DOCSLIB.ORG

A Journal of Créole History & Genealogy Cumulative Index Of

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Journal of Créole History & Genealogy Cumulative Index Of La Créole: A Journal of Créole History & Genealogy Cumulative Index of Volumes 1-12 The volume number is shown in italics followed by a colon; the page numbers follow. For example, 6: 24 indicates volume 6, page 24. Women are indexed by their maiden name, if known. 10th Colored Heavy Artillery 3: Armstrong, Louis 10: 76; 12: Baquie, R. W. 5: 13 17 51, 53, 56, 57 Barbarin, Alfred 9: 38 2131 Lapeyrouse Street 3: 19-23 Asylum of the Holy Family 12: Barbarin, Benjamin 12: 32 photo 18 Barbarin, Eda 12: 31-33, 32 77th Colored Infantry 3: 17 Attakapas District 11: 6 photo Abatte, Gabriel 11: 9 Aubert, Alvin 7: 16-21 Barbarin, Elbert 9: 37, 38, 39 Abbatte, Bertha 11: 9-10 Aubert, Beatrice “Modear” 12: 5 Barbarin, Emile Jr. 12: 31 Abner, Lorraine 9: 37 Aubris, Martin (see Aubry, Barbarin, Francesca Fauria (see Abshear, Harold R. 12: 19 Martin) Fauria, Francesca) Achille’s Cash Store (Lutcher, Aubry, Alexandre 11: 7-8 Barbarin, Paul 12: 59, 60 La.) 7: 16 Aubry, Alexandre Jr 11: 8-9 Barbarin, Walter 9: 37 Adams, Anise Ferrand (see Aubry, Alexis Sr. 11: 9-10 Barbarin, Walter A. 9: 36, 38, Ferrand, Anise) Aubry, Alfred J. Sr. 11: 9 photo 40 Adams, Charles 4: 13 Aubry, Angela D. 11: 5 Barbarin, Yvonne 9: 38, 40 Adams, Florestine Mitchell (see Aubry, Catherine 11: 5 Barbre, Sarah “Mama Sarah” 9: Mitchell, Florestine) Aubry, Charles Philippe 11: 5 32, 39 Adams, Henrietta “Henny” 10: Aubry, Jean Pierre Bruno (aka Barker, Danny 12: 58 43 Jean Pedro Bruno Aubry) Barker, William 11: 49 Adams, Peter 10: 43, 47 11: 5, 6, 7 Barrett, Sweet Emma 12: 59, 60 African Methodist Episcopal Aubry, Ladoiska 11: 8 Barrow, John S. 10: 41 Church (Covington, La.) 9: Aubry, Martin 11: 6, 7, 8 Barrow, Washington 10: 41 24 Aubry, Martin Louis 11: 6 Bart, William “Willie” Aicard, Henri 3: 39 Aubry, Maximilien Martin 11: 6 Dominick 5: 18 Aicard, Justin 5: 13, 14, 21 Auguste, Marie Ursula 2: 2 Barthelemy, Emelia 11: 38, 39, Aicard, Rita 3: 39 Augustin, Clara 9: 19 52 Albert, A. E. P. 5: 5 Augustin, Delphine 9: 26, 27 Barthelemy, François (son) 11: Albert, A. P. 5: 4 (see also Delsy, a slave) 38 Albert, Don 12: 59 Augustin, Donatien 9: 21 Barthelemy, François 11: 38, 39 Allain, Augustin 3: 37 Augustin, Heloise 10: 25, 29 Barthelemy, Joseph 11: 38 Allain, Pierre 10: 31 Augustin, Madeleine 9: 19 Barthelemy, Susanne 11: 38 Allain, Valerian 7: 3 Auld, Joseph 5: 13 Barthelemy-St. Ann family 11: Allen, Red 12: 57, 60 Autocrat Club 11: 14 38-53 Allston, William (Mrs.) 5: 4 Averous, S. 5: 13 Basie, Count 12: 56 AMA (see American Missionary Babé (Elizabeth) 7: 2 Batey, Jesse 10: 40, 41, 42, 48- Association) Babey, Emile 5: 18 49, 51 American Missionary Babin, Louise Peignier 1: 8 Battalions of Free Men of Color Association (AMA) 9: 49, Bagley, William 9: 22, 23 2: 29-30; 11: 12 (see also 50, 54 Baker, Josephine 12: 58 Louisiana Native Guards, Anderson, Gus 10: 49, 50 Baloney, Charles 10: 33 Confederate) André, Joseph 10: 21 Banks, Nathaniel 12: 23 Battle of New Orleans 2: 29-30 Andrew J. Bell Junior High Baptiste, Charles 11: 27 Bautista, a slave 