Color Theory

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Let’s take a look at the Color Wheel Color Schemes and Color Values • Learning to mix colors is important. • Knowing the placement of colors on the color wheel will help you mix colors and help you decide which colors to add to your painting or drawing! • Your choice of color schemes can make a big difference in the success of your project. • The primary colors are red, yellow, and blue. • These colors can be combined to create secondary colors…green, violet, and orange. • Red plus blue will make violet. • Yellow plus blue will make green. • Red plus yellow will make orange. • mixed with will make . • mixed with will make . • mixed with will make . PRIMARY COLORS CANNOT BE MADE FROM OTHER COLORS Secondary colors can be created from primary colors. POINTILLISM George Seurat ( December 2,1859 – March 29,1891) developed a painting technique called pointillism, where dots of pure color are positioned next to each other on a canvas. From a distance, the colors appear to mix and create new colors. Tertiary Colors A tertiary color is a color made by mixing one primary color with one secondary color. Warm colors seem to move toward the viewer in a painting Warm colors are red, pink, orange and yellow. This family of colors is called warm because they remind you of warm things like the sun or fire. Cool colors seem to recede, or move away in a painting Cool colors remind us of cool things like the ocean or winter sky. They include blue, violet and green. Georgia O'Keeffe (November 15, 1887 – March 6, 1986) Warm Color Scheme Cool Color Scheme consist of different values (tints and shades) of one single color. Tint - color plus white to make the color lighter. Shade - color plus black to make the color darker. Complementary colors are colors that are opposite of each other on the color wheel, such as blue and orange, red and green, violet and yellow. - - - Vincent van Gogh uses a complimentary color scheme in this painting titled La Berceuse (1889; Oil on canvas) Analogous color schemes use colors that are next to each other on the color wheel. "Nymphéas" Claude MONET 1916-19 An analogous color scheme is similar to the monochromatic color scheme, but offers more depth. • https://www.youtube.com/watch?v=2rU2Ju ual18 • 9 min • https://www.youtube.com/watch?v=lqzYUI h0Dcg • 3.5.

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American Abstract Expressionism
American Abstract Expressionism Cross-Curricular – Art and Social Studies Grades 7–12 Lesson plan and artwork by Edwin Leary, Art Consultant, Florida Description Directions This project deals with the infusion between Art History Teacher preparation: and Art Making through American Abstract Expressionism. Gather examples of artists that dominated this movement, American Abstract Expressionism is truly a U.S. movement that display them in the Art Room with questions of: Who uses emphasizes the act of painting, inherent in the color, texture, organic forms? Dripped and splashed work? Why the highly action, style and the interaction of the artist. It may have been colored work of Kandinsky? Why the figurative aspects of inspired by Hans Hofmann, Arshile Gorky and further developed DeKooning? by the convergence of such artists as Jackson Pollack, William With the students: DeKooning, Franz Kline, Mark Rothko and Wassily Kandinsky. 1 Discuss the emotions, color and structure of the displayed Objectives artists’ work. Discuss why American Abstract Expressionism is less about • Students can interactively apply an art movement to an art 2 process-painting. style than attitude. • This art-infused activity strengthens their observation and 3 Discuss why these artists have such an attachment of self awareness of a specific artist’s expression. expression as found in their paintings yet not necessarily found in more academic work? Lesson Plan Extensions 4 Gather the materials and explain why the vivid colors of Apply this same concept of investigation, application and art Fluorescent Acrylics were used, and what they do within a making to other movements or schools of art.
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Color Basics Using a Color Wheel
Color Basics When mixing your own colors, it’s important to have a basic knowledge of color relationships. The primary colors (red, yellow, and blue) are the three basic colors that all other colors derive from, and they can’t be created by mixing any other colors. Each combination of two primary colors results in a secondary color (purple, green, and orange), and a combination of a primary and a secondary color results in a tertiary color (such as red-orange or yellow-green). Another term you’ll want to become familiar with is hue, which refers to the color group or family (such as red) rather than the specific color (such as alizarin crimson and cadmium red light, which are both of a red hue). Using a Color Wheel The color wheel demonstrates color relationships and will help you choose, mix, and use colors effectively. Any two colors directly across from each other on the color wheel—like yellow and purple or orange and blue— are complementary colors, and any groups of colors that are adjacent on the wheel—such as red, red- orange, and orange—are analogous colors. UNDERSTANDING THE COLOR WHEEL A color wheel is a convenient visual aid that helps you immediately identify primary, secondary, and tertiary colors, as well as complementary and analogous colors. www.walterfoster.com Permission to reproduce and distribute this page has been granted by the copyright holder, Walter Foster Publishing. All rights reserved. Color Psychology Colors are also often identified in terms of “temperature”—that is, colors can be classified as being either “warm” or “cool,” and each temperature can express moods as well as seasons.
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Understanding The Color Wheel What is a color wheel? A color wheel is a painting tool artists use to help understand the relationships between individual colors and how to best use them. By name, each color is as follows: red, red-purple, purple, blue-purple, blue, blue-green, green, yellow-green, yellow, yellow-orange, orange, and orange red. Sometimes, colors have more common names like “turquoise” for blue-green, and “magenta” for red-purple. Primary Colors Primary colors are the building blocks that make all the other colors on the wheel. Here on our color diagram we can see the 3 primary colors. We know them as red, yellow, and blue. Fun fact:Did you know that you can create ANY color you need from mixing red, yellow, or blue paint? The primary colors on the color wheel are the most powerful colors. Yellow is the brightest color on the wheel while red and blue have been known as “power colors”. That’s why fast-food restaurants like McDonald’s use red and yellow in its logo - so you can see it from far away! Secondary Colors A secondary color is a combination of 2 primary colors. There are 3 secondary colors on our wheel - green, orange and purple. Here is a summary of how to create the secondary colors: Tertiary Colors Tertiary colors are the last addition to our wheel. Tertiary colors are a mixture of a primary color and a secondary color. Each tertiary color is named from a combination of the primary and secondary colors, like yellow- green.
