The Legend of Monkey Comes to Life for ABC, TVNZ and Netflix
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Where Are the Audiences?
WHERE ARE THE AUDIENCES? Full Report Introduction • New Zealand On Air (NZ On Air) supports and funds audio and visual public media content for New Zealand audiences. It does so through the platform neutral NZ Media Fund which has four streams; scripted, factual, music, and platforms. • Given the platform neutrality of this fund and the need to efficiently and effectively reach both mass and targeted audiences, it is essential NZ On Air have an accurate understanding of the current and evolving behaviour of NZ audiences. • To this end NZ On Air conduct the research study Where Are The Audiences? every two years. The 2014 benchmark study established a point in time view of audience behaviour. The 2016 study identified how audience behaviour had shifted over time. • This document presents the findings of the 2018 study and documents how far the trends revealed in 2016 have moved and identify any new trends evident in NZ audience behaviour. • Since the 2016 study the media environment has continued to evolve. Key changes include: − Ongoing PUTs declines − Anecdotally at least, falling SKY TV subscription and growth of NZ based SVOD services − New TV channels (eg. Bravo, HGTV, Viceland, Jones! Too) and the closure of others (eg. FOUR, TVNZ Kidzone, The Zone) • The 2018 Where Are The Audiences? study aims to hold a mirror up to New Zealand and its people and: − Inform NZ On Air’s content and platform strategy as well as specific content proposals − Continue to position NZ On Air as a thought and knowledge leader with stakeholders including Government, broadcasters and platform owners, content producers, and journalists. -
BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation. -
03 July 2021 February: Week 9 W/C 21/02/2021
Release Date: 24 February 2021 TVNZ 1 & TVNZ 2 Schedule February 2021 - 03 July 2021 February: Week 9 w/c 21/02/2021 Sunday Monday Tuesday Wednesday Thursday Friday Saturday 21/02/2021 22/02/2021 23/02/2021 24/02/2021 25/02/2021 26/02/2021 27/02/2021 06:00 Non Non Breakfast Early Preschool Breakfast Early Preschool Breakfast Early Preschool Breakfast Early Preschool Breakfast Early Preschool Te Karere Preschool 06:00 Commercial Commercial Commercial Commercial Commercial Commercial Commercial Commercial Free Free Free Free Free Free $1,050 $1,050 $1,050 $1,050 $1,050 $250 06:30 Breakfast 1 Breakfast 1 Breakfast 1 Breakfast 1 Breakfast 1 Hyundai 06:30 Country Calendar $1,750 - $1,750 - $1,750 - $1,750 - $1,750 - $600 - 07:00 Breakfast 2 Ranger Rob Breakfast 2 Ranger Rob Breakfast 2 Ranger Rob Breakfast 2 Ranger Rob Breakfast 2 Ranger Rob Following Twain The Amazing 07:00 With Oscar World of Kightley Gumball $350 $350 $350 $350 $350 $600 $600 07:30 Miraculous Miraculous Miraculous Miraculous Miraculous Infomercial Dragon Ball 07:30 Super $2,700 $350 $2,700 $350 $2,700 $350 $2,700 $350 $2,700 $350 $250 $600 08:00 Breakfast 3 Preschool Breakfast 3 Preschool Breakfast 3 Preschool Breakfast 3 Preschool Breakfast 3 Preschool Infomercial Bakugan: Battle 08:00 Commercial Commercial Commercial Commercial Commercial Planet Free Free Free Free Free - - - - - $250 $600 08:30 Faith In Action Pokemon 08:30 $1,800 $1,800 $1,800 $1,800 $1,800 $250 $600 09:00 Ellen Infomercial Ellen Infomercial Ellen Infomercial Ellen Infomercial Ellen Infomercial Eat, -
Festival De Venise 2011 Prix D'interpretation Masculine