9: 42 School 9: 37 Baptiste, Désirée 11: 3 Bautista, Bartholome 9: 43 Andrew, John 12: 25 Baptiste, Jean 2: 1 bazaars 9: 8 Andry, Manuel 4: 7-8 Baptiste, John 10: 47 Beauregard, Santiago 9: 46 Angelain, Marie Angela 2: 2 Baquet, Achille 12: 52, 54 Bechet, Alan 9: 38 Angelety, Doris 4: 23 Baquet, Blainey 12: 62, 63, 64 Bechet, Barry 9: 37, 38, 40 Angelety, Wilfred 4: 23 Baquet, George 12: 52, 54 Bechet, Joseph 9: 38 Angelique, Louis Habine 10: 23 Baquet, Harold 12: 62-65; 62, Bechet, Sidney 12: 51, 52, 53, Antoine, F. C. 5: 17 63 photos 54, 58-59 Apex Club Orchestra 12: 55, 56 Baquet, John 12: 62 Bechet, Yvonne Barbarin (see Ardax, Marianne 1: 15 Baquet, T. V. 5: 17 Barbarin, Yvonne) Armant, Celeste 10: 47 Baquie, C. A. 5: 13 Becnel, Albert 4: 3 1 La Créole: A Journal of Créole History & Genealogy Cumulative Index of Volumes 1-12 The volume number is shown in italics followed by a colon; the page numbers follow. For example, 6: 24 indicates volume 6, page 24. Women are indexed by their maiden name, if known. Becnel, Alphonse 3: 8 Bertonneau, Arnold 2: 2, 3, 17, Blandin, Benjamin “Frenchy” 7: Becnel, Célèste 3: 6, 7, 8; 10:26 19; 5: 13; 12: 19-29 8-14 photos 8, 10,14) Becnel, Enola Marie Tregre (see Bertonneau, Arnold Jr “A.J.”12: Blandin, Benjamin Peter Sr 7: 9 Tregre, Enola Marie) 29 photo Blandin, Carol 7: 9, 10 Becnel, Florestan Jean 3: 6; 10: Bertonneau, Eulalie Monforte Blandin, Cassie 7: 9 26 (see Monforte, Eulalie) Blandin, Charles 7: 11, 12 Becnel, Milton J. 4: 4 Bertonneau, Henry 12: 29 Blandin, Elsie 7: 13 Becnel, Pierre Ayme 10: 28 Bertonneau, Jeanne Louise 12: Blandin, Harmon (Harmond) 7: Beecher Memorial 19 photo, 20 photo, 29 9, 13 (Congregational) United Bertonneau, Julia Charlotte Blandin, Norma Brown (see Church of Christ 9: 48, 49, LaCoste (see LaCoste, Julia Brown, Norma) 50, 53 Charlotte) Blanks, Herbert C. 9: 34 Bello, Donatto 10: 61 Bertonneau, Louis 2: 2; 12: 22 Blenk, James Hubert 10: 21 Belly, Etienne 9: 29 Bertonneau, Marie Estella 12: Bloch, Henri “Harry” 10: 68-69 Belly, Jean (I) 9: 29 22 Bodin, Lovinsky 3: 33 Belly, Jean (II) 9: 29 Bertonneau, Sidney 12:29 Boisdore, Adelaide 5: 14 Belly, Jean Baptiste 9: 29 Bertonneau, Yvonne 12: 20, 29 Boisdoré, Dubrisson 2: 26 Belly, Marguerite 9: 29 Bertrand, Armand 9: 34 Boisdoré, Francois 2: 1, 26; 4: Belly, Marguerite Heloise 9: 29, Bertrand, Arthur 6: 1-2 17 30 Bertrand, Augustine Pearl Relf Boisdore, Hortense 5: 14 Belly, Marie Antoinette 9: 29, (see Relf, Augustine Pearl Boisdore, Josephine 11: 8 30 “Miss Le Pearle”) Boisdore, Marietta 10: 2, 4 Belly, Marie Francoise 9: 29, 30 Bertrand, Marguerite 6: 1 Boissiere, Athanase 11: 22, 23 Belly, Marie Genevieve 9: 29, Bertrand, Marie 6: 1 Boissiere, Celina Adelaide (see 30 Bertrand, Osevio 6: 1 Williams, Celina Adelaide) Belly, Marie Rosalie, 9: 29 Bevrotte, Charles 3: 20 Boissiere, Cornelia Lambert 11: Belly, Pierre 9: 28, 29, 30, 31 Bevrotte, Henry 3: 20 24 Belly, Rosalie 12: 35 Bevrotte, Thomasine 3: 20 Boissiere, Elvera LeBrane (see Belly, Rose 9: 28-31 Bienfaisanse Benevolent Society LeBrane, Elvira) Belly, Valerie Octavine 9: 29, 4: 4 Boissiere, Francois Xavier 11: 30 Bienfance Society Hall 20, 22 Belot, A. 5: 13 (Reserve, La.) 7: 16 Boissiere, Jean Isaac 11: 