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The Beginnings of a Beginner's Guide to Color Theory by Laura Bracken ([email protected])
The Beginnings of a Beginner's Guide to Color Theory By Laura Bracken ([email protected]) We're only going to scratch the surface today. Color in design is an intimidating (for me) and possibly overwhelming subject. There's SOOO much ground to cover and so many ideas, all with tangents and paths and differing opinions. So let's begin… Remember in school, the "Primary Colors"? Red, Blue, and Yellow. The theory was, with these colors you can make ANY color. ☺ How exciting! My first introduction to the "alternate" Primary Colors came about the first time I went to change the ink cartridge on my color printer. Egads! It's Magenta, Cyan, and Yellow!!! How can my printer make ALL the colors if it's not even using the primary colors as a base?!?!? And so I learned about "four color ink printing" (black is the 4th). These new colors actually produce more variety and more intense colors. Go figure. Now we'll discuss basic mixing. I'll use typical color theory terminology when applicable so you will know these words when you see them again, used in other things. So a "Primary Color" is one either: red, blue, yellow or magenta, cyan, yellow. A "Secondary Color" then, is when equal amounts of two primary colors are mixed together: Sorry, some of my desired colors weren't available in the software in which I made these pie-charts, so I had to draw the colors in later. Hmph! A "shade" is when you darken any given color, and a "tint" is when you lighten one.
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Color Theory for Photographers As Photographers, We Have a Lot of Tools Available to Us: Compositional Rules, Lighting Knowledge, and So On
Color Theory for Photographers As photographers, we have a lot of tools available to us: compositional rules, lighting knowledge, and so on. Color is just another one of those tools. Knowing and understanding color theory — the way painters, designers, and artists of all trades do — a photographer can utilize color to their benefit. Order of colors This may cause some flashbacks to elementary school art class, but let’s start at the beginning: The orders of colors. There are three orders: Primary, Secondary, and Tertiary colors. The primary colors are red, yellow, and blue. That is to say, they are the three pure colors from which all other colors are derived. If we take two primary colors and add combine them equally, we get a secondary color. Finally, a tertiary color is one which is a combination of a primary and secondary color. Primary Colors: Red, yellow, and blue are what we call “pure colors.” They are not created by the combining of other colors. Secondary Colors: A 50/50 combination of any two primary colors. Example: Red + Yellow = Orange. Tertiary Colors: A 25/75 or 75/25 combination of a primary color and secondary color. Example: Blue + Green = Turquoise. Now, how do the orders of colors help a photographer? Well, by knowing the three orders, we can make decisions about which colors we want to show in frame. The Three Variables of Color Now that we’ve been introduced to the orders of the colors, let’s look at their variables. Let’s start with hue. Hue Hue simply is the shade or name of the color.
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Color Mixing Is a Complicated Topic, Especially in Weaving. in This Course
Color mixing is a complicated topic, especially in weaving. In this course, I'm going to focus on giving you some basic concepts of color mixing and then give you tools to experiment with it on your own. A brief recap of color mixing from the hues section. Primary colors are pure colors. They cannot be created by mixing other colors together. The primary colors for weaving are yellow, magenta, and cyan, also known as turquoise. Mixing two primary colors in equal proportions gives you a secondary color. The secondary colors are orange, green, and purple, and they fall between your primary colors on the color wheel. Here's how this works in weaving. These two yarns, magenta and yellow, are primary colors. They weave into an orange plain weave fabric. Mixing a primary and secondary color gives you a tertiary color. There are six tertiary colors, and they fall between the primary and secondary colors on the color wheel. Here's how this plays out in weaving. A green yarn and a yellow yarn blend to make a yellow-green plain weave fabric. Mixing two primary colors produces an equally bright color somewhere between those two colors on the color wheel. In theory, mixing all three primaries in equal amounts should produce gray. It's not usually that neat, but in general, adding a third primary to the mix does dull the color, introducing some gray. So if you want to keep your colors bright, mix only colors that fall between two primaries on the color wheel. Another way of looking at it is that colors that fall between two primaries will mix into equally bright colors.
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Discover How to Express Yourself Freely Using Playful Colour Techniques, Unique to You
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Color Chapter
Color Color theory is a topic scheme is used with televi- that seems very familiar on sions, projectors and stage the surface, but it is much lighting. more in-depth as the sub- Regardless of the source ject is explored. of the color, each color has Teachers tell us the three three characteristics: hue, primary colors — red, blue value and saturation. and yellow — at a young Hue is the color itself. age. Sometimes hue refers to the Those teachers were not wavelength that specific completely accurate. There color produces. It is the are two other primary color named color, such as gar- schemes they do not men- net. tion. Value refers to a color’s Primary colors are color brightness. Value is ad- that cannot be produce by justed by adding black or mixing two other colors. white to the color. When dealing with color Saturation, or chroma, that is reflected off of an is how “pure” a color is. object and into the eye, the Full saturation is the color primary colors are cyan, without black, white or any magenta and yellow — amount of another color. subtractive color. In this To desaturate a color, the scheme, mixing the prima- color’s opposite, or comple- ry colors together produce ment, is added. If equal black. amounts of a color and its The subtractive color complement are mixed, a scheme is used with inks, gray color is produced. paints, dyes and pigments. The object reflects different Color Wheel amounts of the primaries to produce the color we The primary colors perceive.
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