FESTIVAL DE VENISE 2011 PRIX D’INTERPRETATION MASCULINE SHAME un film de STEVE MCQUEEN AVEC MICHAEL FASSBENDER & CAREY MULLIGAN Durée: 99 minutes Sortie: le 4 janvier 2011 Téléchargez des photos: www.frenetic.ch/films/823/pro/index.php RELATIONS PRESSE DISTRIBUTION Eric Bouzigon FRENETIC FILMS AG prochaine ag Bachstrasse 9 • 8038 Zürich Tél. 079 320 63 82 Tél. 044 488 44 00 • Fax 044 488 44 11 [email protected] SYNOPSIS Brandon est un trentenaire new-yorkais, vivant seul et travaillant beaucoup. Son quotidien est dévoré par une seule obsession : le sexe. Quand sa soeur Sissy, chanteuse un peu paumée, arrive sans prévenir à New York pour s’installer dans son appartement, Brandon aura de plus en plus de mal à dissimuler sa vraie vie. 2 FICHE ARTISTIQUE Brandon MICHAEL FASSBENDER Sissy CAREY MULLIGAN David JAMES BADGE DALE Marianne NICOLE BEHARIE La jolie fille dans le métro LUCY WALTERS Elizabeth ELIZABETH MASUCCI Le serveur du restaurant ROBERT MONTANO Une rencontre à l’hôtel AMY HARGREAVES Carly ANNA ROSE HOPKINS Le copain balèze CHAZZ MENENDEZ Fille de la dernière nuit #1 CALAMITY CHANG Fille de la dernière nuit #2 DEEDEE LUXE FICHE TECHNIQUE Réalisation STEVE McQUEEN Scénario STEVE McQUEEN ABI MORGAN Directeur de la photographie SEAN BOBBITT, BSC Montage JOE WALKER Décors JUDY BECKER Costumes DAVID ROBINSON Musique originale HARRY ESCOTT Distribution des rôles AVY KAUFMAN Directeur artistique CHARLES KULSZISKI Produit par IAIN CANNING EMILE SHERMAN Producteurs délégués TESSA ROSS ROBERT WALAK PETER HAMPDEN TIM HASLAM 3 « Le sexe est une dépendance. Comme la drogue, comme le jeu. Ces comportements compulsifs m’ont poussé à créer un personnage qui n’a aucun lien avec des gens que je connais. -
A Thematic Reading of Sherlock Holmes and His Adaptations
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2016 Crime and culture : a thematic reading of Sherlock Holmes and his adaptations. Britney Broyles University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the American Popular Culture Commons, Asian American Studies Commons, Chinese Studies Commons, Cultural History Commons, Literature in English, British Isles Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Broyles, Britney, "Crime and culture : a thematic reading of Sherlock Holmes and his adaptations." (2016). Electronic Theses and Dissertations. Paper 2584. https://doi.org/10.18297/etd/2584 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Comparative Humanities University of Louisville Louisville, KY December 2016 Copyright 2016 by Britney Broyles All rights reserved CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 Dissertation Approved on November 22, 2016 by the following Dissertation Committee: Dr. -
Annual Report 2009-2010 PDF 7.6 MB
Report NZ On Air Annual Report for the year ended 30 June 2010 Report 2010 Table of contents He Rarangi Upoko Part 1 Our year No Tenei Tau 2 Highlights Nga Taumata 2 Who we are Ko Matou Noa Enei 4 Chair’s introduction He Kupu Whakataki na te Rangatira 5 Key achievements Nga Tino Hua 6 Television investments: Te Pouaka Whakaata 6 $81 million Innovation 6 Diversity 6 Value for money 8 Radio investments: Te Reo Irirangi 10 $32.8 million Innovation 10 Diversity 10 Value for money 10 Community broadcasting investments: Mahi Whakapaoho a-Iwi 11 $4.3 million Innovation 11 Diversity 11 Value for money 11 Music investments: Te Reo Waiata o Aotearoa 12 $5.5 million Innovation 13 Diversity 14 Value for money 15 Maori broadcasting investments: Mahi Whakapaoho Maori 16 $6.1 million Diversity 16 Digital and archiving investments: Mahi Ipurangi, Mahi Puranga 17 $3.6 million Innovation 17 Value for money 17 Research and consultation Mahi Rangahau 18 Operations Nga Tikanga Whakahaere 19 Governance 19 Management 19 Organisational health and capability 19 Good employer policies 19 Key financial