20 Benefield, Ida (Mrs.) 11: 27 Bienville, Genoveva/Genevieve Boissiere, Philip 11: 25 Benefield, Robert 11: 27 10: 20 Bolden, Charles “Buddy” 12: Benjamin Franklin School 9: 37 Bigard, Barney 12: 52, 53, 55, 49, 54 Bennett, Ann Marie 9: 37, 38 56-57, 59 Bonfiglio Michael Sr. 11: 50 Bennett, Francesca Fauria (see Bigard, Barney, and his Bonfiglio, Alice or Elise (see St. Fauria, Francesca) Jazzopators 12: 57 Ann, Elise) Bennett, Gabrielle Dobard (see Bijot, Rosalie 9: 30 Bonfiglio, Debra 11: 52 Dobard, Gabrielle “Gabi”) Billings, John 10: 66 Bonfiglio, Elise Odette 11: 51 Bennett, Lloyd Walter Jr. 9: 32- Biringer, Elisa Marie 1: 16 Bonfiglio, Eugene 11: 50, 51-52 41, photo 38 Birotte, Julie 11:3 Bonfiglio, John 11: 52 Bennett, Lloyd Walter Sr. 9: 33, Birotte, Ludger 11: 3 Bonfiglio, Michael Jr. 11: 50, 51 34, 38 Blache, Bernice 9: 37 Bonfiglio, William Lawrence Benoist, Edouard 11: 8 Black Codes (see code noir) 11: 51 Benoist, Joseph, 11: 8 Blanchard, Faguet A. 11: 45, 46 Boniface, Jeanne Marie Nathalie Benoit, Edouard 11: 8 Blanchard, Jennie E. 11: 44,45, (see Bonifaye, Jeanne Marie Benson, John G. 6: 4, 7-8 46, 47, 48 Nathalie) Berall, Rose Julie 1: 16 Blanchard, Osceola 10: 77 Bonifaye, Jeanne Marie Nathalie Bernard, Joseph 11: 48 Blandin Undertaking Co. 9: 35 11: 20-21 Bernard, Wilfred Sr. 4: 3 Blandin, Adolphe 7: 12 Bonnet Carré Plantation 10: 30 Blandin, Albert 7: 9 Booth, John Wilkes 2: 3 2 La Créole: A Journal of Créole History & Genealogy Cumulative Index of Volumes 1-12 The volume number is shown in italics followed by a colon; the page numbers follow. For example, 6: 24 indicates volume 6, page 24. Women are indexed by their maiden name, if known. Bopse, Daniel 10: 21 Brown, Malinda 3: 17 Campbell, Adelina 10: 46 Bordenave, Curtis 7: 13 Brown, Martha 10: 48 Campbell, Alexander 10: 49, 50 Bordenave, Elsie Blandin (see Brown, Mary 10: 48 Campbell, Catherine 10: 46 Blandin, Elsie) Brown, Nancy Maker (see Campbell, Charlotte 10: 49, 50 Bordenave, Isidore 6: 14 Maker, Nancy) Campbell, Daniel 10: 49 Bordenave, Julie 7: 13 Brown, Nicholas 10:48 Campbell, Emeline 10: 49 Bordenave, Michael 7: 13 Brown, Norma 7: 9, 10, 11 Campbell, Eveline 10: 50 Boré, Estevan 9: 45-46 Brown, Rose 10: 44 Campbell, Frank 10: 49, 50 Boré, Juan Esteban 3: 24 Brown, William Henry 10: 48 Campbell, Franklin 10: 50 Bornundy, Don Francisco 9: 42 Brownlee, Fred 9: 55 Campbell, Marie Elizabeth Bosang, Julie 9: 14 Bruce, Blanche K. 5: 3 “Emeline” 10: 50 Bougeois, Alceste 10: 31 Brumby, G. McD. 11: 27 (illus.) Campbell, Nathan 10: 50 Bougeois, Charles 10: 31 Brunel, Marie Barbe 5: 37 Campbell, Rachael 10: 49, 50 Bouligny, Louis 12: 16 brute-négre 5: 27 Campbell, Robert 10: 50 Bourgeois, Clara 10: 31 Bry, Hannah Louise 3: 16 Campbell, Sam 10: 49 Bourgeois, Mathilde 10: 31 Buck, Larry (see Dubuclet, Campbell, Samuel 10: 50 Boutin, Mary 11: 41 Laurent) Campbell, Susan 10: 50 Boutte, George Albert 3: 39 Bunel, Felicite 12: 16 Campbell, Theresa 10: 49 Boutte, Marie Louise 11: 8 Burat, Françoise 11: 38 Campbell, Watson 10: 50 Boyer, Carrie Harleaux (see Burel, Achill 3: 31 Campbell, Watt 10: 49, 50 Harleaux, Carrie) Burel, Benedicte 3: 31 Campbell, Watt II 10: 49 Boyer, Henry 9: 2-7, 3 photo Burke, Edward A.
