demand in 2016 Orange Is Marvels Stranger Things Gilmore Girls Club De Cuervos The New Black Luke Cage United Kingdom France United States Germany Mexico Brazil Sweden Russia Australia Japan 2 Copyright © 2017 Parrot Analytics. -
Miptv 2020 Producers to Watch Contents
MIPTV 2020 PRODUCERS TO WATCH CONTENTS DOC & FACTUAL 3 DRAMA / FICTION 36 FORMATS 112 KIDS & TEENS 149 DOC & FACTUAL DOC & FACTUAL PRODUCERS LISTED BY COUNTRY AUSTRIA FINLAND HUNGARY SOUTH AFRICA COLLABORATE: IDEAS & IMAGES GS FILM FILM-& FERNSEHPRODUKTION AITO MEDIA SPEAKEASY PROJECT HOMEBREW FILMS Lauren Anders Brown E.U. Erna AAlto László Józsa Jaco Loubser EMPORIUM PRODUCTIONS Gernot Stadler GIMMEYAWALLET PRODUCTIONS OKUHLE MEDIA Emma Read Phuong Chu Suominen IRELAND Pulane Boesak IMPOSSIBLE DOC & FACTUAL BELGIUM RAGGARI FILMS FELINE FILMS Adam Luria CLIN D’ŒIL Minna Dufton Jessie Fisk SPAIN WOODCUT MEDIA Hanne Phlypo BRUTAL MEDIA Matthew Gordon FRANCE JAPAN Raimon Masllorens BELGIUM COLLABORATION INC 4TH DOC & FACTUAL TAMBOURA FILMS UNITED STATES EKLEKTIK PRODUCTION Bettina Hatami Toshikazu Suzuki Xaime Barreiro CREATIVE HEIGHTS ENTERTAINMENT Tatjana Kozar Jaswant Dev Shrestha BLEU KOBALT KOREA ZONA MIXTA CANADA Florence Sala GINA DREAMS PRODUCTION Robert Fonollosa GALAXIE Sunah Kim DBCOM MEDIA SWITZERLAND Nicolas Boucher Thierry Caillibot GEDEON PROGRAMMES PERU SLASH PRODUCTION TORTUGA Jean-Christophe Liechti Adam Pajot Gendron Maya Lussier Seguin PACHA FILMS URBANIA MÉDIAS HAUTEVILLE PRODUCTIONS Luis Del Valle UNITED KINGDOM Philippe Lamarre Karina Si Ahmed POLAND ALLEYCATS ILLEGITIME DEFENSE Desmond Henderson CHINA Arnaud Xainte KIJORA FILM Anna Gawlita BIG DEAL FILMS - UNSCRIPTED DA NENG CULTURE MEDIA YUZU PRODUCTIONS Thomas Stogdon Hengyi Zhi Christian Popp PORTUGAL CHALKBOARD TV ENCOUNTER MEDIA Simon Cooper Qi Zhao PANAVIDEO Diana Nunes SHUTTER BUG STUIO(BEIJING) Hongmiao Yu GS FILM FILM-& FERNSEHPRODUKTION E.U. AUSTRIA My previous works & partners : We have produced over 70 documentaries/docu-dramas and documentary series on various topics such as human interest, history, culture and nature. -
Q3 2016 Netflix Inc Earnings Call on October 17, 2016 / 9:00PM
Client Id: 77 THOMSON REUTERS STREETEVENTS EDITED TRANSCRIPT NFLX - Q3 2016 Netflix Inc Earnings Call EVENT DATE/TIME: OCTOBER 17, 2016 / 9:00PM GMT THOMSON REUTERS STREETEVENTS | www.streetevents.com | Contact Us ©2016 Thomson Reuters. All rights reserved. Republication or redistribution of Thomson Reuters content, including by framing or similar means, is prohibited without the prior written consent of Thomson Reuters. 'Thomson Reuters' and the Thomson Reuters logo are registered trademarks of Thomson Reuters and its affiliated companies. Client Id: 77 OCTOBER 17, 2016 / 9:00PM, NFLX - Q3 2016 Netflix Inc Earnings Call CORPORATE PARTICIPANTS David Wells Netflix, Inc. - CFO Reed Hastings Netflix, Inc. - CEO Ted Sarandos Netflix, Inc. - Chief Content Officer CONFERENCE CALL PARTICIPANTS Ben Swinburne Morgan Stanley - Analyst Scott Devitt Stifel Nicolaus - Analyst PRESENTATION QUESTIONS AND ANSWERS David Wells - Netflix, Inc. - CFO Welcome to the Netflix Q3 2016 earnings call. I'm David Wells, CFO, and joining me on the Company side today is Reed Hastings, our CEO; and Ted Sarandos, our Chief Content Officer. Interviewing us will be Scott Devitt from Stifel, sorry, Scott Devitt from Stifel and Ben Swinburne from Morgan Stanley. Ben in his fourth interview before he passes the baton. Before we get started, we will be making forward-looking statements. Actual results may vary. Ben, I think you have the first question. Over to you. Ben Swinburne - Morgan Stanley - Analyst Thank you very much. Reed, maybe we could start by focusing in on the international strength this quarter. Typically, I think you and your colleagues have downplayed the impact of originals, but in the letter you really called out the benefit of -- on acquisitions from your original content. -
Cast Biographies
CAST BIOGRAPHIES MICHAEL SHANNON (Gary Noesner) Academy Award®, Golden Globe® and Tony Award® nominated actor Michael Shannon continues to make his mark in entertainment, working with the industry's most respected talent and treading the boards in notable theaters around the world. Shannon will next be seen in Guillermo del Toro's The Shape of Water, a love story set against the backdrop of Cold War-era America. The film co-stars Sally Hawkins, Richard Jenkins, Michael Stuhlbarg and Octavia Spencer. Fox Searchlight will release the film December 2017. In 2018, Shannon will return to Red Orchard Theatre for its 25th Anniversary to direct the world premiere of Traitor, Brett Neveu's adaption of Henrik Ibsen's Enemy of the People. Traitor will include ensemble members Dado, Larry Grimm, Danny McCarthy, Guy Van Swearingen and Natalie West and will run from January 5, 2018 through February 25, 2018. Back on the big screen, Shannon will then be seen in the Nicolai Fuglsig’s 12 Strong opposite Chris Hemsworth. The project follows a team of CIA agents and special forces who head into Afghanistan in the aftermath of the 9/11 attacks in an attempt to dismantle the Taliban. Warner Brothers is releaseing the film in January 2018. Later next year, Shannon will also be seen in writer-director Elizabeth Chomko’s drama, What They Had, opposite Hilary Swank. The story centers on a woman who must fly back to her hometown when her Alzheimer's-stricken mother wanders into a blizzard and the return home forces her to confront her past, which includes her brother (Shannon). -
Inhoudsopgave
Mediaconcentratie in Vlaanderen INHOUDSOPGAVE WOORD VOORAF ....................................................................................................................................................................... 5 INLEIDING .................................................................................................................................................................................... 6 1 DE VLAAMSE MEDIASECTOR ......................................................................................................................... 11 1.1 RADIO ............................................................................................................................................................................ 11 1.1.1 Contentleveranciers ................................................................................................................................ 12 1.1.2 Aggregatie: radio-omroeporganisaties .......................................................................................... 14 1.1.3 Distributie: radiosignaaltransmissie ................................................................................................ 19 1.2 TELEVISIE .................................................................................................................................................................... 21 1.2.1 Contentleveranciers ................................................................................................................................ 22 1.2.2 Aggregatie: televisieomroeporganisaties