and non financial measures and standards 21 Part 2: Accountability statements He Tauaki Whakahirahira Statement of responsibility 22 Audit report 23 Statement of comprehensive income 24 Statement of financial position 25 Statement of changes in equity 26 Statement of cash flows 27 Notes to the financial statements 28 Statement of service performance 43 Appendices 50 Directory Hei Taki Noa 60 Printed in New Zealand on sustainable paper from Well Managed Forests 1 NZ On Air Annual Report For the year ended 30 June 2010 Part 1 “Lively debate around broadcasting issues continued this year as television in New Zealand marked its 50th birthday and NZ On Air its 21st. -
15. März 2018
Kinostart: 15. März 2018 Im Verleih von UNIVERSAL PICTURES GERMANY GMBH INHALT Stab und Besetzung Seite 3 Technische Daten Kurzinhalt Seite 4 Pressenotiz Seite 4 Über die Produktion Seite 5 - Die Geburt eines Films - Der Look und die Schauplätze Über die Schauspieler Seite 17 - Rooney Mara - Joaquin Phoenix - Chiwetel Ejiofor - Tahar Rahim - Denis Ménochet - Ariane Labed Über die Filmemacher Seite 25 - Garth Davis - Iain Canning - Emile Sherman - Liz Watts - Philippa Goslett - Helen Edmundson - Greig Fraser - Fiona Crombie - Jacqueline Durran 2 STAB Regie GARTH DAVIS Produktion IAIN CANNING EMILE SHERMAN LIZ WATTS Drehbuch PHILIPPA GOSLETT HELEN EDMUNDSON Kamera GREIG FRASER Szenenbild FIONA CROMBIE Kostüme JACQUELINE DURRAN BESETZUNG Rolle Schauspieler Synchronstimme Maria Magdalena ROONEY MARA Kaya Marie Möller Jesus JOAQUIN PHOENIX Tobias Kluckert Petrus CHIWETEL EJIOFOR Falilou Seck Judas TAHAR RAHIM Mehmet Ateşçi Daniel DENIS MÉNOCHET Olaf Reichmann Rachel ARIANE LABED Katharina Rivilis Deutsches Buch und Dialogregie: Christoph Cierpka TECHNISCHE DATEN Hauptfilm: MARY MAGDALENE Tonformat: Dolby 5.1 Bildformat: Flat 2D 4k, CS Sprachfassungen: GV/OV/OmU Laufzeit: 120 Min. FSK: Freigegeben ab XX Jahren, feiertagsfrei XX Jahre Barrierefrei: Greta & Starks 3 KURZINHALT Als weibliche Jüngerin in der Gefolgschaft von Jesus (Joaquin Phoenix) und als Zeugin seiner Kreuzigung, Grablegung und Auferstehung ist Maria Magdalena (Rooney Mara) eine der zentralen Figuren der Bibelgeschichte. Doch sie ist auch eine moderne, junge Frau, die selbstbewusst und mutig gegen die Geschlechterrollen und Hierarchien ihrer Zeit rebelliert. Auf der Suche nach ihrem ganz persönlichen Lebensweg sagt sie sich von ihrer Familie los, um sich dem charismatischen Jesus von Nazareth und seinen Jüngern anzuschließen. Gemeinsam machen sie sich auf eine spirituelle Reise nach Jerusalem. -
TVNZ Ondemand
In this episode… TVNZ OnDemand 1 NEWS • TVNZ OnDemand Year In Review • 1 NEWS Online: January update • Finishing 2020 strong • Top stories in January • 20/21 Summer overview • Sponsorship Opportunity: Morning • TVNZ OnDemand summer performance YOY Briefing • Over 761,000 viewers were reached in January • Over 19M streams in January Re: • Over 3.5M livestreams in January • January update • What did our viewers watch? • Desperate Housewives heats up • Shortland Street: Summer Holiday • Live Sports: The Power of Livestreaming • TVNZ OnDemand: New CTV Show Page TVNZ OnDemand is the largest BVOD platform in NZ, and when paired with TVNZ broadcast TV it’s the combo that works the hardest for your campaign TVNZ 1, 2, Duke Source - Nielsen TAM, consolidated, 29 Dec 2019-2 Jan 2021, AP5+. Average Weeky reach. All day. TVNZ OnDemand Source - Nielsen CMI (Q4 19 – Q3 20). Base: AP15+ AdEffect case study TVNZ OnDemand is strongest amongst those aged 25-44 TVNZ OnDemand: The ultimate incremental reach generator to broadcast TV • TVNZ OnDemand is an incredibly effective online video advertising