Load more

Recommended publications
  • Festivalprogram, ”Big Boy” Goudie, Jazzkåkar,Bilder
    BLADET ORGAN FÖR GÖTEBORG CLASSIC JAZZ NR 2 • ÅRGÅNG 38 • 2017 FESTIVALPROGRAM, ”BIG BOY” GOUDIE, JAZZKÅKAR, BILDER OCH MYCKET ANNAT Bäddat för jazzfestival! Glad sommar på eder alla! tiden. Som en kulturnämnd motiverade sitt Efter några års negativ trend ökar åter avslag: ”Tradjazzen har sin trogna publik och tillströmningen av medlemmar i föreningen behöver därför inga bidrag”. Göteborg Classic Jazz. Vi närmar oss raskt Nog raljerat om detta! Nu ser vi fram emot 700, vilket torde göra oss till en av landets en underbar jazzfestival vid Kronhuset lördag största jazzorganisationer! 26 augusti. Kanske det inte kommer över Vad låg bakom medlemstappet? Fram- 2000 personer som när Papa Piders Jazzband förallt så kallad naturlig avgång förstås. När spelade på dixielandfestivalen i tyska Dresden i föreningen bildades för fyra decennier sedan maj – se Bosse Johnsons fina backstage-bild på hade många medlemmar knappt hunnit fylla förstasidan! De flesta andra fotografier i detta trettio, idag har en del passerat åttio. På 40 år Jazzbladet har annars tagits av undertecknad. hinner man helt enkelt få nya intressen. Jag vill också passa på att tacka Kim Alts- Och vad ligger bakom vändningen? Väldigt und, Ingemar Wågerman och Stellan Öbert många från den tiden är kvar idag. Men de som bidragit med initierade artiklar, bilder och får alltmer sällskap av jazzentusiaster, musiker, minnen. lindyhoppare med flera av nya generationer. En stor skillnad mellan då och nu är att Red Trombonisten Niklas Carlssons med hemmaplan i Second Line Jazzband är mycket aktiv även i andra band. Ovan med familjebandet Happy Jazzband på s/s Marieholm 20 april med mamma Ann-Christine de äldre musikerna till stor del är amatörer piano, pappa Lennart trummor och fru Malin sång.
    [Show full text]
  • Whicl-I Band-Probably Sam; Cf
    A VERY "KID" HOWARD SUMMARY Reel I--refcyped December 22, 1958 Interviewer: William Russell Also present: Howard's mother, Howard's daughter, parakeets Howard was born April 22, 1908, on Bourbon Street, now renamed Pauger Street. His motTier, Mary Eliza Howard, named him Avery, after his father w'ho di^d in 1944* She sang in church choir/ but not professionally. She says Kid used to beat drum on a box with sticks, when he was about twelve years old. When he was sixteen/ he was a drummer. They lived at 922 St. Philip Street When Kid was young. He has lived around tliere all of his life . Kid's father didn't play a regular instrument, but he used to play on^ a comb, "make-like a. trombone," and he used to dance. Howard's parents went to dances and Tiis mother remembers hearing Sam Morgan's band when she was young, and Manuel Perez and [John] Robichaux . The earliest band Kid remembers is Sam Morgan's. After Sam died, he joined the Morgan band/ witli Isaiah Morgan. He played second trumpet. Then he had his own band » The first instrument he.started on was drums . Before his first marriage, when he got his first drums/ he didn't know how to put them up. He had boughtfhem at Werlein's. He and his first wife had a time trying to put them together * Story about }iis first attempt at the drums (see S . B» Charters): Sam Morgan had the original Sam Morgan Band; Isaiah Morgan had l:J^^i', the Young Morgan Band.
    [Show full text]
  • Red Hot Songs
    Red Hot Songs 1 2 4 5 A B C D E F G H I J K L M N O P Q R S T U V W Y Z Red Hot Songs - ['] Song Title Artist/Group or Commentary 'Lasses Candy Original Dixieland Jass Band 'Round My Heart Coon Sanders Nighthawks Orchestra 'S Wonderful 'Tain't Clean Boyd Senter Trio http://cij-assoc.com/jazzpages/alphasonglist.html [2003-02-19 00:49:52] The Red Hot Jazz Archive - Songs Red Hot Songs - [1] Song Title Artist/Group or Commentary 1-2-1944 (intro, song - "Valencia") 12-24-1944 (intro, Bing, Pops & The King's Men) 12-28-1938 (intro) 12th Street Blues Anthony Parenti's Famous Melody Boys 12th Street Blues Anthony Parenti's Famous Melody Boys 12th Street Rag Richard M. Jones 18th Street Stomp Fats Waller 18th Street Strut The Five Musical Blackbirds 18th Street Strut The Bennie Moten's Kansas City Orchestra http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/1.html (1 of 2) [2003-02-19 00:50:48] The Red Hot Jazz Archive - Songs 1919 Rag Kid Ory's Creole Orchestra 1943 (Gracie's "Concerto for Scales and Clinker") 19th Street Blues Dodds And Parham http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/1.html (2 of 2) [2003-02-19 00:50:48] The Red Hot Jazz Archive - Songs Red Hot Songs - [2] Song Title Artist/Group or Commentary 29th And Dearborn Johnny Dodds and his Chicago Boys 29th And Dearborn Richard M. Jones' Three Jazz Wizards http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/2.html [2003-02-19 00:51:05] The Red Hot Jazz Archive - Songs Red Hot Songs - [4] Song Title Artist/Group or Commentary 47th Street Stomp Jimmy Bertrand's
    [Show full text]
  • I [Of 3]-Digest- Retyped of a Bas$ [Violin]); His Mother Sang; His Uncle Played Comb and (Not Used in Bands Anymore) . Kazoo
    1 JOSEPH THOMAS Also present; William Russell I [of 3]-Digest- Retyped Ralph Collins September 29, I960 Interview recorded at Joseph Thomas ' s home 2027 St. Ann Street New Orleans, Louisiana Joseph William Thomas was born December 3, 1902. His father ./ I s played broom (a resined broom stick is drawn across the thumb, which is supported by a table; the sound resulting is like that of a bas$ [violin]); his mother sang; his uncle played comb and tissue paper. WR has heard Blow Drag [Pavageau] play the broom. All JT's family, including a cousin sang. Lyrics of songs included "Mr. Moon/ you bright silvery moon, please shine your light on me." They also sang "Down By the Old Mill Stream 11 JT was born on Tonti Street, between Dumaine and St. Ann, acros s from the Tonti Social and Pleasure Club; he has lived most of his life in the same neighborhood. One of his brothers tried to learn C melody sax, but gave it up, as it was not-the right instrument (not used in bands anymore) . Kazoo was also used at the song sessions involving his parents and uncle. JT didn't follow any brass band parades when he was small; his parents were very strict and demanded that the children remain close to the home. He did get to see Carnival parades with his grandmother, and the Hobgoblins with his mother. JT thinks Louis Barbarin's daddy [Isidore Barbarin] played in tte band for the Hobgoblins. JT remembers hearing Kid Punch [Miller], Kid Rena, Buddy Petit and Chris Kelly; he says there was a vacant lot with a pavillion at Orleans and White where Punch's band played for dancing.