platform in New Zealand. • It is the smartest way to gain incremental reach to broadcast TV in NZ’s cluttered digital landscape. • BVOD extends the reach of Broadcast TV across ALL demos. • Build reach faster by adding TVNZ OnDemand to your TVNZ Free-to-Air schedule. To learn more check out the full presentation here. Source: TVNZ Incremental Reach Presentation 2020. Nielsen CMI (Q3 19 - Q2 20). The way that people watch TV continues to evolve. Through our extensive delivery to relevant endpoints, TVNZ OnDemand makes content available to all New Zealanders, whenever and however they want to watch. -
This Is Shows Exclusive to TVNZ Ondemand, and All the Best Content from TVNZ 1, OVER TVNZ 2 and TVNZ DUKE Whenever and Wherever You Want It
#1 NZ BVOD BREADTH AND PLATFORM DEPTH OF CONTENT TVNZ OnDemand is the #1 BVOD platform in New Zealand3. It houses the biggest and boldest international % content from around the world. 402,000 23 14 Progressive and exciting new local NEW SIGN UPS YTD LOCAL GENRES This is shows exclusive to TVNZ OnDemand, and all the best content from TVNZ 1, OVER TVNZ 2 and TVNZ DUKE whenever and wherever you want it. REACHED OVER 21,000 1.3 145.1 DIFFERENT EPISODES TVNZ OnDemand is a brand safe MILLION OF OUR CONTENT IS environment, with premium content, MILLION TVNZ ONDEMAND LED STREAMS YTD % and a low ad load. PEOPLE 13+ YTD (+43% YOY) 37 OR EXCLUSIVELY ON TVNZ ONDEMAND. Source: Google Analytics, 13+, Jan-Sep 19 Source: Google Analytics, 13+, Jan-Sep 19, Led = content first available on TVNZ OnDemand before Source: Nielsen CMI (Q1 - Q2 data) airing on TVNZ’s linear channels REACHING TOP REACHING YOUR ADS GET AUDIENCE NEW ZEALANDERS PROGRAMMES 13+ SEEN & HEARD BREAKDOWN AVERAGE COMPLETION RATE GENDER 1 1 Shortland Street 347,800 % % % TVNZ OnDemand is 13 years old. WEEKLY REACH (+14% YOY) 2 Catch-22 97 YTD 62 37 FEMALE MALE 3 Leaving Neverland V.S 72.5% APAC BENCHMARK 1 4 Killing Eve MILLION AGE 3.7 5 Educators AVERAGE VIEWABILITY WEEKLY STREAMS (+43% YOY) % 6 1 News at Six 97 YTD 78% 18-54 62% 18-44 TVNZ ONDEMAND 7 The Big Bang Theory REACHES V.S 65.3% APAC BENCHMARK %2 8 Wentworth 60% 25-54 % 44 9 MotherFatherSon Sound is on automatically, 37 F 25-54 OF NEW ZEALANDERS and content is usually viewed EVERY WEEK 10 My Kitchen Rules Australia on full screen. -
Essays on Monkey: a Classic Chinese Novel Isabelle Ping-I Mao University of Massachusetts Boston
University of Massachusetts Boston ScholarWorks at UMass Boston Critical and Creative Thinking Capstones Critical and Creative Thinking Program Collection 9-1997 Essays on Monkey: A Classic Chinese Novel Isabelle Ping-I Mao University of Massachusetts Boston Follow this and additional works at: http://scholarworks.umb.edu/cct_capstone Recommended Citation Ping-I Mao, Isabelle, "Essays on Monkey: A Classic Chinese Novel" (1997). Critical and Creative Thinking Capstones Collection. 238. http://scholarworks.umb.edu/cct_capstone/238 This is brought to you for free and open access by the Critical and Creative Thinking Program at ScholarWorks at UMass Boston. It has been accepted for inclusion in Critical and Creative Thinking Capstones Collection by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. ESSAYS ON MONKEY: A CLASSIC . CHINESE NOVEL A THESIS PRESENTED by ISABELLE PING-I MAO Submitted to the Office of Graduate Studies, University of Massachusetts Boston, in partial fulfillment of the requirements for the degree of MASTER OF ARTS September 1997 Critical and Creative Thinking Program © 1997 by Isabelle Ping-I Mao All rights reserved ESSAYS ON MONKEY: A CLASSIC CHINESE NOVEL A Thesis Presented by ISABELLE PING-I MAO Approved as to style and content by: Delores Gallo, As ciate Professor Chairperson of Committee Member Delores Gallo, Program Director Critical and Creative Thinking Program ABSTRACT ESSAYS ON MONKEY: A CLASSIC CHINESE NOVEL September 1997 Isabelle Ping-I Mao, B.A., National Taiwan University M.A., University of Massachusetts Boston Directed by Professor Delores Gallo Monkey is one of the masterpieces in the genre of the classic Chinese novel. -