    [Show full text]
  • There Is Talk About Paul's Family. an Older Brother/ Andrew, Played a [Tin] Fife, but Did Not Take up Another Instrument
    .b'AU.LJ Cft.H.lN.&O Reel I [of 2]--Digest-Retype March 13, 1971 Also presents Jane Julian 1 The interview takes place at 1770 N- Dorgenois Street, Paul Barnes' home. There is talk about Paul's family. An older brother/ Andrew, played a [tin] fife, but did not take up another instrument. The fife was very v popular in New Orleans at that time. Also [Emile Barnes] played the fife. Paul played the fife at six years; Sidney Bechet played the fife. Andrew Barnes was accidentially sTaot. He was trying to stop a fight and got shot. He was three years older than Paul. EB is about ten years older than Paul. Andrew was called "Boose"/ [which rhymes with "moose"]. Nicknames were very popular in New Orleans at that time. Paul Barnes gives a list of his siblings: (oldest to youngest) Emile, called "Mealy" [according to EB, t1'iere is no correct spelling of this]; then came Emily, then Adam, then Andrew, called "Boose", then Alice, then Paul/ called "Polo" (common nickname for Paul in New Orleans then), and Frances, the youngest, a girl. She died at about five years; she was tlie first of the siblings to die. "She taken sick and she passed." PB's father played guitar, but not in a band. It was a musical family on both sides. His mother's sister [his aunt] played guitar. Her husband and children were Marreros: Simon Marrero, the oldest son, played bass? Billy Marrero, also known as Billy Moran, the husband, played Tbass, Jol'in, the next son, played banjo and guitar; Lawrence, the next son/ played banjo and guitar? Eddie, the next son, played bass.
    [Show full text]
  • Bartolomé De Las Casas, Soldiers of Fortune, And
    HONOR AND CARITAS: BARTOLOMÉ DE LAS CASAS, SOLDIERS OF FORTUNE, AND THE CONQUEST OF THE AMERICAS Dissertation Submitted To The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in Theology By Damian Matthew Costello UNIVERSITY OF DAYTON Dayton, Ohio August 2013 HONOR AND CARITAS: BARTOLOMÉ DE LAS CASAS, SOLDIERS OF FORTUNE, AND THE CONQUEST OF THE AMERICAS Name: Costello, Damian Matthew APPROVED BY: ____________________________ Dr. William L. Portier, Ph.D. Committee Chair ____________________________ Dr. Sandra Yocum, Ph.D. Committee Member ____________________________ Dr. Kelly S. Johnson, Ph.D. Committee Member ____________________________ Dr. Anthony B. Smith, Ph.D. Committee Member _____________________________ Dr. Roberto S. Goizueta, Ph.D. Committee Member ii ABSTRACT HONOR AND CARITAS: BARTOLOMÉ DE LAS CASAS, SOLDIERS OF FORTUNE, AND THE CONQUEST OF THE AMERICAS Name: Costello, Damian Matthew University of Dayton Advisor: Dr. William L. Portier This dissertation - a postcolonial re-examination of Bartolomé de las Casas, the 16th century Spanish priest often called “The Protector of the Indians” - is a conversation between three primary components: a biography of Las Casas, an interdisciplinary history of the conquest of the Americas and early Latin America, and an analysis of the Spanish debate over the morality of Spanish colonialism. The work adds two new theses to the scholarship of Las Casas: a reassessment of the process of Spanish expansion and the nature of Las Casas’s opposition to it. The first thesis challenges the dominant paradigm of 16th century Spanish colonialism, which tends to explain conquest as the result of perceived religious and racial difference; that is, Spanish conquistadors turned to military force as a means of imposing Spanish civilization and Christianity on heathen Indians.
    [Show full text]
  • “Big Chief” Moore, in New York a Few Weeks Earlier on January 16
    WIND12413 ITF Douglas Yeo ITA.qxp_Layout 1 5/22/17 11:24 AM Page 1 July 2017/ Volume 45, Number 3 / $11.00 Denson Paul Pollard — Page 36 Douglas Yeo Depends on Yamaha “Yamaha trombones are the most flexible, finely engineered and well-made instruments INTERNATIONALINTERNATIONAL I have ever played. They allow my musical voice to be expressed beautifully every time I have a trombone in my hands.” Douglas Yeo Visit 4wrd.it/yeoITA2 for details World-renowned Bass Trombonist ASSOCIATION JOURNAL THETHE QUARTERLYQUARTERLY PUBLICATIONPUBLICATION OFOF THETHE ITAITA Take it, Big Chief! An Appreciation of Russell Moore Photo credit: Timothy Hutchens INTERNATIONAL TROMBONE ASSOCIATION JOURNAL The Quarterly Publication of the ITA Volume 45, Number 3 / July 2017 General News — Page 6 The International Trombone Association is Dedicated to the Artistic Advancement of Trombone Teaching, Performance, and Literature. Contents Features Take It, Big Chief: An Appreciation of Russell Moore ITA JOURNAL STAFF by Douglas Yeo .............................................................. 18 Managing Editor A Conversation with Denson Paul Pollard Diane Drexler by Douglas Yeo ................................................................ 36 3834 Margaret Street, Madison, WI 53714 USA / [email protected] Associate Editors Feature Stories – Bruce Gunia Departments [email protected] Announcements ...................................................................... 2 Jazz – Antonio Garcia President’s Column - Ben van Dijk ..........................................
    [Show full text]
  • Summary of Sexual Abuse Claims in Chapter 11 Cases of Boy Scouts of America
    Summary of Sexual Abuse Claims in Chapter 11 Cases of Boy Scouts of America There are approximately 101,135sexual abuse claims filed. Of those claims, the Tort Claimants’ Committee estimates that there are approximately 83,807 unique claims if the amended and superseded and multiple claims filed on account of the same survivor are removed. The summary of sexual abuse claims below uses the set of 83,807 of claim for purposes of claims summary below.1 The Tort Claimants’ Committee has broken down the sexual abuse claims in various categories for the purpose of disclosing where and when the sexual abuse claims arose and the identity of certain of the parties that are implicated in the alleged sexual abuse. Attached hereto as Exhibit 1 is a chart that shows the sexual abuse claims broken down by the year in which they first arose. Please note that there approximately 10,500 claims did not provide a date for when the sexual abuse occurred. As a result, those claims have not been assigned a year in which the abuse first arose. Attached hereto as Exhibit 2 is a chart that shows the claims broken down by the state or jurisdiction in which they arose. Please note there are approximately 7,186 claims that did not provide a location of abuse. Those claims are reflected by YY or ZZ in the codes used to identify the applicable state or jurisdiction. Those claims have not been assigned a state or other jurisdiction. Attached hereto as Exhibit 3 is a chart that shows the claims broken down by the Local Council implicated in the sexual abuse.
    [Show full text]
  • A Critical Introduction and Commentary on the Acts Of
    A CRITICAL INTRODUCTION AND COMMENTARY ON THE ACTS OF PAUL AND THECLA by Jeremy W. Barrier Bachelor of Science, 2000 Freed-Hardeman University Henderson, TN Master of Arts, 2002 Freed-Hardeman University Henderson, TN Dissertation Presented to the Faculty of the Brite Divinity School in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Biblical Interpretation Fort Worth, TX May 2008 3 WARNING CONCERNING COPYRIGHT RESTRICTIONS The copyright law of the United States (title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish photocopy or reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If a user makes a request for, or later uses, a photocopy or reproduction for purposes excess of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. 4 TABLE OF CONTENTS: • Title Page….….….….….….….….….….….….….….….….….….….….…...1 • Dissertation Approval…………………………………………………………2 • Copyright Acknowledgment………………………………………………......3 • Table of Contents……………………………………………………………...4 • Abbreviations….….….….….….….….….….….….….….….….….….….…..6 • Abbreviations of Textual Witnesses.….….….….….….….….….….….….….7 • Key to the Numeration of various Acts of Paul texts………………………...10 • Foreword…..….….….….….….….….….….….….….….….….….….….….14 • Introduction:………………………………………………………………….15 o 1. The Ancient Novel..…………………………………………..…...15 1.1 The Ancient Novel and the Early Christian Novel..……..15 1.2 The Ancient Novel and the Acts of Paul and Thecla …….24 1.3 Historical Reliabilty……………………………………...29 1.4 Intended/Actual Readers of the Ancient Novel...………..30 1.5 Intended/Actual Readers of the Acts of Paul ..…………...34 o 2.
    [Show full text]
  • A Researcher's View on New Orleans Jazz History
    2 TABLE OF CONTENTS Introduction 6 Format 6 New Orleans Jazz 7 Brass & String Bands 8 Ragtime 11 Combining Influences 12 Party Atmosphere 12 Dance Music 13 History-Jazz Museum 15 Index of Jazz Museum 17 Instruments First Room 19 Mural - First Room 20 People and Places 21 Cigar maker, Fireman 21 Physician, Blacksmith 21 New Orleans City Map 22 The People Uptown, Downtown, 23 Lakefront, Carrollton 23 The Places: 24 Advertisement 25 Music on the Lake 26 Bandstand at Spanish Fort 26 Smokey Mary 26 Milneburg 27 Spanish Fort Amusement Park 28 Superior Orchestra 28 Rhythm Kings 28 "Sharkey" Bonano 30 Fate Marable's Orchestra 31 Louis Armstrong 31 Buddy Bolden 32 Jack Laine's Band 32 Jelly Roll Morton's Band 33 Music In The Streets 33 Black Influences 35 Congo Square 36 Spirituals 38 Spasm Bands 40 Minstrels 42 Dance Orchestras 49 Dance Halls 50 Dance and Jazz 51 3 Musical Melting Pot-Cotton CentennialExposition 53 Mexican Band 54 Louisiana Day-Exposition 55 Spanish American War 55 Edison Phonograph 57 Jazz Chart Text 58 Jazz Research 60 Jazz Chart (between 56-57) Gottschalk 61 Opera 63 French Opera House 64 Rag 68 Stomps 71 Marching Bands 72 Robichaux, John 77 Laine, "Papa" Jack 80 Storyville 82 Morton, Jelly Roll 86 Bolden, Buddy 88 What is Jazz? 91 Jazz Interpretation 92 Jazz Improvising 93 Syncopation 97 What is Jazz Chart 97 Keeping the Rhythm 99 Banjo 100 Violin 100 Time Keepers 101 String Bass 101 Heartbeat of the Band 102 Voice of Band (trb.,cornet) 104 Filling In Front Line (cl.