Sarah Finlay
SARAH FINLAY Production Designer http://www.sarah-finlay.com/ Selected Features: THE FANTASTIC FLITCROFTS – BBC Films – Craig Roberts, director AMMONITE – See-Saw Films – Francis Lee, director *Official Selection – Cannes Film Festival SUPERNOVA – BBC Films – Harry Macqueen, director RIALTO – The Bureau – Peter Mackie Burns, director JULIET NAKED – Lionsgate – Jesse Peretz, director – Judd Apatow, Barry Mendel, Ron Yerxa, Albert Berger, Jeffrey Soros, prods *Official Selection of Sundance Film Festival DISOBEDIENCE – Sony Pictures - Sebastian Lelio, director - Ed Guiney, Frida Torresblanco, Rachel Weisz, producers *Special Presentation - Toronto International Film Festival THE LEVELLING - Wellington Films - Hope Dickson Leach, director - Rachel Robey, Anna Griffin, producers *Official Selection of Toronto International Film Festival *Official Selection: BFI London Film Festival 6 *Nominated: Sutherland Award for Best Debut Feature - BFI London Film Festival 45 YEARS - Glendale Pictures / The Bureau - Andrew Haigh, director - Tristan Goligher, producer *Nominated: Best Actress: Charlotte Rampling - Oscars *Nominated: Outstanding British Film - BAFTA *Winner: Best Actor: Tom Courtenay / Best Actress: Charlotte Rampling - Berlin International Film Festival *Winner: Coup de Coeur - Dinard British Film Festival *Winner: Michael Powell Award for Best British Feature Film - Edinburgh International Film Festival *Winner: British/Irish Film of the Year, Actor of the Year, Actress of the Year – London Critics Circle Film Awards WEEKEND - Glendale -
THOTKG Production Notes Final REVISED FINAL
SCREEN AUSTRALIA, LA CINEFACTURE and FILM4 Present In association with FILM VICTORIA ASIA FILM INVESTMENT GROUP and MEMENTO FILMS INTERNATIONAL A PORCHLIGHT FILMS and DAYBREAK PICTURES production true history of the Kelly Gang. GEORGE MACKAY ESSIE DAVIS NICHOLAS HOULT ORLANDO SCHWERDT THOMASIN MCKENZIE SEAN KEENAN EARL CAVE MARLON WILLIAMS LOUIS HEWISON with CHARLIE HUNNAM and RUSSELL CROWE Directed by JUSTIN KURZEL Produced by HAL VOGEL, LIZ WATTS JUSTN KURZEL, PAUL RANFORD Screenplay by SHAUN GRANT Based on the Novel by PETER CAREY Executive Producers DAVID AUKIN, VINCENT SHEEHAN, PETER CAREY, DANIEL BATTSEK, SUE BRUCE-SMITH, SAMLAVENDER, EMILIE GEORGES, NAIMA ABED, RAPHAËL PERCHET, BRAD FEINSTEIN, DAVID GROSS, SHAUN GRANT Director of Photography ARI WEGNER ACS Editor NICK FENTON Production Designer KAREN MURPHY Composer JED KURZEL Costume Designer ALICE BABIDGE Sound Designer FRANK LIPSON M.P.S.E. Hair and Make-up Designer KIRSTEN VEYSEY Casting Director NIKKI BARRETT CSA, CGA SHORT SYNOPSIS Inspired by Peter Carey’s Man Booker prize winning novel, Justin Kurzel’s TRUE HISTORY OF THE KELLY GANG shatters the mythology of the notorious icon to reveal the essence behind the Life of Ned KeLLy and force a country to stare back into the ashes of its brutal past. Spanning the younger years of Ned’s Life to the time Leading up to his death, the fiLm expLores the bLurred boundaries between what is bad and what is good, and the motivations for the demise of its hero. Youth and tragedy colLide in the KeLLy Gang, and at the beating heart of this tale is the fractured and powerful Love story between a mother and a son.