    [Show full text]
  • Church Legislation on Obscenity
    The Catholic Lawyer Volume 10 Number 2 Volume 10, Spring 1964, Number 2 Article 4 Church Legislation on Obscenity Maurice Amen, C.S.C. Follow this and additional works at: https://scholarship.law.stjohns.edu/tcl Part of the Catholic Studies Commons This Article is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in The Catholic Lawyer by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. CHURCH LEGISLATION ON OBSCENITY MAURICE AMEN, C.S.C.* T IS evident that there was a gradual development in the ecclesiastical condemnation of obscene literature, and that this process was similar to that which is detectable in many other matters with which the Church has been concerned. At its founding the Church did not immediately set up a panoply of detailed legislation; yet, where its viewpoint on some matter was demanded, the Church did not hesitate to legislate. Some ecclesiastical legislators delineated those specific books which were to be considered prohibited reading for the faithful under their jurisdiction, whereas others were content to promulgate general laws concerning liter- ature. The faithful were then to apply these general norms to any individ- ual book in order to determine whether the book was prohibited. The general laws of the Church are derived from these earlier specific con- demnations and/or general prohibitions. It is not at all certain at what precise time the Church first prohibited any specific book, but the first indication of there being a war against all evil literature is given in the Acts of the Apostles ( 19: 19-20).
    [Show full text]
  • King LP Inventory
    Oberlin Conservatory Library Special Collections Stanley King Jazz Collection LP Inventory Page | 1 Item Number Title Name Record Label Record Number CSC_SKJC_LP_001 King Oliver and His Orchestra Oliver, King Epic LA 16003 CSC_SKJC_LP_002 Young Man with a Horn James, Harry Columbia CL 582 CSC_SKJC_LP_003 A Backward Glance Dorsey, Tommy Riverside RLP 12-834 CSC_SKJC_LP_004 Piano, Brass & Blues: classic blues accompaniments Riverside RLP 153 CSC_SKJC_LP_005 Harlem Banjo! Elmer Snowden Quartet Riverside RLP 348 CSC_SKJC_LP_006 Little Brother Montgomery Montgomery, Little Brother Riverside RLP 9410 CSC_SKJC_LP_007 Gut-Bucket Trombones Palmer, Roy Riverside RLP 150 CSC_SKJC_LP_008 Over & Over Again De Paris, Wilbur Atlantic SD 1552 CSC_SKJC_LP_009 Wilbur De Paris Plays Something Old, New, Gay, Blue De Paris, Wilbur Atlantic 1300 CSC_SKJC_LP_010 Billie and Dede Pierce: blues in the classic tradition Pierce, Bille Riverside RLP 370 CSC_SKJC_LP_011 Sweet Emma, "The bell gal," and her Dixieland Boys Barrett, Sweet Emma Riverside RLP 9364 CSC_SKJC_LP_012 Jim Robinson plays spirituals and blues Jim Robinson's New Orleans Riverside RLP 393 Band CSC_SKJC_LP_013 Jim Robinson's New Orleans Band Jim Robinson's New Orleans Riverside RLP 9369 Band CSC_SKJC_LP_014 Percy Humphrey's Crescent City Joymakers Humphrey, Percy Riverside RLP 378 CSC_SKJC_LP_015 Economy Hall Breakdown Robinson, Jim Pearl Records PS 5 CSC_SKJC_LP_016 Oscar "Papa" Celestin Celestin, Oscar "Papa" Imperial LP-9149 CSC_SKJC_LP_017 Father of the Blues Handy, W C Audio Archives LP A-1200
    